Barnes and Richards (also known as James McCormack) are members of the Irish Republican Army (IRA) and participate in the August 25, 1939 Coventry bombing which kills five people. Although they both admit to constructing the bomb, which is intended to be used to destroy a power station, they claim not to be involved in planting the bomb.
Seán MacBride, a former Chief of Staff of the IRA and Irish barrister, attempts to secure their release claiming they are being illegally held without a writ of habeas corpus. However, both are charged with murder on December 12 along with Brigid O’Hara and Joseph and Mary Hewitt. All five plead not guilty before the court at Birmingham Assizes.
Brigid O’Hara issues statements between August 28 and September 4 to Scotland Yard and Birmingham City Police denying any knowledge of the bombings and later provides evidence for the prosecution. Found guilty of murder on December 15, Barnes and Richards are hanged at Winston Green Prison in Birmingham on February 7, 1940. Their remains are returned to Dublin in 1969.
The reinterment in Mullingar, County Westmeath is attended by an estimated 15,000 people. Mass is said in Irish in the Cathedral before the funeral to Ballyglass Cemetery. Among those attending are three brothers of Peter Barnes and a sister and brother of McCormack.
The trial and execution results in a public outcry in Ireland against Neville Chamberlain and the British Government as Peadar O’Donnell and other prominent Irish writers sign a petition campaigning for leniency towards the condemned men.
The first regiment of the Irish National Army, sometimes unofficially referred to as the Free State army or the Regulars, is set up in Dublin on January 31, 1922.
Conflict arises between the National Army and the anti-Treaty components of the IRA, which does not support the government of the Irish Free State. On June 28, 1922, the National Army commences an artillery bombardment of anti-Treaty IRA forces who are occupying the Four Courts in Dublin, thus beginning the Irish Civil War.
The National Army is greatly expanded in size to fight the civil war against the anti-Treaty IRA, in a mostly counter-insurgency campaign that is brought to a successful conclusion in May 1923. From October 1, 1924, the Army is reorganised into a smaller, better regulated force. The term “National Army” is superseded by the legal establishment of the Defence Forces as the Irish Free State’s military force.
Molony is born in Dublin on January 15, 1883, to Michael Molony, a grocer, and Catherine McGrath. Her mother dies early in her life. Her father later remarries, but both became alcoholics, something which influences her years later.
Molony is central to the school meals activism of the movement. With Maud Gonne, Marie Perolz and others, she organises the supply of daily school meals to children in impoverished areas, and pressures Dublin Corporation and other bodies to provide proper meals to the starved children of Dublin city.
Molony also has a career as an actress and is a member of the Abbey Theatre. However, her primary commitment is to her political work. She is a strong political influence, credited with bringing many into the movement, including Constance Markievicz and Dr. Kathleen Lynn.
As a labour activist, Molony is a close colleague of Markievicz and of James Connolly. In November 1915 Connolly appoints her secretary of the Irish Women Workers’ Union, in succession to Delia Larkin. This union had been formed during the strike at Jacob’s Biscuit Factory that was part of the 1913 Dublin lock-out. She manages the union’s shirt factory in Liberty Hall, founded to give employment to the strikers put out of work and blacklisted after the strike. She is friendly with the family of Thomas MacDonagh and his wife, Muriel, and is the godmother of their daughter Barbara, whose godfather is Patrick Pearse.
Fianna Éireann, the cadet body of the Irish Volunteers, is founded by Constance Markievicz in Molony’s home at 34 Lower Camden Street, Dublin, on August 16, 1909. Markievicz works closely with Molony and Bulmer Hobson in organising the fledgling Fianna. It is during this period of working together in building the Fianna that Molony and Hobson grow close and became romantically linked. However, the relationship does not last.
Molony is a prominent member of Cumann na mBan, the republican women’s paramilitary organisation formed in April 1914 as an auxiliary of the Irish Volunteers. Members of Cumann na mBan train alongside the men of the Irish Volunteers in preparation for the armed rebellion against the English forces in Ireland.
During the 1916 Easter Rising, Molony is one of the Citizen Army soldiers who attacks Dublin Castle. During the defence of City Hall, her commanding officer, Sean Connolly, is killed and she is captured and imprisoned until December 1916.
After the Irish Civil War, Molony becomes the second female president of the Irish Trades Union Congress. She remains active in the republican cause during the 1930s, particularly with the Women’s Prisoner’s Defense League and the People’s Rights Association.
Molony retires from public life in 1946 but continued to work for women’s labour rights. She dies in Dublin on January 28, 1967.
Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.
Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.
O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).
At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).
In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.
For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”
During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.
O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.
Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.
Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.
The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.
Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.
On January 7, 2000, experts underline the important heritage value of a 19th Century relic that stands on the site of a disused copper mine. A conservation appeal is launched to safeguard a unique engine house at a mountain mine in the Beara peninsula. A rare surviving symbol of Cornish type mining technology, the structure is the primary surviving embodiment of a once thriving copper mining industry in Allihies, County Cork.
The industrial mines in Allihies date back to 1812, when they are first opened by John Puxley. Mining activity reaches its peak there in 1845, when the mines employ around 1,600 people, after which the mines suffer with the local area during the Great Famine. The mines are operational until 1962, when they are finally closed. Large Cornish engine houses are constructed around the mining site, ruins of which survive today. These are used to pump out water to allow for deeper mining, and to transport miners and equipment down shafts that go below sea level. The site still contains a number of engine houses, mining shafts and a church. These are constructed by and for the Cornish miners who are brought to the area in the 1800s to mine copper ore. Once the mine becomes unprofitable, many of the miners emigrate to Butte, Montana.
The Allihies Copper Mine Museum (ACMM) is housed in a renovated Methodist church dating from 1845. It is officially opened by PresidentMary McAleese on September 13, 2007, after ten years of work by the Allihies Mines Co-op, a group that is formed to preserve the history of the area and mining heritage in the Allihies area, supported by the Mining Heritage Trust of Ireland.
The exhibitions cover all aspects of the history of copper mining in the area, from prehistoric times all the way up to the nineteenth century and the Industrial Revolution. The displays also cover the local geology and the social history of the mining heritage. The collections contain examples of mining equipment and tools from the various eras of activity. The exhibition space is also used to display artworks, with local artists such as Charles Tyrrell, Cormac Boydell, Rachel Parry and Tim Goulding exhibiting there.
(Pictured: Engine House, Allihies by John Gibson, view of the 1862 house for the 36″-cylinder beam engine that powered the man-engine and winder on Mountain Mine)
Desmond is born in Kinsale, County Cork on December 29, 1932. She is educated locally at the Convent of Mercy in Kinsale, where she is one of only two girls in her class to sit the Leaving Certificate examination. Before entering politics, she works as a civil servant with the Department of Posts and Telegraphs. She marries Dan Desmond in 1958.
Desmond is elected to the European Parliament at the 1979 European Parliament election for the Munster constituency. However, her time in Europe is short-lived, as she returns to domestic politics when she is offered a position as Minister and the chance to impact upon national legislation. At the 1981 general election she switches her constituency to Cork South-Central. A Fine Gael–Labour Party coalition comes to power, and she is appointed Minister for Health and Social Welfare.
Desmond’s cabinet appointment is historic, as she is only the second woman to be a member of cabinet since the foundation of the state in 1922, and the first in any Fine Gael or Labour Party cabinet. Countess Markievicz had held the cabinet post of Minister for Labour in the revolutionary First Dáil in 1919, but only one woman had held cabinet office after the foundation of the state, Máire Geoghegan-Quinn of Fianna Fáil who was appointed as Minister for the Gaeltacht in 1979.
Desmond retires from full-time politics at the 1987 general election for health reasons. She dies suddenly in Cork, County Cork on January 6, 2005. Her funeral Mass takes place at Our Lady and St. John’s Church, Carrigaline with burial following in Crosshaven Cemetery.
Cashman is born in Midleton, County Cork, one of two daughters of Patrick and Frances “Fanny” (Cronin) Cashman. Along with her sister, she is brought to the United States around 1850 by her mother, first settling in Boston. As an adolescent, she works as a bellhop in a Boston hotel. In 1865 she and her family migrate to San Francisco, California.
Of the thousands lured by the gold rush fever of the 19th century, few had the staying power or generous spirit of Cashman. She follows gold miners into British Columbia, where, during the early 1870s, she operates a boarding house while learning elementary mining techniques and geology. For the next 50 years, the precious metal leads her to Arizona, Nevada, Mexico, the Canadian Yukon, and north of the Arctic Circle in Alaska. In addition to successfully prospecting and running mines, one time owning 11 mines in the Koyukuk District of Alaska, she operates boarding houses, restaurants, and supply depots.
The quality that truly establishes Cashman’s place in mining lore is her charity, which earns her the titles “Angel of Tombstone” and “Saint of the Sourdoughs” while sometimes obscuring her career as a successful miner. As early as 1874, while visiting Victoria, she leads a dangerous rescue effort to free a group of miners trapped by a severe winter storm. Later, during the glory days of Tombstone, Arizona, she helps establish the town’s first hospital and Sacred Heart Church, its first Roman Catholic church. Although she is known to be tough and aggressive in defending her claims, she is also big-hearted. Upon the deaths of her sister and brother-in-law, she takes in her nieces and nephews and raises them as her own.
Around 1889, Cashman is active in the gold camp at Harqua Hala, Arizona, and comes close to marrying Mike Sullivan, one of the original discoverers of gold in that area. Along with mining, she contributes a number of excellent articles to Tucson‘s Arizona Daily Star, in which she discusses history, techniques, types of claims, and personalities in the field.
Cashman spends the last 20 years of her life on Nolan Creek, in the Koyukuk River Basin of Alaska, then the farthest north of any mining camp in the world. She is among about eight women who join a group of approximately 200 miners to brave the harsh environment and isolation in hopes of striking the “big bonanza.” Once a year, she leaves for supplies and equipment, traveling hundreds of miles to Fairbanks, by sled, boat, or wagon. Her spirit of adventure apparently never dies. In 1921, during one of her trips to the outside, she is interviewed for Sunset, a California publication. Then 76, Cashman tells the writer that, although she loves Alaska, she is not so tied to it that she would not pull up stakes if something turned up elsewhere.
Nellie Cashman dies on January 4, 1925, in Sisters of St. Anne hospital in Victoria, one of the hospitals she had helped fund some 40 years earlier. The United States Postal Service honors her with a stamp on October 18, 1994, as part of its “Legends of the West” series.
Potter is educated at St. Mary’s school in Fairview. She has a long career in Irish theatre, mainly as Ireland’s première comedienne, but also as a straight actress. She first appears professionally with Jimmy O’Dea in pantomime and appears frequently on television and in cabaret. She is a regular performer at the Gaiety Theatre in Dublin and for many years stars in Christmas pantomime. She becomes the first star to have a bronze cast of her handprints outside the theatre. She marries Jack O’Leary in 1959, an Irish army officer whom she had first met in 1943, and he writes most of her comedic material.
Among Potter’s many dramatic roles in the theatre is that of Maisie Madigan in Juno and the Paycock. While still a teenager, she tours abroad before World War II as a singer and dancer with Jack Hylton and his orchestra. On a tour of Germany, they once perform in front of Adolf Hitler and other Nazis. She plays the role of Dante Riordan in Joseph Strick‘s film, A Portrait of the Artist as a Young Man (1977). In September 1938, she appears on the BBC Television Service with Jack Hylton and his band. Film of her performance is held by the Alexandra Palace Television Society. In 2001, the Archivist of the Alexandra Palace Television Society gives Potter a copy of her 1938 television appearance.
Potter is conferred with the Freedom of the City of Dublin in 1984, and is later awarded an honorary degree from Trinity College, Dublin. She dies in her sleep at her home in Clontarf on April 7, 2004, at the age of 79. She is survived by her husband Jack O’Leary, and her sons John and Hugh.
