Sir John Lavery, Irish painter best known for his portraits and wartime depictions, dies of natural causes at the age of 84 in Kilmoganny, County Kilkenny, on January 10, 1941.
Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).
After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.
During this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.
Dáil Éireann votes to approve the Anglo-Irish Treaty on January 7, 1922, following a debate through late December 1921 and into January 1922. The vote is 64 in favour, 57 against, with the Ceann Comhairle and three others not voting. The Sinn Féin party splits into opposing sides in the aftermath of the Treaty vote, which leads to the Irish Civil War from June 1922 until May 1923. The treaty is signed in London on December 6, 1921.
Two elections take place in Ireland in 1921, as a result of the Government of Ireland Act 1920 to establish the House of Commons of Northern Ireland and the House of Commons of Southern Ireland. The election is used by the Irish Republic as the basis of membership of the Second Dáil. The general election to the Northern Ireland House of Commons occurs on May 24, 1921. Of 52 seats, forty are won by unionists, six by moderate Irish nationalists, and six by Sinn Féin. No actual polling takes place in the Southern Ireland constituencies, as all 128 candidates are returned unopposed. Given the backdrop of the increasingly violent War of Independence, any candidates opposed to Sinn Féin, and their supporters can expect to be harassed by the Irish Republican Army (IRA). Supporters of the Irish Labour Party stand aside to allow the constitutional situation to run its course. Of these 128, 124 are won by Sinn Féin, and four by independent unionists representing the University of Dublin constituency. Only the Sinn Féin candidates recognise the Second Dáil and five of these have been elected in two constituencies, one in each part of Ireland, so the total number of members who assemble in the Second Dáil is 125.
During the Second Dáil, the government of the Irish Republic and the British government of David Lloyd George agree to hold peace negotiations. On September 14, 1921, the Dáil ratifies the appointment of Arthur Griffith, Michael Collins, Robert Barton, Eamonn Duggan, and George Gavan Duffy as envoys plenipotentiary for the peace conference in England. These envoys eventually sign the Anglo-Irish Treaty on December 6. After almost a month of acrimonious debate the treaty is formally ratified by Dáil Éireann on January 7, 1922.
To satisfy the requirements of the British constitution, the treaty also has to be ratified by the House of Commons of Southern Ireland. Thus, Irish nationalists end their boycott of the home rule parliament to attend the southern House of Commons as MPs. This they do alongside the four Unionist MPs who had refused to recognise the Dáil. In this way the treaty is ratified a second time in Dublin, this time unanimously as the anti-Treaty TDs refuse to attend.
Under the terms of the Anglo-Irish Treaty a provisional parliament, considered by nationalists to be the Third Dáil, is elected in the 1922 general election on June 16. Collins and Éamon de Valera agree a pact between the pro- and anti-Treaty wings of Sinn Féin, and this pact and the elections are endorsed by the Second Dáil. The new assembly is recognised both by nationalists and the British Government and so replaces both the Parliament of Southern Ireland and the Second Dáil with a single body. The anti-Treaty groups of IRA members, TDs, and their supporters are still bitterly opposed the settlement, despite the election result, and this leads to the Irish Civil War.
(Pictured: Second All-Ireland Dáil Éireann, elected in 1921)
Breen is born in Grange, Donohill parish, County Tipperary, on August 11, 1894. His father dies when he is six, leaving the family very poor. He is educated locally before becoming a plasterer and later a linesman on the Great Southern Railways.
Breen is sworn into the Irish Republican Brotherhood in 1912 and the Irish Volunteers in 1914. On January 21, 1919, the day the First Dáil meets in Dublin, Breen takes part in the Soloheadbeg Ambush. The ambush party of eight men, led by Seán Treacy, attacks two Royal Irish Constabulary (RIC) men who are escorting explosives to a quarry. The two policemen, James McDonnell and Patrick O’Connell, are fatally shot during the incident. The ambush is considered to be the first incident of the Irish War of Independence.
During the conflict, the British put a £1,000 price on Breen’s head, which is later increased to £10,000. He quickly establishes himself as a leader within the Irish Republican Army (IRA). He is known for his courage. On May 13, 1919 he helps rescue his comrade Seán Hogan at gunpoint from a heavily guarded train at Knocklong station in County Limerick. Breen, who is wounded, remembers how the battalion is “vehemently denounced as a cold-blooded assassins” and roundly condemned by the Catholic Church. After the fight, Treacy, Séamus Robinson, and Breen meet Michael Collins in Dublin, where they are told to make themselves scarce although they do not necessarily agree.
Breen and Sean Treacy shoot their way out through a British military cordon in the northern suburb of Drumcondra (Fernside). They escape, only for Treacy to be killed the next day. Breen is shot at least four times, twice in the lung.
The British reaction is to make Tipperary a “Special Military Area,” with curfews and travel permits. Volunteer GHQ authorises entrerprising attacks on barracks. The British policy forces Breen and Treacy to retreat to Dublin. They join Michael Collins’ Squad of assassins, later known as the Dublin Guard, and Dublin becomes the centre of the war.
Breen is present in December 1919 at the ambush in Ashtown beside Phoenix Park in Dublin where Martin Savage is killed while trying to assassinate the Lord Lieutenant of Ireland, Viscount John French. The IRA hides behind hedges and a dungheap as the convoy of vehicles drives past. They have been instructed to ignore the first car but this contains their target, Lord French. Their roadblock fails as a policeman removes the horse and cart intended to stop the car.
Breen utterly rejects the Anglo-Irish Treaty, which makes him, like many others, angry and embittered. In the June 1922 elections Breen is nominated as a candidate by both the pro- and anti-Treaty sides, but is not elected.
Breen is elected to Dáil Éireann at the 1923 general election as a Republican anti-Treaty Teachta Dála (TD) for the Tipperary constituency. Following the Anglo-Irish Treaty, Breen joins the Anti-Treaty IRA in the civil war, fighting against those of his former comrades in arms who support the Treaty. He is arrested by the National Army of the Irish Free State and interned at Limerick Prison. He spends two months there before going on hunger strike for six days followed by a thirst strike of six days, prompting his release.
Breen writes a best-selling account of his guerrilla days, My Fight for Irish Freedom, in 1924. He represents Tipperary from the Fourth Dáil in 1923 as a Republican with Éamon de Valera and Frank Aiken. He is defeated in the June 1927 general election and travels to the United States where he opens a prohibitionspeakeasy. In 1932 he returns to Ireland and regains his seat as a member of Fianna Fáil in the Dáil at that year’s general election. During World War II he is said to hold largely pro-Axis views. He represents his Tipperary constituency without a break until his retirement at the 1965 election.
Breen dies in Dublin on December 27, 1969 and is buried in Donohill, near his birthplace. His funeral is the largest seen in west Tipperary since that of his close friend and comrade-in-arms Seán Treacy at Kilfeacle in October 1920. An estimated attendance of 10,000 mourners assemble in the tiny hamlet, giving ample testimony to the esteem in which he was held.
Breen is the subject of a 2007 biography Dan Breen and the IRA by Joe Ambrose.
Goulding is born on January 2, 1923, one of seven children born on East Arran Street, north Dublin to an Irish republican family. As a teenager Goulding joins Fianna Éireann, the youth wing of the Irish Republican Army (IRA). He joins the IRA in 1939. In December of that year, he takes part in a raid on Irish Army ammunition stores in Phoenix Park, Dublin. In November 1941 he is gaoled for a year in Mountjoy Prison for membership in an unlawful organisation and possession of IRA documents. Upon his release in 1942, he is immediately interned at the Curragh Camp, where he remains until 1944.
In 1945, he is involved in the attempts to re-establish the IRA which has been badly affected by the authorities in both the Irish Free State and Northern Ireland. He is among twenty-five to thirty men who meet at O’Neill’s Pub, Pearse Street, to try to re-establish the IRA in Dublin. He organises the first national meeting of IRA activists after the World War II in Dublin in 1946 and is arrested along with John Joe McGirl and ten others and sentenced to twelve months in prison when the gathering is raided by the Garda Síochána.
Upon his release in 1947, Goulding organises IRA training camps in the Wicklow Mountains and takes charge of the IRA’s Dublin Brigade in 1951. In 1953, Goulding, along with Seán Mac Stíofáin and Manus Canning, is involved in an arms raid on the Officers Training Corps armoury at Felsted School, Essex. The three are arrested and sentenced to eight years’ imprisonment, but are released in 1959 after serving only six years at Pentonville, Wakefield, and Stafford prisons. During his time in Wakefield prison, he befriends EOKA members and Klaus Fuchs, a German-born spy who has passed information about the U.S. nuclear programme to the Soviet Union, and becomes interested in the Russian Revolution.
In 1959, Goulding is appointed IRA Quartermaster General and in 1962 he succeeds Ruairí Ó Brádaigh as IRA Chief of Staff. In February 1966, together with Sean Garland, he is arrested for possession of a revolver and ammunition. In total, Goulding spends sixteen years of his life in British and Irish jails.
Goulding is instrumental in moving the IRA to the left in the 1960s. He argues against the policy of abstentionism and develops a Marxist analysis of Irish politics. He believes the British state deliberately divides the Irish working class on sectarian grounds to exploit them and keep them from uniting and overthrowing their bourgeois oppressors. This analysis is rejected by those who later go on to form the Provisional IRA after the 1969 IRA split.
Goulding remains chief of staff of what becomes known as the Official IRA until 1972. Although the Official IRA, like the Provisional IRA, carries out an armed campaign, Goulding argues that such action ultimately divides the Irish working class. After public revulsion regarding the shooting death of William Best, a Catholic from Derry who is also a British soldier, and the bombing of the Aldershot barracks, the Official IRA announces a ceasefire in 1972.
Goulding is prominent in the various stages of Official Sinn Féin‘s development into the Workers’ Party. He is also involved in the anti-amendment campaign in opposition to the introduction of a constitutional ban on abortion along with his partner, Dr. Moira Woods. However, in 1992, he objects to the political reforms proposed by party leader Proinsias De Rossa and remains in the Workers’ Party after the formation of Democratic Left. He regards the Democratic Left as having compromised socialism in the pursuit of political office.
In his later years, Goulding spends much of his time at his cottage in Raheenleigh near Myshall, County Carlow. He dies of cancer in his native Dublin and is survived by three sons and a daughter. He is cremated and his ashes scattered, at his directive, at the site known as “the Nine Stones” on the slopes of Mount Leinster.
MacGowan spends his early childhood in County Tipperary, before his family moves back to England when he is six years old. He lives in many parts of the southeast of England, including Brighton and London.
MacGowan’s father, Maurice, works for a department store. MacGowan’s mother, Therese, is a singer and traditional Irish dancer, and has worked as a model in Dublin. In 1971, after attending Holmewood House School at Langton Green, Tunbridge Wells, MacGowan earns a literature scholarship and is accepted into Westminster School. He is found in possession of drugs and is expelled in his second year.
MacGowan gets his first taste of fame in 1976 at a concert by British punk band The Clash, when his earlobe is damaged by Jane Crockford, later to be a member of Mo-dettes. A photographer snaps a picture of him covered in blood and it makes the papers, with the headline “Cannibalism at Clash Gig.” Shortly after this, he forms his own punk rock band, The Nipple Erectors, later renamed The Nips.
MacGowan draws upon his Irish heritage when founding The Pogues and changes his early “punk” voice for a more authentic sound with tutoring from his extended family. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish in London and the United States, and London life in general.
Between 1985 and 1987, he co-writes “Fairytale of New York,” which he performs with Kirsty MacColl. In the coming years MacGowan and The Pogues release several albums.
After The Pogues throw MacGowan out for unprofessional behaviour, he forms a new band, Shane MacGowan & The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. From December 2003 until May 2005, Shane MacGowan & The Popes tour extensively in the UK, Ireland, and Europe.
The Pogues and MacGowan reform for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at GuilFest in England and the Azkena Rock Festival in Basque Country. In May 2005, he rejoins The Pogues permanently.
For many years MacGowan suffers from binge drinking and heroin use. In 2001, Sinéad O’Connor reports MacGowan to the police in London for drug possession in what she says is an attempt to discourage him from using heroin. Initially furious, MacGowan later expresses gratitude towards O’Connor and claims that the incident helped him kick his heroin habit.
MacGowan has long been known for having very bad teeth. He loses the last of his natural teeth around 2008. In 2015, he has 28 new dentures on a titanium frame fitted in a nine-hour procedure which is the subject of an hour-long television programme. Dr. Darragh Mulrooney, the dental surgeon who carries out the procedure, comments that MacGowan recorded most of his great works while he still had some teeth: “We’ve effectively re-tuned his instrument and that will be an ongoing process.”
In the summer of 2015, MacGowan falls as he is leaving a Dublin studio, fracturing his pelvis. He is seen in public on crutches by December 2015, and continues to experience difficulty with general mobility.
Eamonn Andrews, radio and television presenter considered to be Ireland’s first media superstar, is born in Synge Street, Dublin, on December 19, 1922.
Andrews is educated at Synge Street CBS and begans his career as a clerk in an insurance office. He is a keen amateur boxer and wins the Irish junior middleweight title in 1944.
In 1946, he becomes a full-time freelance sports commentator, working for Radio Éireann, Ireland’s national broadcaster. In 1950, he begins presenting programmes for the BBC, being particularly well known for boxing commentaries, and soon becomes one of television’s most popular presenters. He begins hosting the game show What’s My Line? in 1951.
Throughout the 1950s, he commentates on the major British heavyweight fights on the BBC Light Programme, with inter-round summaries by W. Barrington Dalby. On January 20, 1956, he reaches No. 18 in the UK Singles Chart with a “spoken narrative” recording named “The Shifting Whispering Sands (Parts 1 & 2),” which is produced by George Martin with musical backing by the Ron Goodwin Orchestra. The song later reappears on Kenny Everett‘s compilation album The World’s Worst Record Show, which is released in June 1978.
Between 1955 and 1964, Andrews presents the long-running Sports Report on BBC’s Light Programme, now Radio 2. In 1965, he leaves the BBC to join the ITV contractor ABC, where he pioneers the talk show format in the UK. He hosts a chat show on ITV, The Eamonn Andrews Show, for five years. He is known for coming up with off-the-cuff linkings that do not work such as, “Speaking of cheese sandwiches, have you come far?” This is parodied by the character Seamus Android on Round the Horne in the 1960s, performed by Bill Pertwee. In the 1960s he presents Thames Television‘s Today news magazine programme.
Andrews is probably best known as the presenter of the UK’s version of This Is Your Life, between its inception in 1955 and his death in 1987, when he is succeeded by Michael Aspel, who had also succeeded Andrews as host of Crackerjack more than two decades earlier. Andrews becomes the very first This Is Your Life subject on British television when he is surprised by the show’s creator, Ralph Edwards. Andrews also creates a long-running panel game called Whose Baby? that originally runs on the BBC and later on ITV. He is a regular presenter of the early Miss World pageants.
Andrews’ chairs the Radio Éireann Authority, now the RTÉ Board, between 1960 and 1964, overseeing the introduction of State television to Ireland and establishing the Irish State broadcaster as an independent semi-state body. About this time, he also acquires a number of business interests in Ireland, including recording studios and a dance hall.
After months of illness during 1987, originally caused by a virus contracted during an airline flight, but which is not recognised at the time, he dies from heart failure on November 5, 1987, at the age of 64, at Cromwell Hospital, London. He had recorded his last edition of This Is Your Life six days previously on October 30, 1987, surprising Crossroads actress Jane Rossington. After his death, the show, and two others that have yet to be broadcast, are postponed until, with his widow’s permission, they are broadcast in January 1988. His widow, Gráinne, whom he married in 1951, dies 18 months later. They had three adopted children.
The last British troops leave the Irish Free State on December 17, 1922. They are the remnants of a 5,000 strong garrison maintained up to that point in Dublin, commanded by Nevil Macready.
It appears to be a friendly farewell, even while Ireland is embroiled in its own Civil War. The Union Jack is lowered at the hospital and Macready goes to review the final contingent of troops as they leave the Royal barracks, later known as the Collins barracks. He then motors to Kingstown, now Dún Laoghaire, where he receives a 17-gun salute and joins Admiral Cecil Fox, the Sligo-born naval commander in the area, on board the cruiser HMS Dragon to sail home to England and retirement.
Meanwhile, the troops, 3,500 men mostly from the Leicester, Worchester, and Border regiments, march to the port. At Beresford Place they are greeted by 500 members of the Legion of Irish Ex-Servicemen, in civilian clothes but wearing their decorations. Thousands of other people line the quays and the armoured cars and the Dublin Metropolitan Police stand by, but there is no trouble. Embarkation onto six ships begins around 1:15 PM. At 3:10 PM, the last ship to leave, the steamer Arvonia chartered from the London and North Western Railway, weighs anchor while a band on deck plays “God Save the King” and a crowd breaks into the North Wall Extension to wave a final farewell as it enters Alexandra Basin.
The armoured cars them drive north to Ulster and the evacuation of the Irish Free State, apart from the Treaty ports, is over. General Richard Mulcahy, who takes over the Royal barracks that day, claims “the incubus of occupation that has lain as a heavy hand on the country for years has been removed.”
In his memoirs, Macready expresses annoyance that a photograph of Fox and himself published in The Irish Times on December 18 has the caption “two gallant Irishmen.” Although he has an Irish grandfather, he cordially loathes Ireland.
The British leave fully outfitted barracks to the Irish Army and artifacts including a large card in the Headquarters in Parkgate Street printed with the admonition “LOVE ONE ANOTHER.”
Stacy leaves school at the age of 16 after failing to attend regularly. He holds a few jobs, including working at a carwash and as a used car salesman for nearly two years. One of Stacy’s early bands was The Millwall Chainsaws, which Stacy describes as more of an idea than an actual band, although they perform seven gigs within two years. The band features Stacy on vocals and Shane MacGowan on guitar. Stacy and MacGowan had met at the Roundhouse at a Ramones concert that also featured The Saints and Talking Heads. They play some Irish rebel songs, later renaming themselves the New Republicans. This band later forms the genesis of The Pogues. Stacy has heard a good deal of Irish music growing up in London but becomes increasingly interested in it after meeting MacGowan.
Stacy co-founds The Pogues, along with MacGowan, Jem Finer, and James Fearnley, and appears on all of their recordings. He is credited with suggesting the band’s original name, Pogue Mahone, which is Irish for “kiss my arse.” The band’s original intent is for MacGowan and Stacy to share vocal duties, but decide to leave them to MacGowan after the first performance. Stacy opts to learn the tin whistle. Stacy still frequently contributes backing vocals and occasional lead vocals throughout his long tenure with the band. After MacGowan is fired from the The Pogues in 1991, Joe Strummer fills in for him for a short period after which Stacy assumes the role of lead vocalist. The Pogues record two albums with Stacy on lead vocals – Waiting for Herb and Pogue Mahone. Stacy resumes his original role in the band when they begin performing reunion shows in 2001.
Stacy appears in several movies and television productions over his career, including the Alex Cox films Straight to Hell (1986) and Walker (1986), as well as Eat the Rich (1987). Most recently, he appears as “Slim Jim” Lynch in two seasons of the HBO series Treme, which is set in New Orleans.
Stacy and his wife have lived in New Orleans since 2010.
Grace Evelyn Gifford Plunkett, Irish artist and cartoonist who is active in the Republican movement, dies suddenly in her apartment in South Richmond Street, Portobello, Dublin, on December 13, 1955.
Gifford is the second youngest of twelve children born to Frederick Gifford, a solicitor and Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. She grows up in the fashionable suburb of Rathmines in Dublin. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants. The girls attend Alexandra College in Earlsfort Terrace, and the boys attend the The High School in Harcourt St.
At the age of 16, Gifford enters the Dublin Metropolitan School of Art, where she studies under the Irish artist William Orpen. Orpen regards Gifford as one of his most talented pupils. He often sketches her and eventually paints her as one of his subjects for a series on “Young Ireland.” Around this time, Gifford’s talent for caricature is discovered and developed. In 1907 she attends a course in Fine Art at the Slade School of Fine Art, London.
Gifford returns to Dublin in 1908 and, with great difficulty, attempts to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet, and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Later that year, she meets Plunkett for the first time at the opening of St. Edna’s School, a new bilingual school in Ranelagh, Dublin. Plunkett is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to Gifford’s sister Muriel.
Her growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship. Plunkett proposes to her in 1915. She accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plan to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.
After the Rising, her brother-in-law Thomas MacDonagh is executed by firing squad along with Patrick Pearse and Thomas Clarke on May 3. That same day, Gifford learns that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin city centre and, with the help of a priest, persuades the military authorities to allow them to marry. She and Plunkett are married on the night of May 3, 1916, in the chapel of Kilmainham Gaol, a few short hours before he is executed.
Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.
During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She is released in May 1923.
When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. She moves from one rented apartment to another and eats in the city-centre restaurants. She befriends many people and has many admirers but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau St. with a balcony overlooking the sports ground of Trinity College.
Plunkett’s in-laws refuse to honour her husband’s will, which leaves everything to his widow. Legally, the will is invalid because there is only one of the required two witnesses and also the marriage takes place after the will is made, automatically revoking it. She begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court and Plunkett is paid £700, plus costs.
From the late 1940s onwards, Plunkett’s health declines. In 1950 she is brought to St. Vincent’s Hospital, then in the city centre. She convalesces in a nursing home, which she does not like because it restricts her freedom.
After her sudden death on December 13, 1955, Grace Gifford Plunkett’s body is removed to St. Kevin’s Church, Harrington Street, and among the attendees at her funeral is President Seán T. O’Kelly. She is buried with full military honours near the republican plot in Glasnevin Cemetery.
Grace Gifford Plunkett is the subject of “Grace,” a song written in 1985 by Frank and Seán O’Meara, which becomes popular in Ireland and elsewhere and has been recorded by many musicians.
Dave King, Irish vocalist and primary writer and lyricist for the band Flogging Molly, is born at Beggars Bush, Dublin, on December 11, 1961. He is previously well known as the lead singer for the 1980s hard rock band Fastway.
King grows up in a small two-room flat in a Beggars Bush, Dublin tenement that has once been a British military barracks. When he is around the age of six or seven his parents buy him a guitar. King remembers being called inside by his mother to watch David Bowie perform “Starman” on television, which he cites as one of many influences along with Luke Kelly, Joe Strummer, Johnny Cash, and Freddie Mercury to name a few. King’s father dies when King is 10 years old. He leaves Dublin in his twenties, briefly residing in London and then on to Los Angeles where he first joins hard rock band Fastway.
King starts out as the vocalist for Fastway, featuring guitarist “Fast” Eddie Clarke of the metal band Motörhead, Pete Way, former bassist of UFO, and Jerry Shirley, former drummer of Humble Pie, although Way leaves the band before the release of the first album, and does not appear on the album cover. They record their first four records with King on vocals, as well as a live record.
When Fastway is ostensibly disbanded and Eddie Clarke carries on the name with all new members, King forms Katmandu with Mandy Meyer, former member of the band Krokus, who release one self-titled album. The band has a couple of minor hits but later disbands.
King retains a record deal with Epic Records, who want him to sing for Jeff Beck, but he declines. He starts work forming the band Flogging Molly, along with Ted Hutt, Jeff Peters, and Bridget Regan. King and Flogging Molly introduce new material that has a distinct Irish sound, but retains the hard driving, loud and fast musical style. He asks to be let out of his Epic contract because “they wouldn’t know what to do with the new music anyways.” Since then, Flogging Molly has reached position No. 4 on the Billboard charts top 200 and a No. 1 on the Billboard Indie Chart.
After emigrating to the United States, King is without a “green card” for eight years. King is not able to visit his home or family in Ireland during this time for fear that immigration laws will prevent his return to the United States. This separation from his homeland and his mother is thought to be a contributing factor in many of Flogging Molly’s early song lyrics, with many of the songs alluding to King’s time in “exile.”
King is married to fellow musician and band mate Bridget Regan. After years together, the two marry in a private ceremony in Tokyo, Japan while on tour in 2008.
seamus dubhghaill 