Pauline Delaney, accomplished stage, TV and film actress who is best known for her role in Circle of Friends and Into The West, dies in London from complications caused by Parkinson’s disease on January 15, 2007.
Delany is born in Dublin on June 8, 1925. Her mother, a keen theatregoer, inspires her love of the stage, taking her on regular visits to the Abbey Theatre and the Gate Theatre. She learns her craft through evening classes at the Brendan Smith Academy in Dublin and later gives up her job as a trainee fashion buyer to tour with a production of Charlie’s Aunt, starring Leslie Phillips.
In the mid-1950s, she marries actor Norman Rodway, and they become members of the Globe company, together with Anna Manahan, Maureen Toal and Milo O’Shea, presenting new plays at a small Gas Company theatre in Dún Laoghaire. When financial problems force the Globe to close, she helps form Gemini Productions and stars in its 1960s Dublin Theatre Festival success, The Poker Session, by Hugh Leonard.
When the play transfers to London, Delany moves there. Her marriage to Rodway ends and she subsequently forms a relationship with Gerry Simpson, an Irish-born playwright. She is a familiar figure on the London stage, appearing in several productions, including The Hostage at the Royal Court, A Day in the Death of Joe Egg at the King’s Head Theatre and Cross Purpose at Hampstead Theatre.
Hill is born at Southampton, Hampshire, on December 6, 1916, the son of a wealthy sugar trader. He first works as a theatre designer in Leningrad in the 1930s and later as an historian. In World War II he registers as a conscientious objector and works on a farm.
Hill’s long association with Ireland begins when he visits Glenveagh Castle in County Donegal to paint the portrait of the Irish American art collector Henry McIlhenny, whose grandfather had emigrated to the United States from the nearby village of Milford, and who subsequently made a fortune from his patent gas meter.
Hill begins to enjoy increased success as a portrait painter from the 1960s. His subjects include many notable composers, musicians, politicians and statesmen, such as broadcaster Gay Byrne, Jerusalem mayor Teddy Kollek and The Prince of Wales. He is also an enthusiastic art collector and traveller, with a wide range of friends such as Bryan Guinness and Isaiah Berlin. Greta Garbo visits Hill in the 1970s, a visit which forms inspiration for Frank McGuinness‘ 2010 play Greta Garbo Came to Donegal.
An exhibition of his work and personal art collection can be seen at the House and associated Glebe Gallery at Churchill, near Letterkenny. Another collection of his work is held at Mottisfont Abbey. Many of his landscapes portray scenes from Tory Island, where he has a painting hut for years, and starts and then mentors the artists’ community there, teaching the local fishermen how to paint. This leads to the informal but busy “Tory School” of artists such as James Dixon and Anton Meenan, who find that they have the time to paint and use their wild surroundings as a dramatic subject.
Hill is made a CBE in 1997. A Retrospective exhibition is arranged for and by him at the Royal Hibernian Academy (RHA) in 1998. On January 13, 1999, he is made an honorary Irish citizen by the President of Ireland Mary McAleese.
Arthur Derek Hill dies at the age of 83 at a London hospital on July 30, 2000. He is buried in Hampshire in the South of England with his parents. Memorial services are held for him in Dublin at St. Patrick’s Cathedral, as well as St. James’s Church, Piccadilly, London, and his local Church in Trentagh, County Donegal.
Raftery is born in Dublin on December 21, 1957. Her father, Adrian, is in the Irish foreign service, and she spends much of her childhood abroad. Though she enters University College Dublin to study engineering, she is derailed by an interest in journalism and never finishes her degree.
Raftery starts her investigative journalism career with In Dublin magazine in the 1970s, before moving on to Magill magazine and then to the Irish television channel Raidió Teilifís Éireann (RTÉ) in 1984. Her documentary series States of Fear is broadcast on RTÉ in 1999. A book she writes later that year called Suffer the Little Children adds more detail to her claim that the Irish childcare system between the 1930s and 1970s was guilty of widespread persecution and abuse.
Raftery is nominated for “NNI National Journalist of the Year” in 2011 for her work in exposing clerical abuse of children.
Mary Frances Thérèse Raftery dies of ovarian cancer at the age of 54 at St. Vincent’s University Hospital in Dublin on January 10, 2012. She is survived by her mother, three siblings, her husband and her son.
O’Brian is born Richard Patrick Russ, in Chalfont St. Peter, Buckinghamshire, to Charles Russ, an English physician of German descent, and Jessie Russ (née Goddard), an English woman of Irish descent. His literary career begins in his childhood with the publishing of his earliest works, including several short stories, the book Hussein, An Entertainment, and the short story collection Beasts Royal. The latter two bring him considerable critical praise especially considering his youth. He publishes his first novel, Caesar: The Life Story of a Panda Leopard, at the age of 15 with help from his father.
O’Brian is best known for his Aubrey–Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centered on the friendship of the English naval captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series is published posthumously containing facing pages of handwriting and typescript.
O’Brian write a number of other novels and short stories, most of which were published before he achieves success with the Aubrey–Maturin series. He also translates works from French to English, and writes two biographies.
O’Brian’s major success as a writer comes late in life, when the Aubrey-Maturin series catches the eye of an American publisher. The series draws more readers and favourable reviews when the author is in his seventies. Near the end of his life, and in the same year he loses his beloved wife, British media reveals details of O’Brian’s early life, first marriage, and post-war change of name, causing distress to the very private author and to many of his readers at that time.
Between 1946 and 1949 O’Brian and his wife Mary live in Cwm Croesor, a remote valley in north Wales, where they initially rent a cottage from Clough Williams-Ellis. In 1949 they move to Collioure, a Catalan town in southern France. He and Mary remain together in Collioure until her death in 1998.
O’Brian dies on January 2, 2000 at Trinity College, Dublin where he had been living and working on his next book. His body is returned to Collioure, where he is buried next to his wife.
Caffrey is also well regarded for his role as a transvestite in the film Night Train, and for his role as an unlikely protagonist in I Went Down. He is also known for playing the role of the judge in the Irish comedy Father Ted on the episode A Song For Europe and for voicing a popular Christmas radio advertisement for Barry’s Tea in 1994.
Caffrey is born in Dublin on April 18, 1949. He studies at a seminary for two years before switching to an English degree. He works for a year as a primary school teacher, before becoming involved with Dublin’s Project Theatre. He appears in nearly thirty television and film roles, and also has a solid theatre career in both Dublin and London. After moving to London in 1983 he becomes a familiar face on UK television, with minor roles in Casualty, The Bill and Peak Practice. His success in Ballykissangel comes after overcoming oral cancer for which he is diagnosed in 1990, and, despite suffering a stroke in 2000 which leaves him paralysed on the right side, he manages to play a similarly afflicted character in the unreleased film Sweet Dancer in 2005.
Caffrey never fully recovers from the stroke and dies at the age of 58 on January 1, 2008, in Shrewsbury. His body is returned to Ireland for cremation in Mount Jerome Cemetery and Crematorium, Dublin, on January 8, 2008. Caffrey is survived by three sisters, Linda, Carol, and Sheila. His brother David pre-deceases him in July 2007.
Caffrey marries Brenda Banks in 1980 but the marriage ends in divorce in 1990.
Marcus O’Sullivan, Irish middle distance runner, is born in Cork, County Cork, on December 22, 1961. Although he does not plan to enroll at any of Ireland’s universities, his running encourages him to go to Villanova University. After four years of education at Villanova, he graduates with a degree in accounting and later attains an MBA and a CPA.
O’Sullivan quickly becomes a world class runner and takes part in four summer Olympic Games. He wins three gold medals at the IAAF World Indoor Championships over 1500m in Indianapolis (1987), Budapest (1989), and Toronto (1993). In his victories in 1987 and 1989, he sets championship records. He is third all-time in total sub-4 minute miles with 101, trailing Steve Scott (137) and John Walker (127).
O’Sullivan sets an indoor 1500 metres world record of 3:35.4 on February 10, 1989, and is generally regarded as a better competitor running indoors. This is evidenced by the fact that he wins the prestigious Wanamaker Mile in Madison Square Garden‘s Millrose Games six times (1986, 1988, 1989, 1990, 1992, and 1996).
O’Sullivan’s personal best for the mile, which is set indoors in 1988, is 3:50.94. His personal best for the 1500 metres, which is set outdoors in 1996, is 3:33.61.
O’Sullivan, along with Irish runners Ray Flynn, Eamonn Coghlan, and Frank O’Mara (who ran collegiately at the University of Arkansas) establish the still standing world record in the 4 x 1 mile relay, when they combine in Dublin on August 17, 1985 to run 15:49.08.
O’Sullivan now runs the Running Works cross country summer camp in Canadensis, Pennsylvania, along with Cricket Batz, and is the head coach of Villanova cross country and track and field. He is coached by Tom Donnelly of Haverford College and advises Bob Kennedy in the later years before Kennedy’s retirement.
In addition to his ties to American record holder Bob Kennedy, O’Sullivan has coached elite professional runners such as Canadian indoor world silver medalist Carmen Douma-Hussar and New Zealander Adrian Blincoe.
The Cork Opera House is destroyed by fire on December 12, 1955. It is originally built in 1855 and is built on a template that the architect had used for the exhibition buildings at the Irish Industrial Exhibition. Since then, it survives the burning of much of Cork by British forces in 1920.
“The final curtain has fallen. The Cork Opera House is no more. A hundred years of stage history has come to an end. Never had the last moments of any drama, played on this stage, such an audience as last night’s farewell one. In heavy rain, a vast crowd stood silently as flames enveloped a proud landmark in our city. They watched it from the short first burst of fire on its roof until the building crumbled before their eyes.”
So reads the main news in The Cork Examiner on Tuesday, December 13, 1955, after the disastrous fire tore at the heartstrings of the people of Cork, leaving the city without a major theatre for the first time in 250 years. It is the boast of the Opera House that its tradition is continuous. When fighting in the South was at its bitterest, even when most of Cork was burned down, the Opera House kept running, only closing for pantomime rehearsals and in Holy Week. It is during the rehearsals for the forthcoming Christmas pantomime that the fatal fire starts. Fortunately, all people are evacuated, but the building built entirely from wood does not stand a chance from the merciless fire. What begins as an electrical fault, blazes into an inferno within minutes. Soon the skyline of the city is lit up as the fire does its worst.
Ten years later, on February 23, 1963, the tender of Messrs. O’Shea, South Mall is accepted for the rebuilding of the Opera House. A month later the work begins, and the foundation stone is laid by Lord MayorSeán Casey on June 21, 1963. The citizens watch the building construction with keen interest as the new building gradually takes shape. Finally, the day arrives for the casting aside of hoardings and scaffoldings.
Immediately controversy begins regarding the much-disputed North-Wall. Unfavorable comment and criticism are levelled at the lack of architectural or artistic embellishment on the exterior of the new building and the square, squat tower on top of the roof designed to ease set changing. This is a very natural reaction as the old Opera House had a very special place in the hearts of Corkonians of every generation during its existence. Most of the criticism is uninformed, for few are aware of the difficulties, financially and technically, that the project incurred. Despite the criticism about the exterior appearance, everyone who has an opportunity to inspect the interior of the theatre can find no fault. There is nothing but praise for the design, the decor, the layout of the seating accommodation and, above all, the intimate atmosphere which has been a traditional part of the venerable old building, and which is now faithfully preserved in the new.
Flanagan is the daughter of Rosanna (née McGuirk) and Terence Niall Flanagan, an Irish Army officer and Communist who had fought in the International Brigade in the Spanish Civil War against General Francisco Franco. Although her parents are not Irish speakers, they want Fionnula and her four siblings to learn the Irish language, thus she grows up speaking English and Irish fluently. She is educated in Switzerland and England. She trains extensively at the Abbey Theatre in Dublin and travels throughout Europe before settling in Los Angeles, California in early 1968.
Flanagan comes to prominence in Ireland in 1965 as a result of her role as Máire in the Telefís Éireann production of the Irish language play An Triail, for which she receives the Jacob’s Award in Dublin for her “outstanding performance.” With her portrayal of Gerty McDowell in the 1967 film version of Ulysses, she establishes herself as one of the foremost interpreters of James Joyce. She makes her Broadway debut in 1968 in Brian Friel‘s Lovers, then appears in The Incomparable Max (1971) and such Joycean theatrical projects as Ulysses in Nighttown and James Joyce’s Women (1977-1979), a one-woman show written by Flanagan and directed for the stage by Burgess Meredith. It is subsequently filmed in 1983, with Flanagan both producing and playing all six main female roles.
Nearly 150,000 people take to the streets on December 9, 2005, as the Irish Ferries protest mushrooms into the largest public demonstration the country has seen for two decades.
An Garda Síochána estimate that 40,000 people take part in the march in Dublin, although organisers claim the figure is far higher. Gerry Adams of Sinn Féin, Pat Rabbitte of the Labour Party and John Gormley of the Green Party participate in the march in the capital. Staff on board the MS Isle of Inismore in Pembroke and the four engineers holed up in the ships control room say they are overwhelmed by the level of support shown by marchers in the rallies.
Bus and rail services are disrupted during the protest but return to normal for evening rush hour.
The Irish Small & Medium Enterprises Association (ISME) strongly criticises the National Day of Protest. In a statement, ISME Chief Executive Mark Fielding says the protest is undermining the industrial relations process in this country and has very little to do with the Irish Ferries dispute and is in fact an attempt by the unions to influence negotiations in advance of any new national pay agreement.
Director General of the Irish Business and Employers Confederation (IBEC) Turlough O’Sullivan says there is nothing to be gained from disrupting business and the general public. He adds that whatever one’s views on the Irish Ferries dispute, nothing can justify calling a national work stoppage when discussions are already underway in a bid to resolve the row.
Mellows is born at Hartshead Military Barracks, Ashton-Under-Lyne, Lancashire, England, to William Joseph Mellows, a British Armynon-commissioned officer, and Sarah Jordan, of Inch, County Wexford. His family moves to 10 Annadale Avenue, Fairview, Dublin, in February 1895 when Sergeant Mellows is transferred there, however Liam remains in Wexford with his grandfather Patrick Jordan due to ill health. He attends the military school in Wellington Barracks in Cork and the Portobello garrison school in Dublin but ultimately refuses a military career much to his father’s disappointment, instead working as a clerk in several Dublin firms, including the Junior Army & Navy Stores on D’Olier Street.
A nationalist from an early age, Mellows approaches Thomas Clarke, who recruits him to Fianna Éireann, an organisation of young republicans.
Mellows leads roughly 700 Volunteers in abortive attacks on Royal Irish Constabulary stations at Oranmore and Clarinbridge in County Galway and takes over the town of Athenry. However, his men are very badly armed and supplied and they disperse after a week, when British troops and the cruiser HMS Gloucester are sent west to attack them.
After this insurrection fails, Mellows escapes to the United States, where he is arrested and detained without trial in The Tombs in Lower Manhattan, New York, on a charge of attempting to aid the German side in World War I. After his release in 1918, he works with John Devoy and helps to organise Éamon de Valera’s fund-raising visit to America in 1919–1920.
Mellows returns to Ireland to become Irish Republican Army “Director of Supplies” during the Irish War of Independence, responsible for buying arms. At the 1918 general election of December, he is elected to the First Dáil as a Sinn Féin candidate for both East Galway and for North Meath. He considers the Anglo-Irish Treaty as signed to be a betrayal of the Irish Republic. A conference of 9 TDs is deputed to meet privately on January 5, 1922, to resolve the dispute and to achieve a unified front by compromise. The four other anti-Treaty TDs say there is agreement but Mellows does not and is seen thereafter by pro-Treaty TDs as one of their most implacable opponents. The following day the Dáil votes to approve the Treaty by a majority of 64 to 57.
Mellows is one of the more strident TDs on the approach to the Irish Civil War. In June 1922, he and fellow republicans Rory O’Connor, Joe McKelvey and Richard Barrett, among others, enters the Four Courts, which has been occupied by anti-Treaty forces since April. However, they are bombarded by pro-Treaty Free State forces and surrender after two days. Mellows has a chance to escape along with Ernie O’Malley but does not take it. Imprisoned in Mountjoy Gaol, Mellows, O’Connor, McKelvey and Barrett are executed by firing squad on December 8, 1922, in reprisal for the shooting of TD Seán Hales. Mellows is buried in Castletown cemetery, County Wexford, a few miles from Arklow. An annual commemoration ceremony is held at his grave site, in which a wreath is laid by a member of the Liam Mellows Commemoration committee.
Mellows is commemorated by statues in Oranmore and Eyre Square in Galway, in the official name of the Irish Defence Forces army barracks at Renmore and in the naming of Mellows Bridge in Dublin. Mellows Avenue in Arklow is named in his honour. He is also commemorated in the names of two hurling clubs, one in Galway and one in Wexford, and by Unidare RFC in Ballymun and their “Liam Mellows Perpetual Cup.”
