The worst blizzard in living memory hits Ireland on February 25, 1947. The penetrating Arctic winds had been blowing for several weeks. Munster and Leinster had been battling the snows since the middle of January.
On the evening of February 24, a major Arctic depression approaches the coast of Cork and Kerry and advances northeast across Ireland. By morning, Ireland is being pounded by the most powerful blizzard of the 20th century. The winter of 1946-1947 is the coldest and harshest winter in living memory. Temperatures rarely rise above freezing and the snows that have fallen across Ireland in January remain until the middle of March.
Worse still, all subsequent snowfall in February and March simply piles on top of all that has previously fallen. There is no shortage of snow that bitter winter. Of the fifty days between January 24 and March 17, it snows on thirty of them.
“The Blizzard” of February 25th is the greatest single snowfall on record and lasts for almost fifty consecutive hours. It smothers the entire island in a blanket of snow. Driven by persistent easterly gales, the snow drifts until every hollow, depression, arch and alleyway is filled and the Irish countryside becomes a vast ashen wasteland.
Everything on the frozen landscape is a sea of white. The freezing temperatures solidify the surface and it is to be an astonishing three weeks before the snows begins to melt.
Murphy attends the local Archbishop McHale College and later becomes a metalwork teacher. He begins writing in the late 1950s, saying, “In 1958, my best friend said to me, why don’t we write a play? I didn’t think it was an unusual question, because in 1958 everyone in Ireland was writing a play.” His second play, A Whistle in the Dark, is written in his Tuam kitchen on his free Friday and Saturday nights. It is entered into a competition for amateur plays, which it wins, and is eventually performed at the Theatre Royal Stratford East in London in 1961. It causes considerable controversy both there and in Dublin when it is later given its Irish premiere at the Abbey having initially been rejected by its artistic director.
Though Murphy is religious as a boy, education by the Christian Brothers leaves him largely irreligious. His 1975 play The Sanctuary Lamp is produced in the Abbey Theatre and receives a hostile reception due to its anti-Catholic nature, with theatregoers walking out and much negative criticism in the media.
Considered by many to be Ireland’s greatest living playwright, a title also often given to Brian Friel prior to his death in 2015, Murphy is honoured by the Abbey Theatre in 2001 by a retrospective season of six of his plays. His plays include the historical epic Famine (1968) which deals with the Irish Potato Famine between 1846 and spring 1847, the anti-clerical The Sanctuary Lamp (1975), The Gigli Concert (1983) and for many his masterpiece, the lyrical Bailegangaire and the bar-room comedy Conversations on a Homecoming (both 1985).
Murphy’s work is characterised by a constant experimentation in form and content from the apparently naturalistic A Whistle in the Dark to the surreal The Morning After Optimism and the spectacularly verbal The Gigli Concert. Recurring themes include the search for redemption and hope in a world apparently deserted by God and filled with suffering. Although steeped in the culture and mythology of Ireland, Murphy’s work does not trade on familiar clichés of Irish identity, dealing instead with Dostoyevskian themes of violence, nihilism and despair while never losing sight of the presence of laughter, humour and the possibilities of love and transcendence.
On February 21, 2001, Ireland’s multi-billion-pound livestock industry goes on full alert for signs of foot-and-mouth disease after the first outbreak in the United Kingdom in twenty years is confirmed in pigs. This epizootic sees 2,026 cases of the disease in farms across most of the British countryside. Over 6 million cows and sheep are killed in an attempt to halt the disease. By the time the disease is halted in October 2001, the crisis is estimated to have cost the United Kingdom £8bn (US$16bn).
The first case of the disease to be detected is at Cheale Meats abattoir in Little Warley, Essex on February 19, 2001, on pigs from Buckinghamshire and the Isle of Wight. Over the next four days, several more cases are announced in Essex. On February 23, a case is confirmed in Heddon-on-the-Wall, Northumberland, from where the pig in the first case had come. This farm is later confirmed as the source of the outbreak and the owner, Bobby Waugh of Pallion, is convicted of failing to inform the authorities of a notifiable disease, and later of feeding his pigs “untreated waste.”
Several cases of foot-and-mouth are reported in Ireland and mainland Europe, following unknowing transportation of infected animals from the UK. The cases spark fears of a continent-wide pandemic, but these fears prove unfounded.
Ireland suffers one case in a flock of sheep in Jenkinstown, County Louth in March 2001. A cull of healthy livestock around the farm is ordered. Irish special forces snipe wild animals such as deer capable of bearing the disease in the area.
The outbreak greatly affects the Irish food and tourism industry. The 2001 Saint Patrick’s Day festival is cancelled, but later rescheduled two months later in May. Severe precautionary measures are put into place throughout Ireland since the outbreak of the disease in the UK, with most public events and gatherings cancelled, controls on farm access, and measures such as disinfectant mats at railway stations, public buildings and university campuses. The 2001 Oireachtas Rince naa Cruinne, or Irish Dance World Championships, is cancelled as a result of these measures. Causeway 2001, an Irish Scouting Jamboree is also cancelled. Three matches involving the Ireland national rugby union team in the 2001 Six Nations Championship are postponed until the autumn.
The trial of Doherty and the other members of their four-man active service unit nicknamed the “M60 gang” begins in early May 1981, on charges including three counts of murder. On June 10, Doherty and seven other prisoners, including Angelo Fusco and the other members of the IRA unit, take a prison officer hostage at gunpoint in Crumlin Road Gaol and ultimately escape in waiting cars. Two days after the escape, Doherty is convicted in absentia and sentenced to life imprisonment with a minimum recommended term of thirty years.
Doherty escapes across the border into the Republic of Ireland, and then travels to the United States on a false passport. He lives with an American girlfriend in Brooklyn and New Jersey, working on construction sites and as a bartender at Clancy’s Bar in Manhattan, where he is arrested by the FBI on June 28, 1983. He is imprisoned in the Metropolitan Correctional Center in Manhattan, and a legal battle ensues with the British government seeking to extradite him back to Northern Ireland. Doherty claims he is immune from extradition as the killing of Royal Irish Constabulary Captain Herbert Westmacott was a political act. In 1985 federal judge John E. Sprizzo rules Doherty cannot be extradited as the killing is a “political offense.” Doherty’s legal battle continues as the United States Department of Justice then attempts to deport him for entering the country illegally.
Doherty remains in custody at the Metropolitan Correctional Center and attempts to claim political asylum, and on June 15, 1988, Attorney GeneralEdwin Meese overturns an earlier ruling by the Federal Board of Immigration Appeals that Doherty can be deported to the Republic of Ireland and orders his deportation to Northern Ireland. In February 1989 new Attorney General Dick Thornburgh chooses not to support the decision made by his predecessor and asks lawyers for Doherty and the Immigration and Naturalization Service to submit arguments for a review of the decision and Doherty’s claim for asylum. By this time Doherty’s case is a cause célèbre with his sympathisers including over 130 Congressmen and a son of then President of the United StatesGeorge H. W. Bush. In 1990 a street corner near the Metropolitan Correctional Center is named after him.
Doherty is returned to Crumlin Road Gaol before being transferred to HM Prison Maze. He is released from prison on November 6, 1998, under the terms of the Good Friday Agreement. After his release Doherty becomes a community worker specialising in helping disadvantaged young people. In 2006, he appears in the BBC television show Facing the Truth opposite the relatives of a soldier killed in the Warrenpoint ambush.
Lacey is born on May 31, 1889 in the village of Attybrick, near Annacarty, County Tipperary. He joins the Irish Volunteers in 1913 and is sworn into the secretive Irish Republican Brotherhood (IRB) in 1914. He is introduced to the IRB by Seán Treacy. During the War of Independence (1919–1921) he is selected to command an IRA flying column of the 3rd Tipperary Brigade, in September 1920. The flying column mounts two successful ambushes of British forces – killing six British soldiers at Thomastown near Golden, and four Royal Irish Constabulary (RIC) men at Lisnagaul in the Glen of Aherlow.
In April 1921, following another ambush of British troops near Clogheen, he captures RIC inspector Gilbert Potter, whom he later executes in reprisal of the British hanging of republican prisoners.
In December 1921, Lacey’s unit splits over the Anglo-Irish Treaty. He opposes the Treaty and most of his men follow suit. He takes over command of the 3rd Tipperary Brigade as Séamus Robinson is appointed to commanded the anti-Treaty IRA’s Second Southern Division. In the ensuing civil war (June 1922-May 1923), he organises guerrilla activity in the Tipperary area against Pro-Treaty Irish Free State forces.
Denis Lacey is killed in an action against Free State troops at Ballydavid, near Bansha in the Glen of Aherlow on February 18, 1923. He is 33 years old at the time of his death. Over 1,000 Free State troops drawn from Cahir, Cashel, Clonmel, and Tipperary, under the command of General John T. Prout, with the intention of breaking up Lacey’s guerrilla unit, converge on the Glen where he and four other men from his column are billeted. Lacey and one of his men are killed and others are captured. Two National Army soldiers are killed in the action.
A memorial in Annacarty commemorates Lacey’s war service and subsequent death in action.
Cunningham grows up in the townland of Clooneen in a farming family of seven children. After leaving school at the age of 16 he goes to England and works as a carpenter, playing Irish traditional music and gaelic football during his spare time. In 1958 he returns to Ireland. Still working as a carpenter, he soon joins the part-time Gowna-based Grafton Showband, but leaves it in 1961 to become fully professional as the lead singer of the Mighty Avons, based in Cavan. That band initially specialises in covers of Jim Reeves songs and similar country material.
The band’s first taste of fame comes when they are supporting Jim Reeves during the Irish leg of his European tour in 1963. When Reeves walks off the stage during a concert in Lifford in protest at the poor condition of the supplied piano, the Avons, as they later become popularly called, takes over and entertains the crowd, to much subsequent publicity and acclaim.
In December 1964, Cunningham and the Mighty Avons have a Top-10 hit with the song Tribute to Jim Reeves, which also enters the British charts and is played on Top of the Pops, both firsts for an Irish artist, which further boosted their career. Their major hit is Lovely Leitrim in September 1965, which stays at number one in the charts for four weeks. As well as regularly touring Ireland to large crowds, the Avons make many appearances on television, and often played in Britain, the United States, and other places.
In late 1969, Cunningham leaves the Mighty Avons and merges with Edenderry band The Fairways to form Larry Cunningham and the Country Blue Boys, leaving Gene Stuart to front the Avons. He continues having success with his new band, but after his marriage to Beatrice Nannery in February 1972 he gives up regular touring in favour of occasional concerts and recording. He continues to have top-10 hits until the mid-1970s, and still performs occasionally for the remainder of his life. In recent years, audio and video compilations of his music have been released, as well as a biography.
Larry Cunningham dies in Dublin on September 28, 2012, following a lengthy illness. Among those to pay tribute are U.S. country singer Robert Mizzell who says, “I am so saddened to hear of the passing of country legend Larry. I admired his talent and quick humour. My thoughts are with his family, friends, and the fans who loved the big deep voice that rattled the radio waves.”
Keaveney’s first sporting interest is in soccer, however, he is later introduced to Gaelic games by his Belfast-born father. He is educated at St. Joseph’s Secondary School in Fairview, Dublin where he favours hurling over Gaelic football.
Keaveney makes his debut on the inter-county scene when he is selected for the Dublin minor and under-21 teams, however, he ends his underage career without success. He makes his senior debut during the 1964-1965 league. Over the course of the following sixteen seasons, he wins three All-Ireland medals, beginning with a lone triumph in 1974, followed by back-to-back championships in 1976 and 1977. He also wins seven Leinster medals, two National Football League medals and is named Footballer of the Year in 1976 and 1977. He plays his last game for Dublin in February 1980.
The team is returning from a European Cup match in Belgrade, Yugoslavia, having eliminated Red Star Belgrade to advance to the semi-finals of the competition. The flight stops to refuel in Munich because a non-stop flight from Belgrade to Manchester is beyond the Airspeed Ambassador‘s range. After refuelling, pilots James Thain and Kenneth Rayment twice abandon take-off because of boost surging in the left engine. Fearing they will get too far behind schedule, Captain Thain rejects an overnight stay in Munich in favour of a third take-off attempt. By then snow is falling, causing a layer of slush to form at the end of the runway. After the aircraft hits the slush, it ploughs through a fence beyond the end of the runway and the left wing is torn off after hitting a house. Fearing the aircraft might explode, Thain begins evacuating passengers while Manchester United goalkeeperHarry Gregg helps pull survivors from the wreckage.
An investigation by West German airport authorities originally blames Thain, saying he did not de-ice the aircraft’s wings, despite eyewitness statements to the contrary. It is later established that the crash is caused by the slush on the runway, which slows the plane too much to take off. Thain is cleared in 1968, ten years after the incident.
At the time of the disaster, Manchester United is trying to become the third club to win three successive English Football League titles. They are six points behind League leaders Wolverhampton Wanderers with 14 games to go. They also hold the Charity Shield and have just advanced into their second successive European Cup semi-final. The team has not been beaten in eleven consecutive matches. The crash not only derails their title ambitions that year but also virtually destroys the nucleus of what promised to be one of the greatest generations of players in English football history. It takes ten years for the club to recover, with Busby rebuilding the team and winning the European Cup in 1968 with a new generation of “Babes.”
Clancy is born into a musical family in the outskirts of Milltown Malbay, County Clare on December 24, 1918. His parents, Gilbert Clancy and Ellen Killeen, both sing and play concertina, and his father also plays the flute. Clancy’s father has been heavily influenced by local blind piper Garret Barry and passes much of Barry’s music on to Willie.
Clancy starts playing the tin whistle at age five, and later takes up the flute. He first sees a set of pipes in 1936 when he sees Johnny Doran playing locally. He obtains his first set of pipes two years later. His influences include Leo Rowsome, Séamus Ennis, John Potts and Andy Conroy. Clancy wins the Oireachtas competition in 1947. Unable to earn a living from music he emigrates to London where he works as a carpenter.
Returning to Milltown Malbay in 1957 he records some influential 78 rpm recordings for the Gael Linn label, among them the classic reel selection “The Old Bush/The Ravelled Hank of Yarn.” The next decades he stayed in Milltown Malbay. He marries Dóirín Healy in 1962.
Willie Clancy dies suddenly at the early age of 55 on January 24, 1973, leaving a great void. Cór Cúl Aodha sings at his funeral mass, just as Clancy had played at Seán Ó Riada’s funeral only a year earlier. Others who take part include Seán Ach Donnchadha, John Kelly and Séamus Ennis. His funeral cortege to Ballard Cemetery is led by pipers from the Tulla Pipe Band.
The Willie Clancy Summer School is established in his honour in 1973, by Clancy’s friends Junior Crehan, Martin Talty, Seán Reid, Paddy Malone, Paddy McMahon, Frankie McMahon, Jimmy Ward, JC Talty, Harry Hughes, Michael O Friel, Séamus Mac Mathúna and Muiris Ó Rócháin. He is also the subject of a major television documentary “Cérbh É? Willie Clancy” on TG4, first broadcast in November 2009. In this programme, one of a series in which major figures in contemporary traditional music, profile and pay homage to a master of their craft from a bygone age, Peter Browne traces the life and legacy of Clancy.
(Photo courtesy of Mick O’Connor, flute player and friend of Willie Clancy)
Brambell is the youngest of three sons born to Henry Lytton Brambell, a cashier at the Guinness Brewery, and his wife, Edith Marks, a former opera singer. His first appearance is as a child, entertaining the wounded troops during World War I. Upon leaving school he works part-time as a reporter for The Irish Times and part-time as an actor at the Abbey Theatre before becoming a professional actor for the Gate Theatre. He also does repertory at Swansea, Bristol and Chesterfield. In World War II, he joins the British military forces entertainment organisation Entertainments National Service Association (ENSA).
It is this ability to play old men that leads to his casting in his best remembered role, as Albert Steptoe, the irascible father in Steptoe and Son. This begins as a pilot on the BBC’s Comedy Playhouse, and its success leads to a full series being commissioned, running from 1962 to 1974 including a five-year hiatus. There are two feature film spin-offs, a stage show, and an American incarnation entitled Sanford and Son, some episodes of which are almost exact remakes of the original British scripts.
The success of Steptoe and Son makes Brambell a high-profile figure on British television, and earns him the supporting role of Paul McCartney‘s grandfather in The Beatles‘ first film, A Hard Day’s Night (1964). In 1965, Brambell tells the BBC that he does not want to do another series of Steptoe and Son and, in September that year, he goes to New York City to appear in the Broadway musical Kelly at the Broadhurst Theatre, however, it closes after just one performance.
Apart from his role as the older Steptoe, Brambell achieves recognition in many films. His performance in The Terence Davies Trilogy wins him critical acclaim, far greater than any achieved for Steptoe and Son. Although he appears throughout the full 94-minute piece, Brambell does not speak a single word.
After the final series of Steptoe and Son is made in 1974, Brambell has some guest roles in films and on television. He and Harry H. Corbett also undertake a tour of Australia in 1977 in a Steptoe and Son stage show.
Brambell dies of cancer in Westminster, London, on January 18, 1985, at the age of 72. He is cremated on January 25, 1985 at Streatham Park Cemetery, where his ashes are scattered.
(Pictured: Henry Wilfrid Brambell and John Lennon in The Beatles’ first motion picture, A Hard Day’s Night)
