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Category Archives: Irish History


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Birth of Author & Journalist Mary Kenny

mary-kenny

Mary Kenny, Irish author, broadcaster, playwright and journalist, is born in Dublin on April 4, 1944. She is a frequent columnist for the Irish Independent and is a founding member of the Irish Women’s Liberation Movement (IWLM). She has modified the radical ideas of her past but not rejected feminist principles.

Kenny grows up in Sandymount and is expelled from convent school at age 16. She begins working at the London Evening Standard in 1966 on the Londoner’s Diary, later as a general feature writer, and is woman’s editor of The Irish Press in the early 1970s.

Kenny is one of the founding members of the Irish Women’s Liberation Movement. Although the group has no formal structure of officials, she is often seen as the “ringleader” of the group. In March 1971, as part of an action by the IWLM, she walks out of Haddington Road church after the Archbishop of Dublin‘s pastoral is read out from the pulpit, confirming that “any contraceptive act is always wrong,” saying “this is Church dictatorship.” In a follow-up letter to The Irish Times she explains her actions by saying Ian Paisley was right, “Home Rule is Rome Rule.”

In 1971, Kenny travels with Nell McCafferty, June Levine and other Irish feminists on the so-called “Contraceptive Train” from Dublin to Belfast to buy condoms, then illegal within the Republic of Ireland. Later that year she returns to London as Features Editor of the Evening Standard.

In 1973, Kenny is allegedly “disturbed in the arms of a former cabinet minister of President Obote of Uganda during a party,” which leads poet James Fenton to coin the euphemism “Ugandan discussions” to mean sexual intercourse. The phrase is first used by the magazine Private Eye on March 9, 1973, but has been widely used since then and is included by the BBC in a list of “The 10 most scandalous euphemisms” in 2013.

Kenny has written for many British and Irish broadsheet newspapers, including the Irish Independent, The Times, The Guardian, The Daily Telegraph and The Spectator and has authored books on William Joyce and Catholicism in Ireland. She also writes for the weekly The Irish Catholic. She is known in the UK as a Roman Catholic journalist. Crown and Shamrock: Love and Hate between Ireland and the British Monarchy (2009), is described by R.F. Foster as “characteristically breezy, racy and insightful.” She is author of the play Allegiance, in which Mel Smith plays Winston Churchill and Michael Fassbender plays Michael Collins, at the Edinburgh Festival in 2006.

Kenny marries journalist and writer Richard West in 1974, and the couple raises two children, Patrick West and Ed West, both journalists.


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Death of Showband Icon Butch Moore

butch-moore

Butch Moore, born James Augustine Moore, Irish singer and showband icon during the 1960s, dies in Massachusetts on April 3, 2001. He is born in Dublin on January 10, 1938.

Moore plays with a number of bands before securing his big break with the Capitol Showband in 1958. Its lineup includes band leader, Des Kelly, and Paddy Cole, who is still involved in the entertainment business, and an early songwriter for the band is Phil Coulter. The Capitol achieves a considerable degree of success in the early 1960s attracting huge crowds in the State’s many ballrooms. It tours the United States in 1961, and two years later becomes the first showband to appear on the new RTÉ Television service. The Capitol plays in the London Palladium in 1964 on a night when the lineup includes Roy Orbison.

Moore marries Norah Sheridan in 1962. They have three children – Karen, Grainne and Gary.

Moore achieves celebrity status as Ireland’s first contestant in the Eurovision Song Contest in 1965. At the height of his success, he wins the National Song Contest to represent Ireland in the Eurovision Song Contest 1965, in Naples, singing Walking the Streets in the Rain. The song reaches number one on the Irish Singles Chart but fails to chart in the United Kingdom.

As the lead singer with the Capitol Showband, he rivals the Royal Showband’s Brendan Bowyer as Ireland’s most popular showband vocalist. His marriage to Norah breaks down in 1969 and his career begins to decline. He emigrates to the United States in 1970, where he spends the last 31 years of his life.

Moore marries Irish ballad singer Maeve Mulvany in 1972 in the United States. They form a very successful group known as “Butch N Maeve” with a mixture of ballads and pop. They also own a pub in Massachusetts named after one of their songs, The Parting Glass. They have three children, Rory, Tara and Thomas.

Although suffering from cancer of the esophagus, Butch Moore dies of a heart attack on April 3, 2001. His body is returned to Dublin and a funeral Mass is celebrated at St. Canice’s Church in Finglas. After his death, Maeve makes plans to move back to Ireland where she has bought a house in Cormeen, County Cavan, but she dies on February 14, 2004.


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Birth of Sir Charles Edward Trevelyan

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Sir Charles Edward Trevelyan, 1st Baronet, KCB, British civil servant and colonial administrator, is born in Taunton, Somerset, United Kingdom on April 2, 1807.

Trevelyan is the son of a Cornish clergyman, the Venerable George Trevelyan, who becomes Archdeacon of Taunton, and his wife Harriet, daughter of Sir Richard Neave. As a young man, he works with the colonial government in Calcutta, India. In the late 1850s and 1860s he serves there in senior-level appointments.

Trevelyan’s most enduring mark on history may be the quasi-genocidal anti-Irish racial sentiment he expresses during his term in the critical position of administrating relief to the millions of Irish peasants suffering under the Great Famine, an Gorta Mór, as Assistant Secretary to HM Treasury (1840–1859) under the Whig administration of Lord John Russell.

During the height of the famine Trevelyan deliberately drags his feet in disbursing direct government food and monetary aid to the Irish due to his strident belief in laissez-faire economics and the free hand of the market. In a letter to an Irish peer, Thomas Spring Rice, 1st Baron Monteagle of Brandon, a former Chancellor of the Exchequer, he describes the famine as an “effective mechanism for reducing surplus population” as well as “the judgement of God” and writes that “The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.”

Trevelyan never expresses remorse for his comments, even after the full dreadful scope of the Irish famine becomes known. His defenders claim that other factors than Trevelyan’s personal acts and beliefs are more central to the problem.

Sir Charles Trevelyan dies at the age of 70 at 67 Eaton Square, London, on June 19, 1886.

Trevelyan is referred to in the modern Irish folk song The Fields of Athenry about an Gorta Mór. For his actions, or lack thereof, during the Great Famine, he is commonly considered one of the most detested figures in Irish history, along with the likes of Oliver Cromwell.


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The Arnon Street Massacre

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The Arnon Street Massacre takes place on April 1, 1922, in Belfast, Northern Ireland. Six Catholic civilians, three in Arnon Street, are shot dead. It is believed that members of either the Ulster Special Constabulary (USC) or the Royal Irish Constabulary (RIC) are responsible, acting in retaliation for the killing of an RIC officer by the Irish Republican Army (IRA).

Although the Irish War of Independence officially ends in July 1921, the Irish Republican Army’s conflict with British and unionist forces continues in Northern Ireland and escalates in the first half of 1922. The Ulster IRA, with the tacit but covert assistance of Michael Collins, head of the new Irish Free State, continues to wage a guerrilla war in Northern Ireland. According to historian Alan Parkinson, despite “the IRA having some short-term successes … the main effect of this intensive campaign was to unleash a terrible backlash on the Catholic population in Belfast.” Only a week before the Arnon Street incident, policemen – either Royal Irish Constabulary (RIC) or Ulster Special Constabulary (USC) – kill six Catholic civilians in the McMahon murders.

On the evening of April 1, RIC constable George Turner is patrolling the Old Lodge Road when he is killed by a sniper.

About ten police officers in Brown Square Barracks, upon hearing of Turner’s murder, take a Lancia armoured car and begin touring nationalist areas. When they dismount their vehicle, witnesses hear them shouting “Cut the guts out of them for the murder of Turner.” Their first victim is John McRory who lives on Stanhope Street, just across the road from where Constable Turner had been shot. The police break into his house and shoot him dead in his kitchen. In Park Street, Bernard McKenna, father of seven, is killed while lying in bed. Finally, the police arrived at Arnon Street.

William Spallen, who lives at 16 Arnon Street, has just returned from the funeral of his wife who had also been killed in the conflict. His 12-year-old grandson, Gerald Tumelty, witnesses his death. “Two men came into the room, one was in the uniform of a policeman. They asked my grandfather his name and he said William Spallen. The man in plain clothes fired three shots at him. When I cried out, he said, ‘lie down or I will put a bullet into you.'” Tumelty says the killers then take £20 that his grandfather had to pay for his wife’s funeral.

The attackers then use a sledgehammer to break into the house next door, where they find Joseph Walsh in bed with his seven-year-old son Michael and his two-year-old daughter Bridget. Joseph Walsh is bludgeoned to death with the sledgehammer while Michael Walsh is shot and dies from his wounds the next day. Another son, Frank, is shot in the thigh but survives. Later that evening another Catholic, John Mallon, is shot dead in Skegoneill Avenue.

The unionist press, the Belfast News Letter and Belfast Telegraph, condemn the killings but do not identify the killers as police. The Dublin-based Irish Independent writes that “never even in the worst state of terror in the west and south has the state of affairs which now prevails in the Northern capital been experienced.” Michael Collins sends an angry telegram to Northern Ireland Prime Minister James Craig, demanding a joint inquiry into the killings. No such inquiry is set up.

As with the McMahon killings one week earlier, it is strongly suspected that an RIC Detective Inspector, Nixon, operating out of the Brown Street Police barracks, had organised the attack. Nixon and several other policemen fail to turn up at roll call at the barracks immediately after the killings.


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The Islandmagee Witch Trial

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Eight women from Islandmagee, County Antrim, in what is today Northern Ireland, are imprisoned and pilloried on March 31, 1711 for “bewitching” a woman named Mary Dunbar, who has experienced strange fits and visions. The Islandmagee witch trial takes place in 1710–1711 on Islandmagee and is believed to be the last witch trial to take place in Ireland.

In March 1711, in Carrickfergus, County Antrim, eight women are put on trial and found guilty of witchcraft. The women are put in stocks and then jailed for one year. The trial is the result of a claim by Mrs. James Haltridge that 18-year-old Mary Dunbar exhibited signs of demonic possession such as “shouting, swearing, blaspheming, throwing Bibles, going into fits every time a clergyman came near her and vomiting household items such as pins, buttons, nails, glass and wool.” Assisted by local authorities, Dunbar picks out eight women she claims are witches that have attacked her in spectral form.

During the trial, Mary Dunbar is dumb and unable to give evidence. Evidence is given by twenty individuals, of whom four are clergymen of the Presbyterian church. The trial lasts from 6:00 AM until 2:00 PM. For the accused, it is said they are industrious, attend public worship, some having latterly received the sacrament. Judge Upton says, “real witches could not assume or retain the form of religion by frequenting worship. The jury should not find them guilty on the sole testimony of the visionary images of the afflicted person.” Judge Macartney believes they might, from the evidence, bring them in guilty and they do.

According to Andrew Sneddon, history lecturer at University of Ulster, “Mary Dunbar was making up the whole thing.” Sneddon writes that “Mary Dunbar learned the part of a demoniac from accounts about Salem or Scotland, or someone told her about it. Remember, this was a time when people were pouring in from Scotland.”

Records of what happened to Mary Dunbar or those convicted of witchcraft are apparently lost when the Public Records Office in question is burned down in June 1922 during the Battle of Dublin in the Irish Civil War.

A memorial to the eight women convicted is proposed by the author Martina Devlin. However the memorial is objected to by Traditional Unionist Voice (TUV) councillor Jack McKee who believes the plaque could become a “shrine to paganism” and furthermore states that he is not convinced the women were not guilty and that he believes the proposal to be “anti-god.”


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Birth of Playwright Seán O’Casey

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Seán O’Casey, Irish playwright renowned for realistic dramas of the Dublin slums in war and revolution, in which tragedy and comedy are juxtaposed in a way new to the theatre of his time, is born at 85 Upper Dorset Street in Dublin on March 30, 1880.

Born as John Casey into a lower middle-class Irish Protestant family, his father dies when he is six, and thereafter the family becomes progressively poorer. With only three years of formal schooling, he educates himself by reading. He starts work at 14, mostly at manual labour, including several years with the Irish railways.

O’Casey becomes caught up in the cause of Irish nationalism, and he changes his name to its Irish form and learns the Irish language. His attitudes are greatly influenced by the poverty and squalor he witnesses in Dublin’s slums and by the teachings of the Irish labour leader Jim Larkin. He becomes active in the labour movement and writes for The Irish Worker. He also joins the Irish Citizen Army, a paramilitary arm of the Irish labour unions, and draws up its constitution in 1914. At this time, he becomes disillusioned with the Irish nationalist movement because its leaders put nationalist ideals before socialist ones. He does not take part in the 1916 Easter Rising against the British authorities.

Disgusted with the existing political parties, he turns his energies to drama. His tragicomedies reflect in part his mixed feelings about his fellow slum dwellers, seeing them as incapable of giving a socialist direction to the Irish cause but at the same time admirable for their unconquerable spirit.

After several of his plays have been rejected, the Abbey Theatre in Dublin produces The Shadow of a Gunman (1923), set during the guerrilla warfare between the Irish Republican Army and British forces. In 1924 the Abbey stages Juno and the Paycock, his most popular play, set during the period of civil war over the terms of Irish independence. The Plough and the Stars (1926), with the 1916 Easter Rising as its background, causes riots at the Abbey by patriots who think the play denigrates Irish heroes. When first produced in the 1920s, these plays have an explosive effect on the audiences at the Abbey and help to enlarge the theatre’s reputation.

O’Casey goes to England in 1926, meets the Irish actress Eileen Carey Reynolds, marries her, and henceforth makes England his home. His decision to live outside Ireland is motivated in part by the Abbey’s rejection of The Silver Tassie, a partly Expressionist antiwar drama produced in England in 1929. Another Expressionist play, Within the Gates (1934), follows, in which the modern world is symbolized by the happenings in a public park. The Star Turns Red (1940) is an antifascist play, and the semiautobiographical Red Roses for Me (1946) is set in Dublin at the time of the Irish railways strike of 1911.

O’Casey’s later plays, given to fantasy and ritual and directed against the life-denying puritanism he believes has beset Ireland, include Cock-a-Doodle Dandy (1949), The Bishop’s Bonfire (1955), and The Drums of Father Ned (1958). His last full-length play is a satire on Dublin intellectuals, Behind the Green Curtains, published in 1961.

O’Casey’s three indisputably great plays are The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. All are tragicomedies set in the slums of Dublin during times of war and revolution. Violent death and the everyday realities of tenement life throw into relief the blustering rhetoric and patriotic swagger of men caught up in the struggle for Irish independence. The resulting ironic juxtapositions of the comic and tragic reveal the waste of war and the corrosive effects of poverty. His gifts are for vivid characterization and working-class language and, though he portrays war and poverty, he writes some of the funniest scenes in modern drama. His later plays are not considered as powerful or moving as his earlier realistic plays. In his later plays he tends to abandon vigorous characterization in favour of expressionism and symbolism, and sometimes the drama is marred by didacticism.

Six volumes of O’Casey’s autobiography appeared from 1939 to 1956. They are later collected as Mirror in My House (1956) in the United States and as Autobiographies (1963) in Great Britain. O’Casey’s letters from 1910 to 1941 are edited by David Krause in two volumes (1975, 1980).

Sean O’Casey dies of a heart attack at the age of 84 on September 18, 1964, in Torquay, Devon. He is cremated at the Golders Green Crematorium.


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Birth of Peig Sayers, Author & Seanchaí

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Peig Sayers, Irish author and seanchaí, is born in the townland of Vicarstown, Dunquin, County Kerry, on March 29, 1873. Seán Ó Súilleabháin, the former archivist for the Irish Folklore Commission, describes her as “one of the greatest woman storytellers of recent times.”

Sayers is born Máiréad (Margaret) Sayers, the youngest child of the family. She is called Peig after her mother, Margaret “Peig” Brosnan, from Castleisland. Her father Tomás Sayers is a renowned storyteller who passes on many of his tales to Peig. At age 12, she is taken out of school and goes to work as a servant for the Curran family in the nearby town of Dingle. She spends two years there before returning home due to illness.

She spends the next few years as a domestic servant working for members of the growing middle class produced by the Land War. She plans to join her best friend, Cáit Boland, in the United States, but Boland writes that she has had an accident and can not forward the cost of the fare. Peig moves to the Great Blasket Island after marrying Pádraig Ó Guithín, a fisherman and native of the island, on February 13, 1892. She and Pádraig have eleven children, of whom six survive.

The Norwegian scholar Carl Marstrander, who visits the island in 1907, urges Robin Flower of the British Museum to visit the Blaskets. Flower is keenly appreciative of Sayers’ stories and tales. He records them and brings them to the attention of the academic world.

In the 1930s, a Dublin teacher, Máire Ní Chinnéide, who is a regular visitor to the Blaskets, urges Sayers to tell her life story to her son Micheál. She is illiterate in the Irish language, although she receives her early schooling through the medium of English. She dictates her biography to Micheál. He then sends the manuscript pages to Máire Ní Chinnéide in Dublin, who edits them for publication. It is published in 1936.

Over several years beginning in 1938 she dictates 350 ancient legends, ghost stories, folk stories, and religious stories to Seosamh Ó Dálaigh of the Irish Folklore Commission.

Sayers continues to live on the island until 1942, when she leaves the Island and returns to her native Dunquin. She is moved to a hospital in Dingle, County Kerry where she dies on December 8, 1958. She is buried in the Dún Chaoin Burial Ground on the Dingle Peninsula. Her surviving children, except for her son Micheál, emigrate to the United States and live with their descendants in Springfield, Massachusetts.


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Birth of Nell McCafferty, Journalist & Feminist

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Nell McCafferty, Irish journalist, playwright, civil rights campaigner and feminist, is born in Derry, County Londonderry, Northern Ireland on March 28, 1944. In her journalistic work she has written for The Irish Press, The Irish Times, Sunday Tribune, Hot Press and The Village Voice.

McCafferty is born to Hugh and Lily McCafferty and spends her early years in the Bogside area of Derry. She is admitted to Queen’s University Belfast, where she takes a degree in Arts. After a brief spell as a substitute English teacher in Northern Ireland and a stint on an Israeli kibbutz, she takes up a post with The Irish Times.

McCafferty is a founding member of the Irish Women’s Liberation Movement. Her journalistic writing on women and women’s rights reflects her beliefs on the status of women in Irish society. In 1971, she travels to Belfast with other members of the Irish Women’s Liberation Movement in order to protest the prohibition of the importation and sale of contraceptives in the Republic of Ireland.

After the disintegration of the Irish Women’s Liberation Movement, McCafferty remains active in other women’s rights groups, as well as focusing her journalism on women’s rights. Her most notable work is her coverage of the Kerry Babies case, which is recorded in her book, A Woman to Blame. She contributes the piece “Coping with the womb and the border” to the 1984 anthology Sisterhood Is Global: The International Women’s Movement Anthology, edited by Robin Morgan.

In 1990, McCafferty wins a Jacob’s Award for her reports on the 1990 FIFA World Cup for RTÉ Radio 1‘s The Pat Kenny Show. She publishes her autobiography, Nell, in 2004. In it, she explores her upbringing in Derry, her relationship with her parents, her fears about being gay, the joy of finding a domestic haven with the love of her life, the Irish writer Nuala O’Faolain, and the pain of losing it.

In 2009, after the publication of the Murphy Report into the abuse of children in the Dublin archdiocese, McCafferty confronts Archbishop Diarmuid Martin asking him why the Catholic Church has not, as a “gesture of redemption,” relinquished titles such as “Your Eminence” and “Your Grace.”

McCafferty causes a controversy in 2010 with a declaration in a live Newstalk radio interview that the then Minister for Health, Mary Harney, is an alcoholic. This allegation leads to a court case in which Harney is awarded €450,000 the following year. McCafferty has very rarely been featured on live radio or television in Ireland as a commentator since the incident, despite being ever present in those media from 1990 forward. However, she has been featured on a number of recorded programs.

The Irish Times writes that “Nell’s distinctive voice, both written and spoken, has a powerful and provocative place in Irish society.”

McCafferty receives an honorary Doctor of Literature from University College Cork on November 2, 2016, for “her unparalleled contribution to Irish public life over many decades and her powerful voice in movements that have had a transformative impact in Irish society, including the feminist movement, campaigns for civil rights and for the marginalised and victims of injustice.”

McCafferty lives in Ranelagh, an area of Dublin.


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Death of Olympic Gold Medalist Martin John Sheridan

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Martin John Sheridan, “one of the greatest athletes the United States has ever known” according to his obituary in The New York Times, dies in St. Vincent’s Hospital in Manhattan, New York City on March 27, 1918, the day before his 37th birthday.

Sheridan is born in Bohola, County Mayo on March 28, 1881. At 6’3″ and 194 lbs., Sheridan is the best all-around athlete of the Irish American Athletic Club, and like many of his teammates, serves with the New York City Police Department from 1906 until his death. He is so well respected in the NYPD, that he serves as the Governor’s personal bodyguard when the governor is in New York City.

A five-time Olympic gold medalist, with a total of nine Olympic medals, Sheridan is called “one of the greatest figures that ever represented this country in international sport, as well as being one of the most popular who ever attained the championship honor.” He wins the discus throw event at the 1904, 1906, and 1908 Summer Olympic Games as well as the shot put at the 1906 Olympics and the Greek discus in 1908. At the 1906 Intercalated Games in Athens, Greece he also wins silver medals in the standing high jump, standing long jump and the stone throw.

In 1907, Sheridan wins the National Amateur Athletic Union discus championship and the Canadian championship, and in 1908 he wins the Metropolitan, National and Canadian championships as well as two gold medals in the discus throw and bronze in the standing long jump at the 1908 Olympic Games.

Two of Sheridan’s gold medals from the 1904 Summer Olympic Games in St. Louis, Missouri, and one of his medals from the 1906 Intercalated Games in Athens, Greece, are currently located in the USA Track & Field‘s Hall of Fame History Gallery, in Washington Heights, Manhattan.

There are claims that Sheridan fuels a controversy in London in 1908, when flagbearer Ralph Rose refuses to dip the flag to King Edward VII. Sheridan supports Rose by explaining “This flag dips to no earthly king,” and it is claimed that his statement exemplifies both Irish and American defiance of the British monarchy. However, careful research has shown that this is first reported in 1952. Sheridan himself makes no mention of it in his published reports on the Games and neither does his obituary.

Martin Sheridan dies in Manhattan, New York City on March 27, 1918, a very early casualty of the 1918 flu pandemic. He is buried in Calvary Cemetery, Queens, New York. The inscription on the granite Celtic Cross monument marking his grave says in part: “Devoted to the Institutions of his Country, and the Ideals and Aspirations of his Race. Athlete. Patriot.” He is part of a group of Irish American athletes known as the “Irish Whales.”


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Birth of Harry Furniss, Artist & Illustrator

harry-furniss

Harry Furniss, artist and illustrator, is born in Wexford, County Wexford on March 26, 1854. His father is English and his mother Scottish, Furniss identifying himself as English. He is educated at Wesley College in Dublin.

Furniss’s first job as an illustrator is for the Illustrated Sporting and Dramatic News, and when it is purchased by the owner of The Illustrated London News he moves to that magazine. There he produces illustrations of social events such as the The Boat Race, Goodwood Racecourse and even the annual fancy dress ball at Brookwood Asylum, as well as acting as a special correspondent reporting on less pleasant aspects of life in contemporary England, such as the scandalous divorce trial of Lady Colin Campbell.

After some years Furniss moves to The Graphic, initially writing and illustrating a series of supplements titled “Life in Parliament,” and he comments that “from this time forward it would be difficult to name any illustrated paper with which I have not at some time or other been connected.”

Furniss’s most famous humorous drawings are published in Punch, for which he starts working in 1880, and to which he contributes over 2,600 drawings. He leaves Punch in 1894 when its owners discover that he has sold one of his Punch drawings to Pears Soap for use in an advertising campaign.

He illustrates Lewis Carroll‘s novel Sylvie and Bruno in 1889 and Sylvie and Bruno Concluded in 1893. Carroll and Furniss sometimes produce both pictures and text simultaneously. Carroll exerts strong control over Furniss’s illustration, to such an extent that Furniss pretends to be out when Carroll calls at his home. After completing Sylvie and Bruno Concluded Furniss vows never to work for the author again. In 1890, he illustrates the Badminton Library‘s volume on Golf.

Upon leaving Punch, Furniss brings out his own humorous magazine, Lika Joko, but when this fails, he moves to the United States where he works as a writer and actor in the fledgling film industry and where, in 1914, he pioneers the first animated cartoon film for Thomas Edison.

His two-volume autobiography, titled The Confessions of a Caricaturist is published in 1902, and a further volume of personal recollections and anecdotes, Harry Furniss At Home, is published in 1904.

Furniss writes and illustrates 29 books of his own, including Some Victorian Men and Some Victorian Women and illustrates 34 works by other authors, including the complete works of Charles Dickens and William Makepeace Thackeray. On some projects, like his illustrations for G. E. Farrow‘s Wallypug books, Furniss collaborates with his daughter, fellow artist Dorothy Furniss.

Harry Furniss dies on January 14, 1925, in London, England.