In 1911 Brenon is hired as a writer by Carl Laemmle, directing his first short the following year. Signed by William Fox in 1915, he graduates to feature films. With Paramount Pictures from 1923, he directs several spectacular productions with British themes, including the silent version of Beau Geste (1926). He regards sound pictures with a measure of apprehension.
Kuno Meyer, German scholar distinguished in the field of Celticphilology and literature, is born in Hamburg, Germany on December 20, 1858. He was considered first and foremost a lexicographer among Celtic scholars but is known by the general public in Ireland rather as the man who introduced them to Selections from Ancient Irish Poetry (1911). His brother was the distinguished classical scholar, Eduard Meyer.
Meyer then takes up the post of lecturer in Teutonic languages at the new University College, Liverpool, the precursor of the University of Liverpool, which is established three years earlier.
In 1903, Meyer founds the School of Irish Learning in Dublin, and the next year creates its journal Ériu of which he is the editor. Also in 1904, he becomes Todd Professor in the Celtic Languages at the Royal Irish Academy. In October 1911, he follows Heinrich Zimmer as Professor of Celtic Philology at Friedrich Wilhelm University in Berlin. The following year, a volume of Miscellany is presented to him by pupils and friends in honour of his election, and he is made a freeman of both Dublin and Cork.
At the outbreak of World War I, Meyer leaves Europe for the United States, where he lectures at Columbia University, University of Illinois at Urbana-Champaign, and elsewhere. A pro-German speech he gives in December 1914 to Clan na Gael on Long Island causes outrage in Britain and some factions among the Irish, and as a result, he is removed from the roll of freemen in Dublin and Cork and from his Honorary Professorship of Celtic at Liverpool. He also resigns as Director of the School of Irish Learning and editor of Ériu. Harvard University also had extended an invitation to Meyer to lecture on campus, but it subsequently cancels the invitation in the fall of 1914 on account of Meyer’s propagandist activity.
Meyer nevertheless accepts candidacy for the post of exchange professor at Harvard, at the recommendation of German professors there. However, when the April 1915 issue of The Harvard Advocate awards first prize to an anti-German satirical poem “Gott mit Uns” written by an undergraduate, Meyer sends the university and the press a letter of protest, rebuking the faculty members who served as judges for failure to exercise neutrality. Meyer also declines his candidacy from the exchange professorship in the letter. In a reply, President Abbott Lawrence Lowell says, in explaining Harvard’s policy, that freedom of speech includes pro-German and pro-Allied voices alike.
Meyer is injured in a railway collision in 1915 and meets 27-year-old Florence Lewis while he is recovering in a California hospital. They marry shortly afterwards. He returns to Germany in 1917 and dies in Leipzig on October 11, 1919.
Posthumously, in 1920, Meyer’s name is restored, both by Dublin and Cork, in their Rolls of Honorary Freemen. The restoration occurs on April 19, 1920, in Dublin, where Sinn Féin had won control of the City Council three months earlier, rescinding the decision taken in 1915 by the Irish Parliamentary Party. The restoration in Cork follows on May 14, 1920.
Allgood joins Inghinidhe na hÉireann (“Daughters of Ireland”), where she first begins to study drama under the direction of Maud Gonne and William Fay. She begins her acting career at the Abbey Theatre and is in the opening of the Irish National Theatre Society. Her first big role is in December 1904 at the opening of Lady Gregory‘s Spreading the News. By 1905 she is a full-time actress, touring England and North America.
In 1915 Allgood is cast as the lead in Peg o’ My Heart which tours Australia and New Zealand in 1916. She marries her leading man, Gerald Henson, in September 1916 in Melbourne, however, her happiness is short lived. She gives birth to a daughter named Mary in January 1918, who dies just a day later. Her husband dies of influenza during an outbreak in November 1918. After her return to Ireland, she continues to perform at the Abbey Theatre. Her most memorable performance is in Seán O’Casey‘s Juno and the Paycock in 1923. She wins acclaim in London when she plays Bessie Burgess in O’Casey’s The Plough and the Stars in 1926.
Allgood is frequently featured in early Alfred Hitchcock films, such as Blackmail (1929), Juno and the Paycock (1930), and Sabotage (1936). She also has a significant role in Storm in a Teacup (1937).
(Note: Many accounts give October 31, 1879, as her date of birth. Her headstone also gives 1879 as her year of birth. However, her sister Margaret is born on August 1, 1879, meaning she could not have been born in that year. Sara Allgood may have been born on October 31, 1880, but her parents may have been late registering her.)
He starts as a stand-up comedian in San Francisco and Los Angeles in the mid-1970s. He is credited with leading San Francisco’s comedy renaissance. After rising to fame as an alien called Mork in the TV sci-fi sitcom series Mork & Mindy, he establishes a career in both stand-up comedy and feature film acting. He is known for his improvisational skills.
On August 11, 2014, Williams commits suicide at his home in Paradise Cay, California, at the age of 63. His wife attributes his suicide to his struggle with diffuse Lewy body dementia. His body is cremated at Montes Chapel of the Hills in San Anselmo and his ashes are scattered in San Francisco Bay on August 21.
Williams’s death instantly becomes global news. The entertainment world, friends, and fans respond to his death through social and other media outlets. U.S. PresidentBarack Obama said of Williams, “He was one of a kind. He arrived in our lives as an alien—but he ended up touching every element of the human spirit.”
As a child, Murphy is a loner with mood swings and an explosive temper. He grows up in Texas, around Farmersville, Greenville, and Celeste, where he attends elementary school. His father drifts in and out of the family’s life and eventually deserts them. He drops out of school in fifth grade and gets a job picking cotton for a dollar a day to help support his family. After his mother dies of endocarditis and pneumonia in 1941, he works at a radio repair shop and at a combination general store, garage and gas station in Greenville.
After the attack on Pearl Harbor, Murphy’s older sister helps him to falsify documentation about his birthdate in order to meet the minimum-age requirement for enlisting in the military. Turned down by the Navy and the Marine Corps, he enlists in the Army. He first sees action in the 1943 Allied invasion of Sicily. Then, in 1944, he participates in the Battle of Anzio, the liberation of Rome, and Operation Dragoon, the invasion of Southern France. He fights at Montélimar and leads his men on a successful assault at the L’Omet quarry near Cleurie in northeastern France in October.
Murphy receives every military combat award for valor available from the U.S. Army, as well as French and Belgian awards for heroism. He receives the Medal of Honor for valor that he demonstrates at the age of 19 for single-handedly holding off an entire company of German soldiers for an hour at the Colmar Pocket in France in January 1945, then leading a successful counterattack while wounded and out of ammunition.
After the war, Murphy embarks on a 21-year acting career. He plays himself in the 1955 autobiographical film To Hell and Back, based on his 1949 memoirs of the same name, but most of his roles are in westerns. He makes guest appearances on celebrity television shows and stars in the series Whispering Smith. He is a fairly accomplished songwriter. He breeds American Quarter Horses in California and Arizona and becomes a regular participant in horse racing.
Suffering from what would today be described as posttraumatic stress disorder (PTSD), Murphy sleeps with a loaded handgun under his pillow. He looks for solace in addictive sleeping pills. In his last few years, he is plagued by money problems but refuses offers to appear in alcohol and cigarette commercials because he does not want to set a bad example.
Dennis Day, American singer, radio, television and film personality and comedian of Irish descent, is born Owen Patrick Eugene McNulty on May 21, 1916 in The Bronx borough of New York City.
Mary Livingstone, wife of comedian Jack Benny, brings Day to Benny’s attention after hearing him on the radio during a visit to New York. She takes a recording of Day’s singing to Benny, who then goes to New York to audition Day. The audition results in Day’s role on the Benny program.
Day appears for the first time on Benny’s radio show on October 8, 1939, taking the place of another famed tenor, Kenny Baker. He remains associated with Benny’s radio and television programs until Benny’s death in 1974. He is introduced as a young, naive boy singer, a character he keeps through his whole career.
From 1944 through 1946 Day serves in the United States Navy as a Lieutenant. While in service he is temporarily replaced on the Benny radio program by fellow tenor Larry Stevens. On his return to civilian life, he continues to work with Benny while also starring on his own NBC show, A Day in the Life of Dennis Day (1946–1951). His last radio series is a comedy/variety show that airs on NBC’s Sunday afternoon schedule during the 1954–55 season.
An attempt is made to adapt A Day in the Life Of Dennis Day as an NBC filmed series, produced by Jerry Fairbanks for Dennis’ sponsor, Colgate-Palmolive, featuring the original radio cast, but gets no farther than an unaired 1949 pilot episode. Eventually, his own TV series, The Dennis Day Show, is first telecast on NBC on February 8, 1952, and then in the 1953–1954 season. Between 1952 and 1978, he makes numerous TV appearances as a singer, actor and voice for animation, such as the Walt Disney feature Johnny Appleseed, handling multiple characters. His last televised work with Benny is in 1970, when they both appear in a public service announcement together to promote savings and loans.
Fagan is the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan, née Hughes. He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.
Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913 he returns to the stage touring as the Rt Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.
Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.
Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough follows the next year.
Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.
Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.
James Bernard Fagan dies in Hollywood, California, on February 17, 1933, at the age of 59 of a heart attack following a bout of influenza.
Harry Lillis “Bing” Crosby Jr., American singer and actor and descendant of Irish immigrants, is born on May 3, 1903, in Tacoma, Washington. His trademark warm bass-baritone voice makes him one of the best-selling recording artists of all time, selling over one billion analog records and tapes, as well as digital compact discs and downloads around the world.
Crosby’s parents are Harry Lillis Crosby Sr. (1870–1950), a bookkeeper of English descent, and Catherine Helen “Kate” (née Harrigan; 1873–1964), a second-generation Irish American. An ancestor, Simon Crosby, emigrates to America in the 17th century, and one of his descendants marries a descendant of Mayflower passenger William Brewster.
The first multimedia star, from 1931 to 1954 Crosby is a leader in record sales, radio ratings, and motion picture grosses. His early career coincides with technical recording innovations such as the microphone. This allows him to develop a laid-back, intimate singing style that influences many of the popular male singers who follow him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Yank, the Army Weekly magazine says that he is the person who has done the most for American soldiers’ morale during World War II.
The biggest hit song of Crosby’s career is his recording of Irving Berlin‘s “White Christmas,” which he introduces on a Christmas Day radio broadcast in 1941. The song then appears in his 1942 movie Holiday Inn. His record hits the charts on October 3, 1942, and rises to No. 1 on October 31, where it stays for eleven weeks.
In 1948, American polls declare him the “most admired man alive,” ahead of Jackie Robinson and Pope Pius XII. Also in 1948, Music Digest estimates that his recordings fill more than half of the 80,000 weekly hours allocated to recorded radio music.
Crosby wins an Academy Award for Best Actor for his role as Father Chuck O’Malley in the 1944 motion picture Going My Way and is nominated for his reprise of the role in The Bells of St. Mary’s opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. In 1963, he receives the first Grammy Global Achievement Award. He is one of 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording.
Crosby influences the development of the postwar recording industry. After seeing a demonstration of an early Ampexreel-to-reel tape recorder he places a large order for their equipment and convinces ABC to allow him to tape his shows. He becomes the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. Through the medium of recording, he constructs his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that becomes an industry standard. In addition to his work with early audio tape recording, he helps to finance the development of videotape, purchases television stations, breeds racehorses, and co-owns the Pittsburgh Pirates baseball team.
On October 13, 1977, Crosby flies alone to Spain to play golf and hunt partridge. The following day, at the La Moraleja Golf Course near Madrid, he plays 18 holes of golf. As Crosby and his party head back to the clubhouse, Crosby says, “That was a great game of golf, fellas.” At about 6:30 PM, he collapses about 20 yards from the clubhouse entrance and dies instantly from a massive heart attack. At Reina Victoria Hospital he is administered the last rites of the Catholic Church and is pronounced dead. On October 18, following a private funeral Mass at St. Paul’s Catholic Church in Westwood, he is buried at Holy Cross Cemetery in Culver City, California. A plaque is placed at the golf course in his memory.
Mulhare, one of three brothers, is born at 22 Quaker Road, Cork, County Cork, in what is then known as the Irish Free State, to John and Catherine Mulhare. As a child, he receives his education at St. Nessan’s Christian Brothers School, and later North Monastery. As a young adult, he begins schooling at the National University of Ireland in medicine, but eventually decides upon a career in theatre. After acting in various Irish venues including the Gate Theatre in Dublin, he moves to London, where he works with Orson Welles and John Gielgud.
His best-known stage role is as Professor Higgins in the original Broadway production of My Fair Lady, having taken over the role from Rex Harrison in 1957.
Mulhare’s first television appearance is in 1956 in a production of The Adventures of Robin Hood. He is a guest panelist in 1958 on the CBS television game show What’s My Line? By 1965, he is back in Hollywood appearing in films and television shows. He earns a role in the films Von Ryan’s Express in 1965, Our Man Flint in 1966, and Caprice in 1967. He guest-stars in television programs, including the Twelve O’Clock High episode “Siren Voices” as Luftwaffe Colonel Kurt Halland. He also guest-stars in “Experiment In Terra,” an episode of the original Battlestar Galactica series. In The Ghost & Mrs. Muir, a supernatural sitcom that runs from 1968 to 1970, he stars as Captain Daniel Gregg, and again is something of a successor to Rex Harrison, who had originated the role of “The Ghost” in the original 1947 film. In the mid-1980s, Mulhare hosts the television series Secrets & Mysteries, also called Secrets of the Unknown, a magazine show that examines historical mysteries and the paranormal. His most famous role is probably as Devon Miles in the Knight Rider series.
Edward Mulhare dies of lung cancer on May 24, 1997, age 74, at his home in Van Nuys, California. He had been battling the cancer for five months prior to his death. He is buried in St. Joseph’s Cemetery, Tory Top Road, Cork. Team Knight Rider dedicates an episode titled “K.R.O.” to Mulhare’s memory which is broadcast on October 27, 1997.
Tracy is the second son of Caroline and John Edward Tracy, a truck salesman. His mother is a Presbyterian from a wealthy Midwestern family and his father is of Irish Catholic background.
Tracy first discovers his talent for acting while attending Ripon College, and he later receives a scholarship for the American Academy of Dramatic Arts. He spends seven years in the theatre, working in a succession of repertory theatres and intermittently on Broadway. His breakthrough comes in 1930, when his lead performance in The Last Mile catches the attention of Hollywood. After a successful film debut in Up the River, he is signed to a contract with Fox Film Corporation. His five years with Fox are unremarkable and he remains largely unknown to audiences after 25 films, most of them starring Tracy as the leading man. None of them are hits although The Power and the Glory (1933) features one of his most acclaimed performances.
In 1935, Tracy joins Metro-Goldwyn-Mayer, at the time Hollywood’s most prestigious studio. His career flourishes with a series of hit films, and in 1937 and 1938 he wins consecutive Oscars for Captains Courageous and Boys Town. By the 1940s, Tracy is one of the studio’s top stars. In 1942, he appears with Katharine Hepburn in Woman of the Year, beginning a popular partnership that produces nine movies over 25 years.
Tracy leaves MGM in 1955 and continues to work regularly as a freelance star, despite an increasing weariness as he ages. His personal life is troubled, with a lifelong struggle against alcoholism and guilt over his son’s deafness. He becomes estranged from his wife in the 1930s but never divorces, conducting a long-term relationship with Katharine Hepburn in private. Towards the end of his life, he works almost exclusively for director Stanley Kramer. It is for Kramer that he makes his last film, Guess Who’s Coming to Dinner in 1967, completed just 17 days before his death.
On June 10, 1967, Tracy awakens at 3:00 AM to make himself a cup of tea in his apartment in Beverly Hills, California that he shares with Hepburn. She hears a loud thump and finds Tracy lying dead on the kitchen floor from a heart attack.
During his career, Tracy appears in 75 films and develops a reputation among his peers as one of the screen’s greatest actors. In 1999 the American Film Institute ranks Tracy as the 9th greatest male star of Classical Hollywood Cinema.
seamus dubhghaill 