Clery is the son of Arthur Clery (who also uses the names Arthur Patrick O’Clery and Arthur Ua Cléirigh), a barrister, and Catherine Moylan. His father, who practises in India, publishes books on early Irish history.
Clery’s principal themes include the difficulties of Roman Catholic graduates seeking professional employment, dramatic criticism (he hails Lady Gregory‘s play Kincora as the Abbey Theatre‘s first masterpiece but is repulsed by the works of John Millington Synge), Catholic-Protestant rivalry, tension within the Dublin professional class, and the vagaries of the Gaelic revival movement.
Clery advocates partition on the basis of a two nations theory, first advanced in 1904–1905, possibly in response to William O’Brien‘s advocacy of securing Home Rule through compromise with moderate Unionists. Several of his articles on the subject are reprinted in his 1907 essay collection, The Idea of a Nation.
Clery derives this unusual view for a nationalist from several motives, including a belief that arguments for Irish nationalists’ right to self-determination can be used to justify Ulster Unionists’ right to secede from Ireland, fear that it might be impossible to obtain Home Rule unless Ulster is excluded, and distaste for both Ulster Protestants and Ulster Catholics, whom he sees as deplorably anglicised. He remains a partitionist for the rest of his life. He is not particularly successful as a barrister, but on the establishment of University College Dublin (UCD) in 1909, he is appointed to the part-time post of Professor of the Law of Property.
Clery does not take his seat and does not contest the September 1927 Irish general election since new legislation obliges candidates to pledge in advance that they will take their seat. He is one of the lawyers who advises Éamon de Valera that the Irish Free State is not legally obliged to pay the Land Annuities which had been agreed in the Anglo-Irish Treaty of 1922.
Clery was a close friend of Tom Kettle, with whom he founds a dining club, the “Cui Bono.” Hugh Kennedy is also a lifelong friend. As Auditor of the L & H, he tries to prevent James Joyce from reading a paper praising Henrik Ibsen, asserting that “the effect of Henrik Ibsen is evil,” but Joyce succeeds in reading it after he argues his case with the college president. The principal influence on Clery is the Irish Ireland editor D. P. Moran, to whose weekly paper, The Leader, Clery becomes a frequent contributor. In addition to The Idea of a Nation, he publishes Dublin Essays (1920) and (as Arthur Synan) The coming of the king.
After an episode of The IT Crowd is criticised as transphobic, Linehan becomes involved in anti-transgender activism. He argues that transgender activism endangers women, and likens the use of puberty blockers to Nazi eugenics. He says his views have lost him work and ended his marriage.
Linehan attends Catholic University School, a Roman Catholic secondary school for boys. In the 1980s, he joins the staff of the Dublin politics and music magazine Hot Press, where he meets his future writing partner, Arthur Mathews. In their early collaborations, they create segments in sketch shows including Alas Smith and Jones, Harry Enfield & Chums, The All New Alexei Sayle Show, The Day Today and the Ted and Ralph characters in The Fast Show. They continue their collaboration with Paris (one series, 1994), Father Ted (three series, 1995–1998), and the first series of the sketch show Big Train. They also write the “Dearth of a Salesman” episode for the series Coogan’s Run, which features the character Gareth Cheeseman. In late 2003, he and Mathews are named one of the 50 funniest acts to work in television by The Observer. Father Ted wins BAFTA awards for Best Comedy in 1996 and 1999.
Linehan writes for the satirical series Brass Eye (1997), Blue Jam (1997–1999) and Jam (2000). With the actor Dylan Moran, he creates the sitcom Black Books (2000–2004). He writes and directs the 2006 Channel 4 sitcom The IT Crowd, in which he seeks to move away from the British trend towards mockumentary comedies. Unlike many series of the time, it is recorded before a studio audience. In November 2008, he is awarded an International Emmy for The IT Crowd. In 2013, he writes and directs the sitcom The Walshes. He co-writes the first series of the BBC sitcom Motherland and directs its pilot episode. In 2014, he wins his fifth BAFTA, for Best Writer, Comedy, for his work on The IT Crowd. He is also nominated for Count Arthur Strong.
In 2018, Linehan and Mathews announce plans for a Father Ted musical. Lineham says it will finish the series as they had planned it before the death of the lead actor, Dermot Morgan. The musical is cancelled by producers following the controversy over Linehan’s views on transgender rights. In December 2024, he announces plans to move to Arizona to work on a sitcom and create a production company with the comedians Rob Schneider and Andrew Doyle.
Boland is born on September 16, 1870, at 135 Capel Street, Dublin, to Patrick Boland, businessman, and Mary Donnelly. Following the death of his mother in 1882, he is placed with his six siblings under the guardianship of his uncle, Nicholas Donnelly, auxiliary bishop of Dublin.
Boland is educated at two private Catholic schools, the Catholic University School, Dublin, and Birmingham Oratory in Birmingham, England, where he becomes head boy. His secondary education at the two schools help give him the foundation and understanding to play an influential role in the politics of Great Britain and Ireland at the beginning of the 20th century, when he is a member of the Irish Parliamentary Party, which pursues constitutional Home Rule.
In 1892, Boland graduates with a BA from London University. He studies for a semester in Bonn, Germany, where he is a member of Bavaria Bonn, a student fraternity that is member of the Cartellverband. He studies law at Christ Church, Oxford, graduating with a BA in 1896 and MA in 1901. Although called to the Bar in 1897, he never practises.
Boland is the first Olympic champion in tennis for Great Britain and Ireland at the first modern Olympics, which take place in Athens in 1896. He visits his friend Thrasyvoulos Manos in Athens during the Olympics, and Manos, a member of the organising committee, enters Boland in the tennis tournament. He promptly wins the singles tournament, defeating Friedrich Traun of Germany in the first round, Evangelos Rallis of Greece in the second, Konstantinos Paspatis of Greece in the semifinals, and Dionysios Kasdaglis of Greece in the final.
Boland then enters the doubles event with Traun, the German runner whom he had defeated in the first round of the singles. Together, they win the doubles event. They defeat Aristidis and Konstantinos Akratopoulos of Greece in the first round, have a bye in the semifinals, and defeat Demetrios Petrokokkinos of Greece and Dimitrios Kasdaglis in the final. When the Union Jack and the German flag are run up the flagpole to honour Boland and Traun’s victory, Boland points out to the man hoisting the flags that he is Irish, adding “It [the Irish flag]’s a gold harp on a green ground, we hope.” The officials agreed to have an Irish flag prepared.
Following a visit to County Kerry, Boland becomes concerned about the lack of literacy among the native population. He also has a keen interest in the Irish Language.
Boland’s patriotic stand is well received in nationalist circles in Ireland. This and a lifelong friendship with John Redmond gain for him an invitation to stand as a candidate for the Irish Parliamentary Party in the safe seat of South Kerry, which he holds from 1900 to 1918. He is unopposed in the general elections of 1900 and 1906, and the first of 1910. In the second election of 1910 he is challenged by a local man, T. B. Cronin, who stands as an independent nationalist in the interest of William O’Brien. Boland stands down at the 1918 United Kingdom general election.
In 1908, Boland is appointed a member of the commission for the foundation of the National University of Ireland (NUI). From 1926 to 1947, he is General Secretary of the Catholic Truth Society. He receives a papal knighthood, becoming a Knight of St. Gregory in recognition for his work in education. In 1950, he is awarded an honorary Doctor of Law by the NUI.
Boland marries Eileen Moloney at SS Peter and Edward, Palace Street, Westminster, on October 22, 1902, the daughter of an Australian Dr. Patrick Moloney. They have one son and five daughters. His daughter Honor Crowley succeeds her husband Frederick Crowley upon his death sitting as Fianna FáilTD for South Kerry from 1945 until her death in 1966. His daughter Bridget Boland is a playwright who notably writes The Prisoner and co-writes the script for Gaslight, and, among other books, co-authors Old Wives’ Lore for Gardeners with her sister, Maureen Boland.
Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.
After initially attending Beaumont convent school, Allen goes to Firhousenational school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.
Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.
Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.
While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.
Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”
On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.
Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.
Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).
In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.
In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.
After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.
A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.
(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)
Lemass is the son of Seán Lemass, a Fianna Fáil TD and fourth Taoiseach of Ireland, and Kathleen Lemass (née Hughes). He is named after his uncle, a victim of the Irish Civil War in the early 1920s. He is educated at Catholic University School, Leeson Street in Dublin and later at Newbridge College in Newbridge, County Kildare. Against his father’s wishes, rather than attend university, he undertakes business training and later becomes an executive member and branch secretary of the Irish Commercial Travellers’ Association.
Lemass follows his father into politics in 1955, when he is elected to Dublin City Council. He is elected to Dáil Éireann in a by-election in Dublin South-West the following year. The by-election is a loss for Fine Gael, who is in government at the time, and whose TD had held the seat for a number of years.
Lemass is active in a number of political councils and other groupings. From 1966 to 1968, he is a member of the Consultative Assembly of the Council of Europe. He is also a member of the Irish-British Parliamentary Group and the Irish-French Parliamentary Group.
In 1969, Lemass is appointed as Parliamentary Secretary to the Minister for Finance, with responsibility for the Office of Public Works. In his first year at the Department, he serves under his brother-in-law, Charles Haughey, and later under George Colley.
When Fianna Fáil loses office in 1973, Lemass is named spokesperson for physical planning and the environment. He holds that position until January 1975, when he is dropped from the front bench.
Lemass’s political career, a career in which he is invariably judged in comparison to his father, is cut short when he dies suddenly in Dublin on April 13, 1976. He is buried at Dean’s Grange Cemetery, Deansgrange, County Dublin. His widow enters the Dáil following his death.
Larchet is born on July 13, 1884, at Sandymount, Dublin, the son of John Edward Larchet, manager of a wine business, and his wife Isabella Emily (née Farmar). Educated at the Catholic University School in Leeson Street, Dublin, he subsequently commences study under Michele Esposito at the Royal Irish Academy of Music (RIAM) in Dublin, winning many prizes for composition, theory, harmony, and counterpoint from 1903 to 1912. As a student at Trinity College Dublin (TCD), he obtains his Bachelor of Music in 1915 and Doctor of Music in 1917 and comes to dominate the music profession in Dublin over the next forty years, moulding the composers, teachers, and conductors of the next generation, while developing an Irish school of music based on folk tradition but writing in the modern idiom. A senior professor at the RIAM by 1920, the following year he is appointed professor of music at University College Dublin (UCD), where he remains until 1958, successfully establishing music as a serious discipline within the university. He is director of music examinations for Irish secondary schools (1907–34) and succeeds in raising standards of teaching, particularly with regard to rectifying weakness in the teaching of the theory of music.
Along with Aloys Fleischmann and composer Frederick May, Larchet keeps discourse on music in the public domain during the 1930s and 1940s, frequently addressing the need for a national school of music and a system of music education that would raise standards of musical appreciation and nurture a school of Irish composers.
Appointed music director at the Abbey Theatre in 1907, he is closely associated with Lady Gregory and W. B. Yeats, establishing a tradition of music at the theatre that delights critics. A popular myth at the time is that there are some who leave the theatre during the acts and return to enjoy Larchet’s music during the intervals. Appointed musical adviser to the army in 1923, he introduces a new philharmonic pitch, and serves as president of the Dublin Grand Opera Society for many years.
A fellow of the RIAM, Larchet also conducts the Dublin Amateur Orchestra Society, is choir master of the Jesuit church in Gardiner Street, Dublin, and organises annual orchestral concerts at the Royal Dublin Society (RDS). He is also involved in preparing a report for the commission on vocational organisation on behalf of the Musical Association of Ireland. The products of his own creative endeavour are mostly orchestral and choral works including An Ardglass Boat Song, Pádraic the Fiddler, and Diarmuid’s Lament.
Perhaps the main challenge facing Larchet in the 1920–50 period is the divide between “colonial” and “native” which has characterised the history of music in Ireland. A gentle-mannered, kindly man who is acutely aware of the lack of a national policy for music, he is a persuasive advocate of the European aesthetic and his main aim is said to have been “a reconciliation between the cultural chauvinism of Ireland as an emergent nation state and the central value (artistic as well as educational) of music as a vital dynamic in Irish cultural affairs.”
Although it can be argued that Larchet is not possessed of a uniquely original voice, with his authority coming rather from his enormous workload and his essential contribution as a teacher, it is no exaggeration to claim that the majority of Irish composers who emerge in the decades after the 1940s are influenced by his guidance, including Frank Llewellyn Harrison, Frederick May, Joan Trimble and Brian Boydell.
Larchet dies in Dublin on August 10, 1967. He is survived by his wife, Madeleine Moore, a well-known musician, and their two daughters and son, also musicians. His daughter, Sheila Larchet Cuthbert, is an Irish harpist and author. She publishes The Irish Harp Book: A Tutor and Companion (Dublin, 1975).
(From: “Larchet, John Francis” by Diarmaid Ferriter, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Boland is born to Patrick Boland (1840–1877), businessman, and Mary Donnelly. Following the death of his mother in 1882, he is placed with his six siblings under the guardianship of his uncle Nicholas Donnelly, auxiliary bishop of Dublin.
Boland is educated at two private Catholic schools, one Irish, the second English, and both of whose existence and evolution are influenced by John Henry Newman – the Catholic University School, Dublin, and The Oratory School, Birmingham. His secondary education at the two schools helps give him the foundation and understanding to play an influential role in the politics of Great Britain and Ireland at the beginning of the 20th century, when he is a member of the Irish Parliamentary Party which pursues constitutional Home Rule.
In 1892 Boland graduates with a BA from London University. He studies for a semester in Bonn, Germany, where he is a member of Bavaria Bonn, a student fraternity that is member of the Cartellverband. He studies law at Christ Church, Oxford, graduating with a BA in 1896 and MA in 1901. Although called to the Bar in 1897, he never practises.
Boland is the first Olympic champion in tennis for Great Britain and Ireland at the first modern Olympics, which takes place in Athens in 1896. He visits his friend Thrasyvoulos Manos in Athens during the Olympics, and Manos, a member of the organising committee, enters Boland in the tennis tournament. Boland promptly wins the singles tournament, defeating Friedrich Traun of Germany in the first round, Evangelos Rallis of Greece in the second, Konstantinos Paspatis of Greece in the semifinals, and Dionysios Kasdaglis of Greece in the final.
Boland then enters the doubles event with Traun, the German runner whom he had defeated in the first round of the singles. Together, they win the doubles event. They defeat Aristidis and Konstantinos Akratopoulos of Greece in the first round, have a bye in the semifinals, and defeat Demetrios Petrokokkinos of Greece and Dimitrios Kasdaglis in the final. When the Union Flag and the German flag are run up the flagpole to honour Boland and Traun’s victory, Boland points out to the man hoisting the flags that he is Irish, adding “It’s a gold harp on a green ground, we hope.” The officials agree to have an Irish flag prepared.
Following a visit to Kerry, Boland becomes concerned about the lack of literacy among the native population, as he also has a keen interest in the Irish language.
In 1908, Boland is appointed a member of the commission for the foundation of the National University of Ireland (NUI). From 1926 to 1947, he is General Secretary of the Catholic Truth Society. He receives a papal knighthood, becoming a Knight of St. Gregory in recognition for his work in education, and in 1950 he is awarded an honorary doctorate of Laws by the NUI.
Boland marries Eileen Moloney (1876–1937), daughter of an Australian Dr. Patrick Moloney, at SS Peter and Edward, Palace-street, Westminster, on October 22, 1902. They have one son and five daughters. His daughter Honor Crowley (née Boland) succeeds her husband, Frederick Crowley, upon his death sitting as Fianna FáilTD for South Kerry from 1945 until her death in 1966. His daughter Bridget Boland is a playwright who writes The Prisoner.
Boland dies at the age of 87 at his home in London on Saint Patrick’s Day, March 17, 1958.
Dillon is a member of the British House of Commons during 1880–1883 and 1885–1918. For his vigorous work in the Irish National Land League, which seeks fixed tenure, fair rents, and free sale of Irish land, he is imprisoned twice between May 1881 and May 1882. He is Parnell’s fellow inmate in Kilmainham Gaol in Dublin from October 1881. For six months in 1888 he is imprisoned for aiding William O’Brien, author of the “plan of campaign” against high rent charges by English absentee landlords in Irish farming districts.
When Parnell is named co-respondent in Captain William Henry O’Shea’s divorce suit in 1890, Dillon and O’Brien at first affirm their support of him, but they finally decide that he will thenceforth be a liability as party leader. The party then splits, the anti-Parnellite majority forming the Irish National Federation, of which Dillon serves as chairman from 1896. In 1900, however, he agrees to join a reunited party under the Parnellite John Redmond.
During the prime ministry of Arthur James Balfour (1902–1905), Dillon comes to believe that the British Conservative government intends to grant Irish reforms without independence, thereby “killing Home Rule by kindness.” In 1905 he advises Irishmen to vote for Liberal Party candidates for Parliament, and, after the Liberals had taken office that year, he supports their reform program.
Throughout World War I Dillon vehemently opposes the extension of British military conscription to Ireland, both because that measure would strengthen the agitation by the more extreme nationalist Sinn Féin party and because he never accepted the view that British imperial interests necessarily coincided with those of Ireland. After the Easter Rising in Dublin in 1916, he protests against the harsh measures that ensue and, in the House of Commons, makes a passionate speech in defense of the Irish rebels.
Upon Redmond’s death on March 6, 1918, Dillon, who had broken with him over Irish support for the British war effort, succeeds him as Irish Parliamentary Party leader. By that time, however, the party has been discredited and in the 1918 Irish general election Sinn Féin wins easily. On losing his House of Commons seat to Éamon de Valera, the future president of the Republic of Ireland, he retires from politics.
Sebastian Barry, novelist, playwright and poet, is born in Dublin on July 5, 1955. He is noted for his lyrical literary writing style and is considered one of Ireland’s finest writers. He is named Laureate for Irish Fiction, 2019–2021.
Barry starts his literary career with the novel Macker’s Garden in 1982. This is followed by several books of poetry and a further novel, The Engine of Owl-Light (1987), before his career as a playwright begins with his first play produced in the Abbey Theatre, Boss Grady’s Boys (1988).
Both The Steward of Christendom and the novel The Whereabouts of Eneas McNulty, are about the dislocations, physical and otherwise, of loyalist Irish people during the political upheavals of the early 20th century. The title character of the latter work is a young man forced to leave Ireland by his former friends in the aftermath of the Irish War of Independence.
Barry has been twice shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which wins the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His fifth novel, On Canaan’s Side (2011), is longlisted for the 2011 Man Booker Prize and wins the 2012 Walter Scott Prize. In January 2017, he is awarded the Costa Book of the Year prize for Days Without End (2016), becoming the first novelist to win the prestigious prize twice. The novel also wins The Walter Scott Prize and The Independent Booksellers’ Prize, and is longlisted for the Man Booker Prize 2017.
In 2001, Barry establishes his personal and professional archive at the Harry Ransom Center. More than sixty boxes of papers document his diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts.
John Dillon, a Member of Parliament (MP) for over 35 years and the last leader of the Irish Parliamentary Party in the struggle to secure Home Rule by parliamentary means, dies in a Londonnursing home on August 4, 1927. Through the 1880s he is perhaps the most important ally of the greatest 19th-century Irish nationalist, Charles Stewart Parnell, but, following Parnell’s involvement as co-respondent in a divorce case, he repudiates Parnell for reasons of political prudence.
Dillon is a member of the British House of Commons during 1880–1883 and 1885–1918. For his vigorous work in the Irish National Land League, which seeks fixed tenure, fair rents, and free sale of Irish land, he is imprisoned twice between May 1881 and May 1882. He is Parnell’s fellow inmate in Kilmainham Gaol in Dublin from October 1881. For six months in 1888 he is imprisoned for aiding William O’Brien, author of the “plan of campaign” against high rent charges by English absentee landlords in Irish farming districts.
When Parnell is named co-respondent in Captain William Henry O’Shea’s divorce suit in 1890, Dillon and O’Brien at first affirm their support of him, but they finally decide that he will thenceforth be a liability as party leader. The party then splits, the anti-Parnellite majority forming the Irish National Federation, of which Dillon serves as chairman from 1896. In 1900, however, he agrees to join a reunited party under the Parnellite John Redmond.
During the prime ministry of Arthur James Balfour (1902–1905), Dillon comes to believe that the British Conservative government intends to grant Irish reforms without independence, thereby “killing Home Rule by kindness.” In 1905 he advises Irishmen to vote for Liberal Party candidates for Parliament, and, after the Liberals had taken office that year, he supports their reform program.
Throughout World War I Dillon vehemently opposes the extension of British military conscription to Ireland, both because that measure would strengthen the agitation by the more extreme nationalistSinn Féin party and because he never accepted the view that British imperial interests necessarily coincided with those of Ireland. After the Easter Rising in Dublin in 1916, he protests against the harsh measures that ensue and, in the House of Commons, makes a passionate speech in defense of the Irish rebels.
Upon Redmond’s death on March 6, 1918, Dillon, who had broken with him over Irish support for the British war effort, succeeds him as Irish Parliamentary Party leader. By that time, however, the party has been discredited and in the 1918 Irish general election Sinn Féin wins easily. On losing his House of Commons seat to Éamon de Valera, the future president of the Republic of Ireland, he retires from politics.
seamus dubhghaill 