Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.
Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.
Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.
Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.
Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married. He is buried in St. Finbarr’s Cemetery, Cork. He leaves the valuable contents of his library – over 1,200 volumes on philology and other scholarly subjects, many with important annotations – and a collection of personal papers to the Royal Irish Academy (RIA). There is a portrait of Bergin at UCD.
Willes is born on February 13, 1814, in Cork, County Cork, the eldest among six children of James Willes, physician, and his wife, Elizabeth Aldworth, daughter of John Shaw, mayor of Cork in 1792. Educated at Dr. Porter’s school in Cork and Trinity College Dublin (TCD), he graduates BA in 1836, having entered the King’s Inns the previous year. In 1837, he goes to London and joins the Inner Temple as a pupil of the noted barrister Thomas Chitty (1802–78), in whose chambers he remains as a salaried assistant and special pleader before being called to the English bar on June 12, 1840. The Willes and Chitty families are connected, and James’s younger sister, Mary, later marries Thomas Chitty’s son.
Willes joins the home circuit, though his practice is chiefly in London in mercantile and maritime law. A leading junior in the Court of Exchequer, he holds the post of tubman from 1851, an honorary position in the gift of the Lord Chief Baron. Known for his erudition, he is persuaded to edit, with Sir Henry Singer Keating, the third and fourth editions of John William Smith‘s Leading Cases (1849, 1856). In 1850, his reputation is such that he is appointed one of the commissioners to draft the common law procedure bill (1854) and is credited with having effected most of the reform therein. On July 3, 1855, he is appointed judge of the Court of Common Pleas, though he has not yet taken silk and is only 41, the youngest lawyer but one to have been appointed to the bench since 1778.
A classical scholar and linguist who knows oriental as well as European languages, who travels widely, loves poetry, and frequents literary men, and whose judgments are clear and philosophical, Willes is accounted among the best common law judges of his day, and is celebrated for the simplicity and lucidity of his style. Notable judgments include Esposito v. Bowden (1857), which lays down that the force of a declaration of war is equal to that of an act of parliament prohibiting commercial transactions with the enemy. In the law of torts, he gives an oft-cited judgment in the case of Indermaur v. Dames (1866), which has been accepted almost as statutory, on the liability of the occupier of a building for the safety of a visitor. In 1868, as one of the first judges appointed to try election petitions, he lays down the rules of practice generally followed afterward. A strong British patriot, he serves in the Inns of Court Volunteers from 1859 until shortly before his death.
On November 3, 1871, Willes is sworn of the privy council. However, his health has deteriorated through overwork and an emotional temperament, and he has long suffered heart disease and gout. In August 1872, after a heavy assize at Liverpool, he returns to his house, Otterspool, Watford, Hertfordshire, and succumbs to a nervous breakdown, which leads to his shooting himself on October 2, 1872. He is buried on October 7 at Brompton Cemetery in London. He is survived fifteen years by his wife, Helen, daughter of Thomas Jennings of Cork, whom he married on May 17, 1856. There have no children.
A tall, reserved man, with a prominent nose and sad eyes, Willes has great affection for children and animals and is singularly emotional. He is known to return to his room and shed tears before passing sentence on a criminal. He never loses his Irish accent. His marriage is allegedly unhappy, as he had been forced into it after he had fallen out of love. Sir Frederick Pollock (1845–1937), author of the magisterial History of English Law before the Time of Edward I and sometime marshal to Willes, dedicates to him his first textbook on torts in 1879, writing that he was “one of those whose knowledge is radiant and kindles answering fire.” A century later, A. W. B. Simpson maintains that “his reputation as a jurist will last as long as the law reports of England are read.”
(From: “Willes, Sir James Shaw” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, dies in Cork, County Cork, on August 24, 1969. She begins her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.
Cummins is born in Cork, on January 24, 1890, the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.
As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).
Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”
Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).
Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.
During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.
In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.
Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).
The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.
According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”
Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.
Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.
When appointed Lord Chancellor of Ireland in 1789, FitzGibbon is granted his first peerage as Baron FitzGibbon, of Lower Connello in the County of Limerick, in the Peerage of Ireland that year. This does not entitle him to a seat in the British House of Lords, only in the Irish House of Lords. His later promotions come mostly in the Peerage of Ireland, being advanced to a Viscountcy in 1793 and the Earldom of Clare in 1795. He finally achieves a seat in the British House of Lords in 1799 when created Baron FitzGibbon, of Sidbury in the County of Devon, in the Peerage of Great Britain.
As Lord Chancellor for Ireland, FitzGibbon is a renowned champion of the Protestant Ascendancy and an opponent of Catholic emancipation. He despises the Parliament of Ireland‘s popular independent Constitution of 1782. He is also personally and politically opposed to the Irish politician Henry Grattan who urges a moderate course in the Irish Parliament and is responsible for defeating Grattan’s efforts to reform the Irish land tithe system under which Irish Catholic farmers (and all non-Anglican farmers) are forced to financially support the minority Anglican Church of Ireland. These are not fully repealed until 1869 when the Church of Ireland is finally disestablished, although Irish tithes are commuted after the Tithe War (1831–1836).
FitzGibbon opposes the Irish Roman Catholic Relief Act 1793 personally but apparently recommends its acceptance in the House of Lords, being forced out of necessity when that Act had been recommended to the Irish Executive by the British Cabinet led by William Pitt the Younger. Pitt expects Ireland to follow the British Roman Catholic Relief Act 1791 and allow Catholics to vote again and hold public offices. At the same time, FitzGibbon apparently denounces the policy this Act embodies, so it is probably safe to say that FitzGibbon’s own beliefs and principles conflict with his obligations as a member of the Irish executive of the time.
FitzGibbon’s role in the recall, soon after his arrival, of the popular pro-Emancipation Lord Lieutenant of Ireland, William Fitzwilliam, 4th Earl of Fitzwilliam, is debatable. Although he is probably politically opposed to the Lord Lieutenant of Ireland, Fitzwilliam is apparently recalled, because of his own independent actions. Fitzwilliam is known to be friendly to the Ponsonby family and is generally a Foxite liberal Whig. His close association with and patronage of Irish Whigs led by Grattan and Ponsonby during his short tenure, along with his alleged support of an immediate effort to secure Catholic emancipation in a manner not authorized by the British cabinet is likely what leads to his recall. Thus, if anyone is to blame in the short-lived “Fitzwilliam episode” it is Henry Grattan and the Ponsonby brothers – presumably William Ponsonby, later Lord Imokilly, and his brother George Ponsonby — not to mention Lord Fitzwilliam himself. Irish Catholics at the time and later naturally see things very differently and blame hardline Protestants such as FitzGibbon.
Irish Catholics and FitzGibbon apparently agree on one point – Irish political and economic union with Great Britain, which eventually takes place in 1801. Pitt wants Union with Ireland concomitantly with Catholic emancipation, commutation of tithes, and the endowment of the Irish Catholic priesthood. Union is opposed by most hardline Irish Protestants, as well as liberals such as Grattan. FitzGibbon is a strong supporter of the Union since 1793 but refuses to have Catholic emancipation with the Union.
In the end, FitzGibbon’s views wins out, leading to the Union of Ireland with Great Britain to form the United Kingdom of Great Britain and Ireland without any concessions for Ireland’s Catholic majority, or for that matter, Catholics in the rest of the new United Kingdom. He later claims that he has been duped by the way in which the Act is passed and is bitterly opposed to any concessions during the short remainder of his life.
FitzGibbon’s role as Lord Chancellor of Ireland during the period of the 1798 rebellion is questionable. According to some, he supports a hardline policy which uses torture, murder and massacre to crush the rebellion, or that as Lord Chancellor, he has considerable influence on military affairs, and that martial law cannot be imposed without his consent. Others allege that as Lord Chancellor, he has no say in military affairs. His former side is displayed by sparing the lives of the captured United Irish leaders in return for their confession of complicity and provision of information relating to the planning of the rebellion. However, this willingness of the prisoners to partake of the agreement is spurred by the execution of the Sheares brothers on July 14, 1798.
In contrast to the leniency shown to the largely upper-class leadership, the full weight of military repression is inflicted upon the common people throughout the years 1797–98 with untold thousands suffering imprisonment, torture, transportation and death. Fitzgibbon ss inclined to show no mercy to unrepentant rebels and in October 1798 he expressed his disgust upon the capture of Wolfe Tone that he had been granted a trial and his belief that Tone should have been hanged as soon as he set foot on land.
FitzGibbon is quick to recognise that sectarianism is a useful ally to divide the rebels and prevent the United Irishmen from achieving their goal of uniting Protestant, Catholic and Dissenter, writing in June 1798, “In the North nothing will keep the rebels quiet but the conviction that where treason has broken out the rebellion is merely popish.”
FitzGibbon is noted by some as a good, improving landlord to both his Protestant and Catholic tenants. Some claim that the tenants of his Mountshannon estate call him “Black Jack” FitzGibbon. However, there is no evidence to support this claim, although there is little to no evidence on his dealings as a landlord. Irish nationalists and others point out that while he might have been interested in the welfare of his own tenants on his own estate, he treats other Irish Catholics very differently. Without further evidence, his role as a Protestant landowner in mainly Catholic Ireland is of little importance against his known dealings as Lord Chancellor.
FitzGibbon dies at his home, 6 Ely Place near St. Stephen’s Green, Dublin, on January 28, 1802, and is buried in the churchyard at St. Peter’s Church, Aungier Street, Dublin. A hero to Protestant hardliners, but despised by the majority Catholic population, his funeral cortege is the cause of a riot and there is a widespread story that a number of dead cats are thrown at his coffin as it departs Ely Place.
(Pictured: “Portrait of John FitzGibbon, 1st Earl of Clare,” painting by Gilbert Stuart, 1789)
Ó Muircheartaigh grows up on the family farm and is educated locally in Dingle. In September 1945, he begins studying at Coláiste Íosagáin in Ballyvourney in the County CorkGaeltacht where he trains to be a teacher. It is at this all-Irish language school that his name changes from Michael Moriarty to the Irish version Mícheál Ó Muircheartaigh. He says that Irish is his stronger language. In September 1948, he begins the final year of his teacher training at St. Patrick’s College of Education in Drumcondra, Dublin.
In early March 1949, Ó Muircheartaigh, along with ten other students from the college, and several from other colleges, do a test commentary on a hurling match at Croke Park. Each student has to commentate for five minutes in Irish and the most successful is to be selected for further commentary work. Up to this point, he has never seen a game of hurling before in his life. He is the one selected and his first assignment is to provide an all-Irish commentary on the 1949 Railway Cup final on Saint Patrick’s Day.
Ó Muircheartaigh graduates from St. Patrick’s College a little later and also completes a Bachelor of Arts degree from University College Dublin (UCD) in 1952. He also completes a Higher Diploma in Education in 1953. He teaches economics, accountancy and Irish in both primary and secondary schools throughout Dublin, the majority of which are run by the Christian Brothers. He continues teaching up until the 1980s, when he becomes a full-time broadcaster with RTÉ.
For the early part of his broadcasting career, Ó Muircheartaigh commentates on Minor GAA matches, in the Irish language. He also replaces the legendary Michael O’Hehir when he is not available to commentate. Eventually when O’Hehir is forced to retire in the mid-1980s Ó Muircheartaigh takes over as the station’s premier radio commentator. He develops his own inimitable style of commentary, and his accent is unmistakably that of a native Irish speaker. He is a true lover of Gaelic Athletic Association, and it is reflected in the enthusiasm he brings to matches. His unusual turn of phrase makes him a much-loved broadcaster and often imitated character. He becomes particularly famous in Ireland for his unusual turns of phrase in the heat of the moment while commentating. Towards the end of his life, he commentates on RTÉ Radio 1. In 2004, he publishes his autobiography, From Dún Sion to Croke Park.
On March 5, 1988, Ó Muircheartaigh presents the Saturday Live show on RTÉ 1. In 1990, he holds an impromptu interview with Britain’s Prince Edward, after his greyhound had won at the English Greyhound Derby qualifier when he was commentating.
Ó Muircheartaigh’s commentaries for RTÉ Radio 1’s Sunday Sport show win him a Jacob’s Award in 1992. He is also the Parade Grand Marshal for the 2007 St. Patrick’s Festival, having been given the honour by the chairman of the festival in recognition and appreciation of his unique contribution to Irish culture. He is the Parade Grand Marshal for the 2011 St. Patrick’s Parade in Toronto, Ontario, Canada, also in recognition and appreciation of his unique contribution to Irish culture.
On September 16, 2010, Ó Muircheartaigh announces his retirement from broadcasting. The last All-Ireland he commentates on is the 2010 All-Ireland Senior Football Championship Final on September 19, 2010.
On October 29, 2010, it is announced that the 2nd International Rules test at Croke Park would be Ó Muircheartaigh’s final broadcast as commentator on RTÉ Radio 1. The following day he commentates his final commentary alongside RTÉ’s pundit and former Meath footballer Bernard Flynn.
Ó Muircheartaigh is contracted to officiate at the 2011–2012 Volvo Ocean Race finish in Galway where he commentates on the finish to the round-the-world race, giving it a uniquely Irish conclusion. Sailing is his longtime hobby.
Ó Muircheartaigh writes a weekly sports column for Foinse, the Irish-language newspaper free with the Irish Independent each Wednesday. He is invited to read out a piece in Irish and in English at an event called “Laochra” in Croke Park on April 24, 2016, to commemorate the 100th anniversary of the Easter Rising.
In 2007, Ó Muircheartaigh is awarded the UCD Foundation Day Medal. His nephew by marriage, John McGuire, has presented several programmes on RTÉ.
Ó Muircheartaigh dies in hospital in Dublin at the age of 93 on June 25, 2024.
Ó Muircheartaigh is awarded an honorary doctorate by NUI Galway in 1999 for his lifetime service to broadcasting. Shortly after his 90th birthday, he is awarded the only GAA GPA All Stars Award of 2020. No further All Stars can be awarded as competition is suspended due to the COVID-19 pandemic and only completed that December.
William Corbet, an Anglo-Irish soldier in the service of France, is born in Ballythomas, County Cork, on August 17, 1779. In September 1798, he accompanies James Napper Tandy in an aborted French mission to Ireland in support of the United Irish insurrection. After two years of incarceration, he escapes from Ireland and serves in the campaigns of Napoleon reaching the rank of colonel. In 1831, under the July Monarchy, he is employed in the Morea expedition to Greece. He returns to France in 1837, retiring with the rank of Major-General.
Corbet is born into a branch of the Corbet family, an Anglo-Irish Protestant family. In 1798, as a member of the Society of United Irishmen, he is expelled from Trinity College Dublin with Robert Emmet and others for treasonable activities and goes instead to Paris. In September of the same year, he joins a French military force under James Napper Tandy with the rank of Captain and sails from Dunkirk with arms and ammunition for Ireland. The expedition has to turn back following the defeat of General Jean Joseph Amable Humbert and arriving in Hamburg they are handed over to the British authorities and taken to Ireland, where they are imprisoned in Kilmainham Gaol.
Corbet escapes in 1803 and returns to France. He is appointed professor of English at the military college of Saint-Cyr. Later that year he becomes a captain in the Irish Legion. Following the death of his brother Thomas (who was also in the Legion) in a duel with another officer, he is transferred to the 70th Regiment of the line, where he serves in André Masséna‘s expedition to Portugal, and distinguishes himself in the retreat from Torres Vedras and the Battle of Sabugal. After the Battle of Salamanca, he is appointed chef de bataillon of the 47th regiment and serves until 1813 when he is summoned to Germany to join the staff of MarshalAuguste de Marmont. He serves at the battles of Lützen, Bautzen, Dresden and others and is made a commander of the Legion of Honour. In December 1814, he is naturalised as a French citizen. In 1815, after the abdication of Napoleon, he is promoted to colonel and chief of staff to General Louis-Marie-Celeste d’Aumont at Caen.
In 1837, Corbet returns to France where, with the rank of Major-General, he is commander in the region of Calvados. He dies at Saint-Denis on August 12, 1842.
The Irish novelist Maria Edgeworth bases the main theme of her novel Ormond on Corbet’s 1803 escape from Kilmainham Gaol.
In effect a special extension of the Defence of the Realm Acts, the aim of the Act is to increase convictions of nationalist rebels while averting the need to declare martial law. Under Section 3(6) of the Act, military authorities are empowered to jail any Irish person without charge or trial. Secret courts-martial are established, and lawyers (appointed by Crown agents) can be present only if the death penalty is involved. Inquests of military or police actions are banned.
By the middle of 1920, Ireland is in the throes of a full-fledged rebellion that is barely recognized by the British Government in Ireland headquartered in Dublin Castle. The Irish Republican Army (IRA), the military arm of the Dáil Éireann revolutionary government, is engaged in a guerilla campaign to destroy elements of British power, particularly burning down courthouses and attacking members of the Royal Irish Constabulary (RIC), Britain’s police force in the countryside.
The British response to the increase in violence and the assassination of police officers is twofold. To suppress the IRA “murderers,” Major GeneralHugh Tudor, commander of the RIC and self-styled “Chief of Police,” begins supplementing that body with the employment of World War I veterans known as the “Black and Tans” because of the colour of their surplus World War I uniforms, and an additional temporary force of Auxiliaries. With little discipline and utter indifference to the plight or moral indignation of the Irish population, these groups raid and burn villages, creameries, and farm buildings to intimidate supporters of the IRA.
The second measure is the enactment of the Restoration of Order in Ireland Act (ROIA). The Act is envisioned as a remedy to the problem perceived by Chief Secretary for Ireland Sir Hamar Greenwood that “throughout the greater part of Ireland criminal justice can no longer be administered by the ordinary constitutional process of trial by judge and jury.”
The genesis of the Act may be seen in a Cabinet discussion on May 31, 1920, in which the members focus on the violence in Ireland. Rather than addressing violence as the product of rebellion, Greenwood insists that, “The great task is to crush out murder and arson.” He asserts that the violence is perpetrated by handsomely paid thugs. Commenting on a pending Irish bill, Secretary of State for WarWinston Churchill states, “You should include in the Bill a special tribunal for trying murderers. It is monstrous that we have some 200 murders, and no one hung.” The prime minister agrees that convicted murderers should be hanged but questions whether convictions can be obtained from Catholics. The concern of all is that the civil courts are incapable of strictly administering justice to the revolutionaries because the juries largely consisted of Irish Catholics. The ensuing discussion of possibly imposing court-martial jurisdiction is inconclusive.
After the May 31 meeting, Greenwood investigates the feasibility of imposing martial law in Ireland and raises martial law as the specific subject of a July 23, 1920, conference committee meeting of the Cabinet led by Prime MinisterDavid Lloyd George to which the key members of the Dublin Castle administration are invited. William E. Wylie, the law advisor at Dublin Castle, notes that the RIC is disintegrating through resignations brought on by terrorist attacks, and that with “regard to the Civil Courts, the entire administration of the Imperial Government had ceased.” The civilian participants from Dublin Castle, especially Wylie, maintain that martial law is counter-productive, and will only antagonize the Irish people. As an alternative to martial law, General Tudor argues for the imposition of court-martial jurisdiction. Tudor argues forcefully that court-martial jurisdiction over all crimes will support the Black and Tans and Auxiliaries that he is recruiting. He declaims that “not a single criminal had been brought to justice for murder.” Lloyd George closes the discussion directing the Dublin Castle participants to provide final proposals for enforcement of the laws.
A draft bill to establish military criminal jurisdiction is considered by the Cabinet on July 26. The prime minister’s most telling contribution is his question as to whether a convicted man would be shot or hanged. It appears that he is comforted by the response that the defendant will be tried under the ordinary law which implies death by hanging. The resulting bill is completed by July 30, 1920, and is then quickly pushed through Parliament and receives royal assent on August 9, 1920. The ROIA provides that all crimes punishable under the laws in Ireland can be brought before a court-martial. The court-martial will have the power to impose any punishment authorized by statute or common law including the death penalty. The final step is taken on August 20, 1920, when the final regulations for implementation go into effect.
The combination of growing police and military pressure and recourse to the ROIA lead to increased internments of known or suspected IRA members and a steady increase in convictions to 50-60 per week. This makes it more difficult for IRA soldiers to continue openly working day jobs while carrying on part-time guerrilla activities. As a result, the IRA shifts its approach to guerrilla warfare in the rural counties. Volunteers from IRA units are organized into elite, full-time, mobile flying columns of around 25 men who live off the land and on the run. These flying columns prove to be more suited to ambushes of patrols and convoys and other targets of opportunity, rather than attacks on barracks which had become better defended.
On December 10, 1920, martial law is proclaimed in counties Cork, Kerry, Limerick, and Tipperary. In January 1921 martial law is extended to counties Clare and Waterford.
In a crucial judgement, R (Egan) v Macready, the Irish courts rule that the Act does not give power to impose the death penalty. This would no doubt have proved politically contentious had not hostilities ended the same day.
Despite its name, the courts are of the view that ROIA applies in England as well. Following the creation of the Irish Free State, when the Act is repealed by implication, it is still used to deport ex-members of the Irish Self-Determination League to Ireland.
John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.
Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.
Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.
By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.
As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.
His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.
Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).
During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.
Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.
Dunphy grows up in Drumcondra, Dublin, in what he describes as “a one-room tenement flat [with] no electricity, no hot water.” He attends Saint Patrick’s National School, Drumcondra. In 1958, he gets a one-year government scholarship to Sandymount High School but has to work as a messenger at the tweed clothing shop Kevin and Howlin.
A promising footballer, Dunphy leaves Dublin while still a teenager to join Manchester United as an apprentice. He does not break into the first team at United, and subsequently leaves to play for York City, Millwall, Charlton Athletic, Reading and Shamrock Rovers. It is at Millwall that he makes the most impact. He is considered an intelligent and skillful player in the side’s midfield. He is a member of “The Class of ’71,” the Millwall side that fails by just one point to gain promotion to the Football League First Division.
Dunphy accompanies Johnny Giles back to Ireland to join Shamrock Rovers in 1977. Giles wants to make the club Ireland’s first full-time professional club and hopes to make Rovers into a force in European football by developing talented young players at home who would otherwise go to clubs in England. Dunphy is originally intended to be in charge of youth development. However, despite an FAI Cup winners medal in 1978, his only medal in senior football, and two appearances in the UEFA Cup Winners’ Cup, he becomes disillusioned with the Irish game and drops out of football altogether to concentrate on a career in journalism.
Since the 1980s, Dunphy has written a number of books. His first and most widely praised book is Only a Game? The Diary of a Professional Footballer, which is an autobiographical account of his days playing for Millwall. Written in diary form, it records events from the dressing room of his 1973–74 season, which begins well for him at Millwall but subsequently ends in disillusionment: after being substituted in an October 27, 1973, home loss to eventual league winners Middlesbrough, he does not play another game all season, the club finishing mid-table.
In 1985, rock band U2 and manager Paul McGuinness commission Dunphy to write the story of their origins, formation, early years and the time leading up to their highly successful album The Joshua Tree. His book Unforgettable Fire – Past, Present, and Future – The Definitive Biography of U2 is published in 1988. It receives some favourable reviews, but critics close to the band speak of many inaccuracies. A verbal war erupts in the press during which he calls lead singer Bono a “pompous git.”
Dunphy also writes a biography of long-serving Manchester United manager Matt Busby and in 2002 ghost writes the autobiography of Republic of Ireland and Manchester United player Roy Keane.
Since the mid-1980s, Dunphy has regularly appeared as an analyst during football coverage on Raidió Teilifís Éireann (RTÉ). Since RTÉ acquired the rights to show English football, he has been a regular contributor to Premier Soccer Saturday. He also contributes to analysis of UEFA Champions League games and, in international football, RTÉ’s coverage of FIFA World Cups, UEFA European Football Championships and qualifying matches involving the Republic of Ireland national football team.
In 2001, Dunphy becomes the first male host of the quiz show The Weakest Link, which airs on TV3, for just one series. In 2003, he is hired again by TV3 to host their new Friday night chat show, entitled The Dunphy Show. Pitted head-to-head with RTÉ’s long-running flagship programme, The Late Late Show, Dunphy’s show loses what is a highly publicised “ratings war,” and is cancelled before its original run concludes.
Dunphy is the first presenter of a made-for-mobile television show on the 3 mobile network in Ireland. His rants and “Spoofer of the Week” are watched by thousands of 3 Mobile customers. The shows are awarded “Best Entertainment Show” at Ireland’s Digital Media Awards. He admits he never uses a mobile himself but enjoys filming for a mobile audience from his living room in Ranelagh.
In July 2018, Dunphy announces that he is leaving RTÉ after 40 years with the broadcaster, and that he intends to focus on his podcastThe Stand with Eamon Dunphy.
Dunphy has also has a prominent radio career with several stations, including Today FM, Newstalk and RTÉ Radio 1. He is the original host in 1997 of the popular current affairs show The Last Word on Today FM. In September 2004, he takes over The Breakfast Show slot on the Dublin radio station Newstalk 106 from David McWilliams. The show tries to court controversy and listeners in equal measure. He fails to attract the large listenership predicted, with only a few additional thousand tuning in. He announces in June 2006 his intention to leave Newstalk 106, citing an inability to sustain the demands of an early morning schedule. After his departure from Newstalk 106, he confirms he is suffering from a viral illness from which he later recovers.
In July 2006, RTÉ announces that Dunphy will present a new weekly programme as part of the new RTÉ Radio 1 autumn schedule.
Dunphy rejoins Newstalk but leaves again in 2011 “due to interference from management and a push to put a more positive spin on the news.” On his last show he accuses his boss, Denis O’Brien, of “hating journalism.” He quits after Sam Smyth is sacked from Today FM (also owned by O’Brien) and says management at Newstalk is trying to remove “dissenting voices” like Constantin Gurdgiev from the airwaves.
Dunphy is a daily Mass-goer until he is preparing for marriage to his first wife, Sandra from Salford, when he is 21. He is Catholic and she is Protestant. The priest instructing them for marriage disapproves strongly of the mixed couple, saying that he should not marry her because she is “not a proper person.” Dunphy’s observance is already weakening but he quits his daily Mass-going at this point. He and Sandra have two children, a boy and a girl, and he is now a grandfather. His first marriage ends, and he moves to Castletownshend in County Cork for two years in the early 1990s. He lives with another partner, Inge, before meeting his second wife, RTÉ commissioning editor Jane Gogan, in the Horseshoe Bar in Dublin in 1992. They marry at the Unitarian Church on St. Stephen’s Green on September 24, 2009.
In an interview with An Phoblacht, Dunphy, who had previously written highly critical articles on the Provisional IRA and Sinn Féin, states that he is now a Sinn Féin supporter and declares he had voted for them in the 2011 Irish general election. He describes their representatives as “incredibly hard-working and incredibly intelligent.”
Dunphy publishes his autobiography entitled The Rocky Road in October 2013.
Today, Dunphy generally resides at his home near Ranelagh in Dublin. He also owns a holiday home in Deauville, France.
(Pictured: Éamon Dunphy at the Sinn Féin Summer School, 2013)
Whitty is born in on January 7, 1904, in Newbawn, County Wexford. He is a Volunteer in the IRA, who serves in the South Wexford Brigade during the Irish War of Independence. After the signing of the 1921 Anglo-Irish Treaty, he joins the Anti-Treaty side in the Irish Civil War.
In late October 1922, Whitty is arrested (although never charged or convicted of any crime) in a roundup of dissidents. He is initially interned by Irish Free State troops at Wexford Prison and from there is transferred to the Curragh Camp. It has been asserted that his arrest was in revenge for the actions of his brothers who are deeply involved with the IRA. The authorities are unable to locate his brothers, so he is arrested instead.
While at the Curragh Camp, Whitty decides to independently start a hunger strike and dies as a result on August 2, 1923, at the Curragh Camp hospital. At the time, hunger strikes are not an official policy of the IRA and are not directed by its General Headquarters. Instead, each hunger striker makes an individual decision to strike. Due to the newly formed Irish Free State government’s news embargo on conditions in prisons at the time, very little is published on Whitty’s motivations and the circumstances of his hunger strike and death, including the number of days of his strike.
Earlier, the high-profile hunger strike deaths of Thomas Ashe, president of the Irish Republican Brotherhood (IRB) in 1917 and Terence MacSwiney, Lord Mayor of Cork in 1920, bring international attention to the Republicans’ cause. The Irish Government’s news embargo prevents the embarrassment of having to publicly announce the death by hunger strike of a 19-year-old internee. From 1922, hunger strikes are of value only when a government is likely to be embarrassed sufficiently by the death of a prisoner.
With the ending of the 1923 Irish Hunger Strikes in late November 1923, the news embargo is relaxed. The November 20, 1923 death of Denny Barry from County Cork and the November 22, 1923 death of Andy O’Sullivan from County Cavan are widely reported in the media, while Whitty’s earlier death in August remains largely unreported.
After Whitty’s non-sanctioned hunger strike and death, Michael Kilroy, the Officer Commanding (OC) of IRA prisoners in Mountjoy Prison announces that 300 men will go on hunger strike on October 13, 1923. By late 1923, thousands of Irish republican prisoners are on hunger strike in multiple prisons and internment camps across Ireland. The mass hunger strikes of October/November 1923 see around 8,000 of the 12,000 Anti-Treaty republican prisoners on hunger strikes in Irish prisons, protesting internment without charge/trial, poor prison conditions and demanding immediate release of all political prisoners. Previously, the Irish Free State government had passed a motion outlawing the release of prisoners on hunger strike.
With the death of Whitty and two other recent Irish republican hunger strikers, Michael Fitzgerald (died October 17, 1920) and Joe Murphy (died October 25, 1920) and the large numbers of Irish republican prisoners on hunger strike, the Irish Free State Government sends a delegation to speak with IRA leadership in late October 1923. On November 23, 1923, the day after Andy O’Sullivan’s death, the hunger strike is called off, eventually setting off a release program for many of the prisoners, although some are not released until as late as 1932. The mass hunger strike of 1923 lasts for 41 days and met with little success.
Whitty is buried at Ballymore Cemetery. Killinick, County Wexford. The inscription on his grave reads: “In Memory of Joseph Whitty, Connolly St, Wexford. South Wexford Brigade who died for Ireland 2nd August 1923.”
The Sinn Féin Cumann (Association) in Wexford is named after Joe Whitty. The annual Joe Whitty Commemoration is held each year on Easter Saturday evening in Ballymore, County Wexford.
seamus dubhghaill 