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Birth of Sculptor Augustus Saint-Gaudens

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Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.

Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13, he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.

After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to Admiral David Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.

From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.

Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.

Diagnosed with cancer in 1900, Saint-Gaudens dies at the age of 59 on August 3, 1907, in Cornish, New Hampshire.


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Death of Dermot Morgan, Comedian & Actor

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Dermot John Morgan, Irish comedian and actor who achieves international renown for his role as Father Ted Crilly in the Channel 4 sitcom Father Ted, dies of a heart attack on February 28, 1998, in Hounslow, London, England.

Morgan is born in Dublin on March 31, 1952. Educated at Oatlands College, Stillorgan, and University College, Dublin (UCD), Morgan comes to prominence as part of the team behind the highly successful RTÉ television show The Live Mike. Morgan makes his debut in the media on the Morning Ireland radio show produced by Gene Martin. Between 1979 and 1982 Morgan, who has been a teacher at St. Michael’s College, Ailesbury Road, plays a range of comic characters who appear between segments of the show, including Father Trendy, an unctuous trying-to-be-cool Catholic priest given to drawing ludicrous parallels with non-religious life in two-minute ‘chats’ to camera.

Morgan’s success as Father Trendy and other characters leads him to leave teaching and become a full-time comedian.

Morgan’s biggest Irish broadcasting success occurs in the late 1980s on the Saturday morning radio comedy show Scrap Saturday, which mocks Ireland’s political, business, and media establishment. The show’s treatment of the relationship between the ever-controversial Taoiseach Charles Haughey and his press secretary P.J. Mara prove particularly popular. When RTÉ axes the show in the early 1990s a national outcry ensues. Morgan lashes the decision, calling it “a shameless act of broadcasting cowardice and political subservience.”

Already a celebrity in Ireland, Morgan’s big break comes in Channel 4‘s Irish sitcom Father Ted, which runs for three series from April 21, 1995, until May 1, 1998. Writers Graham Linehan and Arthur Mathews audition many actors for the title role, but Morgan’s enthusiasm wins him the part.

Father Ted centres on three disparate characters. Father Ted Crilly, played by Morgan, lives a frustrated life trapped on the fictional Craggy Island. Irish TV comedy actor Frank Kelly plays Father Jack Hackett, a foul-mouthed and apparently brain-damaged alcoholic, while child-minded Father Dougal McGuire is played by comedian Ardal O’Hanlon. The three priests are looked after by their housekeeper, Mrs. Doyle, played by Pauline McLynn, with whom Morgan had worked on Scrap Saturday. Father Ted enjoys widespread popularity and critical acclaim. In 1998, the show wins a BAFTA award for the best comedy, Morgan wins a BAFTA for best actor, and McLynn is named best actress.

On February 28, 1998, one day after recording the last episode of Father Ted, Morgan has a heart attack while hosting a dinner party at his home in southwest London. He is rushed to hospital but dies soon afterwards. Morgan’s Requiem Mass in St. Therese’s Church in Mount Merrion, south Dublin, is attended by the President of Ireland Mary McAleese, her predecessor, Mary Robinson, and by political and church leaders, many of whom had been the targets of his humour in Scrap Saturday. He is cremated at Glasnevin Cemetery and his ashes are buried in the family plot in Deansgrange Cemetery.


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Birth of Samuel Lover, Songwriter, Novelist & Painter

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Samuel Lover, Irish songwriter, composer, novelist, and a painter of portraits, chiefly miniatures, is born at 60 Grafton Street in Dublin on February 24, 1797. He is also known as “Ben Trovato” (“well invented”) and is the grandfather of Victor Herbert. He is noted as saying, “When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen.”

Lover goes to school at Samuel Whyte’s at 79 Grafton Street, now home to Bewley’s café. By 1830 he is secretary of the Royal Hibernian Academy (RHA) and lives at 9 D’Olier Street. In 1835 he moves to London and begins composing music for a series of comic stage works. To some of them, like the operetta Il Paddy Whack in Italia (1841), he contributes both words and music, for others he merely contributes a few songs.

Lover produces a number of Irish songs, of which several – including The Angel’s Whisper, Molly Bawn, and The Four-leaved Shamrock – attain great popularity. He also writes novels, of which Rory O’Moore and Handy Andy are the best known, and short Irish sketches which, with his songs, he combines into a popular entertainment called Irish Nights or Irish Evenings. With the latter, he tours North America between 1846 and 1848. He joins with Charles Dickens in founding Bentley’s Magazine.

Lover’s grandson is composer Victor Herbert whose mother is Lover’s daughter Fanny. Herbert is best remembered for his many successful musicals and operettas that premier on Broadway. As a small child he lives with the Lovers in a musical environment following the divorce of his mother.

Samuel Lover dies on July 6, 1868, in Saint Helier on the island of Jersey. A memorial in St. Patrick’s Cathedral, Dublin summarises his achievements:

“Poet, painter, novelist and composer, who, in the exercise of a genius as distinguished in its versatility as in its power, by his pen and pencil illustrated so happily the characteristics of the peasantry of his country that his name will ever be honourably identified with Ireland.”


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Birth of Sculptor Jerome Connor

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Jerome Connor, recognized world-class Irish sculptor, is born on February 23, 1874, in Coumduff, Annascaul, County Kerry.

In 1888, Connor emigrates to Holyoke, Massachusetts. His father is a stonemason, which leads to Connor’s jobs in New York as a sign painter, stonecutter, bronze founder and machinist. Inspired by his father’s work and his own experience, he would steal his father’s chisels as a child and carve figures into rocks.

It is believed Connor possibly assisted in the manufacture of bronzes such as the Civil War monument in Town Green in South Hadley, Massachusetts erected in 1896 and The Court of Neptune Fountain at the Library of Congress in Washington, D.C., completed in 1898.

Connor joins the Roycroft arts community in 1899 where he assists with blacksmithing and later starts creating terracotta busts and reliefs. Eventually he is recognized as Roycroft’s sculptor-in-residence.

After four years at Roycroft, Connor then works with Gustav Stickley and becomes well known as a sculptor being commissioned to create civic commissions in bronze for placement in Washington, D.C., Syracuse, East Aurora, New York, San Francisco, and in his native Ireland. In 1910, he establishes his own studio in Washington, D.C. From 1902 until his death, he produces scores of designs ranging from small portrait heads to relief panels to large civic commissions realized in bronze.

Connor is a self-taught artist who is highly regarded in the United States where most of his public works can be seen. He appears to be heavily influenced by the work of Irish American sculptor Augustus Saint-Gaudens. He uses the human figure to give expression to emotions, values and ideals. Many of the commissions he receives are for civic memorials and secular figures which he casts in bronze, a pronounced departure from the Irish tradition of stone carved, church sponsored works.

Connor’s best-known work is Nuns of the Battlefield located at the intersection of Rhode Island Avenue NW, M Street and Connecticut Avenue NW in Washington, D.C. It serves as a tribute to the over six hundred nuns who nursed soldiers of both armies during the American Civil War and is one of two monuments in the District that represent women’s roles in the Civil War. The sculpture is authorized by the United States Congress on March 29, 1918, with the agreement that the government will not fund it. The Ancient Order of Hibernians raises $50,000 for the project and Connor is selected since he focuses on Irish Catholic themes, being one himself. Connor, however, ends up suing the Order for nonpayment.

Connor works in the United States until 1925 at which time he moves to Dublin and opens his own studio but suffers from lack of financial support and patrons. In 1926 he is contacted by Roycroft and asked to design and cast a statue of Elbert Hubbard who, with his wife Alice, had died in the sinking of the RMS Lusitania. It is unveiled in 1930 and today stands on the lawn of East Aurora’s Middle School across the street from the Roycroft Chapel building.

While working on the Hubbard statue, Connor receives a commission to create a memorial for all the RMS Lusitania victims. It is to be erected in Cobh, County Cork where many of the victims are buried. The project is initiated by the New York Memorial Committee, headed by William Henry Vanderbilt whose father, Alfred Gwynne Vanderbilt, perished on the RMS Lusitania. He dies before the memorial is completed and based on Connor’s design its installation falls to another Irish artist.

Jerome Connor dies on August 21, 1943, of heart failure and reputably in poverty. There is a now a “Jerome Connor Place” in Dublin and around the corner there is a plaque in his honour on Infirmary Road, overlooking Dublin’s Phoenix Park, his favourite place.


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Lord Randolph Churchill’s Speech at Ulster Hall

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Conservative Party politician Lord Randolph Churchill, father of Winston Churchill, gives what many consider one of the single most destructive speeches in Irish history, inciting militant loyalists at Ulster Hall in Belfast on February 22, 1886.

The Conservative Party in Ulster launches an anti-Home Rule campaign in February 1886. It joins with the Orange Order to organise a huge political rally which is addressed by Lord Churchill.

Protestants in Ulster are very concerned about the prospect of Irish Home Rule. They fear that an Irish parliament will put rural agricultural interests before the needs of the industrial North-East. They believe a Dublin parliament will introduce tariffs which will damage industries in the north. They also fear that they will be discriminated against because of their religion, outnumbered in a Dublin parliament by Catholic representatives.

Churchill has shown disdain for Ulster Unionists up until this time, in private at least, telling Lord Salisbury, “these foul Ulster Tories have always ruined our party,” but as 1886 begins he sees an opportunity to exploit their fears for political gain. He decides that should Prime Minister William Gladstone “went for Home Rule (for Ireland), the Orange Card would be the one to play. Please God may it turn out the ace of trumps and not the two.” This quote leads one to believe he has few real convictions regarding the issue.

“Ulster will fight, and Ulster will be right,” Lord Churchill proclaims to a crowd before he even arrives at Ulster Hall.

Lord Churchill gives a rousing speech at the rally. During his speech, he plays on Protestant fears of Dublin “Catholic” rule and encourages Ulster Protestants to organize against Home Rule, so it does not come upon them “as a thief in the night.” As a result, the Ulster Protestants begin to form paramilitary drilling units.

Churchill achieves a short-term political gain by his playing of the Orange Card, but his most lasting legacy is the unfounded fear of Irish Catholics that he helps to implant in the minds of Ulster Protestants, a tragedy for both traditions on the island. Those fears remain evident over a century later.


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Death of Paul Funge, Painter & Arts Enthusiast

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Paul Funge, internationally respected painter and arts enthusiast, dies at Loughlinstown Hospital in the south Dublin suburb of Loughlinstown on February 21, 2011, after a short illness.

A native of Gorey, County Wexford, Funge is a founder of the Project Arts Centre in Dublin and the founder of Gorey Arts Centre in 1970. He is also a founder of the Belltable Arts Centre in Limerick while the regional arts officer for the midwest. In addition, he establishes the Gorey Arts Festival, a three-week summer arts festival, and runs it for more than fifteen years. He is remembered as the man who brought U2 to play at the Gorey Arts Festival in the days before they became an international success.

A painter of portraits and landscapes, Funge teaches art in many schools including Clongowes Wood College and Newbridge College. He also lectures at the National College of Art and Design (NCAD), the University of California, and Kunsthistorisch Instituut in Amsterdam. He is also an inspector for art in the Department of Education for a number of years.

As a portrait artist Funge’s sitters included U2’s Adam Clayton, Frank McGuinness and Colm Tóibín as well as many ministers and academics.

Funge suffers a fall before Christmas 2010, badly fracturing his leg and he is admitted to St. Vincent’s Hospital. On January 6, he transfers from Vincent’s to recuperate at a nursing home in Bray. In early February he takes a turn and develops chest problems. His condition deteriorates and he is admitted to the ICU in Loughlinstown Hospital. Initially he appears to be making a reasonable recovery, but his condition deteriorates again in the days prior to his death.

Following Funge’s death, Eamon Carter, director of Gorey School of Art, pays tribute to him as a visionary who felt passionate about decentralising the arts to areas outside of Dublin.

Carter adds that it had just been announced that the Gorey School of Art is linking up with NCAD to provide a masters in fine arts and it is sad that in the week it receives such good news it also receives the sad news of Funge’s death. “I’m saddened that he wasn’t here to see that because he would have been chuffed obviously,” he said.


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Birth of Seán Mac Stíofáin, Irish Republican Army Commander

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Seán Mac Stíofáin, Irish Republican Army (IRA) commander and a founding member of the Provisional IRA and its first chief of staff, is born in Leytonstone, London on February 17, 1928.

Mac Stíofáin is born John Stephenson, the son of Protestant parents. He claims Irish ancestry on his mother’s side although the validity of this is uncertain. He leaves school at sixteen, working as a labourer and converting to Catholicism. He also serves in the Royal Air Force during World War II, working as a storeman. After the war, he becomes involved and obsessed with Irish republicanism. He joins the Irish Republican Army in 1949 and helps organise an IRA unit in London.

In 1953, Stephenson leads a raid that steals rifles and mortars from a cadet school armoury in Essex. He is stopped randomly by police, arrested and sentenced to eight years in prison. He serves more than three years behind bars, using this time to learn Irish Gaelic. Released in 1956, he marries an Irish woman, moves to Dublin and changes his name to Seán Mac Stíofáin, the Gaelic form of his birth name.

Mac Stíofáin gradually ascends through the ranks of the IRA, becoming its director of intelligence. The outbreak of the Troubles in 1969 opens up divisions in the IRA over strategy and tactics. While Cathal Goulding and other leaders want to use violence carefully, Mac Stíofáin and his supporters urge open warfare with the Royal Ulster Constabulary (RUC).

In August 1969, Mac Stíofáin leads a raid on the RUC station at Crossmaglen, in defiance of IRA orders. In December, he and four others form a Provisional Army Council. This splinter group becomes the nucleus of the Provisional IRA.

Mac Stíofáin becomes the Provisional IRA’s first chief of staff. He also oversees its rearming and the escalation of its military campaign in Northern Ireland. In July 1972, he represents the Provisional IRA in secret talks with the British government in London. When these talks collapse, he orders an increase in Provisional IRA operations, beginning with the mass bombing of Belfast on July 21, 1972.

Mac Stíofáin remains in charge until November 1972, when a controversial television interview leads to his arrest, imprisonment and removal from the Provisional IRA leadership. He is released the following year but is no longer prominent in the Provisional IRA. He spends the rest of the 1970s working for a Sinn Féin newspaper.

Mac Stíofáin died on May 18, 2001, in Our Lady’s Hospital in Navan, County Meath, after a long illness. He is buried in St. Mary’s Cemetery, Navan. His funeral is attended by Gerry Adams and Martin McGuinness.


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Birth of Sophie Bryant, Mathematician, Educator & Feminist

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Sophie Willock Bryant, Anglo-Irish mathematician, educator, feminist and activist, is born Sophie Willock in Dublin on February 15, 1850.

Bryant’s father is Rev. Dr. William Willock DD, Fellow and Tutor of Trinity College, Dublin. She is educated at home, largely by her father. As a teenager she moves to London when her father is appointed Professor of Geometry at the University of London in 1863, and she attends Bedford College. At the age of nineteen she marries Dr. William Hicks Bryant, a surgeon ten years her senior, who dies of cirrhosis within a year.

In 1875 Bryant becomes a teacher and is invited by Frances Mary Buss to join the staff of North London Collegiate School. In 1895 she succeeds Buss as headmistress of North London Collegiate, serving until 1918.

When the University of London opens its degree courses to women in 1878, Bryant becomes one of the first women to obtain First Class Honours, in Mental and Moral Sciences, together with a degree in mathematics in 1881, and three years later is awarded the degree of Doctor of Science. In 1882 she is the third woman to be elected to the London Mathematical Society and is the first active female member, publishing her first paper with the Society in 1884. Together with Charles Smith, Bryant edits three volumes of Euclid‘s Elements, for the use of schools (Euclid’s Elements of Geometry, books I and II (1897); Euclid’s Elements of Geometry, books III and IV (1899); Euclid’s Elements of Geometry, books VI and IX (1901)).

Bryant is a pioneer in education for women. She is the first woman to receive a Doctor of Science in England, one of the first three women to be appointed to a Royal Commission, the Bryce commission on Secondary Education in 1894–1895, and one of the first three women to be appointed to the Senate of the University of London. When Trinity College Dublin opens its degrees to women, she is one of the first to be awarded an honorary doctorate. She is also instrumental in setting up the Cambridge Training College for Women, now Hughes Hall, Cambridge. She is also said to be one of the first women to own a bicycle.

Bryant is interested in Irish politics, writes books on Irish history and ancient Irish law (Celtic Ireland (1889), The Genius of the Gael (1913)), and is an ardent Protestant Irish nationalist. She is president of the Irish National Literary Society in 1914. She supports women’s suffrage but advocates postponement until women were better educated.

Bryant loves physical activity and the outdoors. She rows, cycles, swims, and twice climbs the Matterhorn. She dies at the age of 72 in a hiking accident in the Alps near Chamonix, France on August 14, 1922.


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Death of Actor T. P. McKenna

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Character actor Thomas Patrick McKenna, known professionally as T. P. McKenna and for his stage, film, and television work, dies at Royal Free Hospital, Hampstead, London on February 13, 2011, following a long illness.

McKenna is born in Mullagh, County Cavan on September 7, 1929. A prolific theater actor throughout his career, he makes his stage debut in Summer and Smoke by Tennessee Williams at the Pike Theatre in Dublin in 1954.

McKenna makes his film debut in the IRA–Nazi drama The Night Fighters (1960) and from this uncredited beginning he moves up to tenth billing in The Siege of Sidney Street (1960). His next major movie is Girl with Green Eyes (1964), by which time he has also started a successful television career, making his TV debut in Espionage (1963) and over the next few years appears in several more TV shows. His versatility enables him to play three characters in The Avengers (1961). He is also featured in such well-regarded shows as Adam Adamant Lives! (1966), Dixon of Dock Green (1955) and The Saint (1962).

Meanwhile, McKenna’s film career develops along literary lines, and he is featured in Brendan Behan‘s The Quare Fellow (1962), the Sean O’Casey biopic Young Cassidy (1965) and James Joyce‘s Ulysses (1967). He takes smaller parts in such epics as The Charge of the Light Brigade (1968) and Anne of the Thousand Days (1969).

British films such as Perfect Friday (1970) and Villain (1971) allowed McKenna to showcase his suave, urbane persona before trying something different in the controversial Straw Dogs (1971). He appears alongside a young Anthony Hopkins in All Creatures Great and Small (1975) before starring with John Gielgud for the second time, this time in A Portrait of the Artist as a Young Man (1977). Over the next few years his co-stars are as diverse as Leonard Rossiter (Britannia Hospital (1982)), Timothy Dalton (The Doctor and the Devils (1985)), Ben Kingsley (Pascali’s Island (1988)) and Dolph Lundgren (Red Scorpion (1988)). Not all of these films are successes, but he always gives good value for the money and develops themes of his, such as an interest in Irish issues, in The Outsider (1980). His last released film is Valmont (1989), which is unfortunately completely overshadowed by Dangerous Liaisons (1988), which is based on the same novel.

Over the years McKenna makes numerous guest appearances in TV series such as Minder (1979), Casualty (1986), Lovejoy (1986), Inspector Morse (1987), Heartbeat (1992) and Ballykissangel (1996). He is also prominent in TV movies and series, featuring in Charles Dickens‘ Masterpiece Theatre: Bleak House (1985), Stendhal‘s Scarlet and Black (1993) and an adaptation of Henry James‘ The American (1998).

McKenna dies on February 13, 2011, at the Royal Free Hospital in Hampstead, London, at the age of 81 following a long period of illness. He is buried alongside his wife at Teampall Cheallaigh Cemetery in his native County Cavan.

Following his death, tributes are paid by President of Ireland Mary McAleese, Prince Charles, and Ireland’s Minister for Tourism, Culture and Sport Mary Hanafin, who says that McKenna was “one of a great generation whose talents on the screen and stage both at home and abroad gave us all great pride in his accomplishments.” In County Cavan, he is commemorated by the T. P. McKenna Drama Scholarships (VEC) and the T. P. McKenna Perpetual Trophy presented as part of the Millrace Annual Drama Festival.


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Publication of the First Issue of “The United Irishman”

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John Mitchel, Irish nationalist activist, author, and political journalist, publishes the first issue of The United Irishman on February 12, 1848.

Mitchel is one of the great propagandists of his day, although the causes he espouses often place him on the wrong side, he is loved and loathed in equal measure. He is one of the few Irishmen to have incurred the wrath of the British government and of the Federal administration of the United States.

Mitchel is born near Dungiven, County Derry in what is now Northern Ireland on November 3, 1815. The son of a Presbyterian clergyman, he creates his own pulpit in a series of journalistic enterprises in Dublin, Tennessee, Virginia and New York.

Mostly raised in Newry, County Down, Mitchel’s first political association is with the Young Ireland movement of the 1840s and the famous The Nation newspaper, founded by Charles Gavan Duffy, Thomas Davis and John Blake Dillon in 1842. But long before the abortive Young Ireland Rebellion of 1848 he has moved on, finding the editorial policies of The Nation rather too bland for his tastes.

Inflamed by the suffering he witnesses on a trip to Galway, it is Mitchel, more than any other writer or politician, who shapes the nationalist perception of an Gorta Mór (Great Famine):

“I could see, in front of the cottages, little children leaning against a fence when the sun shone out for they could not stand, their limbs fleshless, their bodies half-naked, their faces bloated yet wrinkled, and of a pale, greenish hue… I saw Trevelyan’s claw in the vitals of those children: his red tape would draw them to death: in his government laboratory he had prepared for them the typhus poison.”

Responding to such writing, Ireland simmers, angry and ready for rebellion. Fearful of Mitchel’s power, London’s Punch magazine emphasises his international standing by portraying him as an Irish monkey challenging the Great British Lion. The Times thunders against him. When Mitchel produces his own republican newspaper, The United Irishman, which, in its inaugural edition, claims that “the world was weary of Old Ireland and also of Young Ireland” thus attacking both Daniel O’Connell and his younger antagonists with the same broadsword. He aims to be an equal opportunities offender and succeeds admirably.

The United Irishman sells out and is shut down by the British authorities after a mere sixteen issues. In order to silence Mitchel, to rob him of his heroic status and his possible martyrdom, the British government passes the Treason Felony Act 1848, which seeks to treat treason as a common crime. He is later tried before an elegantly and efficiently packed jury, found guilty of treason-felony, and deported to Van Diemen’s Land (Tasmania). The result is one of the greatest works of Irish political history, The Jail Journal, in which Mitchel writes about his own experience of deportation and advocates a far more militaristic approach to Ireland’s “English problem” than would have been popular heretofore.

Mitchel is acclaimed by Patrick Pearse, who declares The Jail Journal to be “the last of the four gospels of the New Testament of Irish nationality, the last and the fieriest and the most sublime.” Éamon de Valera reveres Mitchel, and when in 1943 he imagines Ireland as “the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit,” he too is delving into The Jail Journal for his inspiration.

(From: #OTD in 1848 – John Mitchel Publishes First United Irishman, Stair na hÉireann | History of Ireland)