seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Dublin


by Leave a comment

Birth of Figurative Painter Francis Bacon

francis-bacon

Francis Bacon, Irish-born British figurative painter known for his bold, emotionally charged and raw imagery, is born in Dublin on October 28, 1909.

Bacon is best known for his depictions of popes, crucifixions and portraits of close friends. His abstracted figures are typically isolated in geometrical cage like spaces, set against flat, nondescript backgrounds. Bacon says that he sees images “in series,” and his work typically focuses on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on a single motif, beginning with the 1930s Pablo Picasso-informed Furies, moving on to the 1940s male heads isolated in rooms or geometric structures, the 1950s screaming popes, and the mid-to-late 1950s animals and lone figures, the 1960s portraits of friends, the nihilistic 1970s self-portraits, and the cooler more technical 1980s late works.

Bacon takes up painting in his late 30s, having drifted as an interior decorator, bon vivant and gambler. He says that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough comes with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which seals his reputation as a uniquely bleak chronicler of the human condition. From the mid-1960s he mainly produces portraits of friends and drinking companions, either as single or triptych panels. Following the 1971 suicide of his lover, George Dyer, his art becomes more sombre, inward-looking and preoccupied with the passage of time and death. The climax of this later period is marked by masterpieces, including Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86.

Despite his bleak existentialist outlook, solidified in the public mind through his articulate and vivid series of interviews with David Sylvester, Bacon in person is highly engaging and charismatic, articulate, well-read and unapologetically gay. He is a prolific artist, but nonetheless spends many of the evenings of his middle age eating, drinking and gambling in London‘s Soho with like-minded friends such as Lucian Freud, John Deakin, Muriel Belcher, Henrietta Moraes, Daniel Farson, Tom Baker, and Jeffrey Bernard.

After Dyer’s suicide he largely distances himself from this circle, and while his social life is still active and his passion for gambling and drinking continues, he settles into a platonic and somewhat fatherly relationship with his eventual heir, John Edwards. The art critic Robert Hughes describes him as “the most implacable, lyric artist in late 20th-century England, perhaps in all the world” and along with Willem de Kooning as “the most important painter of the disquieting human figure in the 50’s of the 20th century.” Bacon is the subject of two Tate retrospectives and a major showing in 1971 at the Grand Palais.

While on holiday in Madrid in 1992, Francis Bacon is admitted to the Handmaids of Maria, a private clinic, where he is cared for by Sister Mercedes. His chronic asthma, which has plagued him all his life, has developed into a respiratory condition and he is unable to talk or breathe very well. He dies of a heart attack on April 28, 1992, after attempts to resuscitate him fail.

Bacon bequeaths his estate, then valued at £11 million, to John Edwards and Brian Clark, executors. In 1998 the director of the Hugh Lane Gallery in Dublin secures the donation of the contents of Bacon’s chaotic studio at 7 Reece Mews, South Kensington. The contents of his studio are moved and reconstructed in the gallery. Most of his works remain in the Hugh Lane in Dublin today.

Since his death his reputation and market value have grown steadily, and his work is among the most acclaimed, expensive and sought-after. In the late 1990s a number of major works, previously assumed destroyed, including early 1950s popes and 1960s portraits, reemerge to set record prices at auction. In 2013 his Three Studies of Lucian Freud sets the world record as the most expensive piece of art sold at auction.


by Leave a comment

Birth of Micheál Mac Liammóir, Actor, Writer & Poet

CREATOR: gd-jpeg v1.0 (using IJG JPEG v80), quality = 80

Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


by Leave a comment

Mo Mowlam Presented International Woman of the Year Award

mo-mowlan

Marjorie “Mo” Mowlam, English Labour Party politician, is presented with the International Woman of the Year Award at a ceremony in Dublin on October 23, 2001. United Nations High Commissioner for Human Rights Mary Robinson wins the Overall Award at the Irish Tatler Women of the Year Awards.

Mowlam is born on September 18, 1949 in Watford, Hertfordshire, England but grows up in Coventry. She starts her education at Chiswick Girls’ grammar school in West London, then moves to Coundon Court school in Coventry which, at the time, is one of the first comprehensive schools in the country. She then studies at Trevelyan College, Durham University, reading sociology and anthropology. She joins the Labour Party in her first year.

Mowlam becomes the Secretary of the Durham Union Society in 1969 and later goes on to become the Vice-President of the Durham Student’s Union. She works for then-MP Tony Benn in London and American writer Alvin Toffler in New York, moving to the United States with her then-boyfriend and studying for a PhD in political science at the University of Iowa.

Mowlam is a lecturer in the Political Science Department at the University of Wisconsin–Milwaukee in 1977 and at Florida State University in Tallahassee from 1977 to 1979. During her time in Tallahassee, someone breaks into her apartment. She suspects that it is Ted Bundy, the serial killer and rapist who is thought to have murdered at least 35 young women and attacked several others. She returns to England in 1979 to take up an appointment at the University of Newcastle upon Tyne.

Having failed to win selection for the 1983 general election, Mowlam is selected as Labour candidate for the safe seat of Redcar after James Tinn stands down. She takes the seat in the 1987 general election, becoming the Labour spokesperson on Northern Ireland later that year. Together with Shadow Chancellor John Smith, she is one of the architects of Labour’s “Prawn Cocktail Offensive” dedicated to reassuring the UK’s financial sector about Labour’s financial rectitude.

Mowlam joins the Shadow Cabinet when John Smith becomes leader of the Labour Party in 1992, holding the title of Shadow Secretary of State for National Heritage. During this time, she antagonises both monarchists and republicans by calling for Buckingham Palace to be demolished and replaced by a “modern” palace built at public expense. Later, her willingness to speak her mind, often without regard to the consequences, is seen as her greatest strength by her supporters.

Following Smith’s death in 1994, Mowlam, alongside Peter Kilfoyle, becomes a principal organiser of Tony Blair‘s campaign for the Labour leadership. After his victory, Blair makes her Shadow Secretary of State for Northern Ireland. She initially resists being appointed to the position, preferring an economic portfolio, but, after accepting it, she throws her weight into the job.

Mowlam oversees the negotiations which lead to the 1998 Good Friday Agreement. She is successful in helping to restore an Irish Republican Army (IRA) ceasefire and including Sinn Féin in multi-party talks about the future of Northern Ireland. In an attempt to persuade the Ulster loyalists to participate in the peace process, she pays an unprecedented and potentially dangerous visit to loyalist prisoners in HM Prison Maze, meeting convicted murderers face-to-face and unaccompanied.

Mowlam witnesses the Good Friday Agreement signing in 1998, which leads to the temporary establishment of a devolved power-sharing Northern Ireland Assembly. However, an increasingly difficult relationship with Unionist parties means her role in the talks is ultimately taken over by Tony Blair and his staff.

Mowlam’s deteriorating relationship with Unionists is the key reason she is replaced by Peter Mandelson as Northern Ireland Secretary in October 1999. Her move to the relatively lowly position of Minister for the Cabinet Office possibly involves other factors, notably her health and her popularity. On September 4, 2000, she announces her intention to retire from Parliament and relinquishes her seat at the 2001 general election.

Five months before the 1997 general election, Mowlam is diagnosed with a brain tumor, a fact that she tries to keep private. She appears to suffer from balance problems as a result of her radiotherapy. According to her husband, she falls on July 30, 2005, receiving head injuries and never regaining consciousness. Her living will, in which she asks not to be resuscitated, is honoured. On August 12, 2005, Mowlan is moved to Pilgrims Hospice in Canterbury, Kent, where she dies seven days later, on August 19, 2005, aged 55.

Mowlam is an atheist and is cremated in Sittingbourne on September 1, 2005 at a non-religious service conducted by Reverend Richard Coles, formerly of the 1980s band The Communards. Half of her ashes were scattered at Hillsborough Castle, the Secretary of State for Northern Ireland’s official residence, and the other half in her former parliamentary constituency of Redcar.


by Leave a comment

Birth of Patrick Kavanagh, Poet & Writer

Patrick Kavanagh, Irish poet and novelist whose best-known works include the novel Tarry Flynn, and the poems “On Raglan Road” and “The Great Hunger,” is born in rural Inniskeen, County Monaghan, on October 21, 1904. He is known for his accounts of Irish life through reference to the everyday and commonplace.

Kavanagh is the fourth of ten children of James Kavanagh, a cobbler and farmer, and Bridget Quinn. He is a pupil at Kednaminsha National School from 1909 to 1916, leaving in the sixth year at the age of 13. He becomes apprenticed to his father as a shoemaker and works on his farm. He is also goalkeeper for the Inniskeen Gaelic football team.

Kavanagh’s first published work appears in 1928 in the Dundalk Democrat and the Irish Independent. In 1931, he walks 80 kilometres to meet George William Russell in Dublin, where Kavanagh’s brother is a teacher. Russell gives him books, among them works by Feodor Dostoyevsky, Victor Hugo, Walt Whitman, Ralph Waldo Emerson and Robert Browning, and becomes Kavanagh’s literary adviser.

Kavanagh’s first collection, Ploughman and Other Poems, is published in 1936. It is notable for its realistic portrayal of Irish country life, free of the romantic sentiment often seen at the time in rural poems, a trait he abhors. Two years after his first collection is published, he has yet to make a significant impression. The Times Literary Supplement describes him as “a young Irish poet of promise rather than of achievement.”

In 1938 Kavanagh goes to London and remains there for about five months. The Green Fool, a loosely autobiographical novel, is published in 1938 and Kavanagh is accused of libel by Oliver St. John Gogarty who sues Kavanagh for his description of mistaking Gogarty’s “white-robed maid for his wife or his mistress.” Gogarty is awarded £100 in damages. The book, which recounts Kavanagh’s rural childhood and his attempts to become a writer, receives international recognition and good reviews.

Patrick Kavanagh dies on November 30, 1967, from an attack of bronchitis, bringing to a close the life of one of Ireland’s most controversial and colorful literary figures. Kavanagh’s reputation as a poet is based on the lyrical quality of his work, his mastery of language and form and his ability to transform the ordinary into something of significance.


by Leave a comment

Death of Jack Lynch, Politician & Taoiseach of Ireland

jack-lynch

Jack Lynch, Irish politician and Taoiseach of Ireland from 1966 to 1973 and from 1977 to 1979, dies in the Royal Hospital, Donnybrook in Dublin on October 20, 1999.

Lynch is born on August 15, 1917, in Blackpool, on the north side of Cork, County Cork. He is educated at St. Vincent’s Convent on Peacock Lane, and later at the North Monastery Christian Brothers School. He sits his Leaving Certificate in 1936, after which he moves to Dublin and works with the Dublin District Milk Board, before returning to Cork to take up a position in the Circuit Court Office.

Lynch eventually decides on a legal career, is called to the bar (1945), resigns from the civil service, and practices on the Cork circuit. He already enjoys a national reputation as a sports hero having won five All-Ireland medals as a Cork hurler and another as a footballer. He joins Fianna Fáil and wins a seat in Dáil Éireann, the lower house of the Oireachtas, in 1948. He works closely with Éamon de Valera in opposition (1948–51), and de Valera appoints him a parliamentary secretary in 1951–54, minister for the Gaeltacht in 1957, and Minister for Education in 1957–59. When Seán Lemass succeeds de Valera as Taoiseach in 1959, he makes Lynch Minister for Industry and Commerce and in 1965–66 Minister for Finance.

Lemass’s retirement in 1966 causes an internal party conflict over the succession that leads to Lynch’s selection as a compromise candidate, a position he reluctantly accepts. In November of that year, he becomes leader of Fianna Fáil and Taoiseach. In June 1969 he becomes the only Fianna Fáil leader other than de Valera to win an overall majority in a general election. In 1969–1973 Lynch plays an important role when civil unrest leads to the collapse of the government of Northern Ireland and poses a threat to the stability of the Irish state. He fires two cabinet ministers who are suspected of involvement in smuggling arms to the Provisional Irish Republican Army (IRA). He also creates a consensus in Irish party politics on a policy of conciliation and cooperation with the British government in seeking a solution to the Northern Ireland problem based on establishing power-sharing between the unionist majority and the Roman Catholic minority.

In 1972 Lynch wins an 83 percent majority in a referendum on Ireland’s entry into the European Economic Community. On January 1, 1973, Ireland becomes a member. Although he is defeated in the 1973 elections, he again demonstrates his remarkable popularity at the polls in 1977 when Fianna Fáil wins their largest and their last overall majority. In December 1979, however, discouraged by challenges to his authority from party colleagues, he resigns his leadership and soon after retires from politics. He serves on a number of corporate boards after his retirement.

In 1992 Lynch suffers a severe health setback, and in 1993 suffers a stroke in which he nearly loses his sight. Following this he withdraws from public life, preferring to remain at his home with his wife Máirín where he continues to be dogged by ill-health.

Lynch dies in the Royal Hospital, Donnybrook, Dublin on October 20, 1999, at the age of 82. He is honoured with a state funeral which is attended by the President of Ireland Mary McAleese, Taoiseach Bertie Ahern, former Taoisigh John Bruton, Albert Reynolds and Charles Haughey, and various political persons from all parties. The coffin is then flown from Dublin to Cork where a procession through the streets of the city draws some of the biggest crowds in the city’s history. After the Requiem Mass celebrated in his home parish of the Cathedral of St. Mary and St. Anne, Lynch’s friend and political ally, Desmond O’Malley, delivers the graveside oration, paying tribute to Lynch’s sense of decency. He is buried in St. Finbarr’s Cemetery in Cork.


by Leave a comment

Birth of Reverend John Abernethy

john-abernethy

John Abernethy, Irish Presbyterian minister and church leader, is born at Coleraine, County Londonderry on October 19, 1680. He is the grandfather of the surgeon John Abernethy.

Abernethy’s father, also named John, a Presbyterian minister, accompanies Patrick Adair on a deputation from the general committee of Ulster presbyterians, who present a congratulatory address to William III in London in 1689, and obtain from the king a letter (November 9, 1689) recommending their case to Meinhardt Schomberg, 3rd Duke of Schomberg.

At the age of 13, Abernethy enters the University of Glasgow and, upon concluding his course there, goes on to the University of Edinburgh, where he soon moves in the most cultured circles. Returning home, he is licensed to preach from his Presbytery before he is twenty-one. In 1701 he is called to accept charge of an important congregation in Antrim. After an interval of two years, mostly spent in further study in Dublin, he is ordained there on August 8, 1703. He becomes a noted debater in the synods and assemblies of his church and a leading evangelist. He has been described as being at this time “the young minister of Antrim … a man of studious habits, heretical opinions, and remarkable ability.”

In 1712, he is devastated by the loss of his wife, Susannah Jordan. Five years later, he is invited to the congregation of Usher’s Quay, Dublin, and also to what is called the Old Congregation of Belfast. The synod assigns him to Dublin. After careful consideration he refuses and remains at Antrim. This refusal arouses disapproval and a controversy follows, with Abernethy standing firm for religious freedom and repudiating the ecclesiastical courts. The controversy and quarrel bear the name of the two camps in the conflict, the “Subscribers” and the “Non-subscribers.” Abernethy and his associates sow the seeds of the struggle (1821–1840) in which, under the leadership of Dr. Henry Cooke, the Arian and Socinian elements of the Presbyterian Church in Ireland are thrown out.

Much of what Abernethy contends for, and which the “Subscribers” oppose bitterly, is silently granted in the lapse of time. In 1726, the “Non-subscribers” are cut off, with due ban and solemnity, from the Presbyterian Church of Ireland. In 1730 he moves to Wood Street, Dublin. It is said of him that, although a “Non-subscriber,” he is a Trinitarian. However, Dr. Cooke states that Arianism “made very considerable progress under the patronage of high names, as Abernethy, the author of a very excellent work upon the Attributes, who gave it a great deal of eclat.”

In 1731 comes the greatest controversy in which Abernethy is involved. It is nominally about the Test Act, but actually on the entire question of tests and disabilities. His stand is against all laws that, upon account of mere differences of religious opinions and forms of worship, exclude men of integrity and ability from serving their country.

Abernethy is nearly a century in advance of his age. He has to reason with those who deny that a Roman Catholic or Dissenter can be a “man of integrity and ability.”

John Abernethy dies on December 1, 1740.


by Leave a comment

First Issue of “The Nation” Published

the-nation-01-17-1852

The first issue of The Nation, an Irish nationalist weekly newspaper, is published on October 15, 1842. It is printed at 12 Trinity Street, Dublin until January 6, 1844. The paper is later published at 4 D’Olier Street from July 13, 1844, until July 28, 1848, when the issue for the following day is seized and the paper suppressed. It is published again in Middle Abbey Street on its revival in September 1849.

The founders of The Nation are three young men, Charles Gavan Duffy, its first editor, Thomas Davis and John Blake Dillon. All three are members of Daniel O’Connell‘s Repeal Association, which seeks repeal of the disastrous Acts of Union 1800 between Ireland and Britain. This association later becomes known as Young Ireland.

John Mitchel joins the staff of The Nation in the autumn of 1845. On Mitchel’s frequent trips from Banbridge, County Down to Dublin, he had come in contact with the Repeal members who gathered about The Nation office and in the spring of 1843, he becomes a member of the Repeal Association. For the next two years he writes political and historical articles and reviews for The Nation. He covers a wide range of subjects, including the Irish Potato Famine, on which he contributes some influential articles which attract significant attention.

Mitchel resigns his position as lead writer for The Nation in 1847 because he comes to regard as “absolutely necessary a more vigorous policy against the English Government than that which William Smith O’Brien, Charles Gavan Duffy and other Young Ireland leaders were willing to pursue.” Upon his resignation he starts his own paper, The United Irishman.

Women also write for The Nation and publish under pseudonyms such as Speranza (Jane Elgee, Lady Wilde, Oscar Wilde‘s mother), Eithne (Marie Thompson) and Eva (Mary Eva Kelly, who would marry Kevin Izod O’Doherty.

The role played by some of its key figures in the paper in the ill-fated Young Ireland Rebellion of 1848 cement the paper’s reputation as the voice of Irish radicalism. Dillon is a central figure in the revolt and is sentenced to death, the sentence later commuted. He flees Ireland, escaping first to France and, eventually, to the United States, where he serves the New York Bar.

Its triumvirate of founders follow differing paths. Davis dies at age 30 in 1845. Both Dillon and Duffy become MPs in the British House of Commons. Duffy emigrates to Australia where he becomes premier of the state of Victoria, later being knighted as a Knight Commander of St. Michael and St. George (KCMG). Dillon dies in 1866. His son, John Dillon, becomes leader of the Irish Parliamentary Party and his grandson, James Dillon, leader of Fine Gael.

The Nation continues to be published until 1900, when it merges with the Irish Weekly Independent. Later political figures associated with the paper included Timothy Daniel Sullivan and J.J. Clancy.


by Leave a comment

First Production by the Gate Theatre Company

gate-theatre

The Gate Theatre Company of Dublin produces its first play, Henrik Ibsen‘s Peer Gynt, in the Peacock Theatre on October 13, 1928.

The Gate Theatre is founded in 1928 by Hilton Edwards and Micheál Mac Liammóir. During their first season, the company presents seven plays, including Eugene O’Neill‘s The Hairy Ape and Oscar Wilde‘s Salome. Their productions are innovative and experimental, and they offer Dublin audiences an introduction to the world of European and American theatre as well as classics from the modern and Irish repertoire. It is at the Gate that Orson Welles, James Mason, Geraldine Fitzgerald and Michael Gambon begin their prodigious acting careers.

The company plays for two seasons at the Peacock Theatre and then on Christmas Eve 1929, in Groome’s Hotel, a lease is signed for the 18th Century Rotunda Annex, the “Upper Concert Hall,” the Gate’s present home, with Johann Wolfgang von Goethe‘s Faust opening on February 17, 1930.

In 1931, the newly established Gate Theatre runs into financial difficulties and Edward Pakenham, 6th Earl of Longford and Christine Longford, Countess of Longford provide financial support. The Longfords work with Edwards and MacLiammóir at the Gate until 1936, then a split develops, and two separate companies are formed and play at the Gate Theatre for six months each. The companies also tour for six months until the death of Lord Longford in 1961.

During this period Edwards and MacLiammóir (Gate Theatre Productions) run shows in Dublin’s Gaiety Theatre and tour productions to Europe, Egypt and North America.

From the 1980s onwards the Gate Theatre, under the directorship of Michael Colgan, cements its international relationship, touring plays around the world for audiences from Beijing to New York. The theatre establishes unique relationships with leading contemporary playwrights including Samuel Beckett, Harold Pinter and Brian Friel. The first ever Beckett Festival is produced, presenting all 19 of the stage plays over a three-week period. The first ever festival of Pinter’s plays follows, along with many premieres and productions of Friel’s work including the acclaimed production of Faith Healer with Ralph Fiennes which wins a Tony Award on Broadway.

With the generous support of funders, the fabric of the building is restored and renovated under the guidance of Ronnie Tallon and Scott, Tallon Walker Architects. This includes the provision of a new wing, which incorporates a studio space, The Gate Studio, for rehearsals and workshops, offering practitioners an opportunity to develop and nurture creativity.

On April 3, 2017, Selina Cartmell becomes Director of the Gate Theatre. As a freelance artist, she has directed a diverse range of work from Greek tragedy and Shakespeare to international work and contemporary Irish drama. In 2004, she establishes Dublin-based Siren Productions, a multi-award-winning company conceived to innovate the classics and create relevant and dynamic new work, integrating theatre, dance, visual arts, architecture, film and music. Her productions have been nominated for thirty-five theatre awards, winning ten, including three for best director.


by Leave a comment

Irish Celtic Rock Band Horslips Disbands

horslips

Horslips, the Irish Celtic rock band regarded as the “founding fathers of Celtic rock,” disbands on October 12, 1980. The name originates from a spoonerism on The Four Horsemen of the Apocalypse which becomes “The Four Poxmen of The Horslypse.”

Barry Devlin, Eamon Carr and Charles O’Connor meet when they work at the Ark advertising company in Dublin. They are cajoled into pretending to be a band for a Harp Lager commercial but need a keyboard player. Devlin says he knows a Jim Lockhart who would fit the bill. The four enjoy the act so much that they decide to try being proper rock performers. They join guitarist Declan Sinnott, a colleague of Eamon Carr’s from Tara Telephone and, briefly, Gene Mulvaney to form Horslips (originally Horslypse) in 1970.

The band goes professional on St. Patrick’s Day 1972 having shed Mulvaney and released a single, “Johnny’s Wedding”, on their own record label, Oats. Declan Sinnott leaves soon after, primarily due to his annoyance at the group appearing in an advert for Mirinda orange drink. He is replaced by Gus Guest briefly, then Johnny Fean.

Following the release of six studio albums between 1972 and 1977, the ever-ambitious band tries to make it in the United States. In 1977 they produce Aliens, about the experience of the Irish in nineteenth-century America, which includes very little folk music. The Man Who Built America (1978), produced by Steve Katz of Blood, Sweat & Tears and The Blues Project fame, concerns Irish emigration to the United States and is commercially their most successful album. The heavier sound does bring some acceptance in America, but they lose their folk base and their freshness. Short Stories, Tall Tales (1979) is their last studio album and is panned by the record company and critics alike.

At a time when The Troubles are at its peak, Horslips plays gigs in both Northern Ireland and the Republic of Ireland without prejudice and are accepted everywhere. Their last recordings are from live performances at the Whitla Hall at Queen’s University Belfast in April and May 1980. A few months later, on October 12, 1980, they play their final gig in the Ulster Hall. They make no public announcement. They simply give an encore, The Rolling Stones‘ song “The Last Time,” and the final act is Charles O’Connor throwing his mangled fiddle into the audience. Ten years after they formed, they disband.

Although Horslips has limited commercial success when the band is playing in the 1970s, there is a revival of interest in their music in the late 1990s and they come to be regarded as one of the defining bands of the Celtic rock genre. There have since been small scale reunions including appearances on The Late Late Show and RTÉ‘s Other Voices. The band reforms for two Irish shows in the Odyssey Arena in Belfast and the 3Arena in Dublin at the end of 2009 and have continued to play shows since then.


by Leave a comment

The Funeral of Charles Stewart Parnell

parnell-grave-stoneThe funeral and burial of Charles Stewart Parnell, Irish nationalist politician who serves from 1875 as Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland, takes place in Dublin on October 11, 1891.

Parnell dies of pneumonia at half-past eleven on the night of October 6 at his residence at 10 Walsingham Terrace, Aldrington, near Brighton, England. He dies in the arms of his wife Katherine whom he had married just five months earlier.

Prior to the funeral, Parnell’s body lay in state for several hours and his death is the primary topic of conversation around Dublin. The belief that his demise would close the chasm in the Irish ranks is no longer tenable. His death makes it too wide even to be bridged. His old opponents may have felt inclined to forget and forgive, but this spirit is crushed almost before it is born, and his old adherents are simply ferocious in their enmity.

The city is astir at an unusually early hour, and there is a crowd of thousands in and around the Westland Row Station before seven o’clock. In front, as a guard of honor, stands a body of the Gaelic Athletic Association, armed with camans, around which are bound crape and green ribbon. It is nearly eight o’clock when Parnell’s body is placed in a hearse drawn by four black horses. The Gaels march in front. Thousands join the cortège, which includes several bands and fife corps.

Though an Anglican, Parnell’s funeral at the Irish National nondenominational Glasnevin Cemetery in Dublin is attended by more than 200,000 people. His notability is such that his gravestone of unhewn Wicklow granite, erected in 1940, reads only “Parnell.”

Parnell is buried amid warring elements and in the presence of an immense assemblage. As a scene of great but suppressed excitement, and of still greater impressiveness, the funeral and its surroundings will never be forgotten by those who witness it, and it will long furnish a landmark in history for Ireland.