Charles Bianconi, Italo-Irish passenger car entrepreneur, is born Carlo Bianconi in Tregolo, Costa Masnaga, Italy on September 24, 1786.
Bianconi moves from an area poised to fall to Napoleon and travels to Ireland in 1802, by way of England, just four years after the Irish Rebellion of 1798. At the time, British fear of continental invasion results in an acute sense of insecurity and additional restrictions on the admission of foreigners. He is christened Carlo but anglicises his name to Charles when he arrives in Ireland.
Bianconi works as an engraver and printseller in Dublin, near Essex Street, under his sponsor, Andrea Faroni, when he is 16. In 1806 he sets up an engraving and print shop in Carrick-on-Suir, County Tipperary, moving to Clonmel in 1815.
Bianconi eventually becomes famous for his innovations in transport and is twice elected mayor of Clonmel.
Bianconi is the founder of public transportation in Ireland, at a time preceding railways. He establishes regular horse-drawn carriage services on various routes from about 1815 onward. These are known as “Bianconi coaches” and the first service, Clonmel to Cahir, takes five to eight hours by boat but only two hours by Bianconi’s carriage. Travel on one of his carriages cost one penny farthing a mile.
In 1832 Bianconi marries Eliza Hayes, the daughter of a wealthy Dublin stockbroker. They have three children – Charles Thomas Bianconi, Catherine Henrietta Bianconi and Mary Anne Bianconi, who marries Morgan O’Connell and is the mother of his grandson John O’Connell Bianconi.
Bianconi’s transport services continue into the 1850s and later, by which time there are a number of railway services in the country. The Bianconi coaches continue to be well-patronised, by offering connections from various termini, one of the first and few examples of an integrated transport system in Ireland. By 1865 Bianconi’s annual income was about £35,000.
Charles Bianconi dies on September 22, 1875 at Longfield House, Boherlahan, County Tipperary. Having donated land to the parish of Boherlahan for the construction of a parish church, he wishes to be buried on the Church grounds. He, and his family, are buried in a side chapel, separate from the parish church in Boherlahan, approximately 5 miles from Cashel, County Tipperary.
Ceannt, born Edward Thomas Kent, is the sixth of seven children of James Kent and Joanne Galway. His father is a Royal Irish Constabulary officer stationed in Ballymoe. In 1883 he is promoted and transferred to Ardee, County Louth. When his father retires from the force in 1892, the family moves to Dublin. Here he attends the North Richmond Street Christian Brothers School. Two other leaders from the 1916 rising, Seán Heuston and Con Colbert, are educated at the school. Upon finishing school, he goes on to secure a job with the clerical staff of the City Treasurer and Estates and Finances office. He works as an accountant with the Dublin Corporation from 1901-1916.
In 1907 Ceannt joins the Dublin central branch of Sinn Féin and over the following years becomes increasingly determined to see an Independent Ireland. In 1912 he is sworn to the Irish Republican Brotherhood (IRB) by Seán MacDiarmada. This movement is pledged to achieve Irish independence and to do so by using physical force if necessary.
In May 1915, the IRB Military Council, consisting of Joseph Plunkett and Seán MacDiarmada as well as Ceannt, begin plans for a rebellion. Ceannt is one of the seven men to sign the Proclamation of the Irish Republic and is appointed Director of Communications. He is made commandant of the 4th Battalion of the Volunteers and during the Rising is stationed at the South Dublin Union, with more than 100 men under his command, notably his second-in-command Cathal Brugha, and W. T. Cosgrave. The South Dublin Union controls a large area south of Kilmainham around Dolphin’s Barn.
As 3rd Royal Irish come to Mount Brown, a section of Ceannt’s battalion under section commander John Joyce opens fire, killing a number of soldiers. The British cannot break through to Dublin Castle and so bring up more troops from Kilmainham Barracks. A ceasefire allows casualty retrieval. The Volunteers drive back repeated assaults from determined regimental attacks. Ceannt uses a contingent at the Marrowbone Lane Distillery to enfilade the passing soldiers. On Tuesday, April 25, the British could close off the battle but fail to press home the advantage when the 4th Royal Dublin Fusiliers arrive. Ceannt continues to hold out with 20 times fewer men. On Thursday, April 27, a British battalion comes south as far as the Rialto Bridge when Ceannt’s outposts open fire.
The British are forced to tunnel into the buildings and, as Ceannt’s numbers reduce, it is increasingly involved in close quarter fighting. His unit sees intense fighting at times during the week but surrenders when ordered to do so by his superior officer Patrick Pearse.
After the unconditional surrender of the 1916 fighters, Ceannt, along with the other survivors, are brought to Richmond Barracks to be detained. On Monday, May 1, plain clothes detectives known as the “G-men” identify the leaders of the Rising, Ceannt being one of them. He is tried under court martial as demanded by General John Maxwell. Maxwell is determined to afflict the death penalty upon Ceannt and the other leaders of the Rising. However, he faces legal issues which only allow the death penalty to be used if one is found aiding the enemy, being Germany at this time. Not until Maxwell obtains a letter from Patrick Pearse addressed to his mother regarding the communication with the Germans is he legally obliged to deploy the death penalty. From this point Ceannt and his comrades begin facing the prospect of a firing squad. On Tuesday, May 2, he is sent to Kilmainham Gaol to face trial and execution.
Ceannt is held in Kilmainham Gaol until his execution by firing squad on May 8, 1916, aged 34. He is buried at Arbour Hill Prison in Dublin.
Cusack becomes a national school teacher, and after teaching in various parts of Ireland becomes a professor in 1874 at Blackrock College, then known as the French College. In 1877, he establishes his own Civil Service Academy, Cusack’s Academy, in Dublin which proves successful in preparing pupils for the civil service examinations.
A romantic nationalist, Cusack is also “reputed” to have been associated with the Fenian movement. He is active in the Gaelic revival as a member of the Society for the Preservation of the Irish Language which is founded in 1876, and later the Conradh na Gaeilge who in 1879 breaks away from the Society. Also in 1879, he meets Pat Nally, who is a member of the Irish Republican Brotherhood and a leading nationalist and athlete. He finds that Nally’s views on the influence of British landlordism on Irish athletics are the same as his. He recalls how both Nally and himself while walking through the Phoenix Park in Dublin seeing only a handful of people playing sports in the park so depressed them that they agreed it was time to “make an effort to preserve the physical strength of [their] race.” Nally organises a National Athletics Sports meeting in County Mayo in September 1879 which is a success, with Cusack organising a similar event which is open to ‘artisans’ in Dublin the following April.
The Chieftains are credited with reviving worldwide interest in traditional Celtic music. Fay performs as the group’s fiddler and bones player for some 40 years.
Fay develops an early interest in the violin and takes music lessons at the Municipal School of Music in Dublin. He joins the orchestra of the Abbey Theatre during his teen years and is introduced to Irish folk music by the theatre’s musical director Sean O’Riada.
It was through O’Riada’s folk band, Ceoltóirí Chualann, that Fay meets the other original Chieftains members, Paddy Moloney, Seán Potts, and Michael Tubridy. The foursome releases their first album, Chieftains 1, in 1964. The Chieftains perform on local radio and television programs and in pubs throughout the British Isles, but it is not until the 1970s that they begin touring overseas.
The Chieftains gain international acclaim when their music is used in the Academy Award-winning soundtrack for the film Barry Lyndon (1975). In 1989, The Chieftains are officially designated Ireland’s musical ambassadors. Although the quartet’s membership changes over the years, Fay records more than 30 albums with The Chieftains.
In 2001, Fay decides to stop touring with The Chieftains, limiting his appearances with the group to events in Ireland. He subsequently retires in 2002. After a lengthy illness, he dies at the age of 76 in Cabra on November 14, 2012.
Kent is executed after a gun battle with members of the Royal Irish Constabulary (RIC) who come to arrest him and his brothers on May 2, 1916, during the aftermath of the Easter Rising. During the ensuing fight, head constable William Rowe is killed, and Kent’s brother Richard later dies of his wounds. He is executed by firing squad on May 9, 1916, in the Military Detention Barracks, Cork and is buried in an unmarked grave on the grounds.
Apart from Roger Casement, Kent is the only one of the sixteen men executed after the Easter Rising to be executed outside Dublin. In June 2015, his remains are exhumed, and DNA testing confirms their identity.
A ripple of applause breaks through the crowd when the funeral cortege arrives at the church near where Kent was born and raised. The church is unable to accommodate all the visitors, so a marquee is set up on the grounds of the church.
Kent’s funeral “writes the final chapter in a long ordeal for the Kent family,” the Bishop of CloyneWilliam Crean tells the congregation. Delivering the funeral eulogy, Cmdt. Gerry White says Thomas Kent was once known only for being the man who gave his name to Kent Station in Cork. “Today, however, all that is changed. Today, because of the recent discovery of his remains, Thomas Kent has once again become someone who is very much in the present. Today, members of Óglaigh na hÉireann, the Irish Defence Forces, will render the military honours that were denied him 99 years ago. Today, he will no longer be the ‘Forgotten Volunteer.’ Today, after 99 years, Thomas Kent is finally coming home.”
Thomas Kent’s life is represented by a picture of the family home, rosary beads, a pioneer pin and a leabhair gaeilge representing his interests in life. He is buried in the graveyard at Castlelyons. Taoiseach Enda Kenny gives the funeral oration.
(From: “State funeral for executed 1916 rebel Thomas Kent” by Ronan McGreevy and Éanna Ó Caollaí, The Irish Times, September 18, 2015 | Pictured: The remains of Thomas Kent as they are carried into St. Nicholas’ Church, Castlelyons, County Cork, photograph by Alan Betson)
Holwell grows up in London and studies medicine at Guy’s Hospital. He gains employment as a surgeon in the East India Company and is sent to India in 1732. He serves in this capacity until 1749. In 1751, he is appointed as zamindar of the 24 Parganas district of Bengal. He then serves as a member of the Council of Fort William (Calcutta) and defends the settlement against Siraj ud-Daulah in 1756.
In June 1756, Holwell is a survivor of the Black Hole of Calcutta, the incident in which British subjects and others are crammed into a small poorly ventilated chamber overnight, resulting in many deaths. His 1758 account of this incident obtains wide circulation in England and some claim this gains support for the East India Company’s conquest of India. His account of the incident is not publicly questioned during his lifetime nor for more than a century after his death. However, in recent years, his version of the event has been called into question by many historians.
Holwell succeeds Robert Clive as temporary Governor of Bengal in 1760, but is dismissed from the Council in 1761 for remonstrating against the appointment of Henry Vansittart as Governor of Bengal. He is elected Fellow of the Royal Society (FRS) in 1767.
Holwell has also become an important source for modern historians of medicine, as a result of his description of the practice of smallpox variolation in eighteenth-century Bengal, An Account of the Manner of Inoculating for the Small Pox in the East Indies with Some Observations on the Practice and Mode of Treating that Disease in those Parts (London, 1767).
The Irish government declares a National Day of Mourning on September 14, 2001. Schools, businesses, and shops are shut down in an unprecedented gesture of sympathy following the attack on the World Trade Center in New York City three days earlier.
Thousands of people queue for hours in front of the United States Embassy in Ballsbridge, Dublin, waiting patiently to sign one of the many books of condolences to be presented to the U.S. government in the aftermath of the attack. At John F. Kennedy’s ancestral home in Dunganstown, County Wexford, the U.S. flag flies at half-mast and the house is closed to visitors.
As it was on the day that Kennedy was assassinated, everyone remembers where they were on September 11. But on September 14 in Ireland, the churches are full and the offices, shops and pubs dark and silent as the country mourns with its American relatives, colleagues and friends.
Bouquets of flowers, teddy bears, candles and messages are left at the Embassy, as thousands stand with heads bowed. The building’s facade is turned into a shrine to those who died in New York, Washington, D.C. and Pennsylvania. There are both tears and applause when 250 firefighters from all over Ireland parade past the Embassy as a mark of respect to the hundreds of firefighters lost in New York. People weep openly as they hear of the casualties and more details emerge of that terrible morning.
The nation prays as industrial and commercial life comes to a halt and offices, government departments and all places of entertainment close for mourning. In every parish and diocese religious services are held, with the biggest, an ecumenical service in Dublin, attended by TaoiseachBertie Ahern, PresidentMary McAleese and many other cabinet members. At least 2,000 people attempt to squeeze into St. Mary’s Pro-Cathedral, which holds only 1,500. Outside, a group of U.S. students break into the American national anthem and the crowd falls silent.
The bells of Christ Church Cathedral ring muffled for 90 minutes to mark the occasion, and at 11:00 AM towns and villages fall silent as the people join in a European-wide three minutes of silence. At noon, all trains stop for five minutes, and special services are held in practically every town in the country. In Bray, County Wicklow, so many people show up that the church runs out of communion. A number of people approaching the altar are given a blessing instead.
In Dublin’s universities in the months following the attacks, Irish students who were present in New York at the time are offered free counseling to help them deal with the “nightmares and flashbacks.”
(From: “Ireland’s National Day of Mourning” by Irish America staff, http://www.irishamerica.com, December/January 2002 | Pictured: Taoisearch Bernie Ahern and Tanaiste Mary Harney with members of the Irish Cabinet sign the book of condolences in the U.S. Embassy in Dublin three days after the terrorist attacks)
Born in Dublin on November 10, 1879, Pearse joins the Irish Republican Brotherhood (IRB) in September 1913, becoming Director of Military Organisation of the Irish Volunteers in 1914 and is later co-opted into the IRB’s secretive Military Council, which infiltrates the Volunteers for the Easter Rising.
A writer and Irish language enthusiast long before he becomes a revolutionary, Pearse first comes to Ros Muc in 1903 as a 23-year-old handpicked by Conradh na Gaeilge to act as an Irish examiner.
Pearse develops a strong affinity with the area, buying land on Loch Eileabhrach in 1905, upon which he builds a cottage in 1909. Unusually for a professional at the time, he has it thatched in the style of poor country dwellings and on his regular visits between 1903 and 1915, spends time in the cabins of the poor, soaking up the folklore which finds its way into his writings.
Pearse has a rival for the affections of the locals in the shape of the Lord Lieutenant of Ireland, the Queen’s representative in Ireland. William Ward, 2nd Earl of Dudley also spends summers in the area, where he organises hunts with gentry and children’s fetes.
In response, Pearse organises an evening of Irish festivities for Ros Muc. Pearse gives scholarships to local gaeilgeoiri boys to his St. Enda’s School in Dublin.
Pearse’s last visit to the cottage is in 1915, when he composes the rousing oration for the funeral of Jeremiah O’Donovan Rossa. The following April, he goes one step further, declaring a Republic on the steps of the General Post Office (GPO) in Dublin.
After Pearse’s execution on May 3, 1916, his cottage passes to his mother Margaret. In 1921 it is burned down by the “Black and Tans” and Auxiliaries. Restored by Ó Conghaile and then again by Criostóir Mac Aonghusa, by 1943 Pearse’s sisters Senator Margaret Mary Pearse and Mary Brigid Pearse hand the cottage to the State.
Opened in 2016, a new visitor centre next to Pearse’s Cottage provides an introduction to the Irish language, Gaeltacht culture, and Pearse’s connection to Ros Muc.
(From: “Patrick Pearse’s cottage: a cultural visit to Ros Muc,” Darragh Murphy, The Irish Times, January 13, 2016)
The Freeman’s Journal, the oldest nationalist newspaper in Dublin, is founded by Charles Lucas on September 10, 1763. It is identified with radical 18th-century Protestant patriot politicians Henry Grattan and Henry Flood. This changes from 1784 when it passes to Francis Higgins and takes a more pro-British and pro-administration view. In fact, Higgins is mentioned in the Secret Service Money Book as having betrayed Lord Edward FitzGerald. Higgins is paid £1,000 for information on FitzGerald’s capture.
In the 19th century The Freeman’s Journal becomes more nationalist in tone, particularly under the control and inspiration of Sir John Gray (1815–75).
The Journal, as it is widely known, is the leading newspaper in Ireland throughout the 19th century. Contemporary sources record it being read to the largely illiterate population by priests and local teachers gathering in homes. It is mentioned in contemporary literature as when James Joyce immortalises The Freeman’s Journal as the place of employment of Leopold Bloom in Ulysses. It is seen as symbolising Irish newspapers for most of its time. By the 1880s it becomes the primary media supporter of Charles Stewart Parnell and the Irish Parliamentary Party (IPP).
The Journal is challenged on all sides by rivals. On the nationalist side some prefer The Nation founded by Thomas Davis while others, including radical supporters of Parnell, read the United Irishman. The Anglo-Irish establishment in contrast reads the historically Irish unionistThe Irish Times. With the split in the IPP over Parnell’s relationship with Katharine O’Shea, its readership splits too. While The Journal goes with the majority in 1893 in opposing Parnell, a minority moves to read the Daily Irish Independent. It is also challenged from the turn of the century by William O’Brien‘s The Irish People and the Cork Free Press. With Thomas Sexton becoming Chairman of the Board of Directors (1893–1911), The Journal languishes under his spartanic management.
The collapse of the IPP in 1918, and the electoral success of Sinn Féin, see a more radical nationalism appear that is out of step with the moderation of The Journal. It finds itself overshadowed by the more aggressively marketed Irish Independent, the successor to the Daily Irish Independent. Just prior to the outbreak of the Irish Civil War in March 1922, The Freeman’s Journal printing machinery is destroyed by Anti-Treaty IRA men under Rory O’Connor for its support of the Anglo-Irish Treaty. It does not resume publication until after the outbreak of civil war, when the Irish Free State re-asserts its authority over the country.
The Freeman’s Journal ceases publication in 1924, when it is merged with the Irish Independent. Until the 1990s, the Irish Independent includes the words ‘Incorporating the Freeman’s Journal’ in the masthead over its editorials.
Christy Brown, Irish writer and painter who has cerebral palsy and is able to write or type only with the toes of one foot, dies on September 7, 1981, in Parbrook, Somerset, England. His most recognized work is his autobiography, My Left Foot (1954).
Brown is born into a working-class Irish family at the Rotunda Hospital in Dublin on June 5, 1932. He is one of 22 siblings of parents Bridget Fagan and Patrick Brown. After his birth, doctors discover that he has severe cerebral palsy, a neurological disorder which leaves him almost entirely spastic in his limbs. Though urged to commit him to a hospital, his parents are unswayed and subsequently determined to raise him at home with their other children. During his adolescence, social worker Katriona Delahunt becomes aware of his story and begins to visit the Brown family regularly. She brings him books and painting materials as, over the years, he has shown a keen interest in the arts and literature. He has also demonstrated extremely impressive physical dexterity since, soon after discovering several household books, he had learned to both write and draw himself with his left leg, the only limb over which he has unequivocal control.
Brown quickly matures into a serious artist. Although he famously receives almost no formal schooling during his youth, he does attend St. Brendan’s School-Clinic in Sandymount intermittently. At St. Brendan’s he comes in contact with Dr. Robert Collis, a noted author. Collis discovers that Brown is also a natural novelist and, later, helps use his own connections to publish My Left Foot, by then a long-gestating autobiographical account of Brown’s struggle with everyday life amidst the vibrant culture of Dublin.
When My Left Foot becomes a literary sensation, one of the many people who write letters to Brown is married American woman Beth Moore. Brown and Moore become regular correspondents and, in 1960, he holidays in North America and stays with Moore at her home in Connecticut. When they meet again in 1965, they began an affair. Brown journeys to Connecticut once more to finish his magnum opus, which he had been developing for years. He finally does so in 1967 with help from Moore, who introduces and administers a strict working regimen, mostly by denying him alcohol until a day’s work is completed. The book, Down All the Days, is published in 1970. It is an ambitious project drawn largely from a playful expansion of My Left Foot. It becomes an international best-seller, translated into fourteen languages. The Irish Times reviewer Bernard Share claims the work is “the most important Irish novel since Ulysses.”
Down All the Days is followed by a series of other novels, including A Shadow on Summer (1972), Wild Grow the Lilies (1976) and A Promising Career (published posthumously in 1982). He also publishes three poetry collections: Come Softly to My Wake, Background Music and Of Snails and Skylarks. All the poems are included in The Collected Poems of Christy Brown.
Brown’s fame continues to spread internationally, and he becomes a prominent celebrity. Upon his return to Ireland, he is able to use proceeds from the sales of his books to design and move into a specially constructed home outside Dublin with his sister’s family. Though he and Beth had planned to marry and live together at the new home, and though Moore had informed her husband of these plans, it is around this time that he begins an affair with Englishwoman Mary Carr, whom he meets at a party in London. He then terminates his affair with Moore and marries Carr at the Registry Office, Dublin, in 1972. They move to Stoney Lane, Rathcoole, County Dublin, to Ballyheigue, County Kerry and then to Somerset. He continues to paint, write novels, poetry and plays. His 1974 novel, A Shadow on Summer, is based on his relationship with Moore, whom he still considers a friend.
Brown’s health deteriorates after marrying Carr. He becomes mainly a recluse in his last years, which is thought to be a direct result of Carr’s influence and perhaps abusive nature. He dies at the age of 49 on September 7, 1981, after choking during a lamb chop dinner. His body is found to have significant bruising, which leads many to believe that Carr had physically abused him. Further suspicions arise after Georgina Hambleton’s biography, The Life That Inspired My Left Foot, reveals a supposedly more accurate and unhealthier version of their relationship. The book portrays Carr as an abusive alcoholic and habitually unfaithful. He is buried in the Glasnevin Cemetery in Dublin.
The Anglo-Irish rock band The Pogues pay tribute to Christy Brown with a song titled “Down All the Days.” It is the seventh track on their 1989 recording Peace and Love. Similarly, U2 releases a song titled “Down All the Days” with the 20th anniversary edition of Achtung Baby. The Men They Couldn’t Hang also writes a song “Down All the Days” which appears on their Silver Town album also released in 1989.
seamus dubhghaill 