seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Journalist Eoghan Corry

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Eoghan Corry, Irish journalist and author regarded as the most extensively traveled writer in Ireland, averaging over 30 countries a year, is born in Dublin on January 19, 1961.

Corry is the third of four children of Patrick Corry (1916–1971) from Kilmacduane, Cooraclare and Anne Corry (1929–2009) from Clahanmore, Milltown Malbay, both from County Clare. He grows up in Ardclough, Straffan, County Kildare.

Corry is educated at Scoil Mhuire, Clane, at the Dublin Institute of Technology (DIT) and University College Dublin (UCD). His first published work, as a teenager, is poetry in English and the Irish language in literary magazines and the New Irish Writing section of The Irish Press.

He begins his journalistic career as a sportswriter with The Irish Times and Sunday Tribune where he wins several awards and becomes sports editor. Determined to pursue a career outside of sports journalism, he joins The Sunday Press as a feature writer in 1985 and becomes features editor of The Irish Press in 1986, bringing younger writers and a more contemporary, polemical and literary style to the paper. He revives the literary and travel sections of the paper and is an adjudicator of the Dublin Theatre Festival awards.

When The Irish Press closes in 1995, he becomes Features Editor of the short-lived Evening News, storylines the Gaelic Athletic Association (GAA) museum in Croke Park in 1998 and is founding editor of High Ball magazine. Since then, he has been a columnist, first with The Sunday Business Post and then with the Evening Herald and Irish Independent. As a journalism lecturer in the Dublin Institute of Technology he tells students that “journalism is about pissing people off.”

Since 2002 Corry has edited Ireland’s biggest circulation travel publication, Travel Extra. He has fronted travel shows broadcast in Ireland and the Middle East and is a regular commentator on travel affairs to Raidió Teilifís Éireann (RTÉ) and TG4, and an occasional guest contributor to BBC Northern Ireland. He writes the ten-part series GAA@125, screened on Irish television station TG4 in 2009. He appears on Tonight with Vincent Browne from time to time to preview the next day’s newspapers.

Corry is awarded a lifetime “contribution to the industry” award at the Irish Travel Industry Awards in Dublin on January 22, 2016. He receives the Business Travel Journalist of the year award in London in October 2015. Previous awards include Irish sportswriter of the year, young journalist of the year, Seamus Kelly award, MacNamee award for coverage of Gaelic Games and is short listed for sports book of the year.


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Death of George Petrie, Painter & Musician

george-petrie

George Petrie, Irish painter, musician, antiquary and archaeologist of the Victorian era dies on January 17, 1866.

Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.

After an abortive trip to England in the company of Francis Danby and James Arthur O’Connor, both of whom are close friends of his, he returns to Ireland where he works mostly producing sketches for engravings for travel books including among others, George Newenham Wright‘s guides to Killarney, Wicklow and Dublin, Thomas Cromwell‘s Excursions through Ireland, and James Norris Brewer‘s Beauties of Ireland.

In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.

From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.

Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”

As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).

Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.

The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.


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Death of Actress Pauline Delaney

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Pauline Delaney, accomplished stage, TV and film actress who is best known for her role in Circle of Friends and Into The West, dies in London from complications caused by Parkinson’s disease on January 15, 2007.

Delany is born in Dublin on June 8, 1925. Her mother, a keen theatregoer, inspires her love of the stage, taking her on regular visits to the Abbey Theatre and the Gate Theatre. She learns her craft through evening classes at the Brendan Smith Academy in Dublin and later gives up her job as a trainee fashion buyer to tour with a production of Charlie’s Aunt, starring Leslie Phillips.

In the mid-1950s, she marries actor Norman Rodway, and they become members of the Globe company, together with Anna Manahan, Maureen Toal and Milo O’Shea, presenting new plays at a small Gas Company theatre in Dún Laoghaire. When financial problems force the Globe to close, she helps form Gemini Productions and stars in its 1960s Dublin Theatre Festival success, The Poker Session, by Hugh Leonard.

When the play transfers to London, Delany moves there. Her marriage to Rodway ends and she subsequently forms a relationship with Gerry Simpson, an Irish-born playwright. She is a familiar figure on the London stage, appearing in several productions, including The Hostage at the Royal Court, A Day in the Death of Joe Egg at the King’s Head Theatre and Cross Purpose at Hampstead Theatre.

Delany appears in several TV plays including The Dead, Shadow of a Gunman, Stephen D and The Seagull, as well as roles in The Bill, Casualty and Rumpole of the Bailey. Among her film credits are The Quare Fellow, Brannigan, Rooney and Nothing but the Best.


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Birth of Barrister Alexander Martin Sullivan

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Alexander Martin Sullivan, Irish lawyer best known as the leading counsel for the defence in the 1916 treason trial of Roger Casement, is born in Dublin on January 14, 1871. He is the last barrister in either Ireland or England to hold the rank of Serjeant-at-Law, hence his nickname The Last Serjeant.

A younger son of A.M. Sullivan and Frances Donovan, Sullivan is educated at Ushaw College, Belvedere College, Trinity College, Dublin and King’s Inns. He is called to the Irish Bar in 1892 and practises on the Munster Circuit.

Sullivan is appointed an Irish KC in 1908 and King’s Third Serjeant-at-law (Ireland) in 1912 advancing to Second Serjeant in 1913 and First Serjeant in 1919, the last holder of that position.

A moderate constitutional nationalist and supporter of the Irish Parliamentary Party, Sullivan is a prominent campaigner for the recruitment of Irishmen into the British Army during World War I. His opposition to Sinn Féin republicanism and his prominent role in conducting prosecutions on behalf of the Crown during the Irish War of Independence lead to at least one attempt on his life. As a result, he relocates to England in 1921 and establishes a career at the English Bar, having previously been called to the Middle Temple in 1899. He subsequently becomes a Bencher and Treasurer of Middle Temple. By courtesy, he is always referred to as Serjeant Sullivan, even though that rank no longer exists in England.

Sullivan remains a member of the Irish Bar and returns at least once to appear in the celebrated case of Croker v Croker, where the children of the former leader of Tammany Hall, Richard “Boss” Croker attempt to overturn his will, which leaves his entire estate to their stepmother.

Sullivan is noted as a fearless advocate, who brings to his English practice the robust manners he had learned in the Irish county courts. He does not hesitate to interrupt the judge, and if he feels that he is not receiving a fair hearing, he is quite capable of walking out of Court.

In 1916 Sullivan is retained as lead counsel in the trial of Sir Roger Casement for treason. No English barrister will defend Casement, and Sullivan is persuaded to take the case by George Gavan Duffy, whose wife Margaret is Sullivan’s sister. Despite his rank of Serjeant at law and King’s Counsel at the Irish bar he is only ranked as a junior barrister in England. As the facts relied on by the prosecution are largely undisputed, Sullivan is limited to arguing a technical defence that the Treason Act 1351 only applies to acts committed “within the realm” and not outside it. The Act’s terms had however been expanded by case law over the previous 560 years, and the defence is rejected by the trial judges and by the Court of Criminal Appeal.

Sullivan writes two books: Old Ireland in 1927 and The Last Serjeant in 1952. He retires from legal practice in 1949. He dies on January 9, 1959.


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Artist Derek Hill Awarded Honorary Irish Citizenship

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Arthur Derek Hill, English portrait and landscape painter and longtime resident in Ireland, is awarded honorary Irish citizenship by President Mary McAleese on January 13, 1999.

Hill is born at Southampton, Hampshire, on December 6, 1916, the son of a wealthy sugar trader. He first works as a theatre designer in Leningrad in the 1930s and later as an historian. In World War II he registers as a conscientious objector and works on a farm.

Hill’s long association with Ireland begins when he visits Glenveagh Castle in County Donegal to paint the portrait of the Irish American art collector Henry McIlhenny, whose grandfather had emigrated to the United States from the nearby village of Milford, and who subsequently made a fortune from his patent gas meter.

Hill begins to enjoy increased success as a portrait painter from the 1960s. His subjects include many notable composers, musicians, politicians and statesmen, such as broadcaster Gay Byrne, Jerusalem mayor Teddy Kollek and The Prince of Wales. He is also an enthusiastic art collector and traveller, with a wide range of friends such as Bryan Guinness and Isaiah Berlin. Greta Garbo visits Hill in the 1970s, a visit which forms inspiration for Frank McGuinness‘ 2010 play Greta Garbo Came to Donegal.

In 1981, he donates his home, St. Columb’s Rectory, near the village of Churchill, County Donegal, which he had owned since 1954, along with a considerable collection including work by Pablo Picasso, Edgar Degas, Georges Braque, Graham Sutherland, Anna Ticho and Jack Butler Yeats to the State.

An exhibition of his work and personal art collection can be seen at the House and associated Glebe Gallery at Churchill, near Letterkenny. Another collection of his work is held at Mottisfont Abbey. Many of his landscapes portray scenes from Tory Island, where he has a painting hut for years, and starts and then mentors the artists’ community there, teaching the local fishermen how to paint. This leads to the informal but busy “Tory School” of artists such as James Dixon and Anton Meenan, who find that they have the time to paint and use their wild surroundings as a dramatic subject.

Hill is made a CBE in 1997. A Retrospective exhibition is arranged for and by him at the Royal Hibernian Academy in 1998. On January 13, 1999, he is made an honorary Irish citizen by the President of Ireland Mary McAleese.

Arthur Derek Hill dies at the age of 83 at a London hospital on July 30, 2000. He is buried in Hampshire in the South of England with his parents. Memorial services are held for him in Dublin at St. Patrick’s Cathedral, as well as St. James’s Church, Piccadilly, London, and his local Church in Trentagh, County Donegal.


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Birth of Actress Máire O’Neill

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Mary Agnes “Molly” Allgood, actress of stage and film under the stage name of Máire O’Neill, is born at 40 Middle Abbey Street in Dublin on January 12, 1885.

Allgood is one of eight children of compositor George and french polisher Margaret (née Harold) Allgood. Her father is sternly Protestant and against all music, dancing and entertainment, while her mother is a strict Catholic. After her father dies in 1896, she is placed in an orphanage. She is apprenticed to a dressmaker and her brother Tom becomes a Catholic priest.

Maud Gonne sets up Inghinidhe na hÉireann (Daughters of Ireland) in 1900 to educate women about Irish history, language and the arts, and Allgood and her sister Sara join the association’s drama classes around 1903. Their acting teacher, William “Willie” Fay, enrolls them in the National Theatre Society, later known as the Abbey Theatre. Allgood is part of the Abbey Theatre from 1906-1918 where she appears in many productions. In 1904 she is cast in a play by Irish playwright Teresa Deevy called Katie Roche where she plays the part of Margaret Drybone. There are 38 performances in this production.

In 1905 Allgood meets Irish playwright John Millington Synge, and they fall in love, a relationship regarded as scandalous because it crosses the class barriers of the time. In September 1907 he has surgery for the removal of troublesome neck glands, but a later tumour is found to be inoperable. They become engaged before his death in March 1909. Synge writes the plays The Playboy of the Western World and Deirdre of the Sorrows for Allgood.

In June 1911 Allgood marries G. H. Mair, drama critic of the Manchester Guardian, and later Assistant Secretary of the British Department of Information, Assistant Director of the League of Nations Secretariat in Geneva, and head of the League of Nations office in London, with whom she has two children. He dies suddenly on January 3, 1926. Six months later she marries Arthur Sinclair, an Abbey actor. They have two children, but the marriage ends in divorce.

Under her professional name Maire O’Neill, Allgood appears in films from 1930-53, including Alfred Hitchcock‘s film version of Seán O’Casey‘s play Juno and the Paycock (1930). She makes her American debut in New York City in 1914 in the play General John Regan at the Hudson Theatre.

Allgood dies at the age of 66 in Park Prewett Hospital, Basingstoke, England, on November 2, 1952, where she is receiving treatment after being badly burned in a fire at her London home.

Joseph O’Connor‘s 2010 novel, Ghost Light, is loosely based on Allgood’s relationship with Synge.


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Birth of Mother Frances Mary Teresa Ball

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Mother Frances Mary Teresa Ball, foundress of the Irish Branch of the Institute of the Blessed Virgin Mary (IBVM), is born in Dublin on January 9, 1794.

Ball is the youngest of six children born to John and Mable Clare Bennet Ball. Her father is a wealthy silk weaver. Catholicism is still suppressed in Ireland at this time. She is therefore sent to England at the age of nine to the Bar Convent in York. Henry James Coleridge describes her as “a bright, quiet, high-spirited girl, fond of fun, and with much depth of character.” In these times students do not return home for Easter, Christmas or summer holidays. They stay at the school, and live like religious people, until they leave school, usually in their late teens.

In 1807, her eldest sister, Cecilia is professed at the Ursuline convent in Cork. Ball travels from Dublin to Cork for the ceremony, where she meets Mary Aikenhead. Cecilia Ball takes the name of Sister Francis Regis and is within a few years made Superior of the convent in Cork. Upon the death of her father in 1808, Ball returns to Dublin. She is expected to make an admirable wife for the son and heir of some rich Catholic Dublin merchant family.

In June 1814, under the direction of Dr. Daniel Murray, Archbishop of Dublin, Ball returns to York and enters the novitiate of the Institute of the Blessed Virgin Mary. There she receives her religious training, and makes her profession in September 1816, taking, in religion, the name of Mary Teresa.

Recalled by Archbishop Murray, Ball returns to Dublin in 1821 with two novices to establish the Irish Branch of the Institute of the Blessed Virgin Mary for the instruction of children. They stay with Mary Aikenhead and the Irish Sisters of Charity in Stanhope Street while Rathfarnham House is being renovated. In 1822 she opens the first institution of the order in Ireland, in Rathfarnam House, four miles from Dublin. She decides to call the house “Loreto” after the village in Italy to which the Nazareth house of the Holy Family is said to have been miraculously transported.

Ball is a woman of great piety and administrative ability. Her energies are devoted to the establishment of schools and to the development of the sisterhood which now has members in many countries. The first offshoot is planted in Navan, County Meath, in the year 1833. The year 1840 is marked by the erection of the first church in Ireland dedicated to the Sacred Heart, in Loretto Abbey, Rathfarnham. In addition to the boarding and day schools the sisters conduct orphanages.

For almost forty years after bringing the IBVM to Ireland, Ball establishes a wide network of convents and schools across Ireland, as well as in India, Mauritius and Canada. The nuns are usually called Sisters of Loreto after the shrine at Loreto, Marche in Italy.

Mother Mary Teresa Ball dies at Rathfarnham Abbey on May 19, 1861, after a long illness.


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St. Andrew’s Church Destroyed by Fire

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St. Andrew’s Church in Suffolk Street, Dublin, is destroyed by fire on January 8, 1860. The church is a former parish church of the Church of Ireland and now houses the Central Tourist Office.

The original St. Andrew’s Church is located on present-day Dame Street but disappears during Oliver Cromwell’s reign in the mid-17th century. A new church is built in 1665 a little further away from the city walls, on an old bowling-green close to the Thingmote, the old assembly place of the Norse rulers of the city. Due to its shape, it is commonly known as the “Round Church.” Local landlords of the time, Lord Anglesey (after whom Anglesey Street is named) and Sir John Temple (after whose family Temple Bar is named) are churchwardens. The architect is William Dodson. The neighbouring houses located in that part of the Dublin Corporation estate are known as “the Whole Land of Tib and Tom.”

The church is rebuilt in 1793, but burns down in 1860, after which the present building is constructed.

The boundaries of the ecclesiastical parish are coextensive to those of the civil parish of St. Andrew. The population of this parish in 1901 is 3,058, in 1971 it is 300.


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Birth of William Martin Murphy

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William Martin Murphy, Irish businessman, journalist and politician, is born on January 6, 1845, in Castletownbere, County Cork. A member of parliament (MP) representing Dublin from 1885 to 1892, he is dubbed “William Murder Murphy” among Dublin workers and the press due to the Dublin Lockout of 1913. He is arguably both Ireland’s first “press baron” and the leading promoter of tram development.

Murphy is educated at Belvedere College. When his father, the building contractor Denis William Murphy dies in 1863, he takes over the family business. His enterprise and business acumen expand the business, and he builds churches, schools and bridges throughout Ireland, as well as railways and tramways in Britain, West Africa and South America.

Murphy is elected as Irish Parliamentary Party MP for Dublin St. Patrick’s at the 1885 general election, taking his seat in the House of Commons of the United Kingdom of Great Britain and Ireland. He is a member of the informal grouping, the “Bantry Band,” a group of politicians who hail from the Bantry Bay area.

When the Irish Parliamentary Party splits in 1890 over Charles Stewart Parnell‘s leadership, Murphy sides with the majority Anti-Parnellites. However, Dublin emerges as a Parnellite stronghold and in the bitter general election of 1892, Murphy loses his seat by over three to one to a Parnellite newcomer, William Field.

Murphy is the principal financial backer of the “Healyite” newspapers the National Press and the Daily Nation. His support for Tim Healy attracts the hostility of the majority anti-Parnellite faction led by John Dillon. He makes two attempts to return to Parliament, at South Kerry in 1895 and North Mayo in 1900, but both are unsuccessful because of Dillonite opposition.

In 1900, Murphy purchases the insolvent Irish Daily Independent from the Parnellites, merging it with the Daily Nation. He re-launches this as a cheap mass-circulation newspaper, which rapidly displaces the Freeman’s Journal as Ireland’s most popular nationalist paper. In 1906, he founds the Sunday Independent newspaper.

Murphy is highly critical of the Irish Parliamentary Party. From 1914 he uses the Irish Independent to oppose the partition of Ireland and advocate Dominion Home Rule involving full fiscal autonomy.

Worried that the trade unions would destroy his Dublin tram system, Murphy leads Dublin employers against the trade unions led by James Larkin, an opposition that culminates in the Dublin Lockout of 1913. This makes him extremely unpopular with many, being depicted as a vulture or a vampire in the workers’ press.

After the 1916 Easter Rising, he purchases ruined buildings in Abbey Street as sites for his newspaper offices, however it is his viewpoints that make him even more unpopular, by calling for the executions of Seán MacDiarmada and James Connolly at a point when the Irish public is beginning to feel sympathy for their cause. He privately disavows the editorial, claiming it had been written and published without his knowledge.

In 1917 Murphy is invited to take part in talks during the Irish Convention which is called to agree terms for the implementation of the suspended 1914 Home Rule Act. However, he discovers that John Redmond is negotiating agreeable terms with Unionists under the Midleton Plan to avoid the partition of Ireland but at the partial loss of full Irish fiscal autonomy. This infuriates Murphy who criticises the intention in his newspaper, which severely damages the Irish Parliamentary Party. However, the Convention remains inconclusive, and the ensuing demise of the Irish party results in the rise of Sinn Féin, whose separatist policies Murphy also does not agree with.

William Martin Murphy dies in Dublin on June 26, 1919. His family controls Independent Newspapers until the early 1970s, when the group is sold to Tony O’Reilly.


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Publication of the First Issue of the “Northern Star”

northern-star

The first issue of the Northern Star, the newspaper of the Society of United Irishmen, is published in Belfast on January 4, 1792. It is published from 1792 until its suppression by the British army in May 1797.

The publication of an Irish newspaper that reflects and disseminates liberal views is an early goal of Irish republicans in the late 18th century. By the founding of the Society of United Irishmen in October 1791, the project is well underway, and the first edition of the Northern Star appears in Belfast in January 1792. Like the United Irishmen, the first financial backers of the Northern Star are Presbyterian and one of the United Irish leadership, Samuel Neilson, is made editor.

Political content dominates the Northern Star but its publication of local news, as opposed to the focus on British and international affairs of other Irish newspapers of the time, brings it wide popularity. Leading members of the United Irishmen are regular contributors and mixed direct political analyses with cutting political satire. William Orr is among those who contributed to its content and his letters lead to his eventual arrest and execution under the Insurrection Act of 1797. The newspaper also enjoys an excellent voluntary distribution network as its penetration follows rapidly wherever the United Irishmen set up new branches. It was estimated that for each copy of the Northern Star sold there are at least five readers, as the reading aloud of articles from the paper is a regular feature of United Irish meetings.

The newspaper is initially protected from the authorities due to the support of well-connected liberals but following the outbreak of war between Great Britain and Revolutionary France in 1793 and the subsequent banning of the United Irishmen as a seditious body it begins to draw increasing attention. The massive popularity of the newspaper protects it from serious harassment until January 1797 when the establishment goes into a state of panic following the French invasion scare at Bantry Bay. The paper is alleged to be behind the Dublin-based Union Star, a militant, low-circulation newssheet, often posted in public places, which specializes in naming informers, “notorious Orangemen,” and other enemies of the United Irishmen, being regarded by Dublin Castle as a republican hitlist.

The extensive distribution network and potency of the Northern Star in spreading United Irish opinion alarms the authorities and possession of a copy comes to be regarded as an admission of seditious intent. The end finally comes with the uncovering of supposed United Irish infiltration of the Monaghan militia in Belfast, which results in the execution of four soldiers. General Gerard Lake, 1st Viscount Lake, already engaged in a brutal counter-insurgency campaign, is quick to put much of the blame on the Northern Star and requests permission to suppress the paper.

As it turns out, official suppression is not necessary as on May 19, 1797, three days after the execution of their ex-comrades, a mob of Monaghan militiamen anxious to prove their loyalty attack the offices of the Northern Star and destroy not only the printing presses but the building itself. The attack results in the demise of the Northern Star to the undoubted satisfaction of the authorities as no action is taken against those involved in the destruction. The Chartist movement later pays tribute to the Northern Star by using the same name for their newspaper that is founded in 1837 by Feargus O’Connor.