seamus dubhghaill

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Birth of Gaelic Footballer Bernard Brogan Jnr

Gaelic footballer Bernard Brogan Jnr is born on April 3, 1984, in Castleknock, Dublin. Born into a famous footballing family, he is the son of former All-Ireland winning and All Star player Bernard Brogan Snr and is the brother of former Dublin players Alan and Paul. His uncle Jim is also a former inter-county footballer for Dublin. Alongside most of his family, he attends St. Declan’s College on Navan Road.

Brogan wins the 2006 Sigerson Cup with Dublin City University (DCU). He scores one point in the game against Queen’s University Belfast (QUB). He is on the 2006 St. Oliver Plunketts/Eoghan Ruadh team that wins the Dublin AFL Division 2 league title with a win over Garda. He is named on the 2006 Dublin Bus/Evening Herald Blue Star football XV at left corner forward.

Brogan scores his first point for Dublin against Fermanagh in the 2007 National Football League (NFL). He makes his Championship debut for Dublin as a late sub in Dublin’s quarter-final win over Meath. He makes his first start for Dublin in the semi-final against Offaly but is substituted in the 45th minute. He regains his position for the final against Laois at Croke Park, scoring 1–01 in Dublin’s 3–14 to 1-14 Leinster title winning game. Along with brother Alan, he is nominated for an All Star Award in 2007 as half forward.

In 2008, Brogan wins the Dublin AFL Division 1 title with St. Oliver Plunketts/Eoghan Ruadh, scoring 1–05 in the final at Parnell Park. It is the first league title in the club’s history. With Dublin he wins the 2008 O’Byrne Cup by beating Longford in the final.

In 2009, Brogan wins another Leinster title with Dublin, but his season ends with defeat to Kerry in the All-Ireland quarter-final.

After an exceptional season for Dublin on the full forward line in 2010, Brogan is awarded an All Star and is named as 2010 Vodafone Footballer of the Year.

In 2011, Brogan wins an All-Ireland title with Dublin, the team’s first All-Ireland since 1995. He scores six points in the final against Kerry. He later reveals his celebrations were cut short as he had to do a drug test straight after the game. He passes with flying colours and resumes his celebrations.

In 2012, Brogan wins another Leinster title when Dublin beats Meath in the final. Then he misses an absolute sitter in the All-Ireland semi-final against Mayo. The miss haunts Brogan as Dublin loses the game by a narrow margin.

Brogan wins the 2013 NFL with Dublin against Tyrone at Cork. He scores five frees in the game. He then wins another Leinster title against Meath and is part of the Dublin team that wins the 2013 All-Ireland Senior Football Championship Final, defeating Mayo by 2–12 to 1-14. Brogan scores 2–03 in the match, is All-Ireland final man of the match and The Sunday Game names him their man of the match and includes him on their team of the year. He is then awarded an All Star for his performances in 2013.

Brogan wins the 2014 NFL with Dublin, but his season comes to an abrupt end when Donegal defeats Dublin in that year’s All-Ireland semi-final, a momentous result that sends shockwaves through the sport.

Following a third All-Ireland Senior Football title in September 2015, Brogan is appointed captain of the Ireland national international rules football team for the 2015 Series against Australia.

On October 24, 2019, Brogan announces his retirement from inter-county football. In total he plays 116 games for Dublin, league and championship, scoring 36 goals and 344 points (452), making him Dublin’s third top scorer of all time, behind Dean Rock (14-419; 461 in 89 games) and Jimmy Keaveney (30-402; 492 in 104 games).

In 2021, Brogan presents an episode of Shoulders of Giants, commissioned by Irish broadcaster RTÉ. In the programme, he charts the life and times of the former Dublin Gaelic footballer, and later manager, Kevin Heffernan, as well as the legacy he left Dublin football. The programme airs on RTÉ on December 12, 2021.


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Birth of Irish Artist Estella Solomons

Estella Frances Solomons, one of the leading Irish artists of her generation, is born into a prominent Jewish family in Dublin on April 2, 1882. She is noted for her portraits of contemporaries in the republican movement and her studio is a safe house during the Irish War of Independence.

Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.

Solomons grandmother, Rosa Jacobs Solomons, who is born in Kingston upon Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).

In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.

Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.

Solomons paints landscapes and portraits, including of artist Jack Yeats, politician Arthur Griffith, poet Austin Clarke, and writers James Stephens and George Russell (Æ).

Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.

Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.

Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republican volunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).

Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.

Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.

Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.


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Birth of Billy Whelan, Irish Footballer

William Augustine Whelan, known as Billy Whelan or Liam Whelan, Irish footballer who plays as an inside-forward, is born at 28 St. Attracta’s Road, Cabra, Dublin, on April 1, 1935. He dies at the age of 22, as one of eight Manchester United players who are killed in the Munich air disaster.

Whelan is the fourth of seven children born to John and Elizabeth Whelan. His father is an accomplished centre half-back for Dublin club Brunswick and is instrumental in winning the FAI Junior Shield in 1924. His mother is an avid Shamrock Rovers supporter. His father dies in 1943 when Whelan is just eight years old.

Whelan plays Gaelic games, winning a medal for St. Peter’s national school in nearby Phibsborough. After leaving school at the age of fourteen, he works in Cassidy’s, an outfitter on South Great George’s Street. He is an accomplished Gaelic footballer and hurler, but association football is his first love.

Whelan begins his career at the age of twelve when he joins Home Farm before joining Manchester United as an 18-year-old in 1953. He is capped four times for the Republic of Ireland national football team, including a surprising 4–1 victory against Holland in Rotterdam in 1956, but does not score. His brother John plays for Shamrock Rovers and Drumcondra and his eldest brother Christy plays for Transport.

Whelan makes his first appearance for Manchester United during the 1954–55 season and quickly becomes a regular first-team player. He goes on to make 98 first-team appearances in four seasons at United, scoring 52 goals. He is United’s top scorer in the 1956–57 season, scoring 26 goals in the First Division and 33 in all competitions as United wins their second successive league title and reaches the semi-finals of the 1957-58 European Cup. He also gives a commanding display in the 1957 FA Cup final despite losing 2–1 to Aston Villa. Such is the strength of the competition in the United first team that he is soon being kept out of the side by Bobby Charlton. He is a traveling reserve for United’s ill-fated European Cup match against Red Star Belgrade in Belgrade on February 6, 1958, and is one of eight players to die in the subsequent air crash that destroys Matt Busby‘s young team and claims twenty-three lives. Fellow Irishman Harry Gregg, United’s goalkeeper and a survivor and hero of the Munich air crash, recalls Whelan’s last words as the plane is attempting take-off for the third and final time as “Well, if this is the time, then I’m ready.”

Thousands attend Whelan’s funeral on February 12 in St. Peter’s Church, Phibsborough, Dublin, and line the streets as the funeral procession makes its way to his burial-place in Glasnevin Cemetery. In December 2006 Dublin Corporation unveils a commemorative plaque on a bridge at Faussagh Road, Cabra, which was renamed Liam Whelan Bridge.

Although of a cheerful disposition, Whelan is also modest and shy by nature, and a quietly devout Catholic. He has a particular dislike of swearing and tends to fix a look of pained disappointment on teammates who use bad language. Nobby Stiles admits that he “would rather be caught swearing by the pope than by Billy Whelan.” His religious devotion regularly fuels rumours that he is considering being a priest, although at the time of his death he is engaged to be married to Ruby McCullough.


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Birth of Barry Dignam, Irish Filmmaker

Irish filmmaker Barry Dignam is born in Dublin on March 31, 1971. Some of his films are Stages (1998), Dream Kitchen (1999), Chicken (2001), A Ferret Called Mickey (2003) and Bounce (2004).

Dignam studies drama at Trinity College Dublin (TCD) and film at the National Film School of Ireland, part of the Dún Laoghaire Institute of Art, Design and Technology (IADT). He makes a number of internationally successful shorts including Chicken, Dream Kitchen and A Ferret Called Mickey. His films have been recognised on a global stage, with films screened at prestigious festivals such as the Berlin International Film Festival and the Cannes Film Festival and have been shown at over 150 international festivals and distributed through major broadcasters, on-demand platforms, and theatrical releases. He has been nominated for a Palme d’Or at Cannes and a Berlin Golden Bear. His work has been screened by top broadcasters including Film Four, PBS, Canal+ and have been released on DVD and theatrically in both Europe and the United States.

As a teacher, Dignam has over twenty years of experience working with students and researchers at all levels. At IADT, he serves as the Head of the Department of Film & Media, Chair of Film & Television, and Irish Course Director on the Erasmus+ Joint Master of Art in Cinematography.

In 2021, Dignam becomes IADT’s Programme Director of FilmEU, the European University for Film and Media Arts. FilmEU represents a pioneering approach to arts and culture education, uniting eight higher education institutions from across Europe. FilmEU has grown into a transformative initiative that enhances the academic landscape for film and media while addressing critical societal issues such as sustainability, inclusion, and digital transformation.

Dignam and his partner, Hugh Walsh, are one of the first couples to enter into civil partnership in Ireland, and the first to do so after the mandatory three-month wait (six previous couples are granted exemptions on compassionate grounds).


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Birth of Anne Bushnell, Jazz & Blues Singer

Anne Bushnell, Irish jazz and blues singer and cabaret performer, is born Anne Kavanagh in the Rotunda Hospital, Dublin, on March 28, 1939.

Bushnell is one of four children of John Kavanagh and Evelyn (née Ledwidge). Her father is a motor mechanic with a business on Arnott Street, Portobello, with the family living in Milltown. She dances on the stage of the Theatre Royal as a child and is a junior Irish champion dancer. She attends the St. Louis convent school in Rathmines, where she performs in plays and musicals and sings in the school choir. The nuns disapprove of her musical influences and try to dissuade her interest in jazz and “the music of the night.” Due to the family’s financial circumstances, she leaves school at the age of 16 and takes a job as a typist. She marries Tony Bushnell in April 1961. He is a salesman who shares her interest in music. The couple moves to Templeogue, and have a daughter, Suzanne, and a son, Paul. Paul is now a session musician based in Los Angeles, and Suzanne sings with a female vocal harmony group, Fallen Angels.

Bushnell continues to perform in amateur musicals, and from the early 1960s she sings with an Irish céilí band. With help from her husband’s musical family, she sings in Dublin jazz clubs from 1967, emerging as a well-respected jazz and blues vocalist and cabaret performer. She competes in the national song contest in 1968 singing Ballad to a Boy and becomes a resident singer in the RTÉ Light Orchestra. By the late 1960s, she is one of the busiest singers in Ireland, singing jingles for radio and TV commercials, and featuring on showband records as a backing singer. She is a regular guest on RTÉ television variety shows from 1970, including hosting Girls, girls, girls.

From 1972 to 1974, Bushnell is part of a group called Family Pride, which is a group of session musicians who record together regularly. They compete in the 1973 national song contest, playing in Dublin venues and on radio shows. The group has two top ten Irish hits. Their 1973 album, Family Pride, is not a chart success, however. She represents Ireland at a number of international contests and festivals as a solo artist, releasing a few singles and an unsuccessful album with CBS Records, Are You Ready (1977). She is a backing singer for two of Ireland’s entries to the Eurovision Song Contest in 1974 and 1980. She is a regular in stage musicals from the mid to late 1970s, in productions such as the tribute shows to Jacques Brel (1974) and Bing Crosby (1978), sometimes performing alongside her brother John Kavanagh. From the late 1970s she appears in pantomimes with Maureen Potter.

In 1984 Bushnell stars in a musical based on the life of Édith Piaf, No Regrets, written specially for her by Leland Bardwell. She is lauded for capturing Piaf’s stage presence and husky voice. The show suffers when it has to move from the Gaiety Theatre to the National Stadium. She reworks it into a successful one-woman show called The Little Sparrow and also devises a one-woman tribute to Judy Garland. Her cabaret act in the late 1980s is highly successful, featuring big numbers by Brel, Garland, and Piaf. Due to her talent at singing blues and jazz, she is awarded the freedom of New Orleans by its mayor in 1986.

Bushnell struggles with depression brought on initially by an underactive thyroid and later exacerbated by her father’s death and her husband’s unemployment in the late 1980s. Disheartened by the lack of recognition in Ireland and her family’s financial difficulties, she considers emigrating or returning to her career as a typist. To aid with her depression, she takes up painting in 1992, holding a number of exhibitions in Dublin. She continues to sing regularly until her death, often at events for charity. She is awarded the Cheshire Foundation award in 1994 for her charitable work. She also appears in the film Agnes Browne.

Bushnell dies of cancer on April 21, 2011, in Tallaght University Hospital, County Dublin, and is cremated at Mount Jerome Crematorium.


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Birth of Linda Martin, Singer & Television Presenter

Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.

Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.

Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.

The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.

Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.

The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.

Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.

Martin is one of the hosts on the RTÉ quiz show The Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.

Martin is a guest performer at Congratulations: 50 Years of the Eurovision Song Contest concert in Copenhagen, Denmark, in October 2005. She is also the Irish spokesperson for Eurovision Song Contest 2007 and is one of the five judges for Eurosong 2009. In 2012, she is the mentor for Jedward in the Irish Eurovision final Eurosong 2012.

During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.

Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.


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Birth of Moya Llewelyn Davies, Republican Activist & Gaelic Scholar

Moya Llewelyn Davies, born Mary Elizabeth O’Connor, an Irish Republican activist during the Irish War of Independence (1919-21) and a Gaelic scholar, is born in Blackrock, Dublin, on March 25, 1881.

O’Connor is one of five children of Irish Republican Brotherhood (IRB) Supreme Council member and later MP James O’Connor. He is IRB treasurer in 1870 and party to the discussions on the New Departure, a collaboration between constitutional and physical force nationalists, the open and the secret movements. Her uncle, John O’Connor, is a leading member of the Supreme Council.

In 1890, when O’Connor’s father is a journalist, her mother, Mary O’Connor, and four of her sisters – Annie, Aileen, Kathleen and Norah – die after eating contaminated mussels gathered on the seashore near where they lived in what became known as the Seapoint tragedy. She becomes violently ill, but survives.

O’Connor travels to London after a falling out with her stepmother six years later. She finds work as a civil servant and a paid speaker for the Liberal Party, through which she meets Crompton Llewelyn Davies, adviser to David Lloyd George and solicitor to the General Post Office, brother of Arthur Llewelyn Davies and uncle of the boys who inspire the creation of Peter Pan. They marry on December 8, 1910. The marriage produces two children: Richard and Catherine.

Davies is an orthodox home ruler but is radicalised by the 1916 Easter Rising. Davies and her husband raise funds for Roger Casement‘s legal defence and later lobby for his death sentence to be commuted. She is saluted as one of the “fond ones” in a letter from Casement to Margaret Gavan Duffy on the eve of his August 3, 1916, execution in Pentonville Prison.

Following the Easter Rising, Davies takes her two children to Ireland and purchases Furry Park, a crumbling mansion near Dublin. She collaborates with Michael Collins during the Irish War of Independence and her home in Clontarf becomes one of Collins’ many safe houses as he directs the war. She is arrested and imprisoned in 1920. Collins also stays at her Portmarnock house, using it as a safe house.

Davies says in later life that she and Michael Collins had been lovers, but the historian Peter Hart claims her to be a stalker. It has been suggested that Collins is the father of her son Richard. Historian Meda Ryan denies this saying “Letters from him and a phone call confirmed that he was born December 24, 1912, before his mother met Collins.”

Historian Tim Pat Coogan in his book Michael Collins says that Davies claimed on the night that Collins learned that Éamon de Valera was going to reject the Anglo-Irish Treaty “he was so distressed that I gave myself to him.” Coogan refuses to give a source and in the footnotes, he says, “Confidential source.”

Davies makes a lasting contribution to Irish literature with a translation, with George Thomson, of the Muiris Ó Súilleabháin book Fiche Bliain faoi Bhláth as Twenty Years a-Flowering. She is thought to have helped Collins write his book The Path to Freedom.

Davies dies from cancer in a Dublin nursing home on September 28, 1943.


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Death of Sir Robert Prescott Stewart, Organist, Conductor & Composer

Sir Robert Prescott Stewart, organist, conductor, composer, teacher, and academic, dies in Dublin on March 24, 1894. He is one of the most influential (classical) musicians in 19th-century Ireland.

Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.

Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.

Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.

By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.

Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.

Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.

Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.

In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).

Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.

(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Peter Farrell, Irish Footballer

Peter Desmond Farrell, Irish footballer who plays as a right-half for, among others, Shamrock Rovers, Everton and Tranmere Rovers, dies in Dublin on March 16, 1999. As an international, he also plays for both Ireland teams – the FAI XI and the IFA XI. His playing career follows a similar path to that of Tommy Eglington. As well as teaming up at international level, they also play together at three clubs.

Farrell is born on August 16, 1922, and raised in the Convent Road area of Dalkey, County Dublin, and is educated at Harold Boy’s National School and the Christian Brothers in Dún Laoghaire, from which he wins a scholarship. He is playing football with Cabinteely Schoolboys when spotted by a Shamrock Rovers scout and subsequently joins Rovers on his 17th birthday in August 1939. Among his early teammates is the veteran Jimmy Dunne. With a team that also includes Jimmy Kelly, Tommy Eglington, Jimmy McAlinden and Paddy Coad, he later helps Rovers reach three successive FAI Cup finals. They win the competition in 1944 and 1945 and finish as runners up in 1946.

In July 1946, together with Tommy Eglington, Farrell signs for Everton. In eleven seasons with the club, he plays 421 league games and scores 14 goals. He also plays a further 31 games in the FA Cup and scores an additional four goals. In 1951 he is appointed Everton captain and during the 1953–54 season leads them to the runners up place in the Second Division, thus gaining promotion to the First Division. During his time with the club his teammates, apart from Eglington, also include Alex Stevenson, Peter Corr, Harry Catterick, Wally Fielding, Tommy E. Jones, Brian Labone and Dave Hickson. He is never sent off during his time at Goodison Park.

Farrell leaves Everton in October 1957 and follows Tommy Eglington to Tranmere Rovers where he becomes player-manager. He plays 114 league games for Tranmere, before leaving in December 1960. After a time as manager at Sligo Rovers, he becomes manager of Holyhead Town and, helped by a number of former Everton and Tranmere players, guides them to the Welsh Football League (North) title.

In September 1967, Farrell signs a one-year contract to manage St. Patrick’s Athletic F.C. He manages the Pats in their 1967–68 Inter-Cities Fairs Cup ties against FC Girondins de Bordeaux but resigns in March 1968.

When Farrell begins his international career in 1946 there are, in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based IFA and the Ireland–based FAI claim jurisdiction over the whole of Ireland and select players from the entire island. As a result, several notable Irish players from this era, including Farrell, play for both teams.

Farrell makes 28 appearances and scores three goals for the FAI XI. While still at Shamrock Rovers, he captains the FAI XI on his international debut on June 16, 1946, against Portugal. On September 21, 1949, together with Johnny Carey and Con Martin, he is a member of the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home. After Martin puts the FAI XI ahead with a penalty in the 33rd minute, Farrell makes victory certain in the 85th minute. Tommy O’Connor slips the ball to Farrell and as the English goalkeeper Bert Williams advances, he lofts the ball into the unguarded net. He scores his second goal for the FAI XI on October 9, 1949, a in 1–1 draw with Finland, a qualifier for the 1950 FIFA World Cup. His third goal comes on May 30, 1951, as Farrell scores the opening goal in a 3–2 win against Norway.

Farrell also makes seven appearances for the IFA XI between 1946 and 1949. On November 27, 1946, he makes his debut for the IFA XI in a 0–0 draw with Scotland. Together with Johnny Carey, Con Martin, Bill Gorman, Tommy Eglington, Alex Stevenson and Davy Walsh, he is one of seven players born in the Irish Free State to play for the IFA XI on that day. The draw helps the team finish as runners-up in the 1946-47 British Home Championship. He also helps the IFA XI gain some other respectable results, including a 2–0 win against Scotland on October 4, 1947, and a 2–2 draw with England at Goodison Park on November 5, 1947.

After returning to Ireland following his retirement, Farrell settles in Dublin and follows his father into the insurance business. He dies on March 16, 1999, following a long illness. He is buried in Dean’s Grange Cemetery in Deansgrange, Dún Laoghaire–Rathdown, County Dublin.


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Birth of Charles O’Conor, Priest & Historical Author

Charles O’Conor, Irish priest and historical author, is born at Bellanagare, County Roscommon, on March 15, 1764. He is chaplain and librarian to the Marchioness of Buckingham and catalogues many manuscripts, including the famous Stowe Missal, now in the Royal Irish Academy (RIA) in Dublin.

O’Conor is the second of six sons of Denis O’Conor and Catharine O’Conor (neé Browne), who also have six daughters. The O’Conors are Catholic, descendants of a princely family in the west of Ireland. His grandfather is the historian Charles O’Conor, his brother the historian Matthew O’Conor.

O’Conor is educated at the Pontifical Irish College, Rome, from 1779 to 1791 and is appointed parish priest of Kilkeevan, County Roscommon, in 1789. In 1796 he prepares for publication a memoir of his grandfather, the historian Charles O’Connor, which highlights the efforts made by him and other Irish Catholics of substance to obtain the constitutional repeal of the penal laws. The first volume is suppressed as dangerous to the family and the manuscript of the second is burned by O’Conor before reaching the printer. He destroys what he believes to be the whole run of the first volume and ten folios of the second, by casting them into a sewer, which communicates with the River Poddle. However, copies of the first volume survive in Trinity College Dublin (TCD) and the Barrister at Law (BL).

In 1798 O’Conor is invited to become chaplain to Mary Nugent, the Marchioness of Buckingham, and to organize and translate a collection of Gaelic manuscripts at Stowe, Buckinghamshire, England. With him he brings papers of his grandfather to Stowe, including fifty-nine Gaelic manuscripts. There he writes Columbanus ad Hibernos (1810–13), a series of letters supporting the royal veto on Catholic episcopal appointments in Ireland. These are answered by Francis Plowden and see him suspended from duties of parish priest by John Troy, Archbishop of Dublin. In his duties as librarian, he edits the Annals of the Four Masters, and other chronicles from the Stowe Library as Rerum Hibernicarum Scriptores Veteres (1814–26), an edition regarded as unreliable.

O’Conor experiences mental illness and by 1827 is suffering from the delusion that he is deliberately being starved by order of the Marquess of Buckingham. He leaves Stowe on July 4, 1827. The Nation (March 26, 1853) claims that he is thereafter a patient at Dr. Harty’s asylum in Finglas, Dublin, apparently along with John Lanigan, whom he knew in the Irish College. His family twice unavailingly demands that the paper’s editor issue a correction.

O’Conor dies on July 29, 1828, in his family’s house at Bellanagare. He is buried in Ballintober Cemetery, Castlerea, County Roscommon.