The attack seems to be part of a general “hit-up” by the Republicans in the city. Other military barracks around the city are also attacked in the same week.
The Barracks’ orderly clerk is attending the morning parade, where National Army soldiers, mostly unarmed, are listening to the orders of the day, read by the regimental sergeant major. When he hears machine gun fire, the clerk first believes it to be practice firing. Then he sees puffs of dust spring up from the ground as bullets land around him. He throws himself to the ground.
Another soldier tells The Irish Times, “The first outburst crashed in on us just like a flash of lightning and did most of the damage. All of us that could crawled around for cover, it was simply death to walk in the square at that time.”
The IRA has occupied the upper stories and roofs of the houses across the Grand Canal, at the rear of the barracks. From there, they rake the parade square with gunfire. The sound is deafening to the stricken soldiers. One says, “It seemed as if marbles were being rained down from an immense height.”
A total of eighteen soldiers are hit. One is killed instantly and fourteen wounded, seven of whom require surgery. As the firing starts, a butcher’s van owned by one R. McGurk of Harold’s Cross is making a delivery to the barracks. The storm of bullets peppers the unfortunate deliverymen, killing their horse and mortally wounding the driver. According to the soldier, “the whole thing lasted about 15 minutes, the rest of the soldiers came out then and started some Lewis guns going.”
One hundred soldiers had been lined up on the square shoulder to shoulder. The National Army believes the IRA used a Lewis machine gun and tells the press there were up to forty attackers armed with rifles and machine guns. But in fact, IRA reports show that their squad, a party from the Dublin Brigade active service unit (ASU), led by William Roe, has only eleven men, broken up into four parties, with only two of the parties firing ninety rounds with a Thompson submachine gun and fifteen with a “Peter the Painter” Mauser automatic.
The IRA volunteers make their escape across country, through the villages of Kimmage and Crumlin, pursued by Irish Free State troops. They are seen carrying two badly wounded men of their own. The Army later claims the two were killed in the firefight, but there is no indication that this is true.
(From: “Wellington Barracks, Dublin, 1922 – A Microcosm of the Irish Civil War” by John Dorney, The Irish Story, http://www.theirishstory.com, June 2010)
Duff is born in Dublin on June 7, 1889, at 97 Phibsboro Road, the eldest of seven children of John Duff and his wife, Susan Letitia (née Freehill). The wealthy family lives in the city at St. Patrick’s Road, Drumcondra. He attends Blackrock College.
In 1908, Duff enters the Civil Service and is assigned to the Irish Land Commission. In 1913, he joins the Society of Saint Vincent de Paul and is exposed to the real poverty of Dublin. Many who live in tenement squalor are forced to attend soup kitchens for sustenance, and abject poverty, alcoholism, and prostitution are rife in parts of Dublin. He joins and soon rises through the ranks to President of the St. Patrick’s Conference at St. Nicholas of Myra Parish. Having concern for people he sees as materially and spiritually deprived, he gets the idea to picket Protestant soup kitchens as he considers they are giving aid in the form of food and free accommodation at hostels in return for not attending Catholic services. He sets up rival Catholic soup kitchens and, with his friend, Sergeant Major Joe Gabbett, discourages Catholics from patronizing Protestant soup kitchens. They succeeded in closing down two of them over the years.
Duff publishes his first pamphlet, Can we be Saints?, in 1916. In it, he expresses the conviction that all, without exception, are called to be saints, and that through Christian faith, all have the means necessary.
Duff briefly acts as private secretary to Michael Collins, the chairman of the Provisional Government and the commander-in-chief of the National Army. In 1924, he is transferred to the Department of Finance.
On September 7, 1921, Duff is a part of a meeting alongside Fr. Michael Toher and fifteen women which becomes the nucleus of what would become the Legion of Mary. The Legion of Mary is created to organise lay Catholics to perform voluntary work. He models the organisation on Roman legions. Some of the first causes the Legion pursues is to become involved with homelessness and prostitution in Dublin. In 1922, he defies the wishes of the Archbishop of Dublin and the widespread Crypto-Calvinism, or Jansenism, within the Catholic Church in Ireland, which had created an intense hostility towards both prostitutes and other allegedly “fallen women.” Similarly, to St. Vitalis of Gaza before him, he begins an outreach to the prostitutes living in often brutal and inhuman conditions in the “kip houses” of “the Monto,” as Dublin’s red-light district, one of the largest in Europe at the time, is then called. Although middle-class Dubliners dismissively view these women as “whores,” the impoverished but devoutly Catholic residents of the Monto tenements refer to local prostitutes as “unfortunate girls,” and understand that they often turn to prostitution as a last resort. As part of his work, Duff establishes the Sancta Maria hostel, a safe house for former prostitutes who had run away from their “kip keepers.” Following the Irish War of Independence and Irish Civil War, he also persuades the first Catholic Commissioner of the Dublin Metropolitan Police, former Irish Army General W. R. E. Murphy, to launch a crackdown and, even though prostitution in the Republic of Ireland, rooted in human trafficking, still exists, the closure of the Monto’s last “Kip-Houses” is announced on March 12, 1925.
In 1927, Duff establishes the Morning Star hostel for homeless men, followed shortly by the Regina Coeli hostel for homeless women in 1930. Unlike the Magdalen Asylums, the Regina Coeli hostel reflects his view that unwed mothers should be taught how to be able to provide for and raise their children. This defies the norm of the era which holds that the children of unwed mothers should be saved from the stigma of their illegitimacy by being put up for adoption as quickly as possible.
While Duff enjoys the support of W. T. Cosgrave, Ireland’s head of government, and in May 1931 is granted an audience with Pope Pius XI, his efforts are opposed internally in the Dublin diocese. The Archbishop of Dublin Edward Joseph Byrne and his successor John Charles McQuaid seek to censor him because of his involvement with prostitutes. McQuaid also does not approve of his ecumenical efforts. In the 1930s and 1940s Duff creates the Mercier Society, a study group designed to bring together Catholics and Protestants, as well as the Pillar of Fire, a group designed to promote dialogue with Ireland’s Jewish community. In communication with Irish social dissidents Seán Ó Faoláin and Peadar O’Donnell, he suggests he is far more censored than even they are.
Duff does have some supporters amongst the Catholic hierarchy though. With the backing of Cardinal Joseph MacRory and Francis Bourne of Westminster, the Legion is able to expand rapidly and internationally. In 1928 the Legion establishes its first presidium in Scotland. In 1932 he is able to use the occasion of the Eucharistic Congress of Dublin to introduce the concept of the Legion of Mary to several visiting bishops, leading to further international growth.
Duff retires from the Civil Service in 1934 to devote all of his time to the Legion of Mary.
In July 1940, an overseas club for Afro-Asian students in Dublin is created. At that time Ireland is a popular destination for students from Asia and Africa because of its recent anti-imperial, anti-colonial history. Duff personally funds the purchase of a building for the club using funds from an inheritance. The club lasts until 1976 and facilitate many notable students, including Jaja Wachuku.
For the rest of his life, and with the help of many others, Duff guides the Legion’s worldwide extension. Today, the Legion of Mary has an estimated four million active members and 10 million auxiliary members in close to 200 countries in almost every diocese in the Catholic Church.
In 1965, Pope Paul VI invites Duff to attend the Second Vatican Council as a lay observer. When he is introduced to the assembly by the Archbishop of Liverpool, John Heenan, he receives a standing ovation.
Duff dies in Dublin at the age of 91 on November 7, 1980, and is interred at Glasnevin Cemetery. In July 1996, the cause of his beatification is introduced by Cardinal Desmond Connell.
Edgeworth Lysaght, later Edward Anthony Edgeworth Lysaght, and from 1920 Edward MacLysaght (Irish: Éamonn Mac Giolla Iasachta), a genealogist of twentieth century Ireland, is born on November 6, 1887, at Flax Bourton, Somerset, England. His numerous books on Irish surnames build upon the work of Rev. Patrick Woulfe’s Irish Names and Surnames (1923).
Lysaght is born to Sidney Royse Lysaght (1856-1941), of Irish origin, a director of the family iron and steel firm John Lysaght and Co. and a writer of novels and poetry, and Katherine (died 1953), daughter of Joseph Clarke, of Waddington, Lincolnshire. His grandfather, Thomas Royse Lysaght, is an architect, and his great-grandfather, William Lysaght, a small landowner distantly connected with the Barons Lisle. He is named “Edgeworth Lysaght” after his father’s friend, the economist Francis Ysidro Edgeworth. He loses the sight in one eye after a childhood accident.
Lysaght is educated at Nash House preparatory school, Bristol, and Rugby School at Rugby, Warwickshire, where he is unhappy, his parents’ frequent absence due to his father’s business responsibilities necessitating travel to South America, South Africa, and Australia contributing to this. He is a contemporary there of Rupert Brooke, whose father is Lysaght’s housemaster. Eighteen months after leaving Rugby, on the advice of Francis Edgeworth, he goes to Corpus Christi College, Oxford, to study law, but, having on his own account “had a wild time as part of the smart set” and anticipating rustication after a drunken incident, he leaves after three terms.
Lysaght takes up residence in a caravan at Lahinch, County Clare, where he had previously holidayed and become friendly with local people. His father, himself strongly connected to his Irish boyhood and wanting to establish himself as a “country gentleman,” recognizes his son’s enthusiasm for Ireland and in 1909 purchases a 600-acre estate at Tuamgraney, at which Lysaght farms until 1913, introducing an electrical generator and other forms of modernization including the development of a lime kiln, nursery, and school where young men of means can learn the basics of farming. This is the beginning of a metamorphosis for him. Although of English upbringing, he dislikes the local gentry, considering them “layabout rentiers,” and prefers to make friendships amongst employees and his neighbours. He seeks to replace his English accent with a Clare accent, eschews his lack of religion of a few years before in favour of Roman Catholicism, and becomes involved in the Gaelic League.
An integral factor in Lysaght’s reinvention is his relationship with Mabel (“Maureen”) Pattison. Five years his senior, they meet when he spends a period at a Dublin hospital. She is born and raised in South Africa, her father a civil servant there, but has Irish family including a local postmistress. His family seeks to avoid what they consider an unsuitable marriage, sending him and his brother Patrick on a world tour, but the couple are nevertheless married at the Brompton Oratory on September 4, 1913. Mabel introduces him to friends in the Arts Club, and he enters Dublin literary society. His father invests £300 in Maunsell’s publishers, who produces Lysaght’s book of poems, Irish Eclogues. As of the early 1930s, he serves on the General Committee of the Munster Agricultural Society.
By 1915, Lysaght’s command of the Irish language has improved dramatically, and in that year he founds the Nua-Ghaeltacht at Raheen, County Clare. He is an independent delegate to the 1917-18 Irish Convention in which he opposes John Redmond‘s compromise on Home Rule. By 1918 his involvement in all aspects of the Irish independence movement have deepened greatly. Although not known if he is actually a member of the Irish Republican Army (IRA), he is very active in the Irish War of Independence as a supporter, financially and otherwise, of the East Clare Brigade of the IRA and its legendary leaders, Michael and Conn Brennan.
In 1920, Lysaght, along with others of the name, changes his name to “MacLysaght,” “so as to emphasise its Gaelic origin.”
MacLysaght’s Raheen office serves as a meeting place for the Volunteers and guns, documents and ammunition are stored there. However, the war leads to a sharp decline in the fortunes of his farm. The execution of close friends such as Conor Clune of Quin in November 1920 and the subsequent devastating raids on his farm result in his playing a far more active role in Sinn Féin as a loyal supporter of the new TD for Clare, Éamon de Valera. For this he is imprisoned following his return from Britain as part of a Sinn Féin delegation which is publicising the Black and Tans atrocities.
Hickie attends the Royal Military College, Sandhurst, from 1882 to 1885. He is commissioned into his father’s regiment, the Royal Fusiliers at Gibraltar, in 1885 and serves with them for thirteen years in the Mediterranean, Egypt, and India, during which time he is promoted to captain on November 18, 1892. In 1899 he graduates as captain at the Staff College, Camberley, and is selected when the Second Boer War breaks out as a Special Service Officer in which capacity he acts in various positions of authority and command. He leaves Southampton for South Africa on board the SS Canada in early February 1900 and is promoted from captain of mounted infantry to battalion command as major on March 17, 1900. He is subsequently in command of a corps until eventually at the end of 1900 he is given command of an independent column of all arms. He holds this position for eighteen months. He serves with distinction at the Battle of Bothaville in November 1900 and receives the brevet promotion to lieutenant colonel on November 29, 1900. He serves in South Africa throughout the war, which ends with the Treaty of Vereeniging in June 1902. Four months later he leaves Cape Town on the SS Salamis with other officers and men of the 2nd battalion Royal Fusiliers, arriving at Southampton in late October, when the battalion is posted to Aldershot Garrison. In December 1902 he is elected a Fellow of the Royal Geographical Society (FRGS).
After the end of the war in South Africa there follows various staff appointments, the first from December 1902 as deputy-assistant adjutant general for district staff in the Cork district. In 1907 Hickie is back in regimental service in Dublin and Mullingar with the 1st Royal Fusiliers, where he is in command of the regiment for the last two years. From 1909 to 1912 is appointed to the Staff of the 8th Infantry Division in Cork where for four years he is well known in the hunting field and on the polo ground. In May 1912, he is promoted to colonel and becomes Quartermaster General of the Irish Command at Royal Hospital Kilmainham for which he is appointed a Companion of the Order of the Bath.
When war is declared, the Staff of the Irish Command becomes automatically the staff of the II Army Corps and accordingly with the outbreak of World War I in August 1914, Hickie is promoted to brigadier general and, as part of the British Expeditionary Force in France, takes charge of the Adjutant and Quartermaster-General’s Department during the retreat of the II Corps after the Battle of Mons, to Paris, and during the First Battle of the Marne. In mid-September 1914, he relieves one of the brigadiers in the fighting line as commander of the 13th Brigade (5th Infantry Division) and then commands the 53rd Brigade (18th Infantry Division) until December 1915, when he is ordered home to assume command of the 16th (Irish) Division at Blackburn.
Promoted to major general, Hickie takes over from Lieutenant General Sir Lawrence Parsons. It is politically a highly sensitive appointment which requires the professionalism and political awareness he, fortunately, possesses as the division is formed around a core of Irish National Volunteers in response to Edward Carson‘s Ulster Volunteers. He is much more diplomatic and tactful than his predecessors and speaks of the pride which his new command gives him but does not hesitate to make sweeping changes amongst the senior officers of the Irish Division. After putting the division through intensive training, it leaves under Irish command of which each man takes personal pride. It arrives in December 1915.
In the next two years and four months during which Hickie commands the 16th (Irish) Division, it earns a reputation for aggression and élan and wins many memorials and mentions for bravery in the engagements during the 1916 Battle of Guillemont and the capture of Ginchy, both of which form part of the Battle of the Somme, then during the Battle of Messines, the Third Battle of Ypres and in attacks near Bullecourt in the Battle of Cambrai offensive in November 1917.
During this period the Division makes considerable progress in developing its operational techniques but at a price in losses. The growing shortage of Irish replacement recruits, due to nationalist disenchantment with the war and the absence of conscription in Ireland, is successfully met by Hickie by integrating non-Irish soldiers into the division.
In February 1918, Hickie is invalided home on temporary sick leave, but when in the hospital the German spring offensive begins on March 21, with the result that after his division moves under the command of General Hubert Gough it is practically wiped out and ceases to exist as a division. Although promised a new command, this does not happen before the Armistice in November. He typifies the army’s better divisional commanders, is articulate, intelligent and is competent and resourceful during the BEF’s difficult period 1916–17, laying the foundations for its full tactical success in 1918. He is advanced to Knight Commander of the Order of the Bath in 1918.
Hickie retires from the army in 1922, when the six Irish line infantry regiments that have their traditional recruiting grounds in the counties of the new Irish Free State are all disbanded. He identifies himself strongly with the Home Rule Act and says that its scrapping is a disaster and is equally outspoken in condemning the activities of the Black and Tans. In 1925, he is elected as a member of Seanad Éireann, the Irish Free State Senate.
Hickie holds his seat until the Seanad is dissolved in 1936, to be replaced by Seanad Éireann in 1937. He is President of the Area Council (Southern Ireland) of the Royal British Legion from 1925 to 1948. He never marries.
Hickie dies on November 3, 1950, in Dublin and is buried in Terryglass, County Tipperary.
Twysden is born in Kent, in the South East England region, on September 7, 1713, the third son of Sir William Twysden, 5th Baronet of Roydon Hall, East Peckham, Kent, by his wife (and distant cousin) Jane Twisden.
By his second wife, Twysden has two children: Mary, who dies in infancy, and a posthumous daughter named Frances (1753–1821). Frances, later Countess of Jersey, is one of the many mistresses of King George IV when he is Prince of Wales.
Twysden dies on November 2, 1752, at home in Jermyn Street, St. James’s, London. However, according to ecclesiastical historian and author Henry Cotton, he dies at Roydon Hall, East Peckham, his father’s country house. He is buried in the south chancel of St. Michael’s Church, East Peckham, under a plain stone with no inscription.
A story grows up that, having been made bankrupt, Twysden is shot while attempting to rob a stagecoach. The location of his alleged attempted career as a highwayman is either Hounslow Heath (west of London) or Wrotham Heath in Kent.
(Pictured: The Cathedral of St Eunan, Raphoe, the episcopal seat of the pre-Reformation and Church of Ireland bishops of Raphoe)
Crilley is born in Newry, County Down, (present-day Northern Ireland), on August 1, 1884, one of six children of Patrick Crilley. Her date of birth is often given as July 29, 1888, though local records do not support this, suggesting she is born four years earlier. Having initially trained at Newry technical school with her sister Mary, intending to become a teacher, in 1905, she wins a scholarship to attend the Dublin Metropolitan School of Art. There she studies under William Orpen, who regards her as one of his most promising students. She completes her studies in 1911 attaining an Art Teacher’s Certificate and begins working as Orpen’s assistant.
In 1914, Crilley marries her fellow student Harry Clarke, much to the surprise of their family and acquaintances. The couple moves into a flat at 33 North Frederick Street. They have three children, Michael, David and Ann. Harry’s brother, Walter, marries Margaret’s sister, Mary, in 1915.
Clarke first exhibits with the Royal Hibernian Academy in 1913 and goes on to exhibit over 60 artworks in the forty years until 1953, the majority being portraits. Among the portrait commissions she receives are ones for Dermod O’Brien, President Éamon de Valera, ArchbishopJohn Charles McQuaid, and Lennox Robinson. She spends a great deal of time on the Aran Islands with fellow artist Seán Keating and her husband, from which she produces a number of landscapes and smaller studies.
Clarke becomes the director of the Harry Clarke Stained Glass Studios following the death of her husband in 1931.
A critic notes in 1939 that Clarke produces “remarkable drawings in which individuality is caught in a few swift economical lines.” Over her lifetime she wins many awards including the Tailteann gold, silver and bronze medals in 1924, and another Tailteann bronze in both 1928 and 1932. She is elected an Associate of the Royal Hibernian Academy (ARHA) in 1926, and a full RHA member in 1927. Upon the founding of the Irish Exhibition of Living Art in 1943, she is appointed a member of the executive committee.
Clarke dies in Dublin on 31 October 31, 1961, and is buried in the Redford Cemetery, Greystones, County Wicklow. She is commemorated with a blue plaque at her birthplace in Newry.
Ryan has two spells with Coventry City. In April 1943, he signs for the club as an amateur and during the 1942–43 season he plays two games in wartime regional leagues. He then turns professional in August 1944 and makes a further four appearances for the club during the 1944–45 wartime season. After playing for West Bromwich Albion and Derby County, he returns to City in September 1958. He then helps the club win promotion from the newly formed Football League Fourth Division, after they finish as runners-up in 1959. During his second spell with City he plays 70 times in all competitions.
Ryan signs for Derby County in June 1955 for a fee of £3,000. He is appointed team captain by manager Harry Storer, Jr., and during his three seasons with the club misses only three matches – two because of injury and one because of international duty. He is a member of the side promoted as champions of the Third Division North to the Football League Second Division in 1956–57. In 1955 he also plays for an English Division Three North XI against an English Division Three South XI. He plays 133 league games for County, scoring 30 goals. He also plays a further six games for the club in the FA Cup, scoring a further goal.
When Ryan begins his international career in 1949 there are, in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Republic of Ireland–based Football Association of Ireland (FAI) claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including Ryan, play for both teams.
Between 1949 and 1955 Ryan makes 16 appearances and scores 3 goals for the FAI XI. He makes his debut in a 3–1 defeat to Sweden on November 13, 1949, in a qualifier for the 1950 FIFA World Cup. He scores his first two goals for the FAI XI in October 1953 during the qualifiers for the 1954 FIFA World Cup, one against France in a 5–3 defeat and the second, a penalty, against Luxembourg in 4–0 win. On November 7, 1954, in a friendly against Norway, he scores his third goal, again from the penalty spot, and earns the FAI XI a 2–1 victory. He makes his last appearance for the FAI XI on November 27, 1955, in a 2–2 draw with Spain.
Ryan makes his one and only appearance for the IFA XI in a 0–0 draw with Wales on March 8, 1950. As well as being part of the 1950 British Home Championship, the game also doubles up as a qualifier for the 1950 FIFA World Cup. Ryan, together with Con Martin, Davy Walsh and Tom Aherne, is one of four players born in the Irish Free State, included in the IFA XI that day. He earlier plays for the FAI XI in the same competition, and as a result, plays for two different teams in the same FIFA World Cup tournament. This situation eventually leads to intervention by FIFA and, as a result, Ryan becomes one of the last four Irish Free State–born players to play for the IFA XI.
After retiring as a player in November 1960, Ryan works as a pools supervisor for both Coventry City (1960–1961) and West Bromwich Albion (1961–1962). Between September 1962 and October 1976, he is chief scout for West Brom. He later works as a scout for various clubs including Aston Villa F.C., Derby County F.C., Hereford United F.C. and Leeds United F.C. before retiring in 1994.
The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.
The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”
October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.
In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.
The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.
Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the AberdeenEvening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”
Burke is born in Moycullen, County Galway, a daughter of George Edmond Burke of Danesfield and his wife Theresa Quin. She becomes an activist in Irish industrial, charitable and cultural groups, serving as second president of the Camogie Association and first president of the Irish Countrywomen’s Association. She is also a noted literary hostess, whose salon at Earlsfort House is a centre of Dublin intellectual life for many years.
In 1883, Burke marries Arthur James Francis Plunkett, 11th Earl of Fingall, 4th Baron Fingall (1859–1929), state steward to the administration in Dublin Castle and one of the few Catholics to hold an Irish peerage, thus becoming Countess of Fingall.
A friendship with Máire Ní Chinnéide, forged through theatrical circles, leads to Burke-Plunkett accepting the patronage of Camogie Association of Ireland from 1910 to 1923. She also presents a cup and medals for the winners of the Dublin League. She serves largely in an honorary role, attending a few meetings of what is then known as Cualacht Luithchleas na mBan Gaedheal.
A liberal unionist, Burke-Plunkett becomes active in the promotion of Irish agriculture, industry and culture. She is a founder member of Horace Plunkett’s Irish co-operative movement, is the first president of the Society of United Irishwomen from 1912 to 1921, and of its successor, the Irish Countrywomen’s Association until 1942. She presides at suffragette meetings in Dublin, is a founder of the Irish Distressed Ladies Committee, and serves on the board of the Irish Industries Association. She is also the chairperson of the Irish Central Committee for the Employment of Women.
Burke-Plunkett dies on October 28, 1944, at Earlsfort House, her Dublin home, where she had held her famous Thursdays “at home” for many years. She is buried on the grounds of Killeen Castle, County Meath, following a Requiem Mass at University Church in Dublin.
Shanahan is involved in the Easter Rising in Dublin in April 1916. This leads to him having legal difficulties over the licence of his public house. He consults the lawyer and politician Tim Healy who comments:
“I had with me today a solicitor with his client, a Dublin publican named Phil Shanahan, whose licence is being opposed, and whose house was closed by the military because he was in Jacob’s during Easter week. I was astonished at the type of man – about 40 years of age, jolly and respectable. He said he ‘rose out’ to have a ‘crack at the English’ and seemed not at all concerned at the question of success or failure. He was a Tipperary hurler in the old days. For such a man to join the Rebellion and sacrifice the splendid trade he enjoyed makes one think there are disinterested Nationalists to be found. I thought a publican was the last man in the world to join a rising! Alfred Byrne, MP, was with him, and is bitter against the Party. I think I can save Shanahan’s property.”
Shanahan is elected for Dublin Harbour at the 1918 Irish general election, defeating Alfred Byrne. Like other Sinn Féin MPs, he does not take his seat at Westminster, but becomes a member of the revolutionary Dáil. He represents Dublin Harbour in the First Dáil from 1919 to 1921. He is arrested and detained in custody by the British government in April 1920 but is released in time to attend the next meeting of the Dáil on June 29, 1920.
During the Irish War of Independence, Billy Dunleavy recalls, “The IRA were the best men we ever had at that time. The Tans used to go around in the tenders with a wire over the top and if it was going by up there in Talbot Street they’d (IRA) say, ‘Get out of the way, quick!’ and they’d throw a hand grenade into the car. Now Phil Shanahan, he owned a pub over there on the corner, he was a great man and he used to hide them after they’d been out on a job. He had cellars and all the IRA men used to go there and hide their stuff.”
seamus dubhghaill 