Chicago May, the nickname of Mary Anne Duignan, an Irish-born criminal who becomes notorious in the United States, United Kingdom and France, dies in Philadelphia, Pennsylvania, on May 30, 1929. She refers to herself as the “queen of crooks” and sometimes uses the name May Churchill.
Duignan is born in Edenmore, Ballinamuck, County Longford, on December 26, 1871. In 1890, at the age of 19, she steals the proceeds earned by her parents from a recent cattle fair and runs away to Liverpool, England where she buys new clothes and books a ticket to America. Upon arrival in New York City she supports herself by prostitution and picking pockets.
She moves to Chicago to take advantage of the large influx of visitors at the 1893 World’s Columbian Exposition. She teams up with another prostitute. One robs customers while the other is having sex with them. She returns to New York City, where she works as a dancer, but is soon arrested for stealing a wallet, earning her first jail sentence. She briefly marries friend Jim Sharpe but the couple soon separates. After this, she calls herself May Churchill Sharpe. She soon establishes herself with the local criminal underworld, becoming involved in various crimes, mostly of a petty nature, including fraud, assault, brawling, drunk and disorderly behaviour, beggary and pickpocketing.
Duignan has various criminal lovers, but she graduates from petty criminality to major crime when she meets Eddie Guerin, who organises a robbery of the American Express office in Paris. She is imprisoned for her role in the crime. She operates her schemes on four continents and in nine countries. She reaches the height of her career in England when she is taken up by aristocrat Sir Sidney Hamilton Gore, who supposedly proposes marriage to her, shortly before he shoots himself.
After Guerin escapes from a French prison island, he makes his way to London where he meets Duignan again, but the relationship turns sour. She takes up with a burglar named Charley Smith. In 1907, during an altercation with Guerin, Smith shoots him, wounding him in the foot. Smith and Duignan are both accused of attempted murder. She is convicted and sentenced to 15 years. She is released in 1917, and returns to the United States.
By the 1920s, Duignan is living in Detroit and has become destitute. No longer young, she is reduced to propositioning men on the streets and is repeatedly arrested for soliciting and common prostitution. She hopes to make money from her former notoriety by writing magazine articles and an autobiography with the help of a journalist, which is published in 1928 as Chicago May, Her Story, by the Queen of Crooks. Her former lover Guerin publishes his own life story at the same time, under the title I Was a Bandit. She dies at the age of 58 in Philadelphia on May 30, 1929.
Downing is the second son of Eugene Downing, a local merchant, and his wife, Helena, daughter of Timothy McCarthy of Kilfadamore, County Kerry. They have two other sons and two daughters. He is apprenticed in 1830 to his elder brother, Francis Henry, who practises as a solicitor at Killarney. Once admitted as a solicitor himself in 1836, he moves to Skibbereen, County Cork, where he practises until the mid-1860s, making from his practice a large fortune. By the mid-1870s he owns 4,067 acres in Cork and Kerry valued at £1,413.
Downing is prominent locally in public affairs, supporting the repeal campaign of Daniel O’Connell and the temperance campaign of Fr. Theobald Mathew. He is the first chairman of Skibbereen town commissioners, from 1862 to 1879. He later helps James Stephens and Michael Doheny escape to France in 1849. After Jeremiah O’Donovan Rossa and other members of the Phoenix National and Literary Society are arrested on December 5, 1858, he acts as their solicitor. His chief clerk, Mortimer Moynahan, a member of the society, unwittingly takes on as an assistant a man who proves to be an informer.
Downing involves himself in the National Association of Ireland, the political pressure group formed by the CatholicArchbishop of Dublin, Paul Cullen, and succeeds in getting tenant-right added to its demands in March 1865. He is elected as one of the two MPs for County Cork on November 30, 1868, and is reelected without a contest on February 5, 1874. Nominally a liberal, he draws his main support from the Catholic bishops and most of the parish clergy and, more significantly, from the tenant farmer class. The farmers’ interests he vigorously pursues in parliament and outside.
After the passing of William Ewart Gladstone‘s first land act, Downing plays a prominent part in the formation of the Home Rule League under the leadership of Isaac Butt. He is always a moderate on the home-rule issue – he opposes the pledging of home-rule MPs always to act together and later the obstructive tactics of fellow home-rulers Joseph Gillis Biggar and Charles Stewart Parnell. He is one of the nine members of the standing committee of Butt’s Irish Parliamentary Party (1874–79) and proves a stalwart of Butt particularly in disputes with Parnell. It is he who draws to the attention of the House of Commons the condition of tenants on the Buckley estate in the foothills of the Galtee Mountains at Skeheenarinky in County Tipperary in March 1877. In Butt’s absence Downing introduces an Irish land tenure bill on February 6, 1878, which is, however, quickly defeated.
Downing dies January 10, 1879, at his residence, Prospect House, Skibbereen, a deputy lieutenant of County Cork. The cortège that follows his body to the Old Caheragh Graveyard, Skibbereen, for burial is said to be four miles long. In Emmet Larkin‘s judgement, “it was not altogether unlikely, if he had survived, that he would have eventually succeeded Butt as chairman of the Irish party.”
In 1837, Downing marries Jane, youngest daughter of Daniel McCarthy of Ave Hill, Dromore, County Cork, and with her has four sons and three daughters. His younger brother, Washington, is a parliamentary reporter and later the Rome correspondent for The Daily News of London, and husband of Mary McCarthy Downing.
(From: “Downing, Timothy McCarthy” by C.J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Kickham’s father, John Kickham, is the proprietor of the principal drapery in the locality and is held in high esteem for his patriotic spirit. His mother, Anne O’Mahony, is related to the Fenian leader John O’Mahony. He grows up largely deaf and almost blind, the result of an explosion with a powder flask when he is thirteen. He is educated locally, where it is intended that he study for the medical profession. During his boyhood the campaign for a repeal of the Acts of Union 1800 between Great Britain and Ireland is at its height, and he soon becomes versed in its arguments and is inspired by its principles. He often hears the issues discussed in his father’s shop and at home amongst all his friends and acquaintances.
From a young age Kickham is imbued with these patriotic ideals. He becomes acquainted with the teaching of the Young Irelanders through their newspaper The Nation from its foundation in October 1842. His father read the paper aloud every week for the family. Like all the young people of the time, and a great many of the old ones, his sympathies are with the Young Irelanders on their secession from the Repeal Association.
When he is 22 years old, Kickham contributes The Harvest Moon sung to the air of “The Young May Moon,” to The Nation on August 17, 1850. Other verses are to follow, but the finest of his poems according to A. M. O’Sullivan, appear in other journals. Rory of the Hill, The Irish Peasant Girl, and Home Longings, better known as Slievenamon, are published in the Celt. The First Felon appears in the Irishman. Patrick Sheehan, the story of an old soldier, is published in the Kilkenny Journal, and becomes very popular as an anti-recruiting song.
Kickham begins to write for a number of papers, including The Nation, but also the Celt, the Irishman, the Shamrock, and becomes one of the leading writers of The Irish People, the Fenian newspaper, in which many of his poems appear. His writings are signed using his initials, his full name, or the pseudonyms, “Slievenamon” and “Momonia.”
Kickham is the leading member of the Confederation Club in Mullinahone, which he is instrumental in founding. When the revolutionary spirit begins to grip the people in 1848, he turns out with a freshly made pike to join William Smith O’Brien and John Blake Dillon when they arrive in Mullinahone in July 1848. On hearing of the progress of O’Brien through the country, he sets to work manufacturing pikes and is in the forge when news reaches him that the leaders are looking for him. It is here that he meets James Stephens for the first time. At O’Brien’s request, he rings the chapel bell to summon the people and before midnight a Brigade has answered the summons. He later writes a detailed account about this period which brings his connection with the attempted Rising of 1848 to a close.
After the failed 1848 uprising at Ballingarry, Kickham has to hide for some time, as a result of the part he had played in rousing the people of his native village to action. When the excitement has subsided, he returns to his father’s house and resumes his interests in the sports of fishing and fowling and spends much of his time in literary pursuits. Some of the authors in which he is well versed are Alfred Tennyson and Charles Dickens and he greatly admires George Eliot, and after William Shakespeare, is Robert Burns.
In the autumn of 1857, a messenger arrives from New York with a message for James Stephens from members of the Emmet Monument Association, calling on him to get up an organization in Ireland. On December 23, Stephens dispatches Joseph Denieffe to the United States with his reply and outlines his conditions and his requirements from the organisation in America. Denieffe returnd on March 17, 1858, with the acceptance of Stephens’ terms and £80. That evening the Irish Republican Brotherhood commences. Those present in Langan’s, lathe-maker and timber merchant, 16 Lombard Street, for that first meeting are Stephens, Kickham, Thomas Clarke Luby, Peter Langan, Denieffe and Garrett O’Shaughnessy. Later it includes members of the Phoenix National and Literary Society, which is formed in 1856 by Jeremiah O’Donovan Rossa in Skibbereen, County Cork.
In mid-1863, Stephens informs his colleagues that he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of The Irish People appears on November 28, 1863. The staff of the paper along with Kickham are Luby and Denis Dowling Mulcahy as the editorial staff, O’Donovan Rossa and James O’Connor in charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor. Shortly after the establishment of the paper, Stephens departs on an America tour, and to attend to organizational matters. Before leaving, he entrusts to Luby a document containing secret resolutions on the Committee of Organization or Executive of the IRB. Though Luby intimates its existence to O’Leary, he does not inform Kickham as there seems no necessity. This document later forms the basis of the prosecution against the staff of The Irish People.
Kickham’s first contribution to The Irish People, entitled Leaves from a Journal, appears in the third issue and is based on a journal he kept on his way to America in 1863. This article leaves no doubt as to his literary capacity according to O’Leary. It falls to Kickham, as a good Catholic, to tackle the priests, though not exclusively with articles such as “Two Sets of Principles,” a rebuff to the doctrines laid down by Lord Carlisle, and “A Retrospect,” dealing with the tenant-right movement chiefly but also the events of the recent past and their bearing on the present. Kickham articulates the attitude held by the IRB in relation to priests, or more particularly in politics.
On July 15, 1865, American-made plans for a rising in Ireland are discovered when the emissary loses them at Kingstown railway station. They find their way to Dublin Castle and to Superintendent Daniel Ryan, head of G Division. Ryan has an informer within the offices of The Irish People named Pierce Nagle. He supplies Ryan with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of The Irish People on September 15, followed by the arrests of O’Leary, Luby, and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught but with the support of Fenian prison warders John J. Breslin and Daniel Byrne is less than a fortnight in Richmond Bridewell when he vanishes and escapes to France. The last issue of The Irish People is dated September 16, 1865.
On November 11, 1865, Kickham is convicted of treason. Judge William Keogh, with many expressions of sympathy for the prisoner, and many compliments in reference to his intellectual attainments, sentences him to fourteen years’ penal servitude. The prisoners’ refusal to disown their opposition to British rule in any way, even when facing charges of life-imprisonment, earn them the nickname of “the bold Fenian men.” Kickham spends time from 1866 until his release in the Woking Convict Invalid Prison.
Kickham is given a free pardon from Queen Victoria on February 24, 1869, because of ill-health, and upon his release he is made Chairman of the Supreme Council of the IRB and the unchallenged leader of the reorganized movement. He is an effective orator and chairman of meetings despite his physical handicaps. He wears an ear trumpet and can only read when he holds books or papers within a few inches of his eyes. For many years he carries on conversations by means of the deaf and dumb alphabet.
Kickham is the author of three well-known stories, dealing sympathetically with Irish life and manners and the simple faith, the joys and sorrows, the quaint customs and the insuppressible humour of the peasantry. Knocknagow is deemed one of the finest tales of peasant life ever written. Sally Cavanagh is a touching story illustrating the evils of landlordism and emigration. For the Old Land deals with the fortunes of a small farmer’s family.
Kickham dies on August 22, 1882, at the house of James O’Connor, a former member of the IRB and afterward MP for West Wicklow, 2 Montpelier Place, Blackrock, Dublin, where he had been living for many years, and had been cared for by the poet Rose Kavanagh. He is buried in Mullinahone, County Tipperary.
In January and February 1689, Butler votes against the motion to put William of Orange and Mary on the throne and against the motion to declare that James II has abdicated it. Nevertheless, he subsequently joins the forces of William of Orange, by whom he is made colonel of the 2nd Troop of Horse Guards on April 20, 1689. He accompanies William in his Irish campaign, debarking with him in Carrickfergus on June 14, 1690, and commands this troop at the Battle of the Boyne in July 1690. In February 1691 he becomes Lord Lieutenant of Somerset.
Butler serves on the continent under William of Orange during the Nine Years’ War and, having been promoted to major general, he fights at the Battle of Steenkerque in August 1692 and the Battle of Landen in July 1693, where he is taken prisoner by the French and then exchanged for the Duke of Berwick, James II’s illegitimate son. He is promoted to lieutenant general in 1694.
Butler plays a dramatic role at the notorious meeting of the Privy Council on March 8, 1711, when Antoine de Guiscard, a French double agent who is being questioned about his treasonable activities, attempts to assassinate Robert Harley, 1st Earl of Oxford, against whom he has a personal grudge for drastically cutting his allowance, by stabbing him with a penknife. Harley is wounded, but not seriously, due largely to the fact that he is wearing a heavy gold brocade waistcoat in which the knife gets stuck. Several Councillors, including Butler, stab Guiscard in return. Guiscard implores Butler to finish the deed, but he replies that it is not for him to play the hangman. In any case, he has the sense to see that Guiscard must be kept alive at least long enough to be questioned, although as it turns out Guiscard’s wounds are fatal, and he dies a week later.
On April 23, 1712, Butler leaves Harwich for Rotterdam to lead the British troops taking part in the war. Once there he allows himself to be made the tool of the Tory ministry, whose policy is to carry on the war in the Netherlands while giving secret orders to him to take no active part in supporting their allies under Prince Eugene. In July 1712, he advises Prince Eugene that he can no longer support the siege of Le Quesnoy and that he is withdrawing the British troops from the action and instead intends to take possession of Dunkirk. The Dutch are so exasperated at the withdrawal of the British troops that they close the towns of Bouchain on Douai to British access, despite the fact that they have plenty of stores and medical facilities available. Butler takes possession of Ghent and Bruges as well as Dunkirk, in order to ensure his troops are adequately provided for. On April 15, 1713, he becomes Lord Lieutenant of Norfolk.
Ormonde’s position as Captain-General makes him a personage of much importance in the crisis brought about by the death of Queen Anne and, during the last years of Queen Anne, he almost certainly has Jacobite leanings and corresponds with the Jacobite Court including his cousin, Piers Butler, 3rd Viscount Galmoye, who keeps barrels of gunpowder at Kilkenny Castle. King George I, on his accession to the throne in August 1714, institutes extensive changes and excludes the Tories from royal favour. Butler is stripped of his posts as Captain-General, as colonel of the 1st Regiment of Foot Guards and as Commander in Chief of the Forces with the first two posts going to the Duke of Marlborough and the role of Commander-in-Chief going to John Dalrymple, 2nd Earl of Stair. On November 19, 1714, Butler is instead made a member of the reconstituted Privy Council of Ireland.
Accused of supporting the Jacobite rising of 1715, Butler is impeached for high treason by Lord Stanhope on June 21, 1715. He might avoid the impending storm of Parliamentary prosecution, if he remains in England and stands trial but instead, he chooses to flee to France in August 1715 and initially stays in Paris with Henry St. John, 1st Viscount Bolingbroke. On August 20, 1715, he is attainted, his estate forfeited, and honours extinguished. The Earl Marshal is instructed to remove the names and armorial bearings of Butler and Bolingbroke from the list of peers and his banner as Knight of the Garter is taken down in St. George’s Chapel.
On June 20, 1716, the Parliament of Ireland passes an act extinguishing the regalities and liberties of the county palatine of Tipperary; for vesting Butler’s estate in the crown and for giving a reward of £10,000 for his apprehension, should he attempt to land in Ireland. But the same parliament passes an act on June 24, 1721, to enable his brother, Charles Butler, 1st Earl of Arran, to purchase his estate, which he does accordingly.
Butler subsequently moves to Spain where he holds discussions with Cardinal Giulio Alberoni. He later takes part in a Spanish and Jacobite plan to invade England and puts James Francis Edward Stuart on the British throne in 1719, but his fleet is disbanded by a storm in the Bay of Biscay. In 1732, he moves to Avignon, where he is seen in 1733 by the writer Lady Mary Wortley Montagu. He dies at Avignon in exile on November 16, 1745, but his body is returned to London and buried in Westminster Abbey on May 22, 1746.
On July 20, 1682, Butler, then called Lord Ossory, marries Lady Anne Hyde, daughter of Laurence Hyde, who is then Viscount Hyde of Kenilworth but becomes Earl of Rochester in November. The couple has a daughter, Mary, who dies young in 1688.
Following the death of his first wife in 1685, Butler plans to marry again in order to secure a male heir. He gains permission from the House of Lords for the arranging of a jointure for another marriage in May 1685, and in August of that year, he marries Lady Mary Somerset, daughter of the Duke of Beaufort and Mary Capel. The couple has a son, Thomas (1686–1689), and two daughters, Elizabeth (1689–1750) and Mary (1690–1713). His second wife is a Lady of the Bedchamber to Queen Anne. Their younger daughter, Mary, marries John Ashburnham, 1st Earl of Ashburnham.
(Pictured: Portrait of James Butler, 2nd Duke of Ormonde, by Michael Dahl, National Portrait Gallery)
Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.
In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.
Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”
Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.
Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.
Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).
It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.
In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).
Soon after Edward IV becomes king in March 1461, Plantagenet is made Duke of Clarence, and in 1462 he is appointed Lord Lieutenant of Ireland. However, around 1468, he falls under the influence of Richard Neville, 16th Earl of Warwick, who is losing the control that he had formerly exercised over the King. In defiance of Edward IV, he marries Neville’s daughter Isabel in Église Notre-Dame de Calais in July 1469. Then, in March 1470, he and Neville secretly support an armed uprising in northern England. When Edward IV discovers their treachery, they flee to France but return in September.
After Edward IV goes into exile, Plantagenet and Neville put the ineffectual Lancastrian monarch Henry VI, deposed in 1461, back on the throne. But Plantagenet soon becomes disenchanted with Neville’s management of the government. When Edward IV returns from exile in March 1471, the brothers become reconciled, and Plantagenet, who fights in the battles that lead to Edward’s restoration, is created, by right of his wife, first Earl of Warwick on March 25, 1472, and first Earl of Salisbury in a new creation.
After his wife dies on December 22, 1476, Plantagenet seeks to wed Mary, Duchess of Burgundy. But when Edward IV objects to that match also, the embittered Plantagenet once more begins scheming against his brother. Edward IV becomes convinced that his brother is aiming at his throne. Plantagenet is thrown into prison, and in January 1478 the King unfolds the charges against his brother to Parliament. He had slandered the King, had received oaths of allegiance to himself and his heirs, and had prepared for a new rebellion. Both houses of Parliament pass the bill of attainder, he is “privately executed” at the Tower of London on February 18, 1478, by tradition in the Bowyer Tower, and soon after the event, a rumour spreads that he had been drowned in a butt of malmsey wine.
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.
When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.
Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.
Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.
Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.
After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.
An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”
A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.
Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.
Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.
(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)
The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.
In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.
Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”
Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.
In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.
(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 