seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Gaeltacht


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Death of Mick Lally, Stage, Film & Television Actor

mick-lally

Michael “Mick” Lally, Irish stage, film and television actor, dies in Dublin on August 31, 2010. He departs from a teaching career for acting during the 1970s. Though best known in Ireland for his role as Miley Byrne in the television soap Glenroe, his stage career spans several decades, and he is involved in feature films such as Alexander and the Academy Award-nominated The Secret of Kells. Many reports cite him as one of Ireland’s finest and most recognisable actors.

Born on November 10, 1945, and reared in the Gaeltacht village of Toormakeady, County Mayo, Lally is the eldest of a family of seven children. He goes to the local national school in Toormakeady and then to St. Mary’s College, Galway. After studying at University College Galway, he teaches history and Irish for six years in Archbishop McHale College in Tuam from 1969 to 1975 but quits teaching to pursue his career as a stage actor.

Lally begins his acting career with Taibhdhearc na Gaillimhe, Ireland’s national Irish language theatre, and is a founding member of the Druid Theatre Company. He receives an Irish Times/ESB Theatre Award Nomination for Best Actor for his role in Druid’s production of The Dead School. He also becomes a member of the Field Day Theatre Company, and stars in the company’s 1980 premiere of Brian Friel‘s play Translations. He first plays at the Abbey Theatre in 1977 in a production of Wild Oats and goes on to perform in many other Abbey productions.

In 1982, Lally stars in the TV series The Ballroom of Romance alongside Brenda Fricker. From 1983 he plays the role of Miley Byrne in the RTÉ soap Glenroe, reprising the character that he played earlier in Bracken in 1978. In 1979, he wins a Jacob’s Award for his performance as Miley in Bracken. He also has some musical success when “The By-road to Glenroe” goes to the top of the Irish charts in 1990. He is also involved in voice-over work, including a noted advertisement for Kilmeaden Cheese during the 1990s. Other TV appearances include roles in Tales of Kinvarna, The Year of the French and Ballykissangel.

In 1994, Lally plays the character Hugh in The Secret of Roan Inish, and in 1995 portrays Dan Hogan in the film adaptation of Maeve Binchy‘s Circle of Friends. Other film roles included Poitín, Our Boys, The Outcasts, A Man of No Importance and others. In later years, he provides the voice of Brother Aidan in the Academy Award-nominated The Secret of Kells, an animated film directed by Tomm Moore.

Lally appears in several TV advertisements encouraging elderly people to “release the equity tied up in their homes” during the Celtic Tiger.

Mick Lally dies on the morning of August 31, 2010, after a short stay in the hospital. The cause of death is reported as heart failure, arising from an underlying emphysema condition. His funeral takes place in Dublin on September 2, 2010. The Irish Examiner comments that the “nation has lost one of its favourite uncles.” Personalities from TV, film, theatre and politics attend, while President of Ireland Mary McAleese sends a letter and Lally receives a standing ovation at the end.


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Death of Irish Language Writer Máirtín Ó Cadhain

Máirtín Ó Cadhain, one of the most prominent Irish language writers of the twentieth century, dies on October 18, 1970. Perhaps best known for his 1949 work Cré na Cille, Ó Cadhain plays a key role in bringing literary modernism to contemporary Irish language literature.

Born in Connemara, County Galway, Ó Cadhain becomes a schoolteacher but is dismissed due to his membership in the Irish Republican Army (IRA). In the 1930s he serves as an IRA recruiting officer, enlisting fellow writer Brendan Behan, and participates in the land campaign of the native speakers, which leads to the establishment of the Ráth Cairn neo-Gaeltacht in County Meath. Subsequently, he is arrested and interned in the Curragh Camp in County Kildare during the Emergency years due to his continued involvement in the violent activities of the IRA.

Ó Cadhain’s politics are a nationalist mix of Marxism and social radicalism tempered with a rhetorical anti-clericalism. In his writings concerning the future of the Irish language he is, however, practical about the position of the Catholic Church as a social and societal institution, craving rather for a wholehearted commitment to the language cause even among Catholic churchmen. It is his view that, as the Church is there anyway, it would be better if it were more willing to address the Faithful in the national idiom.

As a writer, Ó Cadhain is acknowledged to be a pioneer of Irish language modernism. His Irish is the dialect of Connemara, but he is happy to cannibalise other dialects, classical literature and even Scottish Gaelic for the sake of linguistic and stylistic enrichment of his own writings. Consequently, much of what he writes is reputedly hard to read for a non-native speaker.

Ó Cadhain is a prolific writer of short stories. His collections of short stories include Cois Caoláire, An Braon Broghach, Idir Shúgradh agus Dháiríre, An tSraith Dhá Tógáil, An tSraith Tógtha and An tSraith ar Lár. He also writes three novels, of which only Cré na Cille is published during his lifetime. The other two, Athnuachan and Barbed Wire, appear in print only recently. He translates Charles Kickham‘s novel Sally Kavanagh into Irish as Saile Chaomhánach, nó na hUaigheanna Folmha. He also writes several political or linguo-political pamphlets. His political views can most easily be discerned in a small book about the development of Irish nationalism and extremism since Theobald Wolfe Tone, Tone Inné agus Inniu. In the early 1960s he writes, partly in Irish, partly in English, a comprehensive survey of the social status and actual use of the language in the west of Ireland, published as An Ghaeilge Bheo – Destined to Pass. In August 1969 he delivers a speech, published as Gluaiseacht na Gaeilge: Gluaiseacht ar Strae, in which he speaks of the role Irish speakers should take in ‘Athghabháil na hÉireann’, or the Re-Conquest of Ireland as James Connolly first coins the term.

He and Diarmaid Ó Súilleabháin are considered the two most innovative Gaelic authors to emerge in the 1960s. He has frequent difficulties to get his work edited, but unpublished writings have appeared at least every two years since the publication of Athnuachan in the mid-nineties.

Máirtín Ó Cadhain dies on October 18, 1970, in Dublin and is buried in Mount Jerome Cemetery.

A lecture hall at Trinity College, Dublin is named after Ó Cadhain who was professor of Irish. A bronze bust is also located in the Irish department.


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Birth of Michael D. Higgins, Ninth President of Ireland

Michael Daniel Higgins, politician, human rights activist, university lecturer, poet, and the ninth and current President of Ireland, is born in Limerick, County Limerick, on April 18, 1941. He takes office on November 11, 2011, following victory in the 2011 Irish presidential election.

At age five Higgins is separated from his parents, whose struggle to make ends meet is partly the product of his father’s ill health. He is raised in modest means by relatives in County Clare and starts his working life as a clerk in a bank. With a loan from a benefactor, he enters University College Galway, now National University of Ireland, Galway, at age 20 and continues his study with the benefit of scholarships. He serves as president of the student council and becomes involved with the Fianna Fáil party. Under the influence of politician Noël Browne, he soon switches allegiance to socialism and the Labour Party. An unashamed intellectual, Higgins continues his studies at Indiana University Bloomington and the University of Manchester. Before beginning a career in politics, he lectures in sociology and political science at Galway and is a visiting professor at Southern Illinois University Carbondale.

Twice Higgins runs unsuccessfully for a seat in the Dáil Éireann, the lower house of the Oireachtas, before being appointed to Seanad Éireann, the upper house, by Taoiseach Liam Cosgrave in 1973. Higgins is then elected to represent Galway West in the Dáil (1981–82) and serves another term in the Seanad (1983–87), representing the National University of Ireland, before becoming a fixture in the Dáil in the seat for Galway West (1987–2011). He also serves two terms as the mayor of Galway (1982–83, 1991–92). Early on he earns a reputation as a leftist firebrand who opposes participation in coalition government. His radical commitment to human rights and to peace and justice in places such as Nicaragua, El Salvador, and Cambodia, as well as his advocacy of progressive issues such as equal pay for women and the rights of people with disabilities, remain constant, but he mellows over the years to accept coalition rule.

In 1993, in the Fianna Fáil–Labour coalition government led by Albert Reynolds, Higgins becomes the minister for arts, culture, and the Gaeltacht (the districts in which the Irish language and the traditional national culture are best preserved). In that capacity he champions the Irish film industry and is responsible for the creation of the first Irish-language television station, Teilifís na Gaeilge (TG4). A poet who publishes four books of poetry before his election as president, Higgins earns a reputation as an impassioned and eloquent orator in both Irish and English.

By 2003, when he takes over the leadership of the Labour Party, the diminutive Higgins has become something of a national icon, known to most people simply as “Michael D.” He seeks Labour’s nomination for the presidency in 2004 unsuccessfully, but in 2011 he is elected the ninth president of Ireland with some 40 percent of the first-preference votes. In the process he bests heavily favoured independent Seán Gallagher, who stumbles badly in a televised debate just before the election, as well as Martin McGuinness, a former Irish Republican Army (IRA) leader who steps down temporarily as the deputy first minister of Northern Ireland to run.


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Birth of Writer & Journalist Pádraic Ó Conaire

padraic-o-conaire

Pádraic Ó Conaire, Irish writer and journalist whose production is primarily in the Irish language, is born in Galway on February 20, 1882. During his lifetime he writes 26 books, 473 stories, 237 essays, and 6 plays. His acclaimed novel Deoraíocht has been described by Angela Bourke as “the earliest example of modernist fiction in Irish.”

Ó Conaire’s father is a publican, who owns two premises in the town of Galway. His mother is Kate McDonagh. He is orphaned by the age of eleven. He spends a period living with his uncle in Garaffin, Ros Muc, Connemara. The area is in the Gaeltacht (Irish-speaking area) and Ó Conaire learns to speak Irish fluently.

He emigrates to London in 1899 where he gets a job with the Board of Education and becomes involved in the work of the Gaelic League. A pioneer in the Gaelic revival in the last century, Ó Conaire and Patrick Pearse are regarded as being the two most important Irish language short story writers during the first decades of the 20th century.

Ó Conaire is married to Molly Ní Mhanais, with whom he has four children: Eileen (born February 22, 1905), Patrick (born November 3, 1906), Kathleen (born February 24, 1909, and Mary Josephine (born July 28, 1911 but dies of diphtheria in 1922).

Ó Conaire returns to Ireland in 1914, leaving his family in London. Living mostly in Galway, he earns a meagre living through writing, teaching at Gaeltacht summer schools, and as an occasional organiser for the Gaelic League.

Ó Conaire dies at the age of 46 while on a visit to Dublin in 1928 after complaining of internal pains while at the head office of the Gaelic League. His fellow poet Frederick Robert Higgins writes a celebrated Lament for Pádraic Ó Conaire.

Pádraic Ó Conaire has family still living to this day in England as well as in Galway and Canada. The Ó Conaire surname is still strong in the Ros Muc area.


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Birth of Irish Author Maurice O’Sullivan

maurice-osullivan-houseMaurice O’Sullivan (Irish: Muiris Ó Súilleabháin), Irish author famous for his memoir of growing up on the Great Blasket Island and in Dingle, County Kerry, off the western coast of Ireland, is born on February 19, 1904.

Following the death of his mother when he is six months old, O’Sullivan is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to Great Blasket Island to live with his father, grandfather, and the rest of his siblings, and learns the native language. He joins the Garda Síochána in Dublin in 1927 and is stationed in the Gaeltacht area of Connemara.

O’Sullivan is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who has come to the island to hear and learn the Irish language. It is Thomson who encourages him to go into the Guards, rather than emigrate to America as do most of the young people. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn-Davies.

Fiche Blian ag Fás (in English, Twenty Years a-Growing) is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture have continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives.

While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E.M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when O’Sullivan tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.

In 1934, O’Sullivan leaves the Guards and settles in Connemara. He drowns on June 25, 1950, while swimming off the Connemara coast. Dylan Thomas commences, but does not finish, a screenplay of Fiche Blian ag Fás.

(Pictured: The ruins of the house in which Maurice O’Sullivan grew up on the Great Blasket Island)


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Birth of Margaret Dobbs, Irish Scholar & Playwright

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Margaret Emmeline Dobbs, Irish scholar and playwright best known for her work to preserve the Irish Language, is born in Dublin on November 19, 1871.

Dobbs’ father, Conway Edward Dobbs, is Justice of the Peace for County Antrim, High Sheriff for Carrickfergus in 1875, and High Sheriff for County Louth in 1882. The family spends time living in Dublin which is where Dobbs is born. She attempts to learn Irish. However, when her father dies in 1898 her mother, Sarah Mulholland, daughter of St. Clair Kelvin Mulholland Eglantine, moves the family back to Glenariff.

Dobbs’ interest in learning Irish continues and she finds it easier to learn in Donegal where the language is still spoken. Her first teacher is Hugh Flaitile. She attends the Irish College at Cloughaneely in the Donegal Gaeltacht. She brings the idea of promoting the language to the Glens of Antrim and her circle of friends. Dobbs is one of the small numbers of Protestant women interested in the Gaelic revival.

The “Great Feis” takes place in Antrim in 1904. Dobbs is a founding member of the Feis na nGleann committee and later a tireless literary secretary. In 1946, the Feis committee decides to honour her by presenting her with an illuminated address. It can be seen today at Portnagolan House with its stained-glass windows commemorating a great Irishwoman. During her speech she says, “Ireland is a closed book to those who do not know her language. No one can know Ireland properly until one knows the language. Her treasures are hidden as a book unopened. Open the book and learn to love your language.”

Dobbs writes seven plays, published by Dundalgan Press in 1920, though only three are ever performed. The Doctor and Mrs. McAuley wins the Warden trophy for one-act plays at the Belfast festival in 1913. However, her plays are generally not a success and after 1920 she never writes another. She continues to work on historical and archaeological studies and her articles are published in the Ulster Journal of Archaeology, in a German magazine for Celtic studies, in the French Revue Celtique, and in the Irish magazine Eriu.

Roger Casement is a good friend and, although Dobbs never makes her political opinions known, she contributes to his defence costs when he is accused of treason. She also is a member of the Gaelic League and in the executive of Cumann na mBan.

She dies in Portnagalon, County Antrim, on January 2, 1962.


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Evacuation of the Blasket Islands

blasket-islandsThe remaining human inhabitants of the Blasket Islands, a group of islands off the west coast of Ireland forming part of County Kerry, are evacuated to the mainland on November 17, 1953.

The Blasket Islands are inhabited until 1953 by a completely Irish-speaking population, and today are part of the Gaeltacht. Sadly, the Blasket Island community declines as a result of the persistent emigration of its young people. The last twenty-two inhabitants are forcefully evacuated by the government to the mainland on November 17, 1953, after the Irish government decides that it can no longer guarantee the safety of the remaining population. Many of the descendants currently live in Springfield, Massachusetts, and some former residents still live on the Dingle Peninsula, within sight of their former home.

The islanders are the subject of much anthropological and linguistic study around the end of the 19th and beginning of the 20th centuries particularly from writers and linguists such as Robin Flower, George Derwent Thomson, and Kenneth H. Jackson. Thanks to their encouragement and that of others, a number of books are written by islanders that record much of the islands’ traditions and way of life. These include An tOileánach (The Islandman) by Tomás Ó Criomhthain, Peig by Peig Sayers, and Fiche Blian ag Fás (Twenty Years A-Growing) by Muiris Ó Súilleabháin.

The Great Blasket Island, the principal island of the Blaskets, remains uninhabited today, but visitors can travel by ferry over to this remote and wildly beautiful place and spend several hours or all day marvelling at its natural beauty and what remains of years of human endeavour.

The Blasket Islands have been called Next Parish America, based on the erroneous idea that the next parish west of the islands would be the United States. The actual next parish west of the Blasket Island would be located in Newfoundland and Labrador, Canada.


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Birth of Seán Ó Riada, Composer of Irish Traditional Music

seán-o-riada

Seán Ó Riada, Irish composer and arranger of Irish traditional music, is born John Reidy in Cork City on August 1, 1931. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Cúil Aodha in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy played at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.