seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of John MacBride

john-macbrideMajor John MacBride, Irish republican executed by the British for his participation in the 1916 Easter Rising, is born in Westport, County Mayo on May 7, 1865.

MacBride is born to Patrick MacBride, a shopkeeper and trader, and the former Honoria Gill. He is educated at the Christian Brothers School in Westport and at St. Malachy’s College in Belfast. He studies medicine but gives it up and begins working with a chemist’s firm in Dublin.

MacBride joins the Irish Republican Brotherhood (IRB) and is associated with Michael Cusack in the early days of the Gaelic Athletic Association. He also joins the Celtic Literary Society through which he comes to know Arthur Griffith, who is to remain a friend and influence throughout his life. Beginning in 1893, he is termed a “dangerous nationalist” by the British government. In 1896, he travels to the United States on behalf of the IRB. Upon his return he emigrates to South Africa.

In the Second Boer War MacBride is instrumental in the raising of the Irish Transvaal Brigade and leads it into action against the British. When organised resistance collapses, he and the surviving members cross the border into Mozambique. After the war he marries Maud Gonne and they have a son, Seán MacBride, who is also to make a name for himself in Irish Politics. The marriage, however, is not a success and they go their separate ways. MacBride keeps up his associations with Republican activists but does not become personally involved other than making the odd speech in support of Ireland’s Cause.

After returning permanently from Paris to Dublin in 1905, MacBride joins other Irish nationalists in preparing for an Insurrection. Because he is so well known to the British, the leaders think it wise to keep him outside their secret military group planning a Rising. As a result, he happens to find himself in the midst of the Rising without notice.

MacBride is in Dublin early on Easter Monday morning, April 24, to meet his brother, Dr. Anthony MacBride, who is arriving from Westport to be married two days later. As MacBride walks up Grafton Street he sees Thomas MacDonagh in uniform and leading his troops. He offers his services and is appointed second-in-command at the Jacob’s Biscuit Factory, which is occupied and held through Easter Week until the order to surrender is received. As he is dressed in civilian clothes rather than a military uniform, he could likely have escaped without too much difficulty but rather he decides to go with his comrades into captivity.

Tried by court martial under the Defence of the Realm Act, MacBride is found guilty and sentenced to death. He is executed on May 5, 1916, two days before his forty-eighth birthday. Facing the British firing squad, MacBride refuses to be blindfolded saying, “I have looked down the muzzles of too many guns in the South African war to fear death and now please carry out your sentence.”

John MacBride is buried in the cemetery at Arbour Hill Prison in Dublin.

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Death of Thomas Moore, Poet, Singer & Songwriter

thomas-mooreThomas Moore, Irish poet, singer, songwriter, and entertainer, dies at Sloperton Cottage, Bromham, Wiltshire, England on February 25, 1852. He is best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” He is a close friend of Lord Byron and Percy Bysshe Shelley.

The son of a Roman Catholic wine merchant, Moore is born at 12 Aungier Street in Dublin on May 28, 1779. From a relatively early age he shows an interest in music and other performing arts. He attends several Dublin schools including Samuel Whyte’s English Grammar School in Grafton Street where he learns the English accent with which he speaks for the rest of his life. In 1795 he graduates from Trinity College, Dublin in an effort to fulfill his mother’s dream of his becoming a lawyer.

Upon graduation from Trinity, Moore studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and Sir John Andrew Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.

Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what is up until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.

In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron: With Notices of his Life (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the Irish Rebellion of 1798, The Life and Death of Lord Edward Fitzgerald (1831).

Moore finally settles in Sloperton Cottage at Bromham, Wiltshire, England, and becomes a novelist and biographer as well as a successful poet. Around the time of the Reform Act he is invited to stand for parliament, and considers it, but nothing comes of it. In 1829 he is painted by Thomas Lawrence, one of the last works completed by the artist before his death.

Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances – the activity for which he is most renowned. He dies being cared for by his wife at Sloperton on February 25, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home, beside his daughter Anastasia.


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Birth of Artist & Illustrator Harry Clarke

harry-clarkeHenry Patrick (Harry) Clarke, Irish stained-glass artist and book illustrator, is born in Dublin on March 17, 1889. He is a leading figure in the Irish Arts and Crafts movement.

Clarke is the younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moves to Dublin from Leeds in 1877 and starts a decorating business, Joshua Clarke & Sons, which later incorporates a stained glass division. Through his work with his father, Clarke is exposed to many schools of art but Art Nouveau in particular.

Clarke is educated at the Model School in Marlborough Street, Dublin and Belvedere College, which he leaves in 1905. After his mother’s death in 1903, he is apprenticed into his father’s studio and attends evening classes in the Metropolitan College of Art and Design. His The Consecration of St. Mel, Bishop of Longford, by St. Patrick wins the gold medal for stained glass work in the 1910 Board of Education National Competition. At the art school in Dublin, he meets fellow artist and teacher Margaret Crilley. They marry on October 31, 1914.

Clarke moves to London to seek work as a book illustrator. Picked up by London publisher George G. Harrap and Co., he starts with two commissions which are never completed. Difficulties with these projects makes Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It includes 16 colour plates and more than 24 halftone illustrations. This is followed by an illustrations for an edition of Edgar Allan Poe‘s Tales of Mystery and Imagination, the second version of which, published in 1923, makes his reputation as a book illustrator. His work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. His final book, Selected Poems of Algernon Charles Swinburne, is published in 1928.

Clarke also continues to work in stained glass, producing more than 130 windows. His glass is distinguished by the finesse of its drawing and his use of rich colours. He is especially fond of deep blues. His use of heavy lines in his black-and-white book illustrations echoes his glass techniques.

Clarke’s stained glass work includes many religious windows, including the windows of the Honan Chapel in University College Cork. He also produces much secular stained glass such as a window illustrating John KeatsThe Eve of St. Agnes (now in the Hugh Lane Gallery in Dublin) and the Geneva Window, (now in the Wolfsonian Museum, Miami Beach, Florida). Perhaps his most seen works are the windows he creates for Bewley’s on Dublin’s Grafton Street.

Clarke is plagued with ill health, in particular respiratory problems. He is diagnosed with tuberculosis in 1929 and goes to a sanatorium in Davos, Switzerland. Fearing that he will die abroad, he begins his journey back to Dublin in 1931, but dies on this journey on January 6, 1931 in Chur where he is buried. A headstone is erected but local law requires that the family pledge to maintain the grave 15 years after the death. This is not explained to the Clarke family and Harry Clarke’s remains are disinterred in 1946 and reburied in a communal grave.


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Joshua Dawson Sells the Mansion House

mansion-house-dublinOn December 25, 1715, Joshua Dawson, Irish public servant, land developer and politician, sells the Mansion House with its gardens and park to Dublin Corporation for £3,500 plus 40 shillings per annum and a “loaf of double refined sugar of six pounds weight” which is to be paid to the Dawsons every Christmas.

Dawson is born in 1660 at the family seat, which becomes Castledawson, County Londonderry, the son of Thomas Dawson, Commissary of the Musters of the Army in Ireland. He resides in County Londonderry and Dublin. His ancestral family had owned land and lived in the area where, in 1710, he founds Dawson’s Bridge, named after the bridge over the River Moyola, which becomes present-day Castledawson. In his estate he builds Moyola House in 1713.

Dawson is appointed clerk to the Chief Secretary of Ireland, Matthew Prior, in 1697. In that role he petitions for the establishment of a Paper & Patent Office. He becomes the Collector of Dublin in 1703, and holds the office of Chief Secretary for Ireland to the Lords Justices from 1710 under Queen Anne. He is a Member of Parliament (MP) in the Irish House of Commons for Wicklow Borough from 1705 to 1714.

Dawson develops an area of Dublin in 1705-1710 which includes the setting out and construction of the streets of Dawson Street, Anne Street, Grafton Street and Harry Street. These streets are named after, respectively, himself, Queen Anne (widow of William III), and Henry FitzRoy, 1st Duke of Grafton, the son of Charles II and cousin of Queen Anne. This development includes the construction of the Mansion House in Dawson Street in 1710 which is purchased in 1715 to be the official residence of the Lord Mayor of Dublin, which it has remained for 300 years.

(Pictured: Mansion House, official residence of the Lord Mayor of Dublin)


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The Opening of the Gaiety Theatre

The Gaiety Theatre, a theatre on South King Street in Dublin off Grafton Street and close to St. Stephen’s Green, opens on November 27, 1871 with John Spencer, the Lord Lieutenant of Ireland, as guest of honour and a double bill of the comedy She Stoops to Conquer and a burlesque version of La Belle Sauvage. Designed by architect Charles J. Phipps and built in under seven months, it specialises in operatic and musical productions, with occasional dramatic shows.

The Gaiety is extended by theatre architect Frank Matcham in 1883, and, despite several improvements to public spaces and stage changes, it retains several Victorian era features and remains Dublin’s longest-established, continuously producing theatre.

Patrick Wall and Louis Elliman purchase the theatre in 1936 and run it for several decades with local actors and actresses. They sell it in 1965, and in the 1960s and the 1970s the theatre is run by Fred O’Donovan and the Eamonn Andrews Studios, until Joe Dowling, former artistic director of the Abbey Theatre, becomes director of the Gaiety in the 1980s. In the 1990s Groundwork Productions take on the lease and the theatre is eventually bought by the Break for the Border Group. The Gaiety is purchased by music promoter Denis Desmond and his wife Caroline in the late 1990s, who undertake a refit of the theatre. The Department of Arts, Sport and Tourism also contributes to this restoration fund.

Performers and playwrights associated with the theatre have been celebrated with hand-prints cast in bronze and set in the pavement beneath the theatre canopy. These handprints include those of Luciano Pavarotti, Brendan Grace, Maureen Potter, Twink, John B. Keane, Anna Manahan, Niall Tóibín and Brian Friel.

The theatre plays host to the 1971 Eurovision Song Contest, the first to be staged in Ireland, during the Gaiety’s centenary year. Clodagh Rodgers, a contestant in that particular contest, later presents her RTÉ television series The Clodagh Rodgers Show from the theatre in the late 1970s.

The Gaiety is known for its annual Christmas pantomime and has hosted a pantomime every year since 1874. Actor and director Alan Stanford directs both Gaiety productions of Snow White and Sleeping Beauty. Irish entertainer June Rodgers stars in the Gaiety pantomime for years, until she begins to headline the equally established Olympia Theatre panto. The Gaiety shows have included Irish performers that appeal to home grown audiences, including a number of Fair City actors. Pantomimes in the 21st century have included versions of Mother Goose (2006), Beauty and the Beast (2007), Cinderella (2008), Jack and the Beanstalk (2009), Aladdin (2010), Robinson Crusoe (2011/12), Peter Pan (2013/14), Red Riding Hood (2014/15).


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Birth of Richard Brinsley Sheridan, Playwright & Satirist

Richard Brinsley Butler Sheridan, Irish satirist, playwright and poet, and long-term owner of the London Theatre Royal, Drury Lane, is born on October 30, 1751 in Dublin, where his family has a house on then fashionable Dorset Street.

While in Dublin Sheridan attends the English Grammar School in Grafton Street. The family moves permanently to England in 1758 where he is a pupil at Harrow School from 1762 to 1768. After his period in Harrow School, his father employs a private tutor to directs his studies.

In 1775, Sheridan’s first play, The Rivals, is produced at London’s Covent Garden Theatre. It is a failure on its first night. He casts a more capable actor in the lead for its second performance, and it is a smash which immediately establishes the young playwright’s reputation and the favour of fashionable London. It has gone on to become a standard of English literature.

Shortly after the success of The Rivals, Sheridan and his father-in-law, Thomas Linley the Elder, a successful composer, produce the opera, The Duenna. This piece is accorded such a warm reception that it plays for seventy-five performances.

The following year, Sheridan, his father-in-law, and one other partner purchase a half-interest in the Drury Lane theatre and, two years later, buy out the other half. Sheridan is the manager of the theatre for many years, and later becomes sole owner with no managerial role.

His most famous play, The School for Scandal (Drury Lane, May 8, 1777), is considered one of the greatest comedies of manners in English. It is followed by The Critic (1779), an updating of the satirical Restoration comedy The Rehearsal. He has a rivalry with his fellow playwright Richard Cumberland and includes a parody of Cumberland in The Critic. In 1778, Sheridan writes The Camp, which comments on the ongoing threat of a French invasion of Britain.

In 1780, Sheridan enters Parliament as the ally of Charles James Fox on the side of the American Colonials in the political debate of that year. He remains in Parliament for 32 years.

On February 24, 1809, despite the much vaunted fire safety precautions of 1794, the theatre burns down. On being encountered drinking a glass of wine in the street while watching the fire, Sheridan is famously reported to have said, “A man may surely be allowed to take a glass of wine by his own fireside.”

When he fails to be re-elected to Parliament in 1812, his creditors close in on him and his last years are harassed by debt and disappointment. On hearing of his debts, the United States Congress offers Sheridan £20,000 in recognition of his efforts to prevent the American Revolutionary War. The offer is refused.

In December 1815 Sheridan becomes ill and is largely confined to bed. He dies in poverty on July 7, 1816, and is buried in the Poets’ Corner of Westminster Abbey. His funeral is attended by dukes, earls, lords, viscounts, the Lord Mayor of London, and other notables.


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Laying of the Cornerstone for the White House

The cornerstone is laid for the White House in the newly designated capital city of Washington, D.C., on October 13, 1792. Earlier in the year, work begins on the neoclassical White House building at 1600 Pennsylvania Avenue under the guidance of Irish American architect James Hoban, whose design is influenced by Leinster House in Dublin and by a building sketch in James GibbsA Book of Architecture.

Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.

Following the American Revolutionary War, Hoban emigrates to the United States, and establishes himself as an architect in Philadelphia, Pennsylvania in 1785.

Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.

In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.

In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginia freestone contrasts strikingly with the red brick of nearby buildings.