O’Hickey’s mother dies at an early age and his father remarries. He has an older brother Martin, and a younger half-brother Maurice. He studies for the priesthood in St. John’s College, Waterford, and is ordained a priest in 1884. He is an active member of the Conradh na Gaeilge and studies under the noted Irish scholar Sean Plemion.
In 1896 O’Hickey is appointed Professor of Irish in Maynooth College, succeeding Fr. Eugene O’Growney. After clashing with the bishops and establishment, he is dismissed in 1909 from his position as Professor of Irish, for his conduct in the controversy over Irish as a matriculation subject for the new National University of Ireland.
O’Hickey receives support from many Irish nationalists (including Patrick Pearse whom he earlier had disagreements with), Irish language activists, and some of his colleagues including Maynooth’s Theology Professor, Walter McDonald. He appeals his dismissal to the Vatican, but his appeal is refused.
Michael O’Hickey dies in Portlaw, County Waterford on November 19, 1916, and is buried in the Hickey family plot in the Friary Cemetery in Carrickbeg, County Waterford.
Mannix’s forthright demands for state aid for the education of Roman Catholics in return for their taxes and his opposition to drafting soldiers for World War I make him the subject of controversy. A zealous supporter of Irish independence, he makes an official journey to Rome in 1920 via the United States, where his lengthy speech making attracts enthusiastic crowds. His campaign on behalf of the Irish, however, causes the British government to prevent him from landing in Ireland, which he finally visits in 1925.
By the 1960s the distinct identity of the Irish community in Melbourne is fading, and Irish Catholics are increasingly outnumbered by Italians, Maltese and other postwar immigrant Catholic communities. Mannix, who turned 90 in 1954, remains active and in full authority, but he is no longer a central figure in the city’s politics. He dies suddenly on November 6, 1963, aged 99, while the Archdiocese of Melbourne is preparing to celebrate his 100th birthday. He is buried in the crypt of St. Patrick’s Cathedral, Melbourne.
Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).
Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).
In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.
The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.
George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.
William Stephen “Billy” Wright, named after his grandfather, is born in Wolverhampton, England on July 7, 1960, to David Wright and Sarah McKinley, Ulster Protestants from Portadown, Northern Ireland. The family returns to Northern Ireland in 1964. While attending Markethill High School, Wright takes a part-time job as a farm labourer where he comes into contact with a number of staunchly unionist and loyalist farmers who serve with the Royal Ulster Constabulary (RUC) Reserve or the Ulster Defence Regiment (UDR). The conflict known as the Troubles has been raging across Northern Ireland for about five years by this stage, and many young men such as Wright are swept up in the maelstrom of violence as the Provisional Irish Republican Army ramps up its bombing campaign and sectarian killings of Catholics by loyalists continue to escalate. During this time his opinions move towards loyalism and soon he gets into trouble for writing the initials “UVF” on a local Catholic primary school wall. When he refuses to clean off the vandalism, he is transferred from the area and sent to live with an aunt in Portadown.
Wright joins the Ulster Volunteer Force (UVF) in 1975. After spending several years in prison and becoming a born-again Christian, he resumes his UVF activities and becomes commander of its Mid-Ulster Brigade in the early 1990s, taking over from Robin “the Jackal” Jackson. According to the Royal Ulster Constabulary, he is involved in the sectarian killings of up to 20 Catholics, although he is never convicted for any. It is alleged that Wright, like his predecessor, is an agent of the RUC Special Branch.
Wright attracts considerable media attention during the Drumcree standoff, when he supports the ProtestantOrange Order‘s desire to march its traditional route through the Catholic/Irish nationalist area of his hometown of Portadown. In 1994, the UVF and other paramilitary groups call ceasefires. However, in July 1996, Wright’s unit breaks the ceasefire and carries out a number of attacks, including a sectarian killing. For this, Wright and his Portadown unit of the Mid-Ulster Brigade are stood down by the UVF leadership. He is expelled from the UVF and threatened with execution if he does not leave Northern Ireland. He ignores the threats and, along with many of his followers, defiantly forms the breakaway Loyalist Volunteer Force (LVF), becoming its leader.
The LVF carries out a string of killings of Catholic civilians. In March 1997 Wright is sent to the HM Prison Maze for having threatened the life of a woman. While imprisoned, Wright continues to direct the LVF’s activities. On the morning of December 27, 1997, he is assassinated inside the prison by three INLA volunteers – Christopher “Crip” McWilliams, John “Sonny” Glennon and John Kennaway – armed with two smuggled pistols, a FEG PA-63 semi-automatic and a .22 Derringer. The LVF carries out a wave of sectarian attacks in retaliation. There is speculation that the authorities collude in his killing as he is a threat to the peace process. An inquiry finds no evidence of this but concludes there are serious failings by the prison authorities.
Owing to his uncompromising stance as an upholder of Ulster loyalism and opposition to the Northern Ireland peace process, Wright is regarded as a cult hero, icon, and martyr by hardline loyalists. His image adorns murals in loyalist housing estates and many of his devotees have tattoos bearing his likeness. His death is greeted with relief and no little satisfaction, however, from the Irish nationalist community.
A Church of Ireland landowner, his family had originally migrated to Ireland from Congleton in Cheshire. Although not from an Irish Roman Catholic background, Parnell, the only son of Sir John Parnell, 1st Baronet, is renowned in Irish history for his efforts to bring about a more emancipated country. He is the great-grandfather of Charles Stewart Parnell, known as the uncrowned king of Ireland and best known for opposing the Acts of Union 1800 between the two kingdoms of Great Britain and Ireland.
From a line of politically astute ancestors who had moved to Ireland in the 17th century, Parnell rises to the highest positions in Irish politics as Commissioner of the Revenue (1780), Chancellor of the Exchequer of Ireland (1787), and Lord of the Treasury (1793).
Henry Grattan describes Parnell as “an honest, straightforward, independent man, possessed of considerable ability and much public spirit; as Chancellor of the Exchequer, he was not deficient, and he served his country by his plan to reduce the interest of money. He was amiable in private, mild in disposition, but firm in mind and purpose. His conduct at the Union did him honour, and proved how warmly he was attached to the interests of his country, and on this account, he was dismissed.”
(Pictured: Oil painting on canvas, The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) by Pompeo Girolamo Batoni (Lucca 1708 – Rome 1787))
Shee is born into an old Irish Catholic family, the son of Martin Shee, a merchant, who regards the profession of a painter as an unsuitable occupation for a descendant of the Shees. He nevertheless studies art in the Royal Dublin Society and comes to London. There, in 1788, he is introduced by Edmund Burke to Joshua Reynolds, on whose advice he studies in the schools of the Royal Academy of Arts.
In 1789 Shee exhibits his first two pictures, the “Head of an Old Man” and “Portrait of a Gentleman.” Over the next ten years he steadily increases in practice. In 1798 he is chosen an associate of the Royal Academy and in 1800 he is elected a Royal Academician. He moves to George Romney‘s former house at 32 Cavendish Square and sets up as his successor.
Shee continues to paint with great readiness of hand and fertility of invention, although his portraits are eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. His earlier portraits are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting, a defect which is still more apparent in his later works, in which the handling is less square, crisp and forcible. In addition to his portraits, he executes various subjects and historical works, such as Lavinia, Belisarius, his diploma picture “Prospero and Miranda,” and the “Daughter of Jephthah.”
In 1805 Shee publishes a poem consisting of Rhymes on Art, and a second part follows in 1809. Lord Byron speaks well of it in his English Bards and Scotch Reviewers. He publishes another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this is less successful. He also produces a tragedy, Alasco, set in Poland. The play is accepted at Covent Garden, but is refused a licence, on the grounds that it contains treasonable allusions, and Shee angrily resolves to make his appeal to the public. He carries out his threat in 1824, but Alasco is still on the list of unacted dramas in 1911. He also publishes two novels – Oldcourt (1829, in three volumes) and Cecil Hyde (1834).
On the death of Sir Thomas Lawrence in 1830, Shee is chosen president of the Royal Academy in his stead and shortly afterwards receives a knighthood. In 1831 he is elected a Fellow of the Royal Society. In an examination before the parliamentary committee of 1836 concerning the functions of the Royal Academy, he ably defends its rights. He continues to paint until 1845, when illness makes him retire to Brighton. He is deputised for at the Academy by J. M. W. Turner, who had appointed him a trustee of the projected Turner almshouse.
Martin Archer Shee dies in Brighton, Sussex, England on August 13, 1850, and is buried in the western extension to St. Nicholas’ Churchyard in Brighton. His headstone remains but has been laid flat and moved to the perimeter of the site.
More broadly, the term “Wild Geese” is used in Irish history to refer to Irish soldiers who leave to serve in continental European armies in the 16th, 17th and 18th centuries, or even, poetically, Irish soldiers in British armies as late as World War I.
Irish recruitment for continental armies dries up after it is made illegal in 1745. In 1732 Sir Charles Wogan indicates in a letter to Jonathan Swift, Dean of St. Patrick’s Cathedral, Dublin, that 120,000 Irishmen have been killed and wounded in foreign service “within these forty years.” Swift later replies, “I cannot but highly esteem those gentlemen of Ireland who, with all the disadvantages of being exiles and strangers, have been able to distinguish themselves by their valour and conduct in so many parts of Europe, I think, above all other nations.”
It was some time before the British armed forces begin to tap into Irish Catholic manpower. In the late eighteenth century, the Penal Laws are gradually relaxed and in the 1790s the laws prohibiting Catholics bearing arms are abolished.
Sarsfield is honored to this day in the crest of County Limerick. The Flight of the Wild Geese is remembered in the poetic words… “War-battered dogs are we, Fighters in every clime, Fillers of trench and of grave, Mockers, bemocked by time. War-dogs, hungry and grey, Gnawing a naked bone, Fighters in every clime, Every cause but our own.”
(Pictured: ‘Irish Troops Leaving Limerick’, 1692, (Cassell Petter & Galpin, London, Paris & New York, c1880), Artist Unknown)
The Treaty of Limerick, which actually consists of two treaties, is signed on October 3, 1691, ending the Williamite War in Ireland between the Jacobites and the supporters of William III of England, widely known as William of Orange. Reputedly they are signed on the Treaty Stone, an irregular block of limestone which once served as a mounting block for horses. This stone is now displayed on a pedestal in Limerick, put there to prevent souvenir hunters from taking pieces of it. Because of the treaty, Limerick is sometimes known as the Treaty City.
After his victory at the Battle of the Boyne in July 1690, William III issues the Declaration of Finglas which offers a pardon to Jacobite soldiers but excludes their senior officers from its provisions. This encourages the Jacobite leaders to continue fighting and they win a major victory during the 1691 Siege of Limerick. However, defeats the following year at the Battle of Aughrim and the second siege of Limerick leave the Williamites victorious. Nonetheless the terms they offer to Jacobite leaders at Limerick are considerably more generous than those a year earlier at Finglas.
One treaty, the Military Articles, deals with the treatment of the disbanded Jacobite army. This treaty contains twenty-nine articles. Under the treaty, Jacobite soldiers in formed regiments have the option to leave with their arms and flags for France to continue serving under James II of England in the Irish Brigade. Some 14,000 Jacobites choose this option. Individual soldiers wanting to join the French, Spanish or Austrian armies also emigrate in what becomes known as the Flight of the Wild Geese. The Jacobite soldiers also have the option of joining the Williamite army. One thousand soldiers chose this option. The Jacobite soldiers thirdly have the option of returning home which some 2,000 soldiers choose.
The second treaty, the Civil Articles, which contains thirteen articles, protects the rights of the defeated Jacobite landed gentry who choose to remain in Ireland, most of whom are Catholics. Their property is not to be confiscated so long as they swear allegiance to William III and Mary II, and Catholic noblemen are to be allowed to bear arms. William requires peace in Ireland and is allied to the Papacy in 1691 within the League of Augsburg.
It is often thought that the Treaty of Limerick is the only treaty between Jacobites and Williamites. A similar treaty had been signed on the surrender of Galway on July 22, 1691, but without the strict loyalty oath required under the Treaty of Limerick. The Galway garrison had been organised by the mostly Catholic landed gentry of counties Galway and Mayo, who benefited from their property guarantees in the following century.
(Pictured: The Treaty Stone on which the Treaty of Limerick may have been signed)
In the summer of 1647, Murrough O’Brien, 6th Baron Inchiquin, the Irish Protestant commander of the Protestant army of Cork, commences a campaign against the Irish Catholic strongholds in Munster. The counties of Limerick and Clare are raided, and he soon turns his attention to the bountiful eastern counties of Munster. In early September, his forces quickly take the Cahir Castle in Tipperary. This strong castle is well positioned to become a base for the Cork Protestant army, and it is used to raid and devastate the surrounding countryside. The Munster army under Lord Taaffe does not make any serious effort to oppose Inchiquin, probably the result of the political scheming of Donough MacCarty, 2nd Viscount Muskerry and other powerful Irish lords who hope to keep the Munster army intact for their own ends. As such, Inchiquin is allowed to make a major push towards the town and ecclesiastical centre of Cashel.
Inchiquin has already launched two minor raids against Cashel, and he now has the opportunity to launch a major assault. The Parliamentarian forces first storm nearby Roche Castle, putting fifty warders to the sword. This attack terrifies the local inhabitants of the region, some of whom flee to hiding places, while hundreds of others flee promptly to the Rock of Cashel, a stronger place than the town itself. Lord Taaffe has placed six companies in the fortified churchyard that sits upon the rock, and considers the place defensible, though he himself does not stay to put it to the test, leaving command to the Governor Lieutenant-Colonel Butler.
Arriving with his army at the Rock, Inchiquin calls for surrender within an hour. The defenders of the churchyard offer to negotiate but that is refused, and on the afternoon of September 15 the assault commences. The Parliamentarians are first reminded of earlier atrocities against Protestants, and then begin to deploy. The attack is led by around 150 dismounted horse officers with the remainder of the infantry following. Troops of horse ride along the flanks of the advancing force to encourage the infantry. The Irish soldiers attempt to drive off the attackers with pikes while the civilians inside hurl rocks down from the walls. In turn the attackers hurl firebrands into the compound, setting some of the buildings inside on fire. Although many are wounded, the Parliamentarians gradually fight their way over the walls, pushing the garrison into the church.
Initially, the Irish defenders manage to protect the Church, holding off the attackers trying to get through the doors, but the Parliamentarians then place numerous ladders against the many windows in the church and swarm the building. For another half an hour fighting rages inside the church, until the depleted defenders retreat up the bell tower. Only sixty soldiers of the garrison remain at this point, and they thus accept a call to surrender. However, after they have descended the tower and thrown their swords away, all are killed.
In the end all the soldiers and most of the civilians on the Rock are killed by the attackers. The Bishop and Mayor of Cashel along with a few others survive by taking shelter in a secret hiding place. Apart from these a few women are spared, after being stripped of their clothes, and a small number of wealthy civilians are taken prisoner, but these are the exceptions. Overall, close to 1,000 are killed, amongst them Lieutenant-Colonel Butler and catholic scholar Theobald Stapleton. The bodies in the churchyard are described by a witness as being five or six deep.
The slaughter is followed by extensive looting. There is much of value inside, for apart from pictures, chalices and vestments of the church, many of the slain civilians had also brought their valuables with them. The sword and ceremonial mace of the mayor of Cashel, as well as the coach of the bishop are captured. The plunder is accompanied by acts of iconoclasm, with statues smashed and pictures defaced. The deserted town of Cashel is also torched.
The atrocity at Cashel causes a deep impact in Ireland, as it is the worst single atrocity committed in Ireland since the start of fighting in 1641. Previously, the most infamous massacre amongst the Catholic population is that at Timolin in 1643, when 200 civilians are killed by James Butler, 1st Duke of Ormond‘s English Royalist army, but many more than this are killed at Cashel, and the Rock of Cashel is one of the chief holy places of Ireland. The slaughter of the garrison at Cashel and the subsequent devastation of Catholic held Munster earns Inchiquin the Irish nickname, Murchadh na Dóiteáin or “Murrough of the Burnings.”
Penal Laws are passed on September 7, 1695, which restrict the rights of Irish Catholics to have an education, to bear arms, or to possess a horse worth more than five pounds. This is the price the Irish have to pay for their support of King James II in his war against William of Orange.
The Catholic James flees to Ireland and raises an army after he is deposed during England’s Glorious Revolution. His successor, William of Orange, wages war in Ireland from 1689 to 1691, eventually defeating James’s armies and causing the ex-monarch to flee to France. It is Ireland’s last great episode of resistance to British rule until the Society of United Irishmen emerges in the 1790s.
Originally it looks as though the terms will be rather lenient. The draft of the Treaty of Limerick, which ends the war between William and James, contains generous terms for the latter’s defeated supporters in Ireland. Soldiers who fought in James’s army are offered free passage to France to join James in exile. James’s supporters in Ireland are to be allowed to keep their lands and to practice their trades and professions. Finally, Catholics are promised freedom of religion.
William supports these lenient terms because he wants to end the struggle in Ireland. It is costing a great deal of money and diverting military resources he wants to use in his ongoing war against France. Irish Protestants, however, bitterly oppose the treaty’s concessions to Catholics, and successfully water down or remove key provisions from the final draft of the Treaty. They also successfully push for a series of anti-Catholic measures known as the Penal Laws.
The first of the Penal Laws are passed on September 7, 1695. Many more follow over the next 30 years. These “popery laws,” as they are popularly known, sharply curtail the civil, religious, and economic rights of Catholics in Ireland. The most important ones make it illegal for Catholics to marry Protestants, inherit land from Protestants, buy land, carry weapons, teach school, practice law, vote in parliamentary elections, hold public office, practice their religion, own a horse worth more than 5 pounds, and hold a commission in the army or navy.
One particularly devastating law forces Catholic landowners to divide their estates among all their sons, in contrast to the preferred practice of handing most or all of the land to the eldest, unless they convert to the Church of Ireland. This leaves them with a choice between two evils: abandon their Catholic faith in order to save their holdings or allow them to be successively subdivided into oblivion.
It is this law, along with continued land forfeitures, that over the next century and a half push Ireland’s people onto smaller and smaller plots of land. Smaller holdings force Irish peasants to turn to the potato, a high yield crop, for the bulk of their daily diet. By the eve of the Great Famine, more than 60 percent of the Irish people depend on the potato for the main source of food. Thus, the Penal Laws create the conditions that turn an accident of nature — the fungus that ravages Ireland’s potato crop between 1845 and 1850 — into a monumental human tragedy.
Some Penal Laws are either repealed or simply ignored in the course of the eighteenth century. By the late-1700s, for example, Catholics are allowed to buy land and practice their religion. But the most debilitating laws, those that deny Irish Catholics basic political, economic, and civil rights, are kept in full force until Daniel O’Connell launches his successful campaign for Catholic Emancipation in the 1820s.
(Source: The Irish Echo, oldest Irish American newspaper in the United States, February 16, 2011)
seamus dubhghaill 