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Death of D. P. Moran, Journalist, Activist & Theorist

David Patrick Moran (Irish: Dáithí Pádraig Ó Móráin), better known as simply D. P. Moran, Irish journalist, activist and cultural-political theorist, dies on January 31, 1936. He is known as the principal advocate of a specifically Gaelic Catholic Irish nationalism during the early 20th century. Associated with the wider Celtic Revival, he promotes his ideas primarily through his journal, The Leader, and compilations of his articles such as the book The Philosophy of Irish Ireland.

Moran is born in Manor, a townland in Waterford, the youngest of twenty children born to James Moran, a builder, and Elizabeth Moran (née Casey). One of his brothers goes on to serve on the defense team of Patrick O’Donnell.

Moran is educated at Castleknock College, near Dublin, before working as a journalist in London, where he is a member of the Irish Literary Society. His brand of nationalism and concept of the decolonisation of Ireland is of a homogeneous Irish-speaking and Roman Catholic nation, promoting the revival of the Irish language and of Gaelic games in Irish cultural life. He often employes disparaging terms (West Brits, shoneens, sourfaces) in reference to Unionists and/or non-Catholics.

Despite the failure of the 1893 Home Rule Bill and the division of the Irish Parliamentary Party (IPP) in 1891, nationalists take heart from Douglas Hyde‘s 1892 speech, entitled “The Necessity for De-anglicising Ireland.” Moran builds upon this thesis and provides a wider ideology for enthusiasts, particularly after the re-unification of most of the nationalist parties from 1900.

In his 1905 text The Philosophy of Irish-Ireland, Moran argues that to be Irish requires:

  • the use of the Irish language
  • membership in the Roman Catholic Church
  • an anti-materialist outlook on life
  • the playing of only Gaelic games

Though a sponsor of the use of Irish, he never becomes fluent in the language himself. He emphasises the use of English in 1908–09 as “an active, vigilant, and merciless propaganda in the English language.” In the longer term, when Irish becomes again the language of the people, its use enables a de facto censorship of any foreign and unwelcome ideas written in English.

While Moran argues that the idea of “the Gael” is one that can assimilate others, he also feels that it will be hard if not impossible for members of the Church of Ireland who support the British Empire to ever qualify as Irish, being “resident aliens.” This extends to Anglo-Irish literature. He rejects the Abbey Theatre and questions Yeats‘ genius. He once speaks out against the influence Britain has over Irish Universities, stating, “We are all Palemen now.” In the matter of religious differences, Daniel O’Connell had said in 1826 that “the [Roman] Catholics of Ireland are a nation.” Moran moves beyond that, affirming in 1901 that “…the Irish Nation is de facto a Catholic nation.” He is virulent in his opposition to female suffrage.

Moran’s articles frequently contrast “Belfast” with “Ireland,” yet hope that Belfast can eventually change and assimilate. He feels that Ulster unionists should “… be grateful to the Irish nation for being willing to adopt them.” His paper publishes numerous articles by the future TD Arthur Clery (writing under the pen name “Chanel”), who advocates partition on the grounds that Ulster unionists are a separate nation, but Moran himself disagrees and refuses to concede the legitimacy of a northern Protestant identity.

When Irish republicans initiate the Irish War of Independence in 1919, widescale anti-Catholic rioting breaks out in Belfast in 1920 and 1922. Moran identifies this as being caused by Orangeism, which he describes as “a sore and a cancer” in Ireland. He also alleges that “bigotry on the part of Catholics in the Six Counties is immediately due to Orange bigotry.”

Moran is initially a supporter of the Irish Parliamentary Party, believing that the separatism advocated by Arthur Griffith‘s Sinn Féin is impracticable; however, he opposes John Redmond‘s support of the British World War I effort.

Moran supports the Anglo-Irish Treaty agreed in 1921–22 and sees the partition of Ireland as beneficial for a truly Irish culture in the Irish Free State. This causes a sea-change in his opinions; from now on Northern Ireland can be safely ignored, along with what he sees as the English evils of “free thought, free trade, and free literature.” He claims Irish life and culture has to be protected from foreign influences, including the twin evils of the music hall and the English press. The new jazz music of the 1920s and other imported cultural elements are deprecated as “imported debasement and rot.”

On January 9, 1901, Moran marries Theresa Catherine, daughter of Thomas Francis O’Toole, a former Parnellite mayor of Waterford. They have four sons and one daughter.

Moran dies suddenly at his home in Skerries, Dublin, on January 31, 1936. His daughter, Nuala, who has written for the paper since the early 1920s, generally on artistic and social matters, takes over the running of the paper on his death, though it is then much diminished in size and influence. Nuala, who never marries, retains control of The Leader until it ceases publication in 1971.


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Death of Stephen Lucius Gywnn, Writer & Politician

Stephen Lucius Gwynn, Irish journalist, biographer, author, poet and Protestant Nationalist politician, dies on June 11, 1950, at Terenure, Dublin. As a member of the Irish Parliamentary Party (IPP) he represents Galway Borough as its Member of Parliament from 1906 to 1918. He serves as a British Army officer in France during World War I and is a prominent proponent of Irish involvement in the Allied war effort. He founds the Irish Centre Party in 1919, but his moderate nationalism is eclipsed by the growing popularity of Sinn Féin.

Gwynn is born in St. Columba’s College in Rathfarnham, County Dublin, where his father John Gwynn (1827–1917), a biblical scholar and Church of Ireland clergyman, is warden. His mother, Lucy Josephine (1840–1907), is the daughter of the Irish nationalist William Smith O’Brien. He is the eldest of ten children (eight brothers and two sisters). Shortly after his birth the family moves to Ramelton in County Donegal to the parish where his father has been appointed parson. He later becomes Regius Professor of Divinity at Trinity College Dublin (TCD).

Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.

After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.

This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.

Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.

On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.

Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.

Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.

Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.

Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.

During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).

Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.

Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.

Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).

Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.


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Birth of Richard Irvine Best, Philologist & Bibliographer

Richard Irvine Best, Irish scholar, specifically a philologist and bibliographer, who specialises in Celtic Studies, is born at 3 Bishop Street in Derry, County Londonderry, on January 17, 1872. He is often known as R. I. Best, or simply Best to his close friends and family.

Best’s parents are Henry Best and Margaret Jane Best (née Irvine). His father is an excise officer working in Paisley, Renfrewshire, Scotland, at the time of his birth.

Best’s education takes place locally at Foyle College, a grammar school in County Londonderry which dates back to 1617, schooling children ages eleven to eighteen. Following his time at Foyle College, he does not attend university, however he is a member of the Irish Literary Society in London. Instead of attending university he works as a banking assistant for a time before an inheritance allows him to travel to Paris, France.

It is in Paris that Best meets, and becomes friends with, John Millington Synge, who recommends the lectures of Marie Henri d’Arbois de Jubainville at the Collège de France. He later goes on to translate and annotate Henri d’Arbois de Jubainville’s work, Le cycle mythologique irlandais et la mythologie celtique into The Irish Mythological Cycle and Celtic Mythology.

Upon returning to Dublin from Paris, Best becomes Honorary Secretary of the School of Irish Learning from its inception in 1903. It is incorporated into the Royal Irish Academy in 1926. He acts as joint editor of the school’s journal Ériu, and continues after the transfer of the journal to the Academy. In 1904, he joins the staff of the National Library of Ireland as an assistant director. He succeeds as Chief Librarian in 1924, and subsequently Library Director, a post he holds until 1940. Throughout his career, he becomes a prolific expert on Celtic studies, and is widely attributed to the survival and success of the subject as it is known today.

Best’s work earns him several accolades. He receives the Leibniz Medal of the Royal Prussian Academy in 1914, an honorary D.Litt. by the National University of Ireland in 1920, and an Honorary D.Litt. by Trinity College Dublin in 1923. In 1936, he is awarded the Medal of the Pontifical Academy of Sciences by Pope Pius XI for his facsimile edition of the Milan codex. He is elected as President of the Royal Irish Academy in 1942. His works, Bibliography of Irish Philology and of Irish Printed Literature (1913) and Bibliography of Irish Philology and Manuscript Literature, 1913-41 (1942), are considered to be some of his most important scholarly outputs.

Best is also known for his appearances in famous works of Irish literature. He appears in James Joyce‘s Ulysses. He is drawn by John Butler Yeats, father of William Butler Yeats, and his portrait now hangs in the National Gallery of Ireland.

Upon his retirement from the National Library, Best becomes a Senior Professor at the Dublin Institute for Advanced Studies (DIAS). He retires from the DIAS in 1947 at the age of seventy-five. From 1948 to 1956, he becomes chairman of the Irish Manuscripts Commission, a position previously held by Eoin MacNeill. While in this role, he supervises several facsimiles, including RIA MS 23 N 10, later renamed the Book of Ballycummin in 2019.

Following his retirement from the Irish Manuscripts Commission, Best spends much of the final three years of his life “sorting out his large correspondence,” much of which is currently held in the National Library. He also continues to publish new work throughout his later life. He works on a translation of the Book of Leinster alongside Osborn Bergin and Professor M. A. O’Brien, who takes over after Bergin’s death in 1950. The first fasciculus is published in 1954, the second in 1956 and the third in 1959. His work also appears in multiple academic journals, including Éiriu, and the Zeitschrift für celtische Philologie, Revue Celtique, Études Celtiques, Hermathena, The Dublin Magazine, and The Proceedings of the Royal Irish Academy. He also continues with his work in palaeography, including the last paper he completes on the Book of Armagh in 1958, which appeared in Éiriu vol. xviii. His aid in the writing of others is particularly visible in his surviving correspondence with George Moore.

Best marries his wife, Edith Best (née Oldham), in 1906, he being seven years her junior. She is the older sister of Charles Hubert Oldham, who goes on to become Professor of Economics at University College Dublin. She herself is a musician, a pianist, who had studied at the Royal College of Music in London. The couple has no children, and also claims to have no affiliation with any religion. Edith passes away at their home on March 9, 1950.

Best dies on September 25, 1959, at his home on 57 Upper Leeson Street in Dublin. The Richard I. Best Papers are currently held at the National Archives of Ireland and have been instrumental in the foundation of The Richard Irvine Best Memorial lecture. This discussion and celebration of Best’s work, organised by Richard Irvine Best Memorial Lecture Trust, has taken place since 1969.


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Birth of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, is born on May 15, 1855, in Knutsford, Cheshire, England. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Founding of the Irish Literary Society

The Irish Literary Society is formally founded at the Caledonian Hotel, The Strand, London on May 12, 1892, with Sir Charles Gavan Duffy as President and Evelyn Gleeson as its first secretary. Among its founders are William Butler Yeats, T. W. Rolleston, Francis Fahy and Douglas Hyde as well as other leaders of the Irish literary revival. The Society succeeds the Southwark Irish Literary Club.

Stopford Brooke gives the inaugural lecture to the Society on “The Need and Use of Getting Irish Literature into the English Tongue.” The lecture is published by Bloomsbury House on March 11, 1893, its delivery delayed allowing for the start of the National Literary Society in Ireland. Although the business of the ILS has always been conducted in English, the Society is influential in nurturing the revival of the Irish language by programming language classes even before the Gaelic League was formed in 1893. It also sponsored the Petrie Collection of Irish Music and twelve-volume Irish library of history and literature published between 1893 and 1904.

A Book of Irish Verse, designed to publicise the new societies, is published in 1895, edited by Yeats and dedicated “To the Members of the National Literary Society of Dublin and the Irish Literary Society of London.” It features poetry by Rolleston, Hyde, Katharine Tynan, Lionel Johnson, George William Russell (Æ) and several others, with notes and an introduction by Yeats. In addition, the Society brings Irish actors to London in 1903 and 1904 to present plays by Lady Gregory, Yeats and others.

By 1910 the Society has grown to comprise nearly 400 members and helps to bring into existence the English Folk Dance and Song Society (EFDSS). The Society develops a proposal for a New Irish Library, a series of books to honor Irish culture, with Rolleston and Douglas Hyde as editors.

Its objects are ‘to afford a centre of social and literary intercourse for persons of Irish nationality, and to promote the study of the Irish language, Irish history, literature, music, and art.’ Honorary membership is originally available for those of other nationalities, today full membership is available to all.

Arthur Conan Doyle, of Irish descent, and with a keen interest in Ireland, chaired the Irish Literary Society’s dinner on February 13, 1897. He spoke on ‘The Irish Brigade.’

(From: The website of the Irish Literary Society, Cumman Éireannach na liteardhachta, irishlitsoc.org)


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Birth of T. W. Rolleston, Poet, Critic & Journalist

Thomas William Hazen Rolleston, poet, critic, and journalist, is born on May 1, 1857, at Glasshouse, near Shinrone, King’s County (now County Offaly).

Rolleston is the youngest child among three sons and a daughter of Charles Rolleston-Spunner, barrister and county court judge for Tipperary, and his wife Elizabeth, daughter of John Richards, judge and baron of the Court of Exchequer, Ireland. He attends St. Columba’s College, Rathfarnham, where he is head boy, and Trinity College Dublin (TCD), graduating with an MA in 1878. His literary ambitions first emerge at university, where he wins the vice-chancellor’s prize for English verse in 1876.

In 1879 Rolleston marries Edith Caroline, daughter of Rev. William de Burgh of Naas, County Kildare. She suffers from rheumatism, and this encourages the couple to live in Germany from 1879 to 1883. During this period, he develops a fascination for German philosophy and literature and begins a correspondence with the American poet Walt Whitman, whose work he knows through Edward Dowden. In 1881 he offers to translate into German, with S. K. Knortz, Whitman’s Leaves of Grass. This is published as Grashalme in 1889. In that year he also publishes a biography of the German philosopher Gotthold Lessing, and in 1892 delivers the Taylorian Lectures at the University of Oxford on this subject.

In the meantime, Rolleston has returned to Ireland and co-founds the Dublin University Review (DUR) with Charles Hubert Oldham in February 1885. In March 1885, under their stewardship the DUR is the first to publish W. B. Yeats. The poetry of Katharine Tynan and the first English translations of Ivan Turgenev also appear in the magazine. He has a fondness for clubs and at this time is associated with the Contemporary Club, where he becomes friendly with fellow member Douglas Hyde, and the Young Ireland Society, where he is vice-president and a disciple of John O’Leary. He writes the dedication to O’Leary in Poems and ballads of Young Ireland (1888) and is encouraged by the older man in his editing of The prose writing of Thomas Davis (1890). Under O’Leary’s influence he flirts with Fenianism, perhaps even joining the Irish Republican Brotherhood (IRB) for a time and is strongly critical of the prominent involvement of Catholic clergy in the home rule movement.

After the demise of the DUR in December 1886 Rolleston moves to London but remains involved in Irish literary activity. Although unenthusiastic in his assessment of The Wanderings of Oisín (1889), he is friendly with Yeats, and they instigate the Rhymers’ Club (1890). He is a much better critic and organiser than poet but contributes to The Book of the Rhymers’ Club (1892) and The Second Book of the Rhymers’ Club (1894). His work appears in a number of contemporary journals and anthologies, and he has one collection published, Sea Spray (1909).

Rolleston is first secretary of the Irish Literary Society (1892) and attends the foundation of its sister organisation in Dublin, the National Literary Society. These societies are soon riven by a dispute for control between Yeats and Charles Gavan Duffy, centred on the political and literary agenda of the movement. Rolleston at least acquiesces in, if not actively contributes to, Yeats’s defeat. They remain on reasonable terms, but Yeats is resentful. Rolleston edits the famous anthology, Treasury of Irish Poetry (1900), with the Rev. Stopford Augustus Brooke, whose daughter, Maud, he had married in October 1897. They have four children. His first marriage also produces four children, and he is godfather to Robert Graves, whose father, Alfred Perceval Graves, is a friend.

In 1894 Rolleston returns to Dublin, becoming managing director and secretary of the Irish Industries Association (1894–7) and honorary secretary of the Arts and Crafts Society of Ireland (1898–1908). A central figure in the latter as an organiser, propagandist, and critic rather than a practitioner, lecturing regularly and editing the journal of the society, he seeks to integrate the arts and crafts revival with other contemporary developments, cooperating with the Congested Districts Board for Ireland to organise classes. He is a supporter of the co-operative movement of Horace Plunkett, and a member of the Recess Committee. On the foundation of the Department of Agriculture and Technical Instruction (DATI), he is employed by Plunkett and T. P. Gill as organiser of lectures (1900–05). In this capacity he manages the Irish historic collection at the St. Louis exhibition of 1904 and publicly supports Plunkett in his dispute with the DATI in 1908. Convinced that the development of Irish industry is central to national progress, he believes that the Irish Parliamentary Party (IPP) failed to offer a clear practical programme for Irish nationalism. By 1900, however, his own nationalism is tempered by a belief in the importance of the imperial connection, and he opposes the pro-Boer stance taken by many Irish nationalists. In later years he publishes pamphlets urging economic development as a means of quelling Irish demands for home rule.

Rolleston is a sporadic member of the Gaelic League, writing the lyrics for the ‘Deirdre cantata,’ which wins first prize at the first Feis Ceoil in Dublin in 1897. At one point he suggests the foundation of a separate Gaelic League for Protestants and provokes controversy in 1896 by suggesting that scientific ideas cannot be represented in the Irish language. Later, he concedes that he is wrong. In 1909 he settles in London when offered the job of editor of the German language and literature section of The Times Literary Supplement, a position he holds until his death. He reinvolves himself in the Irish Literary Society and publishes a number of volumes based on Irish myth, including the influential Myths and Legends of the Celtic Race (1911), and Richard Wagner‘s Der Ring des Nibelungen. He is a founder of the India Society of London (1910). During the World War I he is librarian for the ministry of information and utilises his knowledge of Irish in the Obscure Languages section of the censor’s department.

Like many involved in cultural activities at this time Rolleston is satirised by George Moore in Hail and Farewell, but he remains very friendly with Moore, who dedicates the 1920 edition of Esther Waters to him. Rolleston dies suddenly on December 5, 1920, at his home in Hampstead, London. His widow donates many of his books to Cork Public Library.

(From: “Rolleston, Thomas William Hazen (T. W.)” contributed by William Murphy, Dictionary of Irish Biography, http://www.dib.ie)


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The Death of Stopford Brooke, Chaplain & Writer

Stopford Augustus Brooke, churchman, royal chaplain and writer, dies in Ewhurst, Surrey, England, on March 18, 1916.

Brooke is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832, the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire). His maternal grandfather, Joseph Stopford, is then rector of the parish. He is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857 and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a proprietary chapel. After it closes, he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford Chapel, Bloomsbury.

Bedford Chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.

In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.

Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).

Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901. He continues preaching at Bedford Chapel and to unitarian congregations throughout Britain until forced to retire because of ill-health in 1895.

Brooke lives in London until 1914 and then retires to Ewhurst, Surrey, where he dies on March 18, 1916. His published letters record that his work brought him into touch with most of his famous contemporaries – including Alfred, Lord Tennyson, Philip Burne-Jones, William Morris, James Bryce, 1st Viscount Bryce, James Martineau and Matthew Arnold.


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Birth of David James O’Donoghue, Biographer & Editor

David James O’Donoghue, Irish biographer, editor, and bookseller, is born in Chelsea, London, England on July 22, 1866.

O’Donoghue is born to Irish parents and grows up in the Hans Town area of Chelsea. He is the son of John O’Donoghue, a bricklayer from Kilworth, County Cork, and Bridget Griffin, who is from County Tipperary. He is the third of nine children, and has four brothers, Thomas, John, James, and Edmund, and four sisters, Mary, Ellen, Katherine, and Agnes. He is first an upholsterer‘s apprentice from the age of sixteen before becoming a journalist and author.

O’Donoghue attends a Catholic school and furthers his education at the British Museum. He begins his journalistic work by writing for the Dublin papers upon subjects relating to Irish music, art, and literature. A founder-member of the Irish Literary Society in London, he is also vice president of the National Literary Society, Dublin, and the compiler of a biographical dictionary, The Poets of Ireland (1891–93; revised edition, 1912), with entries on 2,000 authors. His published works also include Irish Poetry of the Nineteenth Century (1894), Humor of Ireland (1894), List of 1300 Irish Artists (1894), The Life and Writings of James Clarence Mangan (1897), Bibliographical Catalogue of Collections of Irish Music (1899), and Geographical Distribution of Irish Ability (1906).

O’Donoghue publishes an edition of James Fintan Lalor‘s writings (1895) and an edition of William Carleton‘s Traits and Stories of the Irish Peasantry (four volumes, 1896–97). He edits the works of Samuel Lover (six volumes, 1898–99) and the prose works (1903) and poems (1904) of James Clarence Mangan. He writes biographies on William Carleton (1896), Richard Pockrich (1899), and Robert Emmet (1902).

In 1896 O’Donoghue moves to Dublin. In 1909 he becomes librarian of University College Dublin. He is co-editor of Catalogue of the Gilbert Library (in Dublin; 1918). William Butler Yeats writes of him in his Autobiographies of William Butler Yeats (1938).

O’Donoghue dies suddenly on June 27, 1917, at his home on Auburn Avenue, Donnybrook, Dublin. He is buried in Dublin’s Glasnevin Cemetery.


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Birth of John Todhunter, Poet & Playwright

John Todhunter, Irish poet and playwright who wrote seven volumes of poetry and several plays, is born in Dublin on December 30, 1839.

Todhunter is the eldest son of Thomas Harvey Todhunter, a Quaker merchant of English origin. He is educated at Quaker schools, including Bootham School in York and in Mountmellick, County Laois. He starts work at his father’s offices in Dublin and London before continuing on to attend Trinity College, Dublin, where he studies medicine. While at Trinity, he wins the Vice-Chancellor’s prize for English Verse 1864, 1865 and 1866, and the Gold Medal of the Philosophical Society 1866 for an essay. He also clerks for William Stokes while studying. He receives his Bachelor of Medicine in 1867 and his Doctor of Medicine degree in 1871.

In 1870, one year prior to receiving his Doctor of Medicine, Todhunter becomes a Professor of English Literature at Alexandra College, Dublin. Four years later, he resigns from that position and travels to Egypt and several places in Europe. He marries Dora L. Digby in 1879. In 1881, he finally settles in London, where his home in Bedford Park, Chiswick is located in a small community of writers and artists, including William Butler Yeats. Informal “symposia” are held at his house about once a fortnight, when friends gather at his fireside to discuss poetry and philosophy. He is involved in the founding of the Irish Literary Society there.

Todhunter’s first volume is a collection of narrative and lyrical poems entitled Laurella (1876). Grace, tenderness, and melody mark these poems. In later years he does much stronger work under the influence of ancient Celtic literature, to the study of which he is led by the memorable rendering of the Cú Chulainn legend published in 1878 by Standish O’Grady. The Banshee and Other Poems (1888) and The Irish Bardic Tales (1896) contain the best of his work in poetry.

Three of Todhunter’s plays have been acted with success. One of them, The Black Cat (1893), produced by the Independent Theatre Society, a private club formed to forestall censorship by the Lord Chamberlain’s Office, is a factor in the revival of the literary drama. However, it only receives one performance, on December 8, 1893, at the Opera Comique. His translation of Heinrich Heine‘s Buch der Lieder is perhaps the best complete English version of a work than which none more irresistibly attracts or more cruelly eludes the art of the translator. He is also author of a few brief prose works, including “The Life of Patrick Sarsfield, Earl of Lucan” and “A Study of Shelley.”

Todhunter dies on October 25, 1916, at his residence in Bedford Park.


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Death of Francis Arthur Fahy, Songwriter & Poet

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Francis Arthur Fahy, Irish nationalist, songwriter and poet, dies on April 1, 1935. He is probably best remembered as the composer of the evergreen “The Ould Plaid Shawl”. He collaborates with various composers, including Alicia Adélaide Needham, an associate of the Royal Academy of Music.

Fahy is born in Kinvara, County Galway, on September 29, 1854 into a family of seventeen, eight of whom survive. His father, Thomas, comes from the Burren area and his mother, Celia Marlborough, is born near Gort, County Galway.

In 1896, Fahy becomes president of the emerging Conradh na Gaeilge (Gaelic League) in London, a position he holds until 1908. He is also a long time member of the London Irish Literary Society. Described as a small, brisk man, his enthusiasm and energy knows no bounds. His most memorable poems and songs include “The Ould Plaid Shawl,” “The Queen of Connemara,” the original “Galway Bay,” and “The Tide Full In.” His publications include The Child’s Irish Song Book (1881), The Irish Reciter (1882), Irish History in Rhyme (1882) and Irish Songs and Poems (1887).

Fahy retires from the Civil Service at the age of 65. He dies at the age of 81 on April 1, 1935.