Sheridan has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.
Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.
Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”
Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.
Thomas James Carr, British artist who is associated with the Euston Road School in the 1930s and has a long career as a painter of domestic scenes and landscapes, is born in Belfast to a well-to-do family on September 21, 1909.
Although essentially a realist painter, Carr is included in the 1934 Objective Abstractionists exhibition at Zwemmer’s Gallery. In 1937, he shares an exhibition with Victor Pasmore and Claude Rogers at the Storran Gallery and subsequently becomes associated with the representational style of the Euston Road School. Starting in 1940, at Georges Wildenstein‘s gallery, he holds a series of one-man exhibitions at various galleries including at the Leicester Galleries, The Redfern Gallery and also at Thomas Agnew & Sons.
After the war, Carr teaches at the Belfast College of Art and moves to Belfast in 1955. After the death of his wife in 1995, he moves to Norfolk, England to be nearer one of his three daughters and her family. He continues to paint into old age and tends to concentrate on landscape painting.
Madden is born at Wormwood Gate, Dublin to Edward Madden, a silk manufacturer, and his wife Elizabeth (née Corey). His father has married twice and fathered twenty-one children. Luckily for young Richard his father is still affluent enough by the time he is reaching adolescence to afford him a top-quality education. This means private schools and a medical apprenticeship in Athboy, County Meath. He studies medicine in Paris, Italy, and St. George’s Hospital, London. While in Naples he becomes acquainted with Marguerite Gardiner, Countess of Blessington and her circle.
In 1828 Madden marries Harriet Elmslie, herself coincidentally the youngest of twenty-one children. Born in Marylebone in 1801 and baptised there into the Church of England, she is the last child of John Elmslie, a Scot who owns hundreds of slaves on his plantations in Jamaica, and his wife Jane Wallace. Both Harriet’s parents are of Quaker stock, but while living in Cuba she converts to Roman Catholicism. On marriage, Madden stops travelling and practises medicine for five years.
Eventually he realises that he needs to contribute to the abolitionist cause. The slave trade has been illegal in the empire since 1807, but slaves still exist. Abolishing slavery is a popular cause, and it is obvious that the trading of slaves is still in progress, and many are not actively involved but they are complicit with the activity.
Madden is employed in the British civil service from 1833, first as a justice of the peace in Jamaica, where he is one of six Special Magistrates sent to oversee the eventual liberation of Jamaica’s slave population, according to the terms of the Slavery Abolition Act 1833. From 1835 he is Superintendent of the freed Africans in Havana. His son, Thomas More Madden, who later becomes a surgeon and writer, is born there. In 1839 he becomes the investigating officer into the slave trade on the west coast of Africa and, in 1847, the secretary for the West Australian colonies. He returns to Dublin and in 1850 is named secretary of the Office for Loan Funds in Dublin.
Richard Madden dies at his home in Booterstown, just south of Dublin, on February 5, 1886, and is interred in Donnybrook Cemetery.
Eilís Dillon, Irish author of 50 books, dies on July 19, 1994. Her work has been translated into fourteen languages.
Dillon is the third of five children of Professor Thomas Dillon and his wife Geraldine née Plunkett, who is the sister of Joseph Mary Plunkett. She is raised at Dangan House outside of Galway before moving to the small fishing village of Barna. She attends the local primary school where she becomes proficient in Irish and gains an intimate knowledge of tradition in the Connemara. Dillon’s family is involved in Irish revolutionary politics. Her uncle, Joseph Mary Plunkett, is a signatory of the 1916 Proclamation of the Irish Republic and is executed after the Easter Rising.
Educated by the Ursuline nuns in Sligo, she works briefly in the hotel and catering trade. In 1940 she marries Cormac Ó Cuilleanáin, an academic from University College Cork and seventeen years her senior. They have at least three children, including the Irish poet and Trinity College, Dublin professor Eiléan Ní Chuilleanáin and her brother, Cormac Ó Cuilleanáin, also a Trinity professor, who writes novels as Cormac Millar.
Dillon’s first books are written in Irish including An Choill Bheo, published in 1948, Oscar agus an Cóiste sé nEasóg in 1952 and Ceol na coille in 1955. After the success of The Lost Island, published in 1952, she writes almost exclusively in English. Most of her books are aimed at teen readers with themes of self-discovery and problem solving evident.
In 1964 she moves to Rome due to her husband’s poor health. While there she acts as adviser to International Commission on English in the Liturgy. She returns to Cork with her husband in 1969 where he dies the following year. She continues to visit Italy over the next several years, setting some of her stories there including Living in Imperial Rome (1974) and The Five Hundred (1972), though these are not as popular as her Irish books. In 1974 she marries the American-based critic and professor Vivian Mercier, dividing her time between California, Italy and Dublin.
Dillon’s adult fiction career begins in 1953 with the publication of the detective novel Death at Crane’s Court. This is followed by Sent to His Account in 1954 and Death in the Quadrangle in 1956. These novels are known for their depiction of contemporary Ireland. Over the following decade Dillon publishes many novels including The Bitter Glass (1959), Across the Bitter Sea (1973) and The Wild Geese (1981).
In her later years Dillon plays a prominent role in Irish culture. She is a Fellow of the Royal Society for Literature and a member of Aosdána, serves on the Irish Arts Council from 1974 until 1979, chairs the Irish Writers’ Union and the Irish Writers’ Centre, and founds the Irish Children’s Book Trust.
In 1987 Dillon and her husband move permanently to Dublin where she supports up and coming Irish authors. Her last story is Children of Bach published in 1993. Eilís Dillon dies on July 19, 1994, and is buried beside her second husband in Clara, County Offaly. A prize in her memory is given annually as part of the Bisto Book of the Year Awards.
John Millington Synge, a leading figure in the Irish Literary Revival, is born at Rathfarnham, near Dublin, on April 16, 1871. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.
After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually causes his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.
Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.
In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from Kerry to Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.
Delia Murphy Kiernan, singer and collector of Irish ballads, dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records several 78 RPM records in the 1930s, 1940s, and 1950s. In 1962 she records her only LP record, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title. Her notable voice gives her the nickname the “Queen of Connemara.”
Murphy is born on February 16, 1902, in Ardroe, Roundfort, County Mayo, to a well-off family. Her father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. Murphy’s father encourages her interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Murphy is educated at Presentation Convent in Tuam, Dominican College in Dublin, and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. While at UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Murphy sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel, and Three Lovely Lassies for HMV.
In 1941, Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Murphy becomes one of those who assist Monsignor Hugh O’Flaherty in saving the lives of 6,500 Allied soldiers and Jews. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while living in Ottawa, Murphy makes the recording of The Queen of Connemara produced by Ken Goldstein. Murphy and Kiernan purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Murphy’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin, until her death. During her lifetime she records upwards of 100 songs.
Burke shows an early interest in drawing, displaying a love for depicting the people and land of Connemara. His career in the arts is initiated at the Royal Academy of Arts in London. He exhibits at the Royal Academy and the Royal Hibernian Academy, where he is also Professor of Painting, from 1863 until his death. From 1870 to 1872 he resides in the Netherlands where he illustrates a handful of Dutch scenes. One of the earliest Irish artists to travel to Brittany, Burke exhibits fifteen Breton scenes at the Royal Hibernian Academy between 1876 and 1878. He paints further in his native Ireland, as well as Scotland and England. The 1880s bring Burke to Walberswick in Suffolk to an artist’s colony created by Philip Wilson Steer. A student of Burke, Walter Osborne, paints with him here.
Burke, overcome with grief by his brother Thomas’ murder during the Phoenix Park Murders in 1882, leaves the Royal Hibernian Academy and his position as Professor of Painting. He moves with the remaining members of his family first to England and then to Italy.
Two of Burke’s most famous paintings, Connemara Girl and A Connemara Landscape, hang at the National Gallery of Ireland. His work is relatively rare, mainly because the contents of his studio are destroyed during the fire that engulfs the Abbey Street buildings of the RHA in 1916. Furthermore, many of the paintings lay hidden in a cellar for over ninety years until their recent discovery.
The Pontifical Irish College, a Roman Catholic seminary for the training and education of priests, is founded in Rome, Italy, on November 6, 1628.
Towards the close of the sixteenth century, Pope Gregory XIII sanctions the foundation of an Irish college in Rome and assigns a large sum of money as the nucleus of an endowment. However, the pressing needs of the Irish chieftains make him think that, under the circumstances, the money might as well be used for religion by supplying the Irish Catholics with the sinews of war in Ireland as by founding a college for them at Rome.
The project is revived in 1625 by the Irish bishops, in an address to Pope Urban VIII. Cardinal Ludovico Ludovisi, who is Cardinal Protector of Ireland, resolves to realize at his own expense the desire expressed to the pope by the Irish bishops. A house is rented opposite Sant’Isodoro a Capo le Case, and six students go into residence January 1, 1628. Eugene Callanan, Archdeacon of Cashel, is the first rector, Father Luke Wadding, OFM being a sort of supervisor. Cardinal Ludovisi dies in 1632 and as he is of a princely family with a large patrimony, he makes provision in his will for the college. It is to have an income of one thousand crowns a year, a house is to be purchased for it, and he leaves a vineyard as Castel Gandolfo where the students might pass their villeggiatura. The cardinal’s will directs that the college should be placed under the charge of the Jesuits. Both the heirs and Wadding suspect that provision and disputed it. A protracted lawsuit is finally decided in 1635 in favour of the Jesuits.
On February 8, 1635, the Jesuits take charge of the college and govern it until financial difficulties force them to give up control in September 1772. An Italian priest, Abbate Luigi Cuccagni, is made rector. The rectorate of Cuccagni comes to an end in 1798, when the college is closed by order of Napoleon.
Dr. Michael Blake, Bishop of Dromore, who is the last student to leave the college at its dissolution in 1798, returns a quarter of a century later to arrange for its revival, which is affected by a brief of Pope Leo XII, dated February 18, 1826. He becomes the first rector of the restored college, and among the first students who seek admission is Francis Sylvester Mahony of Cork, known to the literary world as Father Prout. Having set the college well to work, Blake returns to Ireland and is succeeded by Dr. Boylan, of Maynooth, who soon resigns and dies in 1830. He is succeeded by a young priest, later CardinalPaul Cullen.
Dr. Cullen is succeeded by Dr. Tobias Kirby, known for his holiness of life. He governs the college for more than forty years. His successor is Michael Kelly, later coadjutor to the Archbishop of Sydney.
In 2011, under orders from Pope Benedict XVI, Cardinal Timothy Dolan, Archbishop of New York, leads a root and branch review of all structures and processes at the college. He is assisted in the visitation report by then Archbishop of Baltimore and now Cardinal Edwin O’Brien and Msgr. Francis Kelly of the Northern American College in Rome. The report is highly critical of the college and, as a result of which, three Irish members of the staff are sent home and a fourth resigns.
Today the Pontifical Irish College serves as a residence for clerical students from all over the world. Every year over 250 Irish couples choose the college chapel as a means to marry in Rome. It organises events for the Irish and wider international community who are currently residing in Rome and has over the years become an unofficial centre for Irish visitors to Rome seeking advice and information.
Mallet is born in Dublin on June 3, 1810, the son of factory owner John Mallet. He is educated at Trinity College, Dublin, entering it at the age of 16 and graduating in science and mathematics in 1830 at the age of 20.
Following his graduation, he joins his father’s iron foundry business and helps build the firm into one of the most important engineering works in Ireland, supplying ironwork for railway companies, the Fastnet Rock lighthouse, and a swing bridge over the River Shannon at Athlone. He also helps manufacture the characteristic iron railings that surround Trinity College, and which bear his family name at the base.
In 1838 he becomes a life member of the Royal Geological Society of Ireland and serves as its President from 1846–1848. From 1848–1849 he constructs the Fastnet Rock lighthouse, southwest of Cape Clear.
On February 9, 1846, he presents to the Royal Irish Academy his paper On the Dynamics of Earthquakes, which is considered to be one of the foundations of modern seismology. He is also credited with coining the word “seismology” and other related words which he uses in his research. He also coins the term epicentre.
From 1852 to 1858, he is engaged in the preparation of his work, The Earthquake Catalogue of the British Association (1858) and carries out blasting experiments to determine the speed of seismic propagation in sand and solid rock.
On December 16, 1857, the area around Padula, Italy is devastated by the Great Neapolitan earthquake which causes 11,000 deaths. At the time it is the third largest known earthquake in the world and has been estimated to have been of magnitude 6.9 on the Richter Scale. Mallet, with letters of support from Charles Lyell and Charles Darwin, petitions the Royal Society of London and receives a grant of £150 to go to Padula and record at first hand the devastation. The resulting report is presented to the Royal Society as the Report on the Great Neapolitan Earthquake of 1857. It is a major scientific work and makes great use of the then new research tool of photography to record the devastation caused by the earthquake. In 1862, he publishes the Great Neapolitan Earthquake of 1857: The First Principles of Observational Seismology in two volumes. He brings forward evidence to show that the depth below the Earth’s surface, from where the impulse of the Neapolitan earthquake originated, is about 8–9 geographical miles.
One of Mallet’s papers is Volcanic Energy: An Attempt to develop its True Origin and Cosmical Relations, in which he seeks to show that volcanic heat may be attributed to the effects of crushing, contortion, and other disturbances in the crust of the earth. The disturbances leading to the formation of lines of fracture, more or less vertical, down which water would find its way, and if the temperature generated be sufficient volcanic eruptions of steam or lava would follow.
Daniel O’Connell, Irish political leader often referred to as The Liberator or The Emancipator, is born on August 6, 1775, at Carhan near Cahersiveen, County Kerry, to the O’Connells of Derrynane, a once-wealthy Roman Catholic family, that has been dispossessed of its lands.
Raised by his uncle, Daniel learns the Irish language and Irish lore in Kerry. O’Connell does part of his schooling in France during the revolution. On May 19, 1798, O’Connell is called to the Irish Bar and becomes a barrister. Four days later, the United Irishmen stage their rebellion which is put down by the British with great bloodshed. O’Connell does not support the rebellion. He believes that the Irish need to assert themselves politically rather than by force. The violent excesses he witnesses in France, the slaughter of the 1798 Rising, and finally his own killing of a man in a duel in 1815 leads him to renounce violence forever.
Moving into politics, O’Connell founds the Catholic Association in 1823, creating one of the first massive political movements in Europe or the Americas. The Catholic Association embraces other aims to better Irish Catholics, such as electoral reform, reform of the Church of Ireland, tenants’ rights, and economic development.
When he is elected to Parliament in 1828, he is unable to take his seat as members of parliament have to take the Oath of Supremacy, which is incompatible with Catholicism. Fear of the reaction of his millions of followers leads to the passage of the Roman Catholic Relief Act 1829. O’Connell works for Home Rule for Ireland for the rest of his days but never achieves it. The British ban his mass Repeal of the Union rallies in 1843 and jail him for a time. The movement loses momentum at that point and the long years of hard work wear “The Liberator” down.
O’Connell dies at the age of 71 of cerebral softening on May15, 1847, in Genoa, Italy, while on a pilgrimage to Rome. His time in prison seriously weakens him and the appallingly cold weather he has to endure on his journey is likely the final blow. According to his dying wish, his heart is buried in Rome at Sant’Agata dei Goti, then the chapel of the Irish College, and the remainder of his body in Glasnevin Cemetery in Dublin, beneath a round tower.
