Seán Ó Riada, Irish composer and arranger of Irish traditional music, dies in London, England on October 3, 1971. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.
Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).
In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Ballyvourney, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.
He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy plays at his funeral.
Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.
McCourt is born to Malachy McCourt, Sr., who falsely claims to have been in the Irish Republican Army (IRA) during the Irish War of Independence, and Irish Catholic mother Angela Sheehan from Limerick. In the midst of the Great Depression, the family moves back to Ireland. Unable to find steady work in Belfast or Dublin and beset by his father’s alcoholism, the family returns to their mother’s native Limerick, where they sink even deeper into poverty.
In October 1949, at the age of 19, McCourt leaves Ireland, taking a boat from Cork to New York City. In 1951, he is drafted during the Korean War and sent to Bavaria for two years initially training dogs, then as a clerk. Upon his discharge from the US Army, he returned to New York City, where he held a series of jobs on docks, in warehouses, and in banks. Using his G.I. Bill education benefits, he talks his way into New York University by claiming he is intelligent and reads a great deal. He is admitted on one year’s probation provided he maintains a B average. He graduates in 1957 from NYU with a bachelor’s degree in English.
A New York city schoolteacher for more than thirty years, McCourt achieves literary fame later in life with his best-selling childhood memoir of the misery and squalor of his childhood, Angela’s Ashes. With a first printing of just 25,000 copies, the book becomes an instant favourite with critics and readers and is perhaps the ultimate case of the non-celebrity memoir, the extraordinary life of an ordinary man.
McCourt is also the author of ‘Tis (1999), which continues the narrative of his life, picking up from the end of Angela’s Ashes and focusing on his life after returning to New York. He subsequently writes Teacher Man (2005) which details his teaching experiences and the challenges of being a teacher.
It is announced in May 2009 that McCourt has been treated for melanoma and that he is in remission, undergoing home chemotherapy. On July 19, 2009, he dies from the cancer, with meningeal complications, at a hospice in Manhattan, New York City.
In 1887 Gogarty’s father dies of a burst appendix, and he is sent to Mungret College, a boarding school near Limerick. He is unhappy in his new school, and the following year he transfers to Stonyhurst College in Lancashire, England, which he likes little better, later referring to it as “a religious jail.” He returns to Ireland in 1896 and boards at Clongowes Wood College while studying for examinations with the Royal University of Ireland. In 1898 he switches to the medical school at Trinity College, having failed eight of his ten examinations at the Royal.
A serious interest in poetry and literature begins to manifest itself during his years at Trinity. In 1900 he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905 Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modelled after the Austro-Hungarian dual monarchy.
In July 1907 his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterwards purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
As a Sinn Féiner during the Irish War of Independence, Gogarty participates in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised Irish Republican Army (IRA) volunteers in his car. Following the ratification of the Anglo-Irish Treaty, he sides with the pro-Treaty government and is made a Free State Senator. He remains a senator until the abolition of the Seanad in 1936, during which time he identifies with none of the existing political parties and votes according to his own whims.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega”, and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
The National Day of Commemoration is held on the Sunday closest to July 11, the anniversary of the date the truce was signed in 1921 to end the Irish War of Independence.
Leaders from Christian, Coptic Christian, Jewish and Islamic denominations read or sing prayers and readings, and President Higgins lays a laurel wreath. The service is observed by more than 1,000 guests, including Government Ministers, the Council of State, which advises the Taoiseach, members of the judiciary, members of the diplomatic corps, TDs and Senators, representatives of ex-servicemen’s organisations and relatives of the leaders of the 1916 Easter Rising.
The national flag is lowered to half-mast while the “Last Post” and “Reveille” are sounded. After a minute of silence, a gun salute is sounded, and the flag is raised again before the national anthem is played with a fly-by by three Pilatus PC-9 aircraft.
The Army band of the 1st Brigade and pipers play music including “Limerick’s Lament” and “A Celtic Lament” as guests arrive at the quadrangle of the former British Army veterans’ hospital, now the Irish Museum of Modern Art.
The prayer service begins with Imam Sheikh Hussein Halawa of the Islamic Cultural Centre of Ireland, father of Ibrahim Halawa, who is in prison in Cairo, singing verses from the Quran in Arabic and praying in English, “I ask Allah, the Mighty, the Lord, to bless our country, Ireland, and give the people of our country a zeal for justice and strength for forbearance.”
Soloist Sharon Lyons sings hymns between prayers and readings from all denominations, ending with Rabbi Zalman Lent: “May the efforts and sacrifice of those we honour today be transformed into the blessing of people throughout the world.”
Speaking to reporters, Chief of Staff of the Defence ForcesVice AdmiralMark Mellett says more than 650 personnel are serving in eleven countries and on the Mediterranean Sea. “In the Defence Forces we have over 80 people who have given their lives in the cause of peace internationally, and I think it’s a sign of a State that recognises those who give this service,” he says. “The military of our State serve the political and serve the people. And it’s this loyalty to the State which is actually critical, and I’m delighted that we have a day like this.”
Mellett’s views are echoed by former sergeant Denis Barry, who says 47 Irish soldiers died in Lebanon and it is important to pay respects for that sacrifice. “None of us who served ever thought we would see the day we could travel in Lebanon without weapons, heavy armaments or flak jackets.” That United Nations mission paid off, he says.
Former British soldier Ron Hammond says the event reflects positive developments, such as the creation of the veterans’ Union of British and Irish Forces. He served from 1960 to 1980 in the Royal Irish Fusiliers and Royal Irish Rangers, spending time in Germany, Canada, Yemen and north and south Africa. He joined the British rather than the Irish forces because at the time “a home posting in the Defence Forces was Collins Barracks and an overseas posting was the Curragh encampment.”
(From: “Irish military dead honoured in National Day of Commemoration” by Marie O’Halloran, The Irish Times, July 9, 2017)
RTÉ Lyric FM develops from FM3 Classical Music, which begins broadcasting on November 6, 1984. FM3 broadcasts classical music on the RTÉ Raidió na Gaeltachta (RnaG) network at breakfast time, lunchtime and in the evenings. The station is rarely marketed, except via promotions on RTÉ Radio 1, and has low listenership ratings. It is probably best known for occasionally simulcasting the stereo soundtrack of movies being shown on the RTÉ television channels prior to RTÉ’s deployment of NICAM digital stereo.
As Raidió na Gaeltachta expands broadcast hours, FM3’s service hours changed to 7:30 PM until 1:00 AM and 6:30 AM until 8:00 AM. Eventually it stays on air until breakfast time when RnaG comes back on.
On May 1, 1999, RTÉ puts in place an additional national FM transmitter network, and it is decided to separate FM3 from Radio na Gaeltachta, and expand its remit to include other types of minority music. The resulting station is Lyric FM (currently styled RTÉ lyric fm). It also moves from Dublin to Limerick as part of a policy of regionalisation. At the time of the station’s launch, RTÉ lyric fm’s digital studios in Cornmarket Row, Limerick, are the most advanced in the country.
RTÉ Lyric FM wins PPI National Station of the Year for the second time in 2004.
RTÉ Lyric FM attracts an audience share of 1.6%. The current head of the station is Aodán Ó Dubhghaill.
Recent schedule changes have caused some dissent amongst listeners and the station has been accused of dumbing down. A petition is also launched to save the Sunday early morning programme “Gloria” presented by Tim Thurston.
Kathleen Daly is born into a prominent Fenian family, the third daughter of Edward and Catherine Daly. Her paternal uncle, John Daly, is at the time imprisoned for his political activities in Chatham and Portland Prisons in England. He is released in 1896 and returns home to Limerick. When Tom Clarke, who had been imprisoned with her uncle, is released in 1898 he travels to Limerick to receive the Freedom of the City and stays with the Daly family.
In 1901 Daly decides to emigrate to the United States to join Tom, who had been there since 1900, having secured work through his Fenian contacts. They marry on July 16, 1901, in New York City. Through his contacts in the Clan na Gael and the Irish Republican Brotherhood (IRB), Tom Clarke continues to be involved in nationalist activity. Kathleen joins the Gaelic League while in the United States and they return to Ireland in November 1907.
In 1914 Clarke becomes a founder member of Cumann na mBan. Her husband forbids her permission to take an active part in the 1916 Easter Rising as she has orders regardless of how the events pan out. As Tom Clarke is the first signatory of the Proclamation of the Irish Republic, he is chosen to be executed for his part in the Easter Rising. Her younger brother, Ned Daly, is also executed for taking part in the rising. She visits both of them before they are executed. After the Rising, Michael Collins establishes contact with her while in prison in his attempts to re-build the IRB network. She also sets up the Irish National Aid Fund to aid those who had family members killed or imprisoned as a result of the Easter Rising, closely aided by Sorcha MacMahon.
Clarke becomes a member of Sinn Féin and in 1917 is elected a member of the party’s Executive. During the German Plot she is arrested and imprisoned in Holloway Prison for eleven months. During the Irish War of Independence, she serves as a District Judge on the Republican Courts in Dublin. In 1919 she is elected as an Alderman for the Wood Quay and Mountjoy Wards of Dublin Corporation and serves until the Corporation is abolished in 1925.
Clarke is elected unopposed as a Sinn Féin TD to the Second Dáil at the 1921 elections for the Dublin Mid constituency. She is not re-elected at the 1922 general election, however, and supports the Anti-Treaty forces during the Irish Civil War. In 1926 she becomes a founder member of Fianna Fáil and has to resign from Cumann na mBan. She is re-elected to the short-lived 5th Dáil at the June 1927 election as a Fianna Fáil member for the Dublin Mid constituency but loses her seat at the September 1927 election and does not regain it. She is elected as one of six Fianna Fáil Senators to the Free State Seanad for nine years at the 1928 Seanad election under the leadership of Joseph Connolly. She remains a member of the Seanad until it is abolished in 1936.
In 1930 Clarke is elected to the re-constituted Dublin Corporation for Fianna Fáil along with Robert Briscoe, Seán T. O’Kelly, Thomas Kelly and Oscar Traynor. She serves as the first Fianna Fáil Lord Mayor of Dublin as well as the first female Lord Mayor, from 1939 to 1941. She opposes the Constitution of Ireland as she feels that several of its sections would place women in a lower position that they had been afforded in the Proclamation of the Irish Republic. She is criticised by many in the Fianna Fáil organisation as a result and, while she resigns from the Thomas Clarke Cumann, she remains a member of the Fianna Fáil Ard Chomhairle.
While Clarke does not support the Irish Republican Army (IRA) bombing in England during World War II, she appeals for those sentenced to death by the Irish Government to be given clemency. Ultimately this leads to her breaking with the party completely after her term as Lord Mayor finishes in 1941. She declines to stand as a Fianna Fáil candidate at the 1943 general election.
Clancy graduates in 1904 and finds a position teaching the Irish language at Clongowes Wood College and is active in the Gaelic Athletic Association. Due to ill health he has to return to his home at Grange. In 1908 he comes to Limerick to teach Irish. In 1913 he joins the Irish Volunteers. In 1915 he marries Máire Killeen, a teacher. After the 1916 Easter Rising, he is arrested and imprisoned in Cork, but is released before he comes to trial following a hunger strike.
Clancy helps in Éamon de Valera‘s election campaign in East Clare. He nearly dies of Spanish flu during the 1918 epidemic but recovers and, in January 1921, he is elected Sinn Féin Mayor of Limerick.
On the night of March 6, 1921, three Auxiliaries come to Clancy’s house and one of them shoots him, injuring him fatally. His wife is also injured in the attack. The previous Mayor, Michael O’Callaghan, is also murdered on the same night by the same group.
Suspicion immediately falls upon members of the Black and Tans, but a British inquiry into the murder, like most such inquiries through the years, absolve Crown forces of any blame. One of Clancy’s killers is later said to be George Nathan who dies in the Spanish Civil War in July 1937.
Paul Funge, internationally respected painter and arts enthusiast, dies at Loughlinstown Hospital in the south Dublin suburb of Loughlinstown on February 21, 2011, after a short illness.
A native of Gorey, County Wexford, Funge is a founder of the Project Arts Centre in Dublin and the founder of Gorey Arts Centre in 1970. He is also a founder of the Belltable Arts Centre in Limerick while the regional arts officer for the midwest. In addition, he establishes the Gorey Arts Festival, a three-week summer arts festival, and runs it for more than fifteen years. He is remembered as the man who brought U2 to play at the Gorey Arts Festival in the days before they became an international success.
Funge suffers a fall before Christmas 2010, badly fracturing his leg and he is admitted to St. Vincent’s Hospital. On January 6, he transfers from Vincent’s to recuperate at a nursing home in Bray. In early February he takes a turn and develops chest problems. His condition deteriorates and he is admitted to the ICU in Loughlinstown Hospital. Initially he appears to be making a reasonable recovery, but his condition deteriorates again in the days prior to his death.
Following Funge’s death, Eamon Carter, director of Gorey School of Art, pays tribute to him as a visionary who felt passionate about decentralising the arts to areas outside of Dublin.
Carter adds that it had just been announced that the Gorey School of Art is linking up with NCAD to provide a masters in fine arts and it is sad that in the week it receives such good news it also receives the sad news of Funge’s death. “I’m saddened that he wasn’t here to see that because he would have been chuffed obviously,” he said.
Charles Stewart Parnell turns the first sod for the construction of the West Clare Railway (WCR) on January 27, 1885, although actual work on the line had begun in November 1884. The line is opened on July 2, 1887.
At the end of the Great Famine there is a new growth in local businesses. The British Government determines that an improved railway system is necessary to aid in the recovery of the West of Ireland. The West Clare Railway and the South Clare Railway are built by separate companies, but in practice the West Clare Railway operates the entire line. The lines meet at Milltown Malbay. In due course the entire line becomes known as the West Clare Railway.
The West Clare Railway originally operates in County Clare between 1887 and 1961. The 3-foot narrow gauge railway runs from the county town of Ennis, via numerous stopping points along the West Clare coast to two termini, at Kilrush and Kilkee, with the routes diverging at Moyasta Junction. The system is the last operating narrow gauge passenger system in Ireland and connects with the mainline rail system at Ennis, where a station still stands today for bus and train services to Limerick and Galway. Intermediate stops include Ennistymon, Lahinch and Milltown Malbay.
On 27 September 27, 1960, CIÉ gives notice of its intending closure with effect from February 1, 1961, despite the dieselisation of passenger services in 1952 and freight in 1953. CIÉ says that the West Clare is losing £23,000 per year, despite the considerable traffic it handles. In December 1960 it is announced that the line would close completely on January 1, 1961 although actual closure does not take place until January 31, 1961. CIÉ begins dismantling the line the following day.
A preservation society maintains a railway museum at Moyasta Junction station, and successfully re-opens a section of the railway as a passenger carrying heritage line with diesel traction in the 1990s, and with steam motive power from 2009.
Osborne is born in Limerick, County Limerick. He leaves Ireland for Brussels at the age of eighteen, where he is appointed music instructor for the eldest son of the Dutch king, William of Orange, and becomes friends with Charles de Bériot. With de Bériot he is later to compose more than thirty duos for violin and piano, which enjoy great popularity.
In 1843, Osborne settles permanently in London, although he maintains a home in Paris until 1848, when he encourages a nervous Chopin during the latter’s tour of England in 1848. In London he holds directorships of the Royal Philharmonic Society and the Royal Academy of Music and conducts the Amateur Musical Society from 1852.
Osborne’s compositions are mostly on a small scale and include 83 original piano works, 178 transcriptions and fantasias for piano solo, 24 piano duos, 44 vocal works and 55 chamber music pieces. His unpublished works include two operas and some orchestral overtures, all now lost. Berlioz observes that Osborne’s songs and trios are “lofty in style and spacious in design.” One of his most popular compositions is a piano piece entitled La Pluie de perles (Shower of Pearls), which goes through many editions. Some of his piano music is written to display his own virtuosity, while others are conceived as salon music for domestic entertainment.
George Alexander Osborne dies on November 17, 1893 at his home in Regent’s Park, London, at the age of 87.