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Death of Irish Dramatist George Farquhar

George Farquhar, Irish dramatist, dies in London on April 29, 1707. He is noted for his contributions to late Restoration comedy, particularly for his plays The Constant Couple (1699), The Recruiting Officer (1706) and The Beaux’ Stratagem (1707).

Born in Derry in 1677, Farquhar is one of seven children born to William Farquhar, a clergyman of modest means. The author of “Memoirs of Mr. George Farquhar,” a biographical sketch prefixed to certain 18th-century editions of his works, claims that he “discovered a Genius early devoted to the Muses. When he was very young, he gave Specimens of his Poetry; and discovered a Force of Thinking, and Turn of Expression, much beyond his years.”

Farquhar is educated at Foyle College and later enters Trinity College Dublin at age seventeen as a sizar under the patronage of the Bishop of Dromore, who may have been related to Farquhar’s mother. He may have initially intended to follow his father’s profession and become a clergyman but is “unhappy and rebellious as a student” and leaves college after two years to become an actor. His 18th-century biographer claims that the departure is because “his gay and volatile Disposition could not long relish the Gravity and Retirement of a College-life,” but another story of uncertain veracity has him being expelled from Trinity College due to a “profane jest.” The two accounts are not necessarily mutually exclusive.

Farquhar joins a company performing on the Dublin stage, probably through his acquaintance with the well-known actor Robert Wilks. However, he is reportedly not that impressive as an actor. It is said that “his voice was somewhat weak” and that “his movements [were] stiff and ungraceful.” But he is well received by audiences and thought to continue in this career “till something better should offer.” Some of the roles reportedly played by Farquhar are Lennox in William Shakespeare‘s Macbeth, Young Bellair in The Man of Mode by George Etherege, Lord Dion in Philaster by Francis Beaumont and John Fletcher, and Guyomar in The Indian Emperour by John Dryden.

During one of the performances in the Dryden play, an accident on stage puts an end to Farquhar’s acting career. As Guyomar, he is supposed to “kill” Vasquez, one of the Spanish generals in the drama. Forgetting to exchange his sword for a foil before enacting this scene, he severely wounds Price, the actor playing Vasquez. Although Price recovers, Farquhar resolves after this mishap to give up acting for good.

Farquhar then leaves for London, “possibly with a draft of his first play in his portmanteau.” Some writers tie his move to that of his friend Wilks, who had received an offer from the manager of Drury Lane to come to London and join that theatre. Wilks is also credited with encouraging Farquhar’s efforts at writing plays.

Farquhar’s first comedy, Love and a Bottle, premieres in 1698 and is well received by the audience. Called a “licentious piece” by one scholar and cited as proof that Farquhar had “absorbed the stock topics, character-types, and situations of Restoration comedy” by another, the play deals with Roebuck, “An Irish Gentleman of a wild roving Temper” who is “newly come to London.” The general character of the play can be evaluated by considering that in the opening scene, Roebuck tells his friend Lovewell that he has left Ireland due to getting a woman pregnant with twins and to Roebuck’s father trying to force Roebuck to marry the woman; however, Roebuck remarks, “Heav’n was pleas’d to lessen my Affliction, by taking away the She-brat.”

After the favourable reception of Love and a Bottle, Farquhar decides to devote himself to playwriting. He also at this point receives a commission in the regiment of the Earl of Orrery, so his time for the next few years is divided between the vocations of soldier and dramatist. It is also at about this time that he discovers Anne Oldfield, who is reading aloud a scene from The Scornful Lady at her aunt’s tavern. Impressed, he brings her to the notice of Sir John Vanbrugh, and this leads to her theatrical career, during which she is the first performer of major female roles in Farquhar’s last comedies.

In 1700, Farquhar’s The Constant Couple is acted at Drury Lane and proves a great success, helped considerably by his friend Wilks’ portrayal of the character of Sir Henry Wildair. The playwright follows up with a sequel, Sir Harry Wildair, the following year, and in 1702 writes the comedies The Inconstant and The Twin Rivals. Also in 1702, he publishes Love and Business, a collection that includes letters, verse, and A Discourse Upon Comedy.

The next year, Farquhar marries Margaret Pemell, “a widow with three children, ten years his senior,” who reportedly tricks him into the marriage by pretending to have a great fortune. His 18th century biographer records that “though he found himself deceived, his Circumstances embarrassed, and his Family increasing, he never upbraided her for the Cheat but behaved to her with all the Delicacy and Tenderness of an indulgent Husband.” He is engaged in recruiting for the army, due to the War of the Spanish Succession, for the next three years, writing little except The Stage Coach in collaboration with Peter Motteux, an adaptation of a French play. He draws on his recruiting experience for his next comedy, The Recruiting Officer (1706). However, he has to sell his army commission to pay debts, reportedly after the Duke of Ormonde advises him to do so, promising him another but failing to keep his promise.

Early in 1707, Farquhar’s friend Wilks visits him. Farquhar is ill and in distress, and Wilks is said to have “cheered him with a substantial present and urged him to write another comedy.” This comedy, The Beaux’ Stratagem, is given its première on March 8, 1707. It is known from Farquhar’s own statement prefacing the published version of the play that he wrote it during his sickness:

“The reader may find some faults in this play, which my illness prevented the amending of; but there is great amends made in the representation, which cannot be match’d, no more than the friendly and indefatigable care of Mr. Wilks, to whom I chiefly owe the success of the play.”

Farquhar dies in London on April 29, 1707, not quite two months after the opening of this last play. He is buried on May 3 in St. Martin-in-the-Fields, a Church of England parish church in the City of Westminster, London.


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Birth of Danny Doyle, Irish Folk Singer

Daniel Doyle, Irish folk singer, is born in Dublin on April 28, 1940. During the 1960s and 1970s, he is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. He records twenty-five albums and is known for his chart-topping songs “Whiskey on a Sunday,” “Daisy a Day” and “The Rare Ould Times.”

After leaving school at the age of fourteen, Doyle starts doing odd jobs, including working as general factotum in Dublin’s Pike Theatre, where he begins to pick up, from the travelling players, songs from the Irish countryside.

During the 1960s and 1970s, Doyle is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. His song “The Rare Auld Times” notably displaces ABBA‘s “Take a Chance on Me” after just one week at the top. The song is composed in the 1970s by Pete St. John for the Dublin City Ramblers and peaks on the Irish Music Charts for twelve weeks. In 1979, he is the first artist to record St. John’s song “The Fields of Athenry.” He is probably best known for his 1967 number one hit “Whiskey on a Sunday.” His other notable works are “A Daisy a Day” and “The Rare Auld Times.” The hit songs “Daisy A Day,” “Streets of London,” “Lizzie Lindsay” and “Whiskey on a Sunday” that are released in the 1960s make him popular.

In 1983, Doyle moves to the United States from Ireland.

Doyle appears in concert throughout the world, including Carnegie Hall in New York City and the Royal Albert Hall in London. He also collaborates with Bill Whelan who is a pianist, producer and Riverdance composer.

Although retired from performing, Doyle performs with other artists at the 2010 Milwaukee Irish Fest.

Doyle dies on August 6, 2019, at the age of 79 at his residence in the United States. He is survived by his wife Taffy.


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Death of Actress Betty Chancellor

Betty Chancellor, Irish actress, dies in Dún Laoghaire, County Dublin, at the age of 74 on April 27, 1984.

Chancellor is born at 8 Fitzwilliam Place, Dublin, on January 9, 1910. Her parents are John William Chancellor, a Dublin clockmaker, jeweler, and photographer, and Cicely Chancellor (née Granger). They marry in Billericay, Essex, in 1904. She has an elder sister, Joyce Fanny, who also becomes an actress. She attends Nightingale Hall and Alexandra College, going on to train as a secretary.

Chancellor’s first appearance on stage is as a fairy in a benefit performance at the Gaiety Theatre in 1914. She appears again at the Gaiety in 1922 as Gwennie in F. Anstey‘s The Man from Blankley’s, and then studies drama under Frank Fay. In the 1920s, she acts in the Dublin Drama League’s productions in the Abbey Theatre. Once she joins the Gate Theatre her career progresses, establishing her as one of the principal actresses in the Gate by the early 1930s.

Chancellor plays Naomi alongside Orson Welles in a production of Jud Süss in October 1931. Welles becomes infatuated with her and later describes her as “the sexiest thing that ever lived.” In 1931, she debuts in J. B. Fagan‘s production of The New Gossoon by George Shiels as Biddy Henley at the Apollo Theatre. Her most noted roles are as Toots in Youth’s the Season in 1932 by Mary Manning, Laura in a production of Carmilla in 1932, based on the Gothic novella by Sheridan Le Fanu, Ophelia in 1932 and Cicely in The Importance of Being Earnest in 1933. Touring with the Gate company in 1935, she plays Stella in its production of Lord Longford‘s Yahoo performed in the Westminster Theatre, London. She stars with James Mason in the Gate’s production of Pride and Prejudice in 1937. Disappointed with the parts she is getting at the Gate after that and much to the annoyance of Micheál Mac Liammóir and Hilton Edwards, she joins Lord Longford’s first provincial tour in 1937.

In the late 1930s, Chancellor works more often in London. Following her appearance as Baby Furze in the 1938 production of Spring Meeting by Molly Keane and John Perry, she is nominated as “Star of the Future” by the Daily Mail. She acts alongside Alec Guinness and Peggy Ashcroft in 1940 in Clemence Dane‘s Cousin Muriel at the Globe Theatre, directed by John Gielgud.

Chancellor returns to the Gaiety Theatre in 1941 to act with Hilton Edwards in a production of Caesar and Cleopatra by George Bernard Shaw, a production that marks the 75th anniversary of the Gaiety. The press welcomes her return to the company, but her fellow actors are disturbed by the fact she is then living with Denis Johnston, the husband of fellow actress Shelah Richards. After Johnston’s divorce, they marry in March 1945 in Dungannon, County Tyrone. She partly retires from acting to raise their sons, but also due to her increasing deafness that had begun in her teens.

In 1947, Chancellor appears in Johnston’s The Moon in the Yellow River at the Arts Theatre in London with Jack Hawkins. The family moves to the United States in November 1948, where she has the lead role in Shaw’s Candida at Amherst College, Massachusetts in 1950.

In 1969, Chancellor returns to Ireland with her family and settles in Dalkey, County Dublin. She dies in Dún Laoghaire on April 27, 1984, and is buried in the close of St. Patrick’s Cathedral, Dublin.


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Birth of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, is born at Roebuck Grove, County Dublin, on April 22, 1894. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor (née Robinson), daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. Her mother dies two days after her birth. She is related to artists Nathaniel Hone and Nathaniel Hone the Younger.

Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and becoming one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: Portrait of Evie Hone by Hilda van Stockum)


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Roger Casement’s Efforts to Gain German Military Aid Ends

During World War I, Roger Casement makes efforts to gain German military aid for the 1916 Easter Rising. His journey on the German submarine SM U-19 comes to an end on April 21, 1916.

In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.

Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.

Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.

About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.

Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.

About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.

The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.

Casement’s trial at bar opens at the Royal Courts of Justice on June 26, 1916, before the Lord Chief Justice (Viscount Reading), Justice Horace Avory, and Justice Thomas Horridge. Refusing to agree to a “guilty but insane” plea, he is subsequently found guilty and sentenced to be hanged. He unsuccessfully appeals against his conviction and death sentence.

On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.

Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Death of Seán Ó Faoláin, Short Story Writer

Seán Proinsias Ó Faoláin, short story writer of international repute and one of the most influential figures in 20th-century Irish culture, dies in Dublin on April 20, 1991. He is also a leading commentator and critic.

Ó Faoláin is born John Francis Whelan in Cork, County Cork, on February 27, 1900. He is educated at the Presentation Brothers College secondary school in Cork. He comes under the influence of Daniel Corkery, joining the Cork Dramatic Society, and increasing his knowledge of the Irish language, which he had begun in school. Shortly after entering University College Cork (UCC), he joins the Irish Volunteers and fights in the Irish War of Independence. During the Irish Civil War, he serves as censor for The Cork Examiner and as publicity director for the Irish Republican Army (IRA). After the Republican loss, he receives MA degrees from the National University of Ireland (NUI) and from Harvard University where he studies for three years. He is a Commonwealth Fellow from 1926 to 1928 and is a Harvard Fellow from 1928 to 1929.

Ó Faoláin writes his first stories in the 1920s, eventually completing ninety stories over a period of sixty years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill, London, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterward returns to Ireland. He publishes four novels, seven additional volumes of short stories, six biographies, three travel books, a play, a memoir, a history book, translations and literary criticism, including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947. His last short story volume, Foreign Affairs, is published in 1976. His Collected Stories is published in 1983.

Ó Faoláin produces critical studies of the novel and the short-story form, introduces texts of historical and literary merit, and contributes scores of articles, reviews, and uncollected stories to periodicals in Ireland, Britain, and the United States.

Ó Faoláin is a founder member and editor of the Irish literary periodical The Bell from 1940 to 1946. Under his editorship, The Bell participates in many key debates of the day. It also provides a crucial outlet for established and emerging writers during the lean war years. The list of contributors to The Bell include many of Ireland’s foremost writers, among them Patrick Kavanagh, Patrick Swift, Flann O’Brien, Frank O’Connor and Brendan Behan.

A recurring thread in Ó Faoláin’s work is the idea that national identities are historically produced and culturally hybrid; an additional thesis is that Irish history should be conceived in international terms, and that it should be read, in particular, in the context of social and intellectual developments across Europe.

Ó Faoláin serves as director of the Arts Council of Ireland from 1956 to 1959.

Ó Faoláin marries Eileen Gould, a children’s book writer who publishes several books of Irish folk tales, in 1929. They have two children: Julia (1932–2020), who becomes a Booker-nominated novelist and short story writer, and Stephen (b. 1938).

Ó Faoláin dies in Dublin at the age of 91 on April 20, 1991.

Ó Faoláin is a controversial figure in his own lifetime and two of his books are banned for “indecency” in Ireland — his debut collection of short stories and his second novel, Bird Alone (1936). His legacy has proven divisive. If some consider him a social liberal cosmopolitan who challenges “proscriptive” definitions of Irish culture, others see him as a chauvinistic snob who paradoxically restricts the development of Irish writing. Proto-revisionist or nascent postcolonial, O’Faoláin has been considered both, sometimes within the same critical survey. Either way, his work is central to the evolution of a post–Literary Revival aesthetic, and his voice is one of the most prominent, and eloquent, in the fight against censorship in Ireland.

(Pictured: Portrait of Seán Ó Faoláin by Howard Coster, 1930s, National Portrait Gallery)


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Death of Opera Singer Margaret Burke Sheridan

Irish opera singer Margaret Burke Sheridan dies in Dublin on April 16, 1958. She is known as Maggie from Mayo and is regarded as Ireland’s second prima donna, after Catherine Hayes (1818–1861).

Sheridan is born in Castlebar, County Mayo, on October 15, 1889. She has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.

With Marconi’s help, Sheridan auditions in 1916 for Alfredo Martino, a prominent singing teacher attached to the Teatro Costanzi, and she makes her début there in January 1918 in Giacomo Puccini‘s La bohème. In July 1919 she appears at the Royal Opera House in Covent Garden in the title role in Iris by Pietro Mascagni.

Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.

Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”

Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.

(Pictured: Margaret Burke Sheridan meets Italian conductor Vincenzo Bellezza in London, 1938. Photograph by Erich Salomon)


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Birth of Artist Paul Henry

Paul Henry, Irish artist noted for depicting the Connacht province landscape in the west of Ireland in a spare Post-Impressionist style, is born at 61 University Road, Belfast, on April 11, 1876.

Henry is the third of four sons of the Rev. Robert Mitchell Henry, minister of the Reformed Presbyterian Church, and his wife Kate Ann Berry, eldest of four daughters of Thomas Berry, minister of the Baptist church, Athlone. His father becomes a Baptist in 1858 and pastor of Great Victoria Street Baptist Church, Belfast, resigning in 1875 to join the Plymouth Brethren.

Henry begins to draw in pencil and watercolours at the age of four, even before entering the kindergarten at Methodist College Belfast (MCB), in 1882 where he first begins drawing regularly. At the age of fifteen he moves to the Royal Belfast Academical Institution. He studies art at the Belfast School of Art before going to Paris in 1898 to study at the Académie Julian and at James McNeill Whistler‘s Académie Carmen.

Henry marries the painter Emily Grace Mitchell on September 17, 1903, in London at St Peter’s Anglican church, Bayswater. He returns to Ireland in 1910. From then until 1919 he lives on Achill Island, where he learns to capture the peculiar interplay of light and landscape specific to the west of Ireland. In 1919, he moves to Dublin and in 1920 he is one of the founders of the Society of Dublin Painters, originally a group of ten artists. He designs several railway posters, some of which, notably Connemara Landscape, achieves considerable sales. He separates from his wife in 1929. His second wife is the artist Mabel Young.

In the 1920s and 1930s, Henry is Ireland’s best-known artist, one who has a considerable influence on the popular image of the west of Ireland. Although he seems to cease experimenting with his technique after leaving Achill and his range is limited, he creates a large body of fine images whose familiarity is a testament to its influence.

Henry’s use of colour is affected by his red-green colour blindness. He loses his sight in 1945 and does not regain his vision before his death.

Henry dies on August 24, 1958, at his home at 1 Sidmonton Square, Bray, County Wicklow, and is buried at St. Patrick’s Church, Enniskerry, County Wicklow. He is survived by his wife, Mabel. His papers and sketchbooks are in the libraries of the National Gallery of Ireland and Trinity College Dublin.

A commemorative exhibition of Henry’s work is held at Trinity College, Dublin, in 1973 and the National Gallery of Ireland holds a major exhibition of his work in 2004.

A painting by Henry is featured on an episode of the BBC‘s Antiques Roadshow, broadcast on November 12, 2006. The painting is given a value of approximately £40,000–60,000 by the Roadshow. However, due to the buoyancy of the Irish art market at the time, it sells for €260,000 on December 5, 2006, in James Adams’ and Bonhams’ joint Important Irish Art sale.

Pictured: “Roadside Cottages, below Mweelrea Mountain” by Paul Henry, RHA, oil on panel, 1940)


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Birth of Josephine McNeill, First Irish Female Diplomat

Josephine McNeill, Irish diplomat, is born on March 31, 1895, in Fermoy, County Cork. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.

McNeill is born Josephine Ahearne, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.

McNeill becomes engaged to Pierce McCan, but he dies of influenza in Gloucester Gaol in March 1919. She marries James McNeill in 1923, while he is serving as Irish High Commissioner in London. Despite her reservations, she becomes a noted hostess, both in London and later in Dublin when her husband becomes the Governor-General of the Irish Free State from 1928 to 1932.

After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.

McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.

McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.

McNeill dies in St. Vincent’s Hospital, Dublin, on November 19, 1969. She is buried in Kilbarrack Cemetery. Her papers are held in the UCD Archives.


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John Boland Becomes First Irish Olympic Gold Medal Winner

On March 30, 1896, an Irishman wins an Olympic gold medal for the first time when John Mary Pius Boland triumphs in tennis at the first modern Olympics, which take place in Athens, Greece. In addition to being a gold medalist tennis player, he is an Irish Nationalist politician and Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland and as member of the Irish Parliamentary Party (IPP) for South Kerry from 1900 to 1918.

Boland is born on September 16, 1870, at 135 Capel Street, Dublin, to Patrick Boland, businessman, and Mary Donnelly. Following the death of his mother in 1882, he is placed with his six siblings under the guardianship of his uncle, Nicholas Donnelly, auxiliary bishop of Dublin.

Boland is educated at two private Catholic schools, the Catholic University School, Dublin, and Birmingham Oratory in Birmingham, England, where he becomes head boy. His secondary education at the two schools help give him the foundation and understanding to play an influential role in the politics of Great Britain and Ireland at the beginning of the 20th century, when he is a member of the Irish Parliamentary Party, which pursues constitutional Home Rule.

In 1892, Boland graduates with a BA from London University. He studies for a semester in Bonn, Germany, where he is a member of Bavaria Bonn, a student fraternity that is member of the Cartellverband. He studies law at Christ Church, Oxford, graduating with a BA in 1896 and MA in 1901. Although called to the Bar in 1897, he never practises.

Boland is the first Olympic champion in tennis for Great Britain and Ireland at the first modern Olympics, which take place in Athens in 1896. He visits his friend Thrasyvoulos Manos in Athens during the Olympics, and Manos, a member of the organising committee, enters Boland in the tennis tournament. He promptly wins the singles tournament, defeating Friedrich Traun of Germany in the first round, Evangelos Rallis of Greece in the second, Konstantinos Paspatis of Greece in the semifinals, and Dionysios Kasdaglis of Greece in the final.

Boland then enters the doubles event with Traun, the German runner whom he had defeated in the first round of the singles. Together, they win the doubles event. They defeat Aristidis and Konstantinos Akratopoulos of Greece in the first round, have a bye in the semifinals, and defeat Demetrios Petrokokkinos of Greece and Dimitrios Kasdaglis in the final. When the Union Jack and the German flag are run up the flagpole to honour Boland and Traun’s victory, Boland points out to the man hoisting the flags that he is Irish, adding “It [the Irish flag]’s a gold harp on a green ground, we hope.” The officials agreed to have an Irish flag prepared.

Following a visit to County Kerry, Boland becomes concerned about the lack of literacy among the native population. He also has a keen interest in the Irish Language.

Boland’s patriotic stand is well received in nationalist circles in Ireland. This and a lifelong friendship with John Redmond gain for him an invitation to stand as a candidate for the Irish Parliamentary Party in the safe seat of South Kerry, which he holds from 1900 to 1918. He is unopposed in the general elections of 1900 and 1906, and the first of 1910. In the second election of 1910 he is challenged by a local man, T. B. Cronin, who stands as an independent nationalist in the interest of William O’Brien. Boland stands down at the 1918 United Kingdom general election.

In 1908, Boland is appointed a member of the commission for the foundation of the National University of Ireland (NUI). From 1926 to 1947, he is General Secretary of the Catholic Truth Society. He receives a papal knighthood, becoming a Knight of St. Gregory in recognition for his work in education. In 1950, he is awarded an honorary Doctor of Law by the NUI.

Boland marries Eileen Moloney at SS Peter and Edward, Palace Street, Westminster, on October 22, 1902, the daughter of an Australian Dr. Patrick Moloney. They have one son and five daughters. His daughter Honor Crowley succeeds her husband Frederick Crowley upon his death sitting as Fianna Fáil TD for South Kerry from 1945 until her death in 1966. His daughter Bridget Boland is a playwright who notably writes The Prisoner and co-writes the script for Gaslight, and, among other books, co-authors Old Wives’ Lore for Gardeners with her sister, Maureen Boland.

Boland dies at his home, 40 St George’s Square, in London on Saint Patrick’s Day, March 17, 1958.