seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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First Performance of Oscar Wilde’s “Lady Windermere’s Fan”

lady-windermeres-fanOscar Wilde‘s four-act comedy Lady Windermere’s Fan, A Play About a Good Woman is first produced on February 22, 1892 at the St. James’s Theatre in London. The play is first published in 1893. Like many of Wilde’s comedies, it bitingly satirizes the morals of society.

The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it, he invites the other woman, Mrs. Erlynne, to his wife’s birthday ball. Angered by her husband’s supposed unfaithfulness, Lady Windermere decides to leave her husband for another lover. After discovering what has transpired, Mrs. Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this, Mrs. Erlynne is discovered in a compromising position. It is then revealed Mrs. Erlynne is Lady Windermere’s mother, who abandoned her family twenty years before the time the play is set. Mrs. Erlynne sacrifices herself and her reputation to save her daughter’s marriage.

By the summer of 1891 Wilde has already written three plays, Vera; or, The Nihilists and The Duchess of Padua find little success, and Salome is censored. Unperturbed, he decides to write another play but turns from tragedy to comedy. He goes to the Lake District in the north of England, where he stays with a friend and later meets Robert Ross. Numerous characters in the play appear to draw their names from the north of England: Lady Windermere from the lake and nearby town Windermere (though Wilde had used “Windermere” earlier in Lord Arthur Saville’s Crime), the Duchess of Berwick from Berwick-upon-Tweed, Lord Darlington from Darlington. Wilde begins writing the play at the prodding of Sir George Alexander, the actor manager of St. James’s Theatre. The play is finished by October 1891. Alexander likes the play, and offers him an advance of £1,000 for it. Wilde, impressed by his confidence, opts to take a percentage instead, from which he earns £7,000 in the first year alone.

Alexander is a meticulous manager and he and Wilde begin exhaustive revisions and rehearsals of the play. Both are talented artists with strong ideas about their art. Wilde, for instance, emphasises attention to aesthetic minutiae rather than realism. He resists Alexander’s suggested broad stage movements, quipping that “Details are of no importance in life, but in art details are vital.” These continue after the opening night, when at the suggestion of both friends and Alexander, Wilde makes changes to reveal Mrs. Erylnne’s relationship with Lady Windermere gradually throughout the play, rather than reserving the secret for the final act. Despite these artistic differences, both are professional and their collaboration is a fruitful one.

There exists an extant manuscript of the play and it is held in the William Andrews Clark Memorial Library at the University of California in Los Angeles.


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Birth of Writer & Journalist Pádraic Ó Conaire

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Pádraic Ó Conaire, Irish writer and journalist whose production is primarily in the Irish language, is born in Galway on February 20, 1882. During his lifetime he writes 26 books, 473 stories, 237 essays, and 6 plays. His acclaimed novel Deoraíocht has been described by Angela Bourke as “the earliest example of modernist fiction in Irish.”

Ó Conaire’s father is a publican, who owns two premises in the town of Galway. His mother is Kate McDonagh. He is orphaned by the age of eleven. He spends a period living with his uncle in Garaffin, Ros Muc, Connemara. The area is in the Gaeltacht (Irish-speaking area) and Ó Conaire learns to speak Irish fluently.

He emigrates to London in 1899 where he gets a job with the Board of Education and becomes involved in the work of the Gaelic League. A pioneer in the Gaelic revival in the last century, Ó Conaire and Patrick Pearse are regarded as being the two most important Irish language short story writers during the first decades of the 20th century.

Ó Conaire is married to Molly Ní Mhanais, with whom he has four children: Eileen (born February 22, 1905), Patrick (born November 3, 1906), Kathleen (born February 24, 1909, and Mary Josephine (born July 28, 1911 but dies of diphtheria in 1922).

Ó Conaire returns to Ireland in 1914, leaving his family in London. Living mostly in Galway, he earns a meagre living through writing, teaching at Gaeltacht summer schools, and as an occasional organiser for the Gaelic League.

Ó Conaire dies at the age of 46 while on a visit to Dublin in 1928 after complaining of internal pains while at the head office of the Gaelic League. His fellow poet Frederick Robert Higgins writes a celebrated Lament for Pádraic Ó Conaire.

Pádraic Ó Conaire has family still living to this day in England as well as in Galway and Canada. The Ó Conaire surname is still strong in the Ros Muc area.


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Birth of Valentine Greatrakes, Faith Healer

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Valentine Greatrakes, Irish faith healer also known as “Greatorex” or “The Stroker,” is born on February 14, 1628, at Affane, County Waterford. He toured England in 1666, claiming to cure people by the laying on of hands.

Greatrakes is the son of William Greatrakes and Mary, daughter of Sir Edward Harris, Chief Justice of Munster, who are English Protestants settlers. He goes to the free school at Lismore until he is 13 years of age and is designed for the college of Dublin. However, when the Irish Rebellion of 1641 breaks out, he and his mother flee into England, where he is received by his great uncle, Edmund Harris. After Harris dies, his mother places him with John Daniel Getsius, a German minister, of Stoke Gabriel, in Devonshire.

After five or six years in England, Greatrakes returns to his native country, which he finds in a distracted state, and therefore spends a year in contemplation at the Castle of Cappoquin. In 1649 he is a lieutenant in Lord Broghill‘s regiment in the English Parliamentary army in Ireland, then campaigning in Munster against the Irish Royalists. In 1656, with a great part of the army being disbanded, Greatrakes retires to Affine, his native place, and is made clerk of the peace for County Cork, Register for transplantation, and a Justice of the Peace. However, he loses these positions after the Restoration.

Greatrakes seems to have been very religious. His outlook is grave but simple. He says himself, that ever since the year 1662 he has felt a strange impulse or persuasion that he has the gift of curing the King’s evil. This suggestion becomes so strong, that he strokes several persons, and cures them.

Three years afterwards, an epidemical fever is raging in the country, he is again persuaded that he can also cure the fever. He makes the experiment, and he affirms to his satisfaction that he cures all who come to him. At length, in April 1665, another kind of inspiration suggests to him, that he has the gift of healing wounds and ulcers. He even finds that he cures convulsions, the dropsy, and many other distempers.

On April 6, 1665, Robert Phayre, a former Commonwealth Governor of County Cork, is living at Cahermore, in that county, when he is visited by Greatrakes, who had served in his regiment in 1649. Greatrakes cures Phayre in a few minutes of an acute ague. John Flamsteed, the famous astronomer, then aged 19, goes to Ireland in August 1665 to be touched by Greatrakes for a natural weakness of constitution, but receives no benefit. Crowds flock to him from all parts, and he performs such extraordinary cures, that he is summoned into the bishop’s court at Lismore, and, not having a licence for practising, is forbidden to lay hands on anyone else in Ireland.

In 1665, Greatrakes is invited to England by his old commander, Lord Broghill, now Earl of Orrery, to cure Anne, Viscountess Conway of an inveterate headache. He arrives in England in early 1666 but fails to cure the Viscountess. Undaunted, he travels through the country healing the sick.

King Charles II, being informed of it, summons Greatrakes to Whitehall. While unpersuaded that Greatrakes has miraculous power, the king does not forbid him to continue his ministrations.

Every day Greatrakes goes to a place in London where many sick persons, of all ranks in society, assemble. Pains, gout, rheumatism, convulsions, and so forth are allegedly driven by his touch from one body part to another. Upon reaching the extremities, all symptoms of these ailments cease. As the treatment consists entirely of stroking, Greatrakes is called The Stroker. He ascribes certain disorders to the work of evil spirits. When persons possessed by such spirits see Greatrakes or hear his voice, the afflicted fall to the ground or into violent agitation. He then proceeds to cure them by the same method of stroking. While many are skeptical, Greatrakes does find zealous advocates for the efficacy of his healing powers.

In 1667, Greatrakes returns to Ireland and resumes farming in 1668 on £1,000 a year. Although he lives for many years, he no longer keeps up the reputation of performing the strange cures which procured him a name. But in this his case is very singular, that on the strictest enquiry no sort of blemish is ever thrown upon his character, nor does any of those curious and learned persons, who espouse his cause, draw any imputation upon themselves.

Greatrakes dies on November 28, 1682, at Affane, County Waterford. It is believed that he may be buried in Lismore Church or under the aisle of the old Affane Church near to his father.


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Death of Hunger Striker Frank Stagg

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Frank Stagg, Provisional Irish Republican Army (IRA) hunger striker from County Mayo, dies on February 12, 1976, in Wakefield Prison, West Yorkshire, England after 62 days on hunger strike.

Stagg is the seventh child in a family of thirteen children. He is born on October 4, 1942, in Hollymount, County Mayo. His brother, Emmet Stagg, is a Labour Party politician, formerly a Teachta Dála (TD) for Kildare North.

Stagg is educated to primary level at Newbrook Primary School and at CBS Ballinrobe to secondary level. After finishing his schooling, he works as an assistant gamekeeper with his uncle prior to emigrating to England in search of work.

Once in England he gains employment as a bus conductor in north London and later becomes a bus driver. Whilst in England he meets and marries fellow Mayo native, Bridie Armstrong from Carnacon. In 1972, he joins the Luton cumann of Sinn Féin and soon after becomes a volunteer in the Provisional Irish Republican Army (IRA).

In April 1973, Stagg is arrested with six others alleged to comprise an IRA unit planning bombing attacks in Coventry. He is tried at Birmingham Crown Court. The jury finds three of the seven not guilty. The remaining four are all found guilty of criminal damage and conspiracy to commit arson. Stagg and English-born priest, Father Patrick Fell, are found to be the unit’s commanding officers. Stagg is given a ten-year sentence and Fell twelve years. Thomas Gerald Rush is given seven years and Anthony Roland Lynch, who is also found guilty of possessing articles with intent to destroy property, namely nitric acid, balloons, wax, and sodium chlorate, is given ten years.

Stagg is initially sent to the top security Albany Prison on the Isle of Wight. In March 1974, having been moved to Parkhurst Prison, he and fellow Mayo man Michael Gaughan join a hunger strike begun by the sisters Marion Price and Dolours Price, Hugh Feeney, and Gerry Kelly.

Following the hunger strike that results in the death of Michael Gaughan, the Price sisters, Feeney, and Kelly are granted repatriation to Ireland. Stagg is denied repatriation and is transferred to Long Lartin Prison. During his time there he is subject to solitary confinement for refusing to do prison work and is also subjected, along with his wife and sisters during visits, to humiliating body searches. In protest against this he begins a second hunger strike that lasts for thirty-four days. This ends when the prison governor agrees to an end to the strip-searches on Stagg and his visitors. Stagg is bed-ridden for the rest of his incarceration in Long Lartin, due to a kidney complaint.

In 1975 Stagg is transferred to Wakefield Prison, where it is demanded that he again do prison work. He refuses and is placed in solitary confinement. On December 14, 1975, Stagg embarks on a hunger strike in Wakefield, along with a number of other republican prisoners, after being refused repatriation to Ireland during the IRA/British truce. Stagg’s demands are an end to solitary confinement, no prison work, and repatriation to prison in Ireland. The British government refuses to meet any of these demands. Stagg dies on February 12, 1976, after 62 days on hunger strike.

Frank Stagg’s burial causes considerable controversy in Ireland, with republicans and two of his brothers seeking to have Stagg buried in the republican plot in Ballina in accordance with his wishes, while his widow, his brother, Emmet Stagg, and the Irish government wish to have him buried in the family plot in the same cemetery and to avoid republican involvement in the funeral. As the republicans wait at Dublin Airport for the body, the Irish government orders the flight to be diverted to Shannon Airport.

His body is taken to Ballina and buried near the family plot. In order to prevent the body being disinterred and reburied by republicans, the grave is covered with concrete. In November 1976, a group of republicans tunnel under the concrete to recover the coffin under cover of darkness and rebury it in the republican plot.


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Death of Singer Delia Murphy Kiernan

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Delia Murphy Kiernan, singer and collector of Irish ballads, dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records several 78 RPM records in the 1930s, 1940s, and 1950s. In 1962 she records her only LP record, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title. Her notable voice gives her the nickname the “Queen of Connemara.”

Murphy is born on February 16, 1902, in Ardroe, Roundfort, County Mayo, to a well-off family. Her father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. Murphy’s father encourages her interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.

Murphy is educated at Presentation Convent in Tuam, Dominican College in Dublin, and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. While at UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Murphy sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel, and Three Lovely Lassies for HMV.

In 1941, Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Murphy becomes one of those who assist Monsignor Hugh O’Flaherty in saving the lives of 6,500 Allied soldiers and Jews. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy.

In 1946, Murphy is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.

Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while living in Ottawa, Murphy makes the recording of The Queen of Connemara produced by Ken Goldstein. Murphy and Kiernan purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.

By 1969 Murphy’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin, until her death. During her lifetime she records upwards of 100 songs.


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Birth of Brendan Behan, Irish Republican, Poet & Writer

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Brendan Francis Aidan Behan, Irish Republican, poet, short story writer, novelist, and playwright who writes in both English and Irish, is born in Dublin on February 9, 1923.

Behan is widely regarded as one of the greatest Irish writers and poets of all time. He is also an Irish republican and a volunteer in the Irish Republican Army (IRA). Born in Dublin into a staunchly republican family, he becomes a member of the IRA’s youth organisation Fianna Éireann at the age of fourteen. However, there is also a strong emphasis on Irish history and culture in the home, which means he is steeped in literature and patriotic ballads from an early age. Behan eventually joins the IRA at sixteen, which leads to his serving time in a borstal youth prison in the United Kingdom. He is also imprisoned in Ireland. During this time, he takes it upon himself to study and he becomes a fluent speaker of the Irish language. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moves between homes in Dublin, Kerry, and Connemara, and also resides in Paris for a time.

In 1954, Behan’s first play, The Quare Fellow, is produced in Dublin. It is well received, however, it is the 1956 production at Joan Littlewood‘s Theatre Workshop in Stratford, London, that gains Behan a wider reputation. This is helped by a famous drunken interview on BBC television. In 1958, Behan’s play in the Irish language, An Giall, has its debut at Dublin’s Damer Theatre. Later, The Hostage, Behan’s English-language adaptation of An Giall, meets with great success internationally. Behan’s autobiographical novel, Borstal Boy, is published the same year and becomes a worldwide best-seller.

He marries Beatrice Ffrench-Salkeld in 1955. By early March 1964, after developing diabetes, the end is in sight. Collapsing at the Harbour Lights bar, he is transferred to the Meath Hospital in central Dublin, where he dies at the age 41 on March 20, 1964. He is given an IRA guard of honour, which escorts his coffin. It is described by several newspapers as the biggest funeral since those of Michael Collins and Charles Stewart Parnell.


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Death of Jane Francesca Agnes, Lady Wilde

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Jane Francesca Agnes, Lady Wilde, Irish poet who writes under the pen name “Speranza” and supporter of the nationalist movement, dies at her home, 146 Oakley Street, Chelsea, London, of bronchitis on February 3, 1896.

Jane is the last of the four children of Charles Elgee, a Wexford solicitor, and his wife Sarah. Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).

Jane, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.

She is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragist Millicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act of 1883, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”

William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.

Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.

Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proved too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.


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Birth of Theatrical Producer Hilton Edwards

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Hilton Edwards, an English-born Irish actor, lighting designer, and theatrical producer, is born in London on February 2, 1903.

Edwards begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.

After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster’s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.

Edwards and Mac Liammóir co-found the Gate Theatre in Dublin in 1928. The two men’s talents are complementary. Mac Liammóir is an actor, designer, and writer. Edwards is a director, actor, producer, and lighting designer. Edwards produces and directs more than 300 plays at the Gate, ranging from the works of Aeschylus and Sophocles, Johann Wolfgang von Goethe and Henrik Ibsen to the comedies of George Bernard Shaw and Richard Brinsley Sheridan and new Irish plays, by such authors as W.B. Yeats, Brian Friel, and Mac Liammóir.

In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961 Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.

Edwards appears in 15 films, including Captain Lightfoot (1955), David and Goliath (1960), Victim (1961), and Half a Sixpence (1967). He also writes and directs Orson Welles‘s Return to Glennascaul (1951). However, he is primarily known for his theatre work. He is nominated for a Tony Award in 1966 for Best Director of a Drama for Philadelphia, Here I Come!

Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.


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Death of William Butler Yeats

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William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, dies on January 28, 1939, at the Hôtel Idéal Séjour, in Menton, France.

Yeats is born in Sandymount, County Dublin, on June 13, 1865, the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trains as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland as well.

In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandoned art school for other pursuits.

After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson, and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Kathleen to her.

Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.

In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen Ni Houlihan. Around that time, Yeats helps found the Irish National Theatre Society with Lady Gregory and John Millington Synge, serving as its president and co-director. More works soon follow, including On Baile’s Strand, Deirdre, and At the Hawk’s Well.

Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.

Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, Yeats is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”

Yeats continues to write until his death. Some of his important later works include The Wild Swans at Coole (1917), A Vision (1925), The Tower (1928) and Words for Music Perhaps and Other Poems (1932). Yeats passes away on January 28, 1939, at the Hôtel Idéal Beauséjour near Menton, France. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. The publication of Last Poems and Plays and Two Plays shortly after his death further cements his legacy as a leading poet and playwright.

In September 1948, Yeats’ body is moved to the churchyard of St. Columba’s Church, Drumcliff, County Sligo, on the Irish Naval Service corvette LÉ Macha.


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Birth of Painter Daniel Maclise

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Daniel Maclise, Irish history, literary and portrait painter, and illustrator, is born in Cork, County Cork, on January 25, 1806. He works in London, England for most of his life.

His early education is of the plainest kind, but he is eager for culture, fond of reading, and anxious to become an artist. He later studies at the Cork School of Art.

Maclise exhibits for the first time at the Royal Academy of Arts in 1829. Gradually he begins to confine himself more exclusively to subject and historical pictures, varied occasionally by portraits – such as those of Lord Campbell, novelist Letitia Landon, Charles Dickens, and other of his literary friends. In 1833, he exhibits two pictures which greatly increase his reputation and, in 1835, the Chivalric Vow of the Ladies and the Peacock procure his election as associate of the Academy, of which he becomes full member in 1840. The years that follow are occupied with a long series of figure pictures, deriving their subjects from history and tradition and from the works of William Shakespeare, Oliver Goldsmith, and Alain-René Lesage.

Maclise also designs illustrations for several of Dickens’s Christmas books and other works. Between the years 1830 and 1836 he contributes to Fraser’s Magazine, under the pseudonym of Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time – character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which are afterwards published as the Maclise Portrait Gallery (1871). During the rebuilding of the Houses of Parliament in London in 1834–1850 by Charles Barry, Maclise is commissioned in 1846 to paint murals in the House of Lords on such subjects as Justice and Chivalry.

In 1858, Maclise commences one of the two great monumental works of his life, The Meeting of Wellington and Blücher, on the walls of the Palace of Westminster. It is begun in fresco, a process which proves unmanageable. The artist wishes to resign the task, but, encouraged by Prince Albert, he studies in Berlin the new method of water-glass painting, and carries out the subject and its companion, The Death of Nelson, in that medium, completing the latter painting in 1864.

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Maclise’s vast painting of The Marriage of Strongbow and Aoife (1854) hangs in the National Gallery of Ireland, Dublin. It portrays the marriage of the main Norman conqueror of Ireland “Strongbow” to the daughter of his Gaelic ally. By the grand staircase of Halifax Town Hall, which is completed in 1863, there is a wall painting by Maclise.

The intense application which he gives to these great historic works, and various circumstances connected with the commission, has a serious effect on Maclise’s health. He begins to shun the company in which he formerly delighted, his old buoyancy of spirits is gone, and in 1865, when the presidency of the Royal Academy is offered to him he declines the honour. He dies of acute pneumonia on April 25, 1870 at his home 4 Cheyne Walk, Chelsea, London.

(Pictured lower right: The Marriage of Strongbow and Aoife)