Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the IRB, founded two years later in Dublin.
In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.
After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”
In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”
Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies suddenly at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.
In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.
In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.
Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.
In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.
In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”
Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”
In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”
In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”
During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.
After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.
In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.
Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.
In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.
In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”
In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”
Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.
The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.
The Bachelor’s Walk massacre occurs in Dublin on July 26, 1914, when a column of troops of the King’s Own Scottish Borderers is accosted by a crowd on Bachelor’s Walk following the Howth gun-running operation. After some verbal baiting, the troops attack “hostile but unarmed” protesters with rifle fire and bayonets, resulting in the deaths of four civilians and injuries to in excess of 30 more. The four killed are Mary Duffy (50), Patrick Quinn (50), James Brennan (18) and Sylvester Pidgeon (40) who succumbs to his wounds on September 24. One of those shot is Luke Kelly, the father of folk singer Luke Kelly.
The events follow the landing of 1,500 rifles and ammunition, purchased for the Irish Volunteers in Hamburg, Germany, in May 1914. In a counter operation to the Unionistsrunning guns into Ulster, Erskine Childers lands the cargo in Howth, County Dublin, and a thousand rifle-carrying Irish Volunteers marched into Dublin. The quantity is negligible when compared to the far greater numbers of weapons landed and distributed by the Ulster Volunteers, completely without hindrance, but the reaction this time is severe from the British ruling authorities.
The incident proves a moment of political opportunity for Irish nationalists as it sharply brings out the different treatment for the Unionists and for unarmed Dublin civilians. Patrick Pearse declares, “The army is an object of odium, and the Volunteers are the heroes of the hour. The whole movement, the whole country, has been re-baptised by bloodshed for Ireland.”
Hyde is born at Longford House in Castlerea, County Roscommon, on January 17, 1860. In 1867, his father is appointed prebendary and rector of Tibohine, and the family moves to neighbouring Frenchpark, in County Roscommon. He is home schooled by his father and his aunt due to a childhood illness. While a young man, he becomes fascinated with hearing the old people in the locality speak the Irish language.
Rejecting family pressure to follow previous generations with a career in the Church, Hyde instead becomes an academic. He enters Trinity College, Dublin (TCD), where he gains a great facility for languages, learning Latin, Greek, Hebrew, French, and German, but his great passion in life is the preservation of the Irish language.
After spending a year teaching modern languages in Canada, Hyde returns to Ireland. For much of the rest of his life he writes and collects hundreds of stories, poems, and folktales in Irish, and translates others. His work in Irish helps to inspire many other literary writers, such as W. B. Yeats and Lady Gregory.
In 1892, Hyde helps establish the Gaelic Journal and in November of that year writes a manifesto called The necessity for de-anglicising the Irish nation, arguing that Ireland should follow her own traditions in language, literature, and even in dress.
In 1893, Hyde founds the Gaelic League (Conradh na Gaeilge) along with Eoin MacNeill and Fr. Eugene O’Growney and serves as its first president. Many of the new generation of Irish leaders who play a central role in the fight for Irish independence in the early twentieth century, including Patrick Pearse, Éamon de Valera, Michael Collins, and Ernest Blythe first become politicised and passionate about Irish independence through their involvement in the Gaelic League. Hyde does not want the Gaelic League to be a political entity, so when the surge of Irish nationalism that the Gaelic League helps to foster begins to take control of many in the League and politicize it in 1915, Hyde resigns as president.
In 1938, Hyde is unanimously elected to the newly created position of President of Ireland, a post he holds until 1945. Hyde is inaugurated on June 26, 1938, in the first inaugural ceremony in the nation’s history. Despite being placed in a position to shape the office of the presidency via precedent, Hyde by and large opts for a quiet, conservative interpretation of the office. In April 1940, he suffers a massive stroke and plans are made for his lying in state and state funeral, but to the surprise of everyone he survives, albeit paralysed and confined to a wheelchair. One of his last presidential acts is a visit to the German ambassador Eduard Hempel on May 3, 1945, to offer his condolences on the death of Adolf Hitler, a visit which remains a secret until 2005.
Hyde leaves office on June 25, 1945, opting not to nominate himself for a second term. He opts not return to his Roscommon home due to his ill-health, but rather moves into the former Secretary to the Lord Lieutenant’s residence in the grounds of Áras an Uachtaráin, where he lived out the remaining four years of his life.
Hyde dies in Dublin on July 12, 1949, at age 89. As a former President of Ireland he is accorded a state funeral which, as a member of the Church of Ireland, takes place in Dublin’s St. Patrick’s Cathedral. Since contemporary rules of the Roman Catholic Church in Ireland at the time prohibit Roman Catholics from attending services in non-Catholic churches, all but one member of the Catholic cabinet remain outside the cathedral grounds while Hyde’s funeral takes place. Hyde is buried in Frenchpark, County Roscommon at Portahard Church.
Campbell is born in Belfast on July 15, 1879, into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.
Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.
Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.
Campbell becomes a Sinn FéinCouncillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County WaterfordFlying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.
Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.
On Tuesday, May 3, 2016, ceremonies to mark the 100th anniversary of the executions of Tom Clarke, Patrick Pearse and Thomas MacDonagh are held in the Stonebreakers’ Yard in Kilmainham Gaol, the first executions of the leaders of the Easter Rising. Pearse, Clarke and MacDonagh are remembered in similar but distinct commemorations which take place on the spot where they died on May 3, 1916.
The transcripts of the short courts-martial are read aloud. In the case of Tom Clarke, who offered no defence and made no statement prior to his execution, the proceedings take only a few minutes to recount.
The presence of Capuchin friars from Church Street lends a sense of continuity to proceedings. Their predecessors had been there for the men in their final hours and their testimony is read aloud by their contemporaries.
Capuchin friar Adrian Kearns recalls the testimony of Fr. Columbus Murphy, who ministered to Pearse in his final hours. He did not “quail before the possibility of death . . . but faced his last moments with dignity and with grace.” Fr. Murphy remembered Pearse being a “sad, forlorn figure weighed down by the sense of responsibility” who lamented the loss of life and hoped it would not be in vain.
A wreath is laid on behalf of the Pearse family by his namesake Patrick Pearse, a great grandnephew.
Brother Peter Rogers recalls that Clarke was defiant rather than melancholic in his last hours. Fr. Murphy visited him as well. Clarke, the friar recalls, was “relieved that he was to be executed. His one dread was that he would be sent to prison again.” There is no member of Clarke’s family present to represent him at the commemorations, so a wreath is laid on behalf of the family by the staff of Kilmainham Gaol.
Several of MacDonagh’s surviving grandchildren are present. His granddaughter, Barbara Cashin, lays a wreath on behalf of the family. Her father Donagh and her aunt Barbara are left orphans a year after the Easter Rising when MacDonagh’s wife Muriel drowns off the coast of Skerries in July 1917. Cashin says her father had mixed feelings about the Rising, given the double tragedy that befell him and his sister a short time afterwards. “He had a horrendous childhood. He had a strange upbringing and hated to talk about it,” she says. “He had a split mind about it. I remember asking him as a child about it and saying he must be proud. Weren’t they wonderful. He said, ‘they may have been fools as well.’”
The commemorations are repeated the following day for the next four to have been executed: Joseph Plunkett, Edward Daly, Michael O’Hanrahan and Willie Pearse. Similar events are scheduled through May 12 to mark the exact centenary of the executions of the remaining eight men killed by a British Armyfiring squad at the Stonebreakers’ Yard.
In a letter to his family written on April 30, 1916, Thomas MacDonagh recalls “I was astonished to receive by a messenger from P.H. Pearse, Commandant General of the Army of the Irish Republic, an order to surrender unconditionality to the British General. I did not obey the order as it came from a prisoner. I as then in supreme command of the Irish Army, consulted with my second in command and decided to confirm the order. I knew that it would involve my death and the deaths of other leaders. I hoped that it would save many true men among our followers, good lives for Ireland. God grant it has done so and God approve our deed. For my self I have no regret. The one bitterness that death has for me is the separation it brings from my beloved wife Muriel, and my beloved children, Donagh and Barbara. My country will then treat them as wards, I hope. I have devoted myself too much to National work and too little to the making of money to leave them a competence. God help them and support them, and give them a happy and prosperous life. Never was there a better, truer, purer woman than my wife Muriel, or more adorable children than Don and Barbara. It breaks my heart that I shall never see my children again, but I have not wept or murmured. I counted the cost of this and am ready to pay it. Muriel has been sent for here. I do not know if she can come. She may have no one to take the children while she is coming. If she does.”
MacDonagh and Pearse are contemporaries of one another: poets, progressive educators, Gaelic revivalists. They are men who gird for battle “with a revolver in one hand and a copy of Sophocles in the other.” Each man commands a unit of Irish Volunteers during the Easter Rising, which takes place the week of April 24-30,1916. MacDonagh occupies Jacob’s biscuit factory and Pearse the General Post Office (GPO), from which he issues the surrender at the end of the week.
McDonagh and Pearse are signatories of the Proclamation of the Irish Republic, a document issued by the Irish Volunteers and the Irish Citizen Army at the beginning of the Easter Rising, proclaiming Ireland’s independence from the United Kingdom. The reading of the proclamation by Pearse outside the General Post Office (GPO) on Sackville Street (now O’Connell Street), Dublin‘s main thoroughfare, marks the beginning of the Rising.
Pearse’s and MacDonagh’s signatures on the Proclamation are a fatal endorsement for them and for each of the other five men to lend it their signatures. After being court-martialed, both Pearse and MacDonagh, along with Thomas Clarke, are executed by firing squad at Kilmainham Gaol in Dublin on May 3, 1916, the first of the rebels to be executed.
(Pictured: Thomas McDonagh (left) and Patrick Pearse)
Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”
Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.
Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.
She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.
Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.
In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.
Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.
Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.
She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.
Margaret Brady is born to Patrick Brady, a coal merchant whose family are from County Meath, and Brigid Brady (née Savage) of Oldtown, Dublin. She is baptised in St. Lawrence O’Toole’s parish. At the time, her parents are living at 1 Clarence Street. She has three known siblings and is educated by the Sisters of St. Vincent de Paul. She is employed as a stationery shop assistant where she meets her future husband, James Pearse.
In 1877, she marries James Pearse at St. Agatha’s Church, off the North Strand. James is born in Bloomsbury, Middlesex, on December 8, 1839, and later lives in Birmingham. He comes to Ireland to work as a sculptor in the late 1850s with his first wife, Emily Susanna Fox, who dies in 1876. They have four children together. The first three children are Margaret Mary (born on August 4, 1878), Patrick (born on November 10, 1879) and William (born on November 15, 1881). All three children are born while the family lives in 27 Great Brunswick Street. Their youngest child, Mary Brigid, is born on September 29, 1888, by which time the family has moved to Newbridge Avenue, Sandymount. Pearse’s aunt, Margaret Brady, an Irish speaker, is a frequent visitor to the family home and encourages the children’s interest in the Irish language and culture. Her husband dies in 1900. Pearse does not permit her children to play with other children, however, she supports her children in all their aspirations. She has a very strong relationship and consequent effect on her eldest son, Patrick, who founds St. Enda’s School in 1908 and is the headmaster up until the time of his execution. She takes over the responsibility of Housekeeper at the school.
Pearse supports her sons’ political beliefs. After their execution, she wishes to maintain their legacy and becomes involved in political life. She joins Sinn Féin after the Rising and gives support and endorsement to candidates during the 1918 Westminster election. During the 1920 Poor Law Elections for the Rathmines area of Dublin, she stands as a Sinn Féin candidate and is elected on the first count. She is elected to Dáil Éireann as a Sinn Féin Teachta Dála (TD) for the Dublin County constituency at the 1921 Irish elections.
Pearse strongly opposes the Anglo-Irish Treaty, as do all the female TDs. She states during the Treaty debate that:
“I rise to support the motion of our President for the rejection of the Treaty. My reasons for doing so are various, but my first reason for doing so I would like to explain here today is my son’s account. It has been said here on several occasions that Patrick Pearse would have accepted this Treaty. I deny it. As his mother I deny it, and on his account, I will not accept it.”
Later she continues in a similar vein:
“Always we had to be on the alert. But even the Black and Tans alone would not frighten me as much as if I accepted this Treaty; because I feel in my heart – and I would not say it only I feel it – that the ghosts of my sons would haunt me.”
Following the ratification of the Treaty Pearse leaves the Dáil with the other anti-Treaty deputies. She is defeated at the 1922 Irish general election. She supports those who oppose the Treaty during the Irish Civil War and continues to be a member of Sinn Féin until 1926. In 1926 she leaves the party conference with Éamon de Valera and becomes a founder member of Fianna Fáil. She never stands for election again.
At the launch of The Irish Press newspaper, Pearse is asked to press the button to start the printers rolling. At many public occasions she states that were her sons alive they too would have joined Fianna Fáil. Accordingly, Patrick Pearse is recognised as the spiritual figurehead of the party to this day.
After Patrick’s death, the responsibility for running the school falls to Pearse and her two daughters. As Patrick Pearse had died without a will, the school is left in a precarious financial position. In May 1924, when she is aged 70, she undertakes a trip to the United States to raise funds for the school, alongside showing support for Éamon de Valera and the Irish Republic. At an event in Brooklyn on May 19, 1924, when referencing the execution of her two sons, she declares herself the “proudest mother in Ireland.” She also states that Michael Collins had attempted to “bribe” her with an offer to subsidise the school, which she refused. During a meeting in Seattle on August 11, 1924, she again discusses her sons and how she believes “the best way to honour their memory was to carry on their work for Ireland.” She raises over $10,000 in donations for the school during the trip. Notwithstanding her fundraising activities, St. Enda’s continues to decline and eventually closes in 1935. Great Brunswick Street, where she and the Pearse family originally lived, is renamed Pearse Street in 1920 by a resolution passed at the Dublin City Council meeting.
Pearse dies on April 22, 1932. She is honoured with a large state funeral and a motion is passed at the meeting of Dublin City Council expressing sympathy with the Pearse family. On April 26, 1932, sizeable crowds pay their respects as her funeral procession makes its way through the streets of Dublin. At the General Post Office (GPO), where Patrick and William fought during the Easter Rising, the funeral cortege pauses for a minute of silence before proceeding to Glasnevin Cemetery. Éamon de Valera gives an oration as she is laid to rest, which praises her inspiring courage, charity and cheerfulness during the years after her son’s death.
After Pearse’s death, her daughter, Mary Margaret, continues to reside at St. Enda’s. She also joins Fianna Fáil, and serves as a TD from 1933 to 1937 and later serves in Seanad Éireann as a Senator from 1938 until her death in 1968. Upon her death, as per her mother’s request, she passes St. Enda’s on to the people of Ireland.
seamus dubhghaill 