Norman Derek Mahon, Irish poet, is born in Belfast, Northern Ireland, on November 23, 1941, but lives in a number of cities around the world. At his death it is noted that his “influence in the Irish poetry community, literary world and society at large, and his legacy, is immense.” President of IrelandMichael D. Higgins says of Mahon, “he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness.”
At Inst Mahon encounters fellow students who share his interest in literature and poetry. The school produces a magazine in which he produces some of his early poems. According to the critic Hugh Haughton, his early poems are highly fluent and extraordinary for a person so young. His parents cannot see the point of poetry, but he sets out to prove them wrong after he wins his school’s Forrest Reid Memorial Prize for the poem ”The power that gives the water breath.”
At times expressing anti-establishment values, Mahon describes himself as an “aesthete” with a penchant “for left-wingery […] to which, perhaps naively, I adhere.”
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ends its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.
Mahon dies in Cork, County Cork, on October 1, 2020, after a short illness, aged 78. He is survived by his partner, Sarah Iremonger, and his three children, Rory, Katy, and Maisie. His papers are held at Emory University.
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)
Dermot Healy, Irish novelist, playwright, poet and short story writer, dies at his home in Ballyconnell, Sligo, County Sligo, on June 29, 2014. A member of Aosdána, he is also part of its governing body, the Toscaireacht. He is described variously as a “master,” a “Celtic Hemingway” and as “Ireland’s finest living novelist.”
Healy is born in Finnea, County Westmeath, on November 9, 1947, the son of a Guard. As a child the family moves to Cavan, County Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.
Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.
Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow, County Sligo.
Muldoon, the eldest of three children, is born on June 20, 1951, on a farm in County Armagh, Northern Ireland, outside The Moy, near the boundary with County Tyrone. His father works as a farmer (among other jobs) and his mother is a school mistress. In 2001, Muldoon says of the Moy:
“It’s a beautiful part of the world. It’s still the place that’s ‘burned into the retina,’ and although I haven’t been back there since I left for university 30 years ago, it’s the place I consider to be my home. We were a fairly non-political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we’d hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn’t really socialise a great deal. We were ‘blow-ins’ – arrivistes – new to the area, and didn’t have a lot of connections.”
Talking of his home life, Muldoon continues, “I’m astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopedia, which I certainly read again and again. People would say, I suppose that it might account for my interest in a wide range of arcane bits of information. At some level, I was self-educated.” He is a “Troubles poet” from the beginning.
In 1969, Muldoon reads English at Queen’s University Belfast (QUB), where he meets Seamus Heaney and becomes close to the Belfast Group of poets which include Michael Longley, Ciaran Carson, Medbh McGuckian and Frank Ormsby. He says of the experience, “I think it was fairly significant, certainly to me. It was exciting. But then I was 19, 20 years old, and at university, so everything was exciting, really.” He is not a strong student at QUB. He recalls, “I had stopped. Really, I should have dropped out. I’d basically lost interest halfway through. Not because there weren’t great people teaching me, but I’d stopped going to lectures, and rather than doing the decent thing, I just hung around.” During his time at QUB, his first collection New Weather (1973) is published by Faber & Faber. He meets his first wife, fellow student Anne-Marie Conway, and they are married after their graduation in 1973. The marriage breaks up in 1977.
For thirteen years (1973–86), Muldoon works as an arts producer for the BBC in Belfast. In this time, which sees the most bitter period of the Troubles, he published the collections Why Brownlee Left (1980) and Quoof (1983). After leaving the BBC, he teaches English and Creative Writing at the University of East Anglia and at Gonville and Caius College and Fitzwilliam College, Cambridge, where his students include Lee Hall (Billy Elliot) and Giles Foden (The Last King of Scotland). In 1987, he emigrates to the United States, where he teaches in the creative writing program at Princeton University. He is Professor of Poetry at Oxford University for the five-year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.
Hutchinson is born in Glasgow, Scotland, on February 16, 1927. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012. His extensive archive is in the library of Maynooth University. Its opening on May 24, 2015, is accompanied by the inauguration of an annual Pearse Hutchinson seminar and the launch of a collection of unpublished Hutchinson poems, Listening to Bach.
Some critics argue that Hutchinson’s concern with simplicity and Ireland’s place in the comparative history of human oppression too often deteriorates into banality, didacticism, and regurgitation of sentimental revivalist tropes. Even these, however, acknowledge his occasional greatness, while his champions argue that his achievement has not yet been fully recognised and absorbed.
Durcan grows up in Dublin and in Turlough, County Mayo. His father, John, is a barrister and circuit court judge. He has a difficult and formal relationship with his father. He enjoys a warmer and more natural relationship with his mother, Sheila MacBride Durcan, through whom he is a great-nephew of both Maud Gonne, the Irish social and political activist, and John MacBride, one of the leaders of the Easter Rising, which begins the Irish War of Independence leading to the foundation of the Irish Free State.
In 1966, Durcan moves to London, where he works at the North Thames Gas Board. He meets Nessa O’Neill in 1967 and they marry and have two daughters, Sarah and Siabhra. They live in South Kensington, then move to Cork, where his wife teaches in a prison. The marriage ends in early 1984.
Durcan’s main published collections include A Snail in my Prime, Crazy About Women, Greetings to Our Friends in Brazil and Cries of an Irish Caveman. He appears on the 1990 Van Morrison album Enlightenment, giving an idiosyncratic vocal performance on the song “In The Days Before Rock’n’Roll,” which he also co-writes.
In 2003, Durcan publishes a collection of his weekly addresses to the nation, Paul Durcan’s Diary, on RTÉ Radio 1 programme Today with Pat Kenny. He gets his inspiration from Paidraig Whitty, a local Wexford poet. He is shortlisted in 2005 for the Poetry Now Award for his collection The Art of Life (The Harvill Press, 2004). In 2009, he is conferred with an honorary degree by Trinity College, Dublin. He is the Ireland Fund Artist-in-Residence in the Celtic Studies Department of St. Michael’s College at the University of Toronto in October 2009. In 2011 he is conferred with an honorary doctorate from University College Dublin.
Between 2004 and 2007 Durcan is the third Ireland Professor of Poetry. He is a member of Aosdána. Awards he has received include the Patrick Kavanaugh Poetry Award (1974), the Irish American Culture Institute Poetry Award (1989), the Whitbread Prize for Daddy, Daddy (1990) and the London Poetry Book Society choice for The Berlin Wall Café.
A number of poems from Durcan’s poetry career are studied by Irish students who take the Leaving Certificate.
Hutchinson’s father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012.
Healy is the son of a Guard. As a child the family moves to Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.
Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.
Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow.
seamus dubhghaill 