Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” reaches No. 1 in the Irish Singles Chart with “The Boys From The County Armagh” on July 2, 1957. She is widely regarded as “Ireland’s first international pop star.”
Gallagher is born on September 7, 1924 in Creeslough, County Donegal. She starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.
Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.
Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.
Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.
Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.
Ó Súilleabháin is born on the Great Blasket Island on February 19, 1904. Following the death of his mother when he is six months old, he is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to the Great Blasket Island to live with his father, grandfather and the rest of his siblings, and learns the native language.
Ó Súilleabháin is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who had come to the island to hear and learn the Irish language. It is Thomson who encourages him to join Garda Síochána in Dublin in 1927 rather than emigrate to the United States as do most of the young people. He is stationed in the Gaeltacht area of Connemara, where he maintains contact with Thomson.
Fiche Blian ag Fás is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture has continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn Davies.
While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E. M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when Ó Súilleabháin tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.
In 1934, Ó Súilleabháin leaves the Guards and settles in Connemara. He marries Cáit ní Chatháin of Carraroe on July 10, 1934. They have one daughter, Máirín, and one son, Eoin, a dramatist and writer.
Ó Súilleabháin drowns on June 25, 1950, while swimming off the Connemara coast. He is buried at Barr an Doire near Carraroe. Dylan Thomas commences, but does not finish, a film script of Twenty Years a-Growing. The partially completed film script is published in 1964.
Béaslaí is born Percy Frederick Beazley in Liverpool, England on February 15, 1881, to Irish Catholic parents, Patrick Langford Beazley, originally from Killarney, County Kerry, and Nannie Hickey, from Newcastle West, County Limerick. During his summer holidays in his younger years, he spends time in Ireland (near Kenmare, County Kerry) with his paternal uncle, Father James Beazley, where he begins to learn the Irish language. He is educated at St. Francis Xavier’s College in Liverpool, where he develops his keen interest in Irish. By the time he is aged 17 his Irish proficiency is exceptional.
After finishing his education at St. Francis Xavier’s, Béaslaí is encouraged to begin Irish poetry by Tadhg Ó Donnchadha. He follows his father’s footsteps into journalism, initially working for the local Wallasey News. In 1906 he moves to Dublin, and within a year becomes a freelance writer for the Irish Peasant, Irish Independent, Freeman’s Journal and Express. He is offered a permanent position with Independent Newspapers, as assistant leader writer and special reporter for the Dublin Evening Telegraph. He writes regularly for the Freeman’s Journal, including a daily half-column in Irish.
After his early introduction to Irish poetry Béaslaí becomes involved in staging Irish-language amateur drama at the Oireachtas annual music festival. He begins to write both original works and adaptations from foreign languages. One of these works, Eachtra Pheadair Schlemiel (1909), is translated from German into Irish.
Later Béaslaí continues to write poetry, such as the collection “Bealtaine 1916” agus Dánta Eile (1920), and short stories such as “Earc agus Aine agus Scéalta Eile.” Between 1913 and 1939 he writes many plays, including Cliuche Cartaí (1920), An Sgaothaire agus Cúig Drámaí Eile (1929), An Danar (1929) and An Bhean Chródha (1931). He writes two books about his comrade Michael Collins: Michael Collins and the Making of a New Ireland (2 volumes, 1926) and Michael Collins: Soldier and Statesman (1937).
Béaslaí’s works revolve around the Irish language movement and the Irish Republican Army (IRA), focusing on the independence struggle of Ireland. He writes about these topics in newspapers such as the Standard and The Kerryman. His most notable work in newspapers during his later life includes his contribution to the Irish Independent, which publishes a section called ‘A Veteran Remembers’ five days a week from May 16 to June 1957, as well as a weekly section called ‘Moods and Memories’ on Wednesdays from May 24, 1961, to June 16, 1965.
One of the awards Béaslaí gains during his career is on August 14, 1928, a gold medal at the Tailteann Literary Awards. While in Dublin, he joins the Keating Branch of the Gaelic League, and after he moves to Ireland, he begins using the Irish form of his name, Piaras Béaslaí, rather than Percy Beazley.
Béaslaí is a founding member of the Irish Volunteers in 1913. In January 1916 he serves as a courier for political activist and revolutionary leader Seán Mac Diarmada. By the time of the Easter Rising that year, he is deputy commanding officer of the 1st Dublin Battalion. In an audio recording to which he contributes in 1958, he details his experience in the Rising, describing the rebels assembling before noon in Blackhall Street at battalion headquarters. After midday they march out to the Four Courts, erecting barricades as they do so. The Four Courts is his main station.
In the audio, Béaslaí recalls a green flag with a gold harp in the centre. This is the non-Sinn Féin flag at the time. He is in direct charge of the Four Courts area, and at one point during the fight he orders a complete blackout. He recalls, “things were going badly for the English soldiers” and describes the whole event as “a weird experience.” He remembers the streets being lit up with fires in the darkness as if it were bright as day. He speaks of the intensity of the firing line and then how it suddenly ceases on the Friday. He remembers falling asleep and when he awakens being presented with Patrick Pearse‘s order to surrender. The rebels are brought to Richmond Barracks. He then spends fifteen months in English prisons.
Béaslaí serves three years of penal servitude divided between a stringent HM Prison Portland and a more lenient HM Prison Lewes. He is then imprisoned two times within four months during 1919, both terms ending in celebrated escapes. After his final prison release, Michael Collins approaches him about editing An tOglach, the Irish Volunteer newspaper. This sees communication between GHQ and local volunteers drastically improve.
Later, Béaslaí becomes director of publicity for the Irish Republican Army, and at the 1918 Irish general election he is elected to the First Dáil as Sinn Féin MP for East Kerry. Sinn Féin MPs elected in the Westminster elections of 1918 refuse to recognise the Parliament of the United Kingdom, and instead assemble the following January at the Mansion House in Dublin as a revolutionary parliament, Dáil Éireann. Béaslaí is noted for his translation of the democratic programme of the First Dáil, which he reads aloud at the inaugural sitting.
Béaslaí and Con Collins share the distinction of having been elected in three Irish general elections unopposed by any other candidates.
During Béaslaí’s time in London, he gives a lot of his time to the Gaelic League. In the Keating branch of the league, in Ireland, he develops an interest in the IRB. Cathal Brugha, a branch member, asks him to join the IRB. The Keating branch is where Béaslaí meets Michael Collins, eventually introducing Collins to his cousin and fellow branch member, Elizabeth Mernin. He is also instrumental in establishing An Fáinne, an Irish-speaking league whose members vow to speak solely Irish among themselves and wear a membership badge of a circle. This coincides with his involvement in the IRB. His love of the Irish language gives him an opportunity to delve into his other hobbies. He writes for Banba, an Irish journal published by the Gaelic League. He is able to express his love for theatre, in the Gaelic League, forming a group of men called “Na hAisteoirí.”
Patterson is born on November 10, 1867, at Forgney, Ballymahon, County Longford, the son of a Protestant father and a Roman Catholic mother. He joins the British Army at Dublin in 1885 and is posted with the 3rd Dragoon Guards to India. In 1892 he is seconded to the Indian military works department as a supervisor of civil engineering projects. In 1894 he marries Frances Helena Gray, daughter of William Gray of Cork and Belfast, a building surveyor who founded the free library movement in Belfast. She goes on to earn science and law degrees.
In 1898 Patterson is sent to British East Africa to supervise 3,000 Indian and African labourers who are building a railway bridge spanning the Tsavo River as part of the Mombasa to Lake Victoria line. Construction is interrupted when two man-eating lions repeatedly attack the labourers’ camp at night. He embarks on a lion hunt, but by the time he shoots the two lions they have mauled and mutilated between 130 and 140 labourers.
The following year Patterson leads a safari trip in the protectorate accompanied by Audley James Blyth, a son of James Blyth, 1st Baron Blyth, and his wife, Ethel Jane. During the expedition Blyth shoots himself in the head with a revolver and dies. Patterson claims that Blyth was suffering from heat stroke, but there are rumours of a romantic attachment between Patterson and Mrs. Blyth. The colonial secretary Lord Crewe exonerates Patterson in return for his resignation as chief game warden. The incident serves as the plot for Ernest Hemingway‘s short story “The Short Happy Life of Francis Macomber.”
In 1913 Patterson commands the West Belfast division of the Ulster Volunteer Force (UVF) and sees service in Flanders before being sent to Egypt in early 1915. In Alexandria, two Russian Jewish Zionists, the journalistZe’ev Jabotinsky and veteran of the Russo–Japanese WarJoseph Trumpeldor, ask General John Maxwell, commander of the British forces in Egypt, to establish a Jewish legion that will liberate the Holy Land from the Turks. Maxwell refuses, proposing instead that the Jews form a volunteer transport unit to serve in Gallipoli. Patterson, who is imbued with a deep knowledge of the Old Testament and draws spiritual sustenance from biblical heroes such as Joshua and Gideon, is appointed commander of the Assyrian Jewish refugee mule corps, a colonial corps of the Egyptian expeditionary force. He sails with the Zion Mule Corps, as it is popularly known, to Gallipoli in April 1915, where the corps serves with distinction, carrying water and ammunition to the Allied troops on the peninsula. He falls ill in November 1915 and is sent to convalesce in London. The Zion Mule Corps is evacuated from Gallipoli in December and disbanded in March 1916.
When manpower and political considerations persuade the British authorities to create the Jewish Legion in 1917, Patterson is appointed its commander. He marches his 38th Battalion Royal Fusiliers through the City of London and Whitechapel, cheered by a crowd of several thousand Jews. The Jewish Legion participates in General Edmund Allenby‘s sustained attack, which successfully pushes the Turks out of Palestine. His experiences with his Jewish soldiers turn him into a committed Zionist. In 1916 he writes With the Zionists in Gallipoli, and in 1922 With the Judaeans in the Palestine Campaign, which contain a scathing attack on Britain’s policy towards the Jews during and after World War I.
Throughout the 1920s and 1930s, Patterson increasingly allies himself with the revisionist Zionist agenda espoused by Jabotinsky’s New Zionist Organisation. When World War II breaks out, he travels with Jabotinsky to the United States, moving permanently to La Jolla, California, in 1940. With others, including the Irish Jew and later Lord Mayor of DublinRobert Briscoe, he agitates for the formation of a large Jewish army that would fight with the Allies against Nazi Germany. After Jabotinsky’s death in 1940, he works with Benzion Netanyahu, the Palestinian Jewish executive director of the American revisionist Zionists. In 1946 he becomes godfather to Netanyahu’s first son, who is named Yonatan (the closest Hebrew name to John) in Patterson’s honour. Yonatan later leads Operation Entebbe, the successful 1976 Israeli raid on Entebbe Airport to free Israeli hostages.
On June 18, 1947, just a year before the establishment of the Zionist state of Israel, for which he had worked so hard, Patterson dies at Bel Air, California. A week later, the United Zionist Revisionists of Great Britain hold a memorial meeting at the Anglo–Palestinian Club near Piccadilly Circus in Patterson’s memory. His documents and personal effects are held at the Jabotinsky Institute and Museum in Tel Aviv. His uniform and other memorabilia are on display in Beit Hagdudim, the Jewish Legions Museum at Netanya, Israel. His two man-eating lions are on display in Chicago’s Field Museum of Natural History, where his son Bryan Patterson later serves as curator.
(From: “Patterson, John Henry” by Yanky Fachler, Dictionary of Irish Biography, http://www.dib.ie)
Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.
In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years, he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”
Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation, and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.
Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars but never becomes popular.
With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.
One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a ProtestantAnglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.
Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.
(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)
Murphy’s father is Nicholas Murphy and her mother Mary Gertrude Purcell of Carrigmore, in Montenotte, Cork. She is sent away to school, to a convent in Sussex, England.
At Christmas 1915 Murphy attends an evening at the Fleischmann home where she meets Terence MacSwiney. Her family does not want the couple involved and does not approve of her growing interest in nationalism and socialism. In 1917 she marries MacSwiney in St. Joseph’s Church, Bromyard, Herefordshire, while he is interned due to his involvement in the Easter Rising of 1916. Her bridesmaid is Geraldine O’Sullivan, and his best man is Richard Mulcahy. The couple had waited until she had come of age at 25 so that she is financially independent of her parents. They have a daughter, Máire MacSwiney Brugha.
MacSwiney sees very little of her husband during their married life as he is often arrested. He dies due to his hunger strike on October 25, 1920, as Lord Mayor of Cork. Her husband’s death has a huge impact on her life, being a public event as well as a personal loss. She completes a lecture and interview tour of the United States, over nine months, with his sister Mary. She is the first woman to be given the Freedom of New York City, in 1922.
MacSwiney begins to suffer from depression and takes her daughter to Germany, leaving her there while she travels Europe. She eventually loses custody of her child and by 1934 she no longer has any involvement in her daughter’s life.
MacSwiney spends a lot of time in Paris, where she continues to be engaged with politics, typically those of left-wing, including communist, groups. She becomes involved with Pierre Kaan and they have a daughter, Alix, who is born on May 5, 1926, in Germany. Kaan is sent to a concentration camp by the Gestapo and dies on May 18, 1945, as a result of his treatment there.
MacSwiney is critical of American foreign policy on Vietnam, calling the United States a “world imperialist power.”
MacSwiney never resolves her relationships with either her own daughter or her family. She is paid a pension as the widow of Terence MacSwiney from 1950. She is living in Tonbridge in Kent with her daughter near the end of her life. She dies on October 26, 1982, at Oakwood Hospital in Barming Heath near Maidstone.
On June 1, 1866, a group of Fenian soldiers cross the border from the United States into Canadian territory. The events of the so-called Fenian invasion of Canada leave the organisation utterly discredited and cause much dismay among Irish American communities.
The roots of the invasion go back to 1865 when the Fenians in the United States break into two factions, one headed by William Roberts and the other by John O’Mahony, a founding member of the Fenian Brotherhood in the United States. It is the Roberts wing which proposes a Fenian invasion of Canada. A number of facts are put forward by Roberts and others in support of this plan. In 1865 there are tens of thousands of battle-hardened Irish veterans of the American Civil War, as well as many officers from both the Union and Confederate armies. It is initially proposed to utilise these soldiers for an incursion into Canada that would be timed to coincide with a revolution in Ireland, thus causing Great Britain to be engaged in two widely separated theatres of war.
When it becomes apparent that the hoped-for rising in Ireland is not going to take place, the goal of the invasion is changed. The Fenians now hope that they can engineer a border incident that will entangle British forces in a war with the United States.
At the time the U.S. Government has a fractious relationship with their British counterparts, a remnant of the British Empire‘s partiality towards the Confederacy during the American Civil War. During the war the British Government comes close to granting diplomatic recognition to the Confederacy and British shipyards provide raiding vessels such as the notorious USS Alabama to the South. While this ill-feeling is unlikely to lead to full-scale conflict, the U.S. Government is in no mood to provide any aid to the British in Canada. PresidentAndrew Johnson is aware of the Fenian’s plans but does little to hinder them.
The two competing Fenian factions launch separate operations. In April 1866, the O’Mahony wing attempts to seize Campobello Island near New Brunswick but the Fenian attackers are easily dispersed by U.S. naval forces. The Roberts wing launches its attack on Canada under the command of a civil war veteran, General John Charles O’Neill, on June 1, 1866.
General O’Neill leads a force of over one thousand men into Canadian territory near Fort Erie, Ontario. His invading army has some initial success, winning two engagements including the so-called Battle of Ridgeway with around ten fatalities (with a similar number on the Canadian side). O’Neill’s troops keep their discipline and local civilians are respected, as are Canadian prisoners of war. One soldier, Lance Corporal William Ellis, later writes, “the Fenians treatment of myself and the other prisoners was kind and considerate in the extreme.”
Yet, O’Neill is aware that far larger Canadian forces are approaching and on June 3 feels it prudent to take his army back to American territory, while they await reinforcements. However, the U.S. government is now fearful that events are spiralling out of control. Once back across the border, O’Neill’s army is met by American troops who intervene to prevent the Fenians from making any further attacks. Over the following days the Fenian army is broken up by American forces. O’Neill is arrested by U.S. Marshals and temporarily incarcerated. A second, smaller, incursion into Canada follows on June 6 but this, too, makes little headway. This second Fenian army is also broken up by U.S. forces when back on American soil. By June 8 the Fenian invasion of Canada is over.
The whole invasion demonstrates the futility of the Fenian strategy. It proves that the Canadians would fight to preserve their territory and that they could mobilise thousands of their population to do so. There is little hope that the Fenians could muster the required number of troops necessary to seize and then to hold Canadian territory. Most importantly, there could be no doubt now that the U.S. Government would not, despite its tempestuous relationship with the British Empire, offer any support to a Fenian invasion. Nor would the U.S. Government allow itself to be embroiled in a border war with British or Canadian forces. Nevertheless, these lessons are ignored by some Fenians for whom the idea of attacking Canada is a worthwhile objective over the following few years.
In 1870 another convention takes place amid more internal wrangling within the Brotherhood. There, a decision is made to launch a new attack on Canada. Once again John O’Neill commands the Fenians, among whose army is John Boyle O’Reilly, a young journalist. O’Reilly makes detailed reports on the invasion, an event that proves disastrous for Fenianism in the United States.
In 2006 Feeley completes a doctorate (Doctor of Philosophy in Music [Performance]) at Maynooth University, which involves a major thesis in three volumes with the title Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary.
Feeley is an enthusiastic champion of contemporary Irish music and in this capacity has commissioned works from many of Ireland’s leading composers including Seóirse Bodley, John Buckley, Jerome de Bromhead, Jane O’Leary, Brent Parker and Eric Sweeney. He also has a great interest in traditional Irish and Scottish music and has recorded with The Chieftains and published his own arrangements of traditional melodies.
Feeley has been described by The Washington Post as “Ireland’s leading classical guitarist” and by Michael Dervan in The Irish Times as “a trailblazer … when it comes to the guitar and guitar-playing in Ireland.”
Although born in Dublin, Tynan’s family home is in Johnstown, County Kilkenny. He is born with phocomelia, causing both of his lower legs to be underdeveloped. Although now 6’4″ tall, his legs are unusually short, his feet are splayed outward, and he has three toes on each foot. He is one of a set of twins, his twin brother Edmond dying at 11 months old. At age 20, he has his legs amputated below the knee following a back injury in a car accident. The injury to his back makes it impossible for him to continue using prosthetic legs without the amputation. Within weeks of the accident, he is climbing stairs at his college dormitory on artificial legs. Within a year, he is winning in international competitions in track and field athletics. He represents Ireland in the 1984 and 1988 Summer Paralympics, winning four golds, two silvers, and one bronze medal. Between 1981 and 1984, he wins 18 gold medals from various competitions and sets 14 world records.
In the following years, Tynan becomes the first person with a disability to be admitted to the National College of Physical Education in Limerick. He works for about two years in the prosthetics industry, then goes to Trinity College, Dublin, becomes a physician specialising in Orthopedic Sports Injuries, and graduates in 1993. Encouraged to also study voice by his father Edmund, Tynan wins a series of voice competition awards and joins The Irish Tenors.
Tynan sings for George H. W. Bush at Bush’s Houston home on the day of the president’s death on November 30, 2018. The first song is “Silent Night,” while the second is a Gaelic song. Bush’s friend and former aide James Baker says that while Tynan is singing “Silent Night,” “believe it or not, the president was mouthing the words.”
While a real estate agent and prospective buyer Dr. Gabrielle Gold-von Simson are looking at an apartment in Tynan’s building on Manhattan‘s East Side, Tynan makes what is construed to be an anti-semitic remark. Shortly after this, the New York Yankees cancel Tynan’s performance of “God Bless America” for Game 1 of the 2009 American League Championship Series on October 16, 2009 because of the incident.
According to Tynan’s version of the event, two Jewish women came to view an apartment in his building. Some time afterwards, another real estate agent shows up with a potential client. The agent jokes to Tynan “at least they’re not (Boston) Red Sox fans.” Tynan replies, “As long as they’re not Jewish,” referring to the exacting women he had met earlier. The prospective client, Jewish pediatrician Dr. Gabrielle Gold-Von Simson, takes umbrage and says, “Why would you say that?” Tynan replies, “That would be scary,” and laughs, referring to the previous incident. He subsequently apologises for his remark. The Anti-Defamation League (ADL) accepts his apology. He performs at an ADL event in Manhattan soon thereafter.
Only July 4, 2010 Tynan performs “God Bless America” for the Boston Red Sox at Fenway Park with the support of some in the local Jewish community.
Siobhán Cleary, composer, is born in Dublin on May 10, 1970. Her most successful compositions are her orchestral works Alchemy and Cokaygne and her choral piece Theophilus Thistle and the Myth of Miss Muffett. Her opera Vampirella is first performed in Dublin in March 2017. She is a member of Aosdána.
Inspired by the alchemists’ Opus Alchymicum which describes how cheaper metals are transmuted into gold, Cleary’s orchestral work Alchemy (2001) is, like the stages in the Opus, presented in four parts: it evolves from the slow nigrendo, the moderate albedo, the strong citronatus, and the burning rubedo. The work is performed by the RTÉ National Symphony Orchestra in January 2002.
Cleary’s tone poem Cokaygne (2009), which, like Alchemy, is commissioned by RTÉ for the National Symphony Orchestra, is based on a poem and old sources which evoke a land of extreme luxury and contentment. The elaborately orchestrated piece is performed by the RTÉ National Symphony Orchestra in November 2009, Vladimir Altschuler conducting. It is performed by the RTÉ National Symphony Orchestra once again in June 2016, this time under the baton of Alan Buribayev.
Cleary’s choral work Theophilus Thistle and the Myth of Miss Muffett (2010), commissioned by the Cork International Choral Festival, is first performed in April 2011 by Chamber Choir Ireland directed by Paul Hillier. The work is based on a series of tongue twisters and other strange combinations of words popular in various European languages and dialects, moving from Italy, through Germany and Spain, finishing in Ireland. In 2013, it is performed twice by Chamber Choir Ireland in Dublin and Cork in connection with Ireland’s presidency of the European Union. The journalist and music critic Terry Blain comments on the choir’s “dazzingly virtuosic performance” in Belfast in 2013, qualifying the piece as “a tour de force of 21st century vocal chicanery, a clever and richly entertaining composition.” Theophilus Thistle is also performed the same year in the United States as part of the “Imagine Ireland” festival.
The chamber opera Vampirella with a libretto by Katy Hayes is first performed by students from the Royal Irish Academy of Music and the Lir National Academy of Dramatic Art at Dublin’s Smock Alley Theatre in March 2017. Based on a short story by Angela Carter telling how a young English soldier is seduced by a vampire countess, it is directed by Conor Hanratty and conducted by Andrew Synnott. Michael Dervan of The Irish Times finds the electronic sounds in the score particularly effective, commenting, “Perhaps this is a case of a genuinely electronic opera trying to break out of a more conventional mold.”
In 1996, Cleary receives a young artists award from Pépinières européennes pour jeunes artistes, followed in 1997 by the first prize in the Arklow Music Festival Composers’ Competition. In 2008, she is invited to become a member of Aosdána, an Irish association of creative artists.
seamus dubhghaill 