seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Yearly Archives: 2021


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Death of Anne Butler Yeats, Painter, Costume & Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, dies in Dublin on July 4, 2001.

Born in Dublin on February 26, 1919, Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her aunts are associated with the Arts and Crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family. Her birth is commemorated by her father with the poem “A Prayer for My Daughter.” She spends her first three years between Ballylee, County Galway and Oxford before her family moves to 82 Merrion Square, Dublin in 1922.

Yeats is very sick as a child, spending three years in two different hospitals. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–1930. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aids her in winning first prize in the RDS National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory, which is her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but Yeats refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she works on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with the style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage, in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Austin Clarke Lyric Theatre, the Abbey Theatre and Players’ Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she is also recorded as having worked on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish-language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats dies at the age of 82 in Dublin on July 4, 2001. She is buried near her brother, Michael Butler Yeats, at Shanganagh Cemetery in Shankill, County Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Gossip & Scandal,” 1943 oil on canvas, by Anne Butler Yeats)


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Founding of Bord Fáilte, the Irish Tourist Board

Bord Fáilte, the Irish Tourist Board, is founded on July 3, 1952, and is the predecessor organization of Fáilte Ireland (Ireland’s Welcome), which is the operating name of the National Tourism Development Authority of Ireland.

After the foundation of the Irish Free State in 1922, hoteliers and others create local tourism boards in various regions, which combine in 1924 into the Irish Tourism Association (ITA), a private organisation “promoting tourism to the benefit of the nation.” (An earlier, unionist-led, ITA existed from 1895 to 1921.) ITA lobbying leads to the Irish Tourist Board being established by the Tourist Traffic Act 1939. This is renamed An Bord Fáilte by the Tourist Traffic Act 1952, which creates a separate body, Fógra Fáilte, to handle publicity. The Tourist Traffic Act 1955 remerges the two as Bord Fáilte Éireann (BFÉ or “Bord Fáilte”). An Tóstal, a summer cultural festival held from 1953 to 1959, takes up the bulk of the authority’s work during this period. In 1963 the Council of Education, Recruitment and Training (CERT) is created to take over training of workers in the hospitality industry.

In 1964, eight regional tourist organisations (RTOs) are established which are intended to supersede the ITA. An extraordinary general meeting (EGM) called in 1964 to dissolve the ITA votes not to do so, but it nevertheless soon becomes defunct. The RTOs reduce in number to six in the 1980s, and are renamed regional tourist associations (RTAs) in 1996. In 1989 the Dublin RTO loses a High Court action to prevent BFÉ dissolving it. It is reconstituted as Dublin Tourism and more closely controlled by BFÉ.

In 2003 CERT and BFÉ merge to form Fáilte Ireland, to better co-ordinate with Tourism Ireland, the all-island body established under the Good Friday Agreement. The advent of travel websites reduces the usefulness of the RTAs and a 2005 PricewaterhouseCoopers report recommends substantial reorganisation. As a consequence all are dissolved in 2006, except Dublin Tourism, which is made a direct subsidiary of Fáilte Ireland. Dublin Tourism’s separate status ends in 2012 in line with a 2011 report by Grant Thornton International.

Fáilte Ireland played a leading role in The Gathering Ireland 2013, a year-long programme of events encouraging members of the Irish diaspora to visit their region of origin.

The legal name of the body is the National Tourism Development Authority, according to the National Tourism Development Authority Act 2003 which established it. The 2003 act also empowers the body to use the trading name of Fáilte Ireland. The word fáilte is Irish for “welcome.” In official Irish-language texts the form Fáilte Éireann has been used.


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Birth of Steve Morrow, Professional Footballer & Manager

Stephen Joseph Morrow, Northern Irish former professional footballer and manager, is born on July 2, 1970, in Belfast, Northern Ireland.

Morrow makes his full international debut for Northern Ireland in May 1990 against Uruguay. He goes on to win 39 caps for his country from then until 1999.

Morrow becomes a semi-regular with Arsenal in 1992–93. He plays most of his matches in midfield, replacing the injured Paul Davis as Arsenal reaches the League Cup and FA Cup finals. He starts the League Cup final against Sheffield Wednesday. After falling behind to a John Harkes goal, Arsenal equalises through Paul Merson, and then Merson sets up Morrow to score the winner, which is also his first for the club. In the celebrations after the match, Arsenal skipper Tony Adams attempts to pick up Morrow and parade him on his shoulders, but Adams slips, and Morrow awkwardly hits the ground. He breaks his arm and has to be rushed to hospital.

As a result, Morrow misses the rest of that season, including the 1993 FA Cup Final, where Arsenal completes the Cup Double. Before the final kicks off, he receives his League Cup winners’ medal.

Morrow is fit enough by the start of the next season but plays only 13 matches, compared to 25 the previous season. One of those is the scene of an Arsenal triumph, the club’s 1994 European Cup Winners’ Cup Final win over Parma. In an Arsenal midfield depleted of John Jensen and David Hillier, he makes his first appearance in the competition that season partnering 20-year-old Ian Selley in central midfield as Arsenal beats Parma 1–0 with an Alan Smith goal.

Morrow nearly leaves the club in March 1994, following an approach from the Premier League‘s bottom club Swindon Town, but the transfer falls through and he signs a new contract with Arsenal, where he spends three more years.

Morrow goes on to play over 20 matches the following season, including a second Cup Winners’ Cup final, which Arsenal loses to Real Zaragoza. He scores his second Arsenal goal in the League Cup once again against Sheffield Wednesday, and scores his first Arsenal league goal in a 3–1 defeat at Blackburn Rovers, who win the Premier League that season. However, he never finds favour under new Arsenal boss Bruce Rioch, who only gives the Irishman five matches in 1995–96.

After the arrival of Arsène Wenger in 1996, Morrow is told he is surplus to requirements at Highbury, and he is loaned to Queens Park Rangers (QPR) in March 1997, the deal being made permanent that summer. He plays 85 games for Arsenal in total, scoring three goals.

At QPR, Morrow is initially a regular, but the club struggles, going from contenders for promotion to the Premiership to facing relegation to the Football League Second Division. Injuries to his shoulder ligaments ruled him out for most of the 1999–2000 season, and he loses his place in the side. He later has a loan spell at Peterborough United, but it does not become permanent, and he is released on a free transfer in the summer of 2001.

Struggling to find a club in the United Kingdom, Morrow moves to the United States to play for Major League Soccer (MLS) side Dallas Burn. He spends two seasons at Dallas, who rename themselves FC Dallas in 2004, before retiring because of a persistent neck injury.

On February 3, 2004, Morrow is named as an assistant coach to FC Dallas but resigns in late May due to personal reasons. However, he returns to the club on January 27, 2005, under coach Colin Clarke. When Clarke is fired on November 7, 2006, Morrow is named interim head coach. On December 11, 2006, FC Dallas removes the ‘interim’ from his title. He is fired as coach on May 20, 2008.

On September 12, 2008, Morrow returns to Arsenal as International Partnerships – Performance Supervisor, managing Arsenal’s international partnerships, which includes the Colorado Rapids of Major League Soccer in the United States, BEC Tero of Thailand and Hoàng Anh Gia Lai of Vietnam, and assisting Arsenal’s academies in countries such as Egypt and Ghana. From 2014, he works as Arsenal’s head of youth development. He leaves Arsenal in 2019 following a coaching staff shake up.

On May 7, 2021, Morrow is appointed The FA’s head of player selection and talent strategy working across England men’s teams.


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Birth of Cavan O’Connor, “The Singing Vagabond”

Clarence Patrick O’Connor, British singer of Irish heritage known professionally as Cavan O’Connor, is born on July 1, 1899 in Carlton, Nottinghamshire, England. He is most popular in the 1930s and 1940s, when he is billed as “The Singing Vagabond” or “The Vagabond Lover.”

O’Connor is born to parents of Irish origin. His father dies when he is young, and he leaves school at an early age to work in the printing trade. He serves in World War I as a gunner and signaler in the Royal Artillery, after first being rejected by the Royal Navy when it is discovered that he had pretended to be three years older than his real age. He is wounded in the war, aged 16, while serving with the Royal Artillery. After the war he returns to Nottingham where he works in a music shop. He starts singing in clubs and at concerts, before deciding to turn professional in the early 1920s.

O’Connor wins a scholarship to the Royal College of Music in London, where he meets his wife, Rita Tate (real name Margherita Odoli), a niece of the opera singer Maggie Teyte. He makes his first recordings, as Cavan O’Connor, for the Vocalion label in 1925, including “I’m Only a Strolling Vagabond” from the operetta The Cousin from Nowhere, which becomes his signature song. Noted for his fine tenor voice, well suited for recording, he appears on many British dance band recordings in the 1920s and 1930s, and uses a wide variety of pseudonyms, including Harry Carlton, Terence O’Brien, and Allan O’Sullivan. He also joins Nigel Playfair‘s revue company at the Lyric Theatre in Hammersmith, before moving on to playing lead roles in opera productions at The Old Vic, often performing in French, Italian and Spanish.

O’Connor turns increasingly toward light entertainment, largely for financial reasons. He starts appearing in variety shows around the country, often performing Irish folk songs. Having made his first radio broadcasts for BBC Radio in 1926, he continues to feature occasionally, but makes his breakthrough when he is billed, initially anonymously, as “The Strolling Vagabond” and “The Vagabond Lover” on a series of radio programmes produced by Eric Maschwitz in 1935. This is the first British radio series based around a solo singer, and when it becomes known that he is the performer, makes him a star, “one of Britain’s highest paid radio personalities.” The series continues for over ten years. From 1946, his Sunday lunchtime radio series, The Strolling Vagabond, is heard by up to 14 million listeners.

O’Connor consistently tours and continues to broadcast regularly. During World War II he settles in Bangor, Gwynedd, north Wales, and regularly appears on the Irish Half Hour radio programmes. His most popular songs include “The World Is Mine Tonight,” written for O’Connor by Maschwitz and George Posford, “Danny Boy” and “I’ll Take You Home Again, Kathleen,” an American song widely assumed to be Irish. He records frequently for at least 15 record labels over his career, including Decca Records, at one point recording 40 songs in five days. He makes over 800 recordings in total, both under his own name and pseudonyms, and also appears in two films, Ourselves Alone (1936) and Under New Management (known in the U.S. as Honeymoon Hotel, 1946).

After the war, O’Connor returns to live in London, and tours in Australia and South Africa as well as in Don Ross‘s Thanks for the Memory tours. He retires at one point to set up an electrical goods business, but then resumes his music career in the Avonmore Trio with his wife and son, to give occasional performances and make recordings, the last in 1984.

O’Connor dies at the age of 97 in London on January 11, 1997.


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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Birth of Joss Lynam, Civil Engineer & Mountaineer

Joss Lynam, Irish civil engineer who is well known as a mountaineer, hillwalker, orienteer, writer and sports administrator, is born James Perry O’Flaherty Lynam in London on June 29, 1924. He is one of Ireland’s most influential figures in outdoor activities.

Lynam is born to Irish parents Edward and Martha (née Perry), both Galway natives. He and his older sister, Biddy, are both raised in London where his father works as curator of maps in the British Museum. This is where he is first introduced to orienteering and cartography. The family frequently returns to the west coast of Ireland to holiday. Here he finds his love for mountaineering and climbs his first mountain, Knocknarea in County Sligo, with his aunt.

At 18, Lynam joins the British Army and trains as an officer. He is deployed to India in 1944 under the Corps of Royal Engineers where he spends the remainder of World War II. While there, he participates in his first of many Himalayan expeditions, climbing Kolahoi Peak. When he returns in 1947, he immediately moves to Dublin and enrolls in Trinity College Dublin, after encouragement from his parents, where he begins to study engineering. He graduates and receives his degree with Upper Second Class (2.1) Honours.

Lynam is a civil engineer by profession but devotes most of his life developing the sport of mountaineering in Ireland. He climbs extensively in Ireland, Great Britain, the Alps and in India. He is leader, or deputy leader, of expeditions to Greenland, the Andes, Kashmir, Tian Shan, Garhwal, Tibet and India, including the 1987 expedition to Changtse, that is the forerunner to the successful first Irish ascent of Mount Everest in 1993.

With his involvement in developing adventure sport in Ireland Lynam is active in promoting access and developing waymarked trails. He is involved in the creation and administration of the Federation of Mountaineering Clubs in Ireland (now Mountaineering Ireland), the Association for Adventure Sports, Bord Oiliúint Sléibhte (Irish Mountain Training Board), Tiglin (National Outdoor Training Centre), Outdoor Education Ireland, and Cospóir (now Sport Ireland) and the National Waymarked Ways Advisory Committee (part of Sport Ireland).

Lynam is a founder member of the Irish Mountaineering Club (IMC) serving as president from 1982-1984. He is also a founder member of both the Irish Orienteers and Three Rock Orienteering club. He is president of the Union Internationale des Associations d’Alpinisme‘s expeditions commission in the 1990s.

Lynam writes and edits many guide books on walking and climbing in Ireland and helps create and is editor of The Mountain Log (the journal of Mountaineering Ireland).

In 2001, Lynam is awarded an honorary degree from Trinity College Dublin in acknowledgment of his volunteer work and remarkable achievements. He celebrates his 80th birthday by climbing the Paradise Lost Route and then goes on to abseil down Winder’s Slab for his 82nd birthday, both routes in Dalkey Quarry. Both climbs are to raise funds for cancer research, as he had been undergoing chemotherapy for Hodgkin’s Disease.

As a result of a short illness, which is being treated at St. Vincent’s University Hospital Dublin, Lynam dies on the January 9, 2011, aged 86. His funeral is held in the Church of St. Therésè, Mount Merrion, Dublin and then continues to Mount Jerome Cemetery and Crematorium.

After Lynam’s death, his two daughters, Clodagh and Ruth, donate his papers to his alma mater, Trinity College Dublin. These papers cover a vast range of topics such as his life and career, family, childhood, experience of war, his involvement with different mountaineering clubs, and his many writings. The collection also contains photos and slides that he captures himself of landscapes and mountaineering, and consists of maps that are collected by him and his father. There is so much material in the collection that it takes a year for the collection to be catalogued by an archivist.

Lynam’s ashes are scattered by his daughters over the Knocknarea Mountain on the February 12, 2011, being the first mountain he climbed. The Lynam Lecture is introduced in 2011 by Mountaineering Ireland in his memory and his achievements in climbing, hillwalking and mountaineering in Ireland and around the world. Every December the Lynam Lecture is held by leading national and international mountaineers and discusses the development and future of mountaineering in Ireland. Past speakers include Ines Papert, Frank Nugent and Paddy O’Leary.


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Death of Leland Bardwell, Poet, Novelist & Playwright

Constan Olive Leland Bardwell, Irish poet, novelist, and playwright, dies at the age of 94 on June 28, 2016, in Sligo, County Sligo.

Bardwell is born Leland Hone in India on February 25, 1922, to Irish parents William Hone and Mary Collise, and moves to Ireland at the age of two. Her father’s family are of the Anglo-Irish Hone family. She grows up in Leixlip, County Kildare. She is educated at Alexandra School and later at the University of London.

Bardwell realises from childhood that a writing life is inevitable. In her memoirs she records: “Since the age of six writing had been not an ambition but a condition.” However, there are years of editorial rejections before she blossoms into a writer of the poetry, short stories for radio, plays and autobiographical novels that flowed, due in part to the encouragement of the coterie assembled there, from her basement flat in Dublin.

Bardwell’s five volumes of acclaimed poetry are The Mad Cyclist (1970), The Fly and the Bed Bug (1984), Dostoevsky’s Grace (1991), her “new and selected” The White Beach (1998) and The Noise of Masonry Settling (2005).

Bardwell is considered an important poet by her contemporaries. On the publication of her fourth collection of poetry, The White Beach, Eiléan Ní Chuilleanáin states, “it is good to see her work of the decades collected – it has inspired many Irish poets, male and female, and should be much more widely known,” adding that her work is “witty, full of sharp intimate honesty, full of truth and surprises.”

In 1975, along with Pearse Hutchinson, Eiléan Ní Chuilleanáin, and Macdara Woods, she co-founds the long running literary magazine Cyphers.

Bardwell’s novel Girl on a Bicycle, originally published in 1977, is republished by Irish publisher Liberties Press in 2009.

Bardwell lives in Sligo and is a member of Aosdána. She dies in Sligo on June 28, 2016. One of her children is the composer, John McLachlan.

(Photo by Pat Boran)


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Death of Maximilian Ulysses Browne, Austrian Military Officer

Maximilian Ulysses, Reichsgraf von Browne, Baron de Camus and Mountany, an Irish refugee, scion of the Wild Geese and an Austrian military officer, dies in Prague, Kingdom of Bohemia on June 26, 1757. He is one of the highest-ranking officers serving the Hapsburg Emperor during the middle of the 18th century and one of the most prominent Irish soldiers never to fight for Ireland.

Browne is born in Basel, Switzerland, the son of Count Ulysses von Browne (b. Limerick 1659) and his wife Annabella Fitzgerald, a daughter of the House of Desmond. Both families had been exiled from Ireland in the aftermath of the Nine Years’ War.

Browne’s early career is helped by family and marital connections. His father and his father’s brother, George (b. Limerick 1657), are created Counts of the Holy Roman Empire by Emperor Charles VI in 1716 after serving with distinction in the service of the Holy Roman Emperors. The brothers enjoy a lengthy, close friendship with John Churchill, 1st Duke of Marlborough, who is primarily responsible for their establishment in the Imperial Service of Austria. On his father’s death he becomes third Earl of Browne in the Jacobite peerage. His wife, Countess Marie Philippine von Martinitz, has valuable connections at court and his sister, Barbara (b. Limerick 1700), is married to Freiherr Francis Patrick O’Neillan, a Major General in the Austrian Service. So, by the age of 29 Browne is already colonel of an Austrian infantry regiment.

Browne justifies his early promotion in the field, and in the Italian campaign of 1734 he greatly distinguishes himself. In the Tirolese fighting of 1735, and in the Turkish war, he wins further distinction as a general officer.

Browne is a lieutenant field marshal in command of the Silesian garrisons when in 1740 Frederick II and the Prussian army overruns the province. His careful employment of such resources as he possesses materially hinders the king in his conquest and allows time for Austria to collect a field army. He is present at Mollwitz, where he receives a severe wound. His vehement opposition to all half-hearted measures brings him frequently into conflict with his superiors but contributes materially to the unusual energy displayed by the Austrian armies in 1742 and 1743.

In the following campaigns Browne exhibits the same qualities of generalship and the same impatience of control. In 1745 he serves under Count Traun and is promoted to the rank of Feldzeugmeister. In 1746 he is present in the Italian campaign and the battles of Piacenza and Rottofreddo. He and an advanced guard force their way across the Apennine Mountains and enter Genoa. He is thereafter placed in command of the invasion of France mounted in winter 1746-47, leading to the Siege of Antibes, but he is obliged to break off the invasion and return to Italy in February 1747 after Genoa rises in rebellion against the Austrian garrison he had left behind. In early 1747 he is appointed commander of all imperial forces in Italy, replacing Antoniotto Botta Adorno. At the end of the war, he is engaged in the negotiations on troop withdrawals from Italy, which leads to the convention of Nice on January 21, 1749. He becomes commander-in-chief in Bohemia in 1751, and field marshal two years later.

Browne is still in Bohemia when the Seven Years’ War opens with Frederick’s invasion of Saxony in 1756. His army, advancing to the relief of Pirna, is met, and, after a hard struggle, defeated by the king at the Battle of Lobositz, but he draws off in excellent order, and soon makes another attempt with a picked force to reach Pirna, by wild mountain tracks. He never spares himself, bivouacking in the snow with his men, and Thomas Carlyle records that private soldiers made rough shelters over him as he slept.

Brown actually reaches the Elbe at Bad Schandau, but as the Saxons are unable to break out, he retires, having succeeded, however, in delaying the development of Frederick’s operations for a whole campaign. In the campaign of 1757, he voluntarily serves under Prince Charles Alexander of Lorraine who is made commander-in-chief. On May 6 of that year, while leading a bayonet charge at the Battle of Prague, Browne, like Kurt Christoph, Graf von Schwerin, on the same day, meets his death. He is carried mortally wounded into Prague, and there dies on June 26, 1757.


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Death of Myles Walter Keogh, Last Man Killed at the Battle of Little Big Horn

Myles Walter Keogh, soldier in the United States Army, is the last man killed at the Battle of Little Big Horn on June 25, 1876, according to the Sioux. His horse is the only U.S. survivor.

Keogh is born in Orchard House in Leighlinbridge, County Carlow, on March 25, 1840. He attends the National School in Leighlinbridge and is long thought to have attended St. Patrick’s College in Carlow but that college has no record of his attendance. It is possible that he attends St. Mary’s Knockbeg College.

By 1860, a twenty-year-old Keogh volunteers, along with over one thousand of his countrymen, to rally to the defence of Pope Pius IX following a call to arms by the Catholic clergy in Ireland. By August 1860, Keogh is appointed second lieutenant of his unit in the Battalion of St. Patrick, Papal Army under the command of General Christophe Léon Louis Juchault de Lamoricière. Once the fighting is over and duties of the Pontifical Swiss Guard become more mundane, Keogh sees little purpose in remaining in Rome. In March 1862, with civil war raging in America, he resigns his commission in the Company of St. Patrick and sets out for New York City, arriving on April 2.

Keogh actively participates in several prominent American Civil War battles including the Shenandoah Valley, the Battle of Antietam, the Battle of Fredericksburg, and the Battle of Gettysburg.

Perhaps the strongest testimony to Keogh’s bravery and leadership ability comes at the Battle of the Little Bighorn, also known as Custer’s Last Stand, on June 25, 1876. The senior captain among the five companies wiped out with General George Armstrong Custer that day, and commanding one of two squadrons within the Custer detachment, Keogh dies in a “last stand” of his own, surrounded by the men of Company I. When the sun-blackened and dismembered dead are buried three days later, Keogh’s body is found at the center of a group of troopers. The slain officer is stripped but not mutilated, perhaps because of the “medicine” the Indians see in the Agnus Dei (“Lamb of God”) he wears on a chain about his neck or because many of Sitting Bull‘s warriors are believed to be Catholic. Keogh’s left knee has been shattered by a bullet that corresponds to a wound through the chest and flank of his horse, indicating that horse and rider may have fallen together prior to the last rally.

The badly injured animal is found on the fatal battlefield and nursed back to health as the 7th Cavalry’s regimental mascot, which he remains until his death in 1890. This horse, Comanche, is considered the only U.S. military survivor of the battle, though several other badly wounded horses are found and destroyed at the scene. Keogh’s bloody gauntlet and the guidon of his Company I are recovered by the army three months after Little Bighorn at the Battle of Slim Buttes.

Originally buried on the battlefield, Keogh’s remains are disinterred and taken to Auburn, New York as he had requested in his will. He is buried at Fort Hill Cemetery on October 26, 1877, an occasion marked by citywide official mourning and an impressive military procession to the cemetery.

Tongue River Cantonment in southeastern Montana is renamed after him to be Fort Keogh. The fort is first commanded by Nelson A. Miles. The 55,000-acre fort is today an agricultural experiment station. Miles City, Montana is located two miles from the old fort.