seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


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Birth of Garret Wesley, 1st Earl of Mornington

garret-wesley

Garret Colley Wesley, 1st Earl of Mornington, Anglo-Irish politician and composer best known today for fathering several distinguished military commanders and politicians of the United Kingdom of Great Britain and Ireland, is born on July 19, 1735, at the family estate of Dangan Castle, near Summerhill, County Meath.

Wesley is the son of Richard Wesley, 1st Baron Mornington, and Elizabeth Sale. He is educated at Trinity College Dublin and is elected its first Professor of Music in 1764. From early childhood he shows extraordinary talent on the violin and soon begins composing his own works. As a composer he is remembered chiefly for glees such as “Here in cool grot” and for a double Anglican chant. His son, Arthur Wellesley, 1st Duke of Wellington, is the only one of his children to inherit something of his musical talent.

Wesley represents Trim in the Irish House of Commons from 1757 until 1758, when he succeeds his father as 2nd Baron Mornington.

Wesley marries Anne Hill-Trevor, eldest daughter of banker Arthur Hill-Trevor, 1st Viscount Dungannon, and his wife Anne Stafford, on February 6, 1759. His godmother, the famous diarist Mary Delany, says the marriage is happy, despite his lack of financial sense and her “want of judgment.” They have nine children, most of whom are historically significant.

In 1759 Wesley is appointed Custos Rotulorum of Meath and in 1760, in recognition of his musical and philanthropic achievements, he is created Viscount Wellesley, of Dangan Castle in the County of Meath, and Earl of Mornington. He is elected Grandmaster of the Grand Lodge of Ireland in 1776, a post he holds until the following year.

Wesley dies at the age of 45 on May 22, 1781. Like his father, he is careless with money, and his early death leaves the family exposed to financial embarrassment, leading ultimately to the decision to sell all their Irish estates.

Four streets in Camden Town, which form part of the estate of Wesley’s son-in-law Henry FitzRoy, are named Mornington Crescent, Place, Street and Terrace after him. Of these, the first has since become famous as the name of a London Underground station.

Four of Wesley’s five sons are created peers in the Peerages of Great Britain and the United Kingdom. The Barony of Wellesley and the Barony of Maryborough are now extinct, while the Dukedom of Wellington and Barony of Cowley are extant. The Earldom of Mornington is held by the Dukes of Wellington, and the Barons Cowley has since been elevated to be Earls Cowley.


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Birth of Paul Vincent Carroll, Playwright & Writer

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Paul Vincent Carroll, Irish playwright and writer of movie scenarios and television scripts is born in Blackrock, County Louth on July 10, 1900, to Michael Carroll and Catherine Smyth.

Carroll trains as a teacher at St. Patrick’s College, Dublin and settles in Glasgow, Scotland in 1921 as a teacher. Several of his plays are produced by the Abbey Theatre in Dublin. He is a close friend of Patrick Kavanagh in the 1920s.

Carroll marries clothing designer Helena Reilly in Glasgow in 1923. They have four children, actress Helena Carroll, musician and producer Theresa Perez, journalist Kathleen Carroll and son Brian Carroll who resides in London. He is grandfather to Helena Perez Reilly and great grandfather to Paul Vincent Reilly. His brother, Niall Carroll, is a film critic.

Carroll founds two theater groups in Glasgow: the Curtain Theatre company, with Grace Ballantine and Molly Urquhart, in 1933 and the Glasgow Citizens’ Theatre in 1943. He remains the director and playwright in residence of the Citizens’ Theatre until his death.

Carroll wins the New York Drama Critics’ Circle award for two consecutive years, respectively for Shadow and Substance (1936) and The White Steed (1937).

The Wayward Saint is made into an opera in Germany in the 1960’s and his daughter Theresa commissions and produces an opera of his Beauty is Fled from the collection Plays For My Children which opens at Phoenix Symphony Hall in the 1970s as part of Theresa’s “Children’s Opera Series.”

Carroll dies at the age of 68 from undisclosed causes in Bromley, Kent, England on October 20, 1968.


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Birth of Peadar Ó Dubhda, Translator & Teacher of Irish Language

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Peadar Ó Dubhda, novelist, playwright, musician, teacher and translator of the Irish language, is born in Dundalk, County Louth on June 29, 1881. He is the author of many plays, stories and manuscripts over the years and in his youth is a noted high jumper competing at local events.

Ó Dubhda leaves the local primary school at the age of twelve with only the most basic of an education, but when he goes to work as a delivery boy driving around the roads of North Louth on his horse and cart, he always has his O’Growney grammar book at his side, perfecting his knowledge of the Irish language. As a youth he joins the local brass band, where he is taught the cornet, but such is the depth of his intellect and his love for music he is an accomplished violinist, flautist and pianist in a very short time.

From his youth stretching into early manhood Ó Dubhda’s love of the Irish language is evident. He helps found a Gaelic League branch in Dundalk and perfects his use of the language by visiting Gaeltacht areas in the west of Ireland and Omeath. He is awarded a certificate to teach Irish by the Patrick Pearse and is a teacher in St. Mary’s College in Dundalk for over 20 years from 1915.

Ó Dubhda leaves teaching when he is offered his own children’s hour on Radio Éireann, a programme that lasts for over 30 years and through which a generation of Irish youth come to know and love his stories.

Ó Dubhda’s major work is the translation of the entire Douay version of the bible into Irish. The work takes twelve years and involves the deciphering of over three million words. The work is presented to the Irish nation in 1955 and is held in the National Museum of Ireland.

In 1950 Ó Dubhda is presented with the Papal medal, Pro Ecclessia el Pontifice by Pope Pius XII, to mark his 50th year as a member of his St. Malachy’s choir and one of his most prized possessions is a personal letter from Pope John XXIII praising him for his work for the church.

Peadar Ó Dubhda is just a month shy of his 90th birthday when he passes away in the loving care of his nieces in their Park Drive home on May 26, 1971. He is buried in Dundalk and his funeral is attended by President Éamon De Valera.


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Birth of Garech Browne, Irish Arts & Music Patron

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Garech Domnagh Browne, art collector and notable patron of Irish arts and traditional Irish music, is born in Chapelizod, Dublin on June 25, 1939. He is often known by the Irish designation of his name, Garech de Brún, or alternatively Garech a Brún, especially in Ireland.

Browne is the eldest of the three sons of Dominick Browne, 4th Baron Oranmore and Browne and his second wife, Oonagh Guinness, daughter of Arthur Ernest Guinness and wealthy heiress to the Guinness fortune. His father has the rare distinction of sitting in the House of Lords for 72 years, until his death at the age of 100 in August 2002, without ever speaking in a debate.

As both his parents are married three times, Browne has two stepmothers and two stepfathers, as well as a number of older half-siblings. His only full brother, Tara Browne, is a young London socialite whose death at the age of 21 in a car crash in London’s West End helps inspire John Lennon when writing the song “A Day in the Life” with Paul McCartney. Browne is educated at Institut Le Rosey, Switzerland. Although a member of the extended Guinness family, he takes no active part in its brewing business.

When in Ireland, Browne lives at Luggala, set deep in the Wicklow Mountains in County Wicklow. The house, which he inherited from his mother, has been variously described as a castle or hunting lodge of large proportions. He once states he would rather have not been born, calling it “frightful to bring anyone into this world.”

Browne is a leading proponent for the revival and preservation of traditional Irish music through his record label Claddagh Records which he founds with others in 1959. His former home, Woodtown Manor near Dublin, is for many years a welcoming place for Irish poets, writers and musicians. The folk-pop group Clannad makes many recordings of their music there.

Browne is instrumental in the formation of the traditional Irish folk group The Chieftains. In 1962, after setting up Claddagh Records, he asks his friend, the famed uileann piper Paddy Moloney, to form a group for a one-off album. Moloney responds with the first line-up for the band, which goes on to achieve international commercial success.

Browne is interviewed at length for the Grace Notes traditional music programme on RTÉ lyric fm on 18 March 2010. He is a friend and patron of British artist Francis Bacon and in January 2017 is featured in the BBC documentary Francis Bacon: A Brush with Violence.

Garech Browne dies at the age of 78 in London on March 10, 2018. In his will and testament, he bequeaths to the city of Galway the granite remains of a medieval “bow gate.” The location of this gate, which had otherwise gone unmentioned by Browne, remains a mystery for over a year following his death. It is discovered on the grounds of the Luggala estate in 2019. According to a Galway historian, the gate may have formed part of the city’s defences in the 17th century, and was later removed from the city by Browne’s father, when it was probably taken to the Browne family home at Castle MacGarrett, just outside Claremorris in County Mayo. The gate is one of a number of items left to the Irish State by Browne.


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Birth of Singer Jimmy McShane

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James Harry McShane, Irish singer best known as the front man of Italian band Baltimora that had the hit song “Tarzan Boy,” is born in Derry, County Londonderry, Northern Ireland on May 23, 1957.

McShane learns at a young age to play bass and guitar. As a teenager, he is allegedly shunned by his family after they learn of his homosexuality. Later as a young man in the late 1970s, he leaves Northern Ireland to study at a stage school in London, where he learns to dance, sing and recite.

Hired as a stage dancer and backing singer, McShane soon goes around Europe with Dee D. Jackson and her band. During a visit to Italy with the band, he is attracted to the country’s underground dance scene, which leads to him settling in Milan in 1984. He tells Dick Clark on American Bandstand in 1986 that he fell in love with Italy from that moment. He also learns the Italian language.

McShane makes his debut playing in small clubs in his hometown and is presented to various audiences, without success. In view of his low artistic success, he decides to work as an Emergency Medical Technician (EMT) for the Red Cross until he meets Italian record producer and keyboardist Maurizio Bassi, with whom he creates Baltimora. The act finds success with its most popular single, “Tarzan Boy”, released in 1985.

In the United States, McShane is overwhelmed with the success of “Tarzan Boy”. Some sources state lead vocals are performed by Maurizio Bassi, the group’s keyboardist, with McShane actually providing the backing vocals. This still remains uncertain, and McShane lip synchs while appearing in the “Tarzan Boy” music video, and not Bassi. Both the music and the lyrics of Baltimora are written mostly by Bassi and Naimy Hackett, though McShane writes the lyrics to some of their songs, such as the single “Survivor in Love.”

After the release of “Survivor in Love,” with no label support for a follow-up album and due to its poor success, Bassi decides it is time to move on to other projects and Baltimora disbands.

The single “Tarzan Boy” bounces back into the Billboard Hot 100 chart in March 1993 as a remix, climbing to No. 51, at the time of its appearance in a Listerine commercial. The song is also featured in the films Teenage Mutant Ninja Turtles III (1993), Beverly Hills Ninja (1997) and is then referenced in A Million Ways to Die in the West (2014).

McShane is diagnosed with AIDS in Milan in 1994. A few months later he returns to Northern Ireland to spend his final year, and dies in his native Derry on March 29, 1995 at the age of 37. A family spokesman issues the following statement after his death: “He faced his illness with courage and died with great dignity.” In the centre of Derry, a commemorative plaque is bestowed upon the grave of McShane and his father, who had died three years prior.


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Birth of Composer Michael William Balfe

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Michael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, is born in Dublin on May 15, 1808.

Balfe’s musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870, and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.

 


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First Production of the Irish Literary Theatre

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The first production of the Irish Literary Theatre, The Countess Cathleen, is performed on May 8, 1899. Like many of William Butler Yeats’ plays, it is inspired by Irish folklore. In a time of famine, demons sent by Satan come to Ireland to buy the souls of the starving people. The saintly Cathleen disposes of her vast estates and wealth in order to feed the peasants, yet the demons thwart her at every turn. At last, she sacrifices her own soul to save those of the poor.

Yeats, Lady Gregory and Edward Martyn publish a “Manifesto for Irish Literary Theatre” in 1897, in which they proclaim their intention of establishing a national theatre for Ireland. The Irish Literary Theatre is founded by Yeats, Lady Gregory, Martyn and George Moore in Dublin in 1899. It proposes to give performances in Dublin of Irish plays by Irish authors.

In 1899 Lady Gregory secures a temporary licence for a play to be given at the Antient Concert Rooms in Great Brunswick Street (now Pearse Street) in Dublin and so enables the Irish Literary Theatre to give its first production. The play chosen is The Countess Cathleen by Yeats. It is done by a very efficient London company that includes May Whitty (Dame May Webster) and Ben Webster. The next production given is Martyn’s play The Heather Field.

In the following year the Irish Literary Theatre produces three plays at the Gaiety Theatre in Dublin: Maeve by Edward Martyn, The Last Feast of Fianna by Alice Milligan and The Bending of the Bough by George Moore. The Bending of the Bough is staged during the Second Boer War which begins on October 11, 1899.

The Irish Literary Theatre project lasts until 1901, when it collapses due to lack of funding.

The use of non-Irish actors in these productions is perceived to be a failure, and a new group of Irish players is put together by the brothers William and Frank Fay, among others. These go on to form the Irish National Theatre Society, which leads to the founding of the Abbey Theatre in Dublin in 1904.


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Launch of RTÉ Lyric FM

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RTÉ Lyric FM, an Irish 24-hour classical music and arts radio station owned by the public-service broadcaster Raidió Teilifís Éireann (RTÉ), is launched on May 3, 2016. The station, which is based in Limerick, County Limerick, is available on FM throughout Ireland, on Sky UK digital satellite in Ireland and the United Kingdom, and via the Internet worldwide.

RTÉ Lyric FM develops from FM3 Classical Music, which begins broadcasting on November 6, 1984. FM3 broadcasts classical music on the RTÉ Raidió na Gaeltachta (RnaG) network at breakfast time, lunchtime and in the evenings. The station is rarely marketed, except via promotions on RTÉ Radio 1, and has low listenership ratings. It is probably best known for occasionally simulcasting the stereo soundtrack of movies being shown on the RTÉ television channels prior to RTÉ’s deployment of NICAM digital stereo.

As Raidió na Gaeltachta expands broadcast hours, FM3’s service hours changed to 7:30 PM until 1:00 AM and 6:30 AM until 8:00 AM. Eventually it stays on air until breakfast time when RnaG comes back on.

On May 1, 1999, RTÉ puts in place an additional national FM transmitter network, and it is decided to separate FM3 from Radio na Gaeltachta, and expand its remit to include other types of minority music. The resulting station is Lyric FM (currently styled RTÉ lyric fm). It also moves from Dublin to Limerick as part of a policy of regionalisation. At the time of the station’s launch, RTÉ lyric fm’s digital studios in Cornmarket Row, Limerick, are the most advanced in the country.

RTÉ Lyric FM wins PPI National Station of the Year for the second time in 2004.

In May 2009, the station celebrates 10 years broadcasting. This is celebrated with a concert by the RTÉ National Symphony Orchestra and RTÉ Philharmonic Choir. Current presenters include Marty Whelan, George Hamilton, John Kelly, Liz Nolan, Paul Herriott, Niall Carroll, Lorcan Murray, Bernard Clarke, Aedín Gormley, and Ellen Cranitch.

RTÉ Lyric FM attracts an audience share of 1.6%. The current head of the station is Aodán Ó Dubhghaill.

Recent schedule changes have caused some dissent amongst listeners and the station has been accused of dumbing down. A petition is also launched to save the Sunday early morning programme “Gloria” presented by Tim Thurston.


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Birth of Radiohead Guitarist Ed O’Brien

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Edward John O’Brien, English guitarist, member of the alternative rock band Radiohead and grandson of a Tipperary emigrant, is born in Oxford, Oxfordshire, England on April 15, 1968. In 2010, Rolling Stone names him the 59th greatest guitarist of all time. Along with the other members of Radiohead, he is inducted into the Rock and Roll Hall of Fame in 2019.

O’Brien grows up listening to post-punk acts such as Siouxsie and the Banshees, Adam and the Ants, Depeche Mode, The Police and David Bowie. His earliest guitar influence is Andy Summers of The Police, particularly his use of delay and chorus effects on “Walking on the Moon.” His other influences include Peter Buck of R.E.M., Paul Weller of The Jam, Johnny Marr of The Smiths, John McGeoch of Magazine and Siouxsie and the Banshees, and The Edge of U2. He attends Abingdon School, an independent school for boys, in Oxfordshire, England, where he meets the other members of Radiohead. In 1985, they formed On a Friday, the name referring to the band’s usual rehearsal day in the school’s music room. O’Brien also studies economics at the University of Manchester.

In 1991, On a Friday sign a six-album record contract with EMI and changes their name to Radiohead. They find early success with their 1992 single “Creep“. Their third album, OK Computer (1997), propels them to international fame and is often acclaimed as one of the best albums of all time. O’Brien becomes depressed during the extensive OK Computer tour. After the tour, he returns to Oxford and falls further into depression.

Radiohead’s next albums, Kid A (2000) and Amnesiac (2001), are recorded simultaneously and mark a dramatic change in sound, incorporating influences from electronic music, classical music, jazz and krautrock. O’Brien keeps an online diary of Radiohead’s progress during the recording and initially struggles with the band’s change in direction. At the suggestion of Michael Brook, creator of the Infinite Guitar, he begins using sustain units, which allow guitar notes to be sustained infinitely. He combines these with looping and delay effects to create synthesiser-like sounds. By 2011, Radiohead has sold more than 30 million albums worldwide.

O’Brien releases solo music under the name EOB. His first solo track, the ambient composition “Santa Teresa,” is released on October 4, 2019. His first solo album, Earth, is announced in December 2019 and is due for release in April 2020 on Capitol Records. Recording for Earth begins in late 2017 and ends in early 2019. It is produced by Flood, Catherine Marks, and Adam “Cecil” Bartlett and is mixed by Alan Moulder, with contributions from drummer Omar Hakim, The Invisible members Nathan East and Dave Okumu, folk singer Laura Marling, Portishead guitarist Adrian Utley, Wilco drummer Glenn Kotche and Radiohead bassist Colin Greenwood. He begins a North American tour in February 2020.

O’Brien lives in London with his wife, Susan Kobrin, who worked for Amnesty International. The couple have a son, Salvador, born in January 2004, and a daughter, Oona, born in 2006. He is a cricket fan and supports Manchester United Football Club. Around 2000, he gives up alcohol and takes up meditation. In 2011, he and his family move to Brazil and live for a year on a farm near Ubatuba. In 2020, he announces that he believes he has contracted COVID-19 but is recovering in isolation.


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Death of Artist Margretta “Gretta” Bowen

greta-bowen-children-in-the-parkMargretta Bowen, self-taught Irish artist best known as Gretta Bowen, dies in Belfast, Northern Ireland on April 8 1981. She starts painting late in life, around 1950, after her sons Arthur and George Campbell are already established as artists.

Born in Dublin in January 1880, Bowen lives most of her life in Belfast. She is married to Matthew Campbell, a veteran of the Second Boer War. They have three sons, Arthur, George and Stanley, who all go on to be highly talented artists, with George becoming particularly successful. After her husband death in 1925 she runs a laundrette and takes in lodgers to make ends meet.

Bowen comes to art late in her life. A few weeks before her seventieth birthday she finds paints left behind by her son Arthur and begins to experiment, apparently inspired to some extent by her sons. She uses her maiden name to apparently avoid any obvious connection with them.

Bowen clearly attracts notice early on despite her late start. In 1959, just five years after she takes up painting, she is given a solo exhibition by the Council for Encouragement of Music and the Arts, which continues to support her work when it subsequently becomes the Arts Council of Great Britain. An extensive and admiring review appears in The Times.

Bowen’s work is shown at the Royal Hibernian Academy, the Irish Exhibition of Living Art and the Oireachtas. She also holds one-person exhibitions at the Hendriks Gallery, the Bell Gallery and the Tom Caldwell Gallery. In 1979, at the age of 99, her works gain international fame. She exhibits at the first International Exhibition of Naïve Art in London.

Bowen dies at the age of 101 in Belfast on April 8, 1981.