Dunne is born as Bernard Dunn in the village of Rostrevor, County Down, on May 19, 1908. He is the eldest son and second among three children of Barney Dunn, a businessman, and Margaret (née Byrne). His father inherits the Woodside Restaurant Temperance Refreshment Rooms and an auctioneering firm, and his mother runs a drapery business and later a shipping agency. He attends St. Mary’s School in Rostrevor until he is fourteen years old. While still in school he takes on a number of jobs, including repairing bicycles, rearing sheep, and working as a boot-boy at the home of Sir John Foster George Ross of Bladensburg. He is convinced not to emigrate to the United States by a family friend, Edward Whitaker.
Dunne moves to Drogheda in the newly established Irish Free State in 1926. He is employed as an apprentice first in Anderson’s of West Street, Drogheda, and later in Cameron’s Drapery store in Longford. It is after his move to Longford that he adds an “e” to his surname. In the mid-1930s, he moves to Cork, where he works as a buyer for Roches Stores in the menswear department. In 1944, he leaves Roches Stores to open a drapery shop with his friend, Des Darrer, across the road from Roches Stores on St. Patrick’s Street. A high-profile advertising campaign, combined with low prices, launches the venture successfully.
A second store opens on North Main Street, Cork, in 1947, which is followed by stores in Waterford and Mallow. Dunne and Darrer remain in partnership until 1952, when it is dissolved and Darrer takes ownership of the Waterford Dunnes Stores, renaming it Darrers.
The tenth store, in Wexford, opens in 1955, and the first store in Dublin opens in 1958. In 1960, Dunne launches the store’s first own-brand product, a lady’s jacket under the label St. Bernard. By 1964, Dunnes Stores has expanded into grocery and has an annual turnover of £6 million. He purchases two other Dublin stores, Bolger’s and Cassidy’s, in 1972, which have eleven shops across Dublin combined. Dunnes Stores opens its first branch in Northern Ireland in 1976.
Dunne meets his wife, Nora Maloney, while working at Roches Stores. They are married in September 1939 and have six children, including Margaret (Dunne) Heffernan, Frank, Elizabeth (Dunne) McMahon, Therese, and Ben Junior. Ben and later Margaret go on to work in the family business.
The family lives in Douglas, Cork, at Brownington Park, and in Blackrock, Cork, at Barnstead and at Ringmahon House. Following the establishment of the Dunnes Stores headquarters in Dublin in the early 1970s, the family moves to Jury’s Hotel, Dame Street. He and Nora later move to the Shelbourne Hotel, where they live until his death on April 14, 1983.
Born in Blackwater Street off Grosvenor Road in west Belfast in 1916, White is one of ten children (five sons and five daughters) of Billy White, water technician with Belfast Corporation, and his wife Kathleen (née McKane). As a boy he sings in the choir of Clonard Monastery. He plays in a céilí band as a teenager and is a lifelong aficionado of Irish music and plays the banjo and other string instruments (often smuggling guns in their cases). As a young man he is also an active member of Granuaile GAA club, playing hurling and Gaelic football.
White works as a plumber and joins the Irish Republican Army (IRA) at an early age, being imprisoned several times during the 1930s. He travels to England to take part in the IRA’s “S-Plan” bombing campaign of 1939 to 1940, then returns to Dublin to pass his bomb-making skills on to new recruits, including Brendan Behan. He then returns to England to become the IRA’s Manchester Operations Officer but, after a bomb he is working on goes off in the flat he is renting, he flees to Glasgow, then back to Ireland.
Shortly after returning to Ireland, White is arrested while giving a lecture on explosives in County Offaly and is interned at the Curragh Camp. The republican prisoners are split into two groups, one led by Pearse Kelly, and the other by Liam Leddy. White is unhappy with the situation and refuses to take sides. Shortly after his arrival, IRA Chief of StaffSeán McCool is also interned, and is concerned that the locations of many of the IRA’s arms caches are known only to him. McCool asks him to get the information to the new leadership by “signing out,” declaring that he is no longer involved with a paramilitary group. He refuses as doing so would be breaking IRA orders, but McCool persists, suggesting that he could resign from the army before signing out, thereby not contravening IRA rules. Once released, he immediately rejoins the IRA and passes on the information. He is also made IRA Quartermaster General by Chief of StaffCharlie Kerins. However, he is suspected of involvement in the killing of a police officer, Dinny O’Brien – something which he always denies – and has to go on the run.
In October 1942, White and a comrade are cornered in a house. Here the details are unclear. Tim Pat Coogan claims that White is in a house in Donnycarney in County Dublin with Maurice O’Neill (executed in Mountjoy Prison on November 12, 1942), while Danny Morrison claims that White is at a wedding reception in Cavan with Paddy Dermody. Both agree that there is a shoot-out in which one officer is killed, enabling White to escape, but he falls down a railway embankment and hides for two days before emerging, hoping that the police hunt is over. In Coogan’s version, he catches a bus to Dublin, covered in blood and mud; while, according to Morrison, he is assisted by a sympathetic soldier who helps him recover and cycles to Dublin with him. They agree that he reaches a safe house once in the capital. Morrison claims that the Donnycarney shootout occurs four months later and that White travels north, rather than returning to Dublin a second time.
On arrival in the north, White is made Officer Commanding of the IRA Northern Command. Kerins is arrested in Dublin in June 1944 and later tried for murder and hanged. White becomes the only member of the IRA leadership still free. A wanted man, he travels around until work is arranged for him by supporters in Altaghoney, County Londonderry, Northern Ireland. There, he works as a handyman and barber and sets up a dance band, also managing to acquire some explosives from a local Royal Ulster Constabulary (RUC) officer who wants rocks cleared from his field. For at least part of his time in Altaghoney, he serves as the IRA Chief of Staff.
White is finally captured and tried in October 1946 and is handed over to the Irish authorities. He is sentenced to death, but this is reduced to twelve years’ imprisonment on appeal, a defence in which his former comrade Seán MacBride is involved. He is actually released early in 1948 following a change in government which leaves Mac Bride in a ministerial post.
Following his release, White remains active in the IRA, but in a less high-profile way, as he is married and settles in Dublin. He supports the Provisional IRA following its split in 1970 and is involved in smuggling weapons across the border.
White publishes his autobiography in 1985, actually ghostwritten by Uinseann MacEoin. Entitled Harry, it attracts press attention for naming the IRA members who killed Kevin O’Higgins, names which Peadar O’Donnell separately confirms. White’s nephew, Danny Morrison, becomes a prominent Irish republican from the 1970s onward.
Ahern is urged by Paisley to ensure that criminals who flee across the Irish border are arrested. The Democratic Unionist leader makes the proposal during a cordial one-and-a-half-hour meeting at Farmleigh in Phoenix Park, where the two leaders exchange their first public handshake.
Afterwards Paisley, who receives an invitation from the taoiseach to visit the Battle of the Boyne site later in the year, says that they had also discussed the need for the new administrations in Northern Ireland and in the Republic of Ireland to work for each other’s best interests. “We can confidently state that we are making progress to ensure our two countries can develop and grow side by side in the spirit of generous cooperation,” he declares. “I trust that old barriers and threats will be removed in my day. Business opportunities are flourishing. Genuine respect for the understanding of each other’s differences and, for that matter, similarities is now developing.”
Earlier the DUP leader, who becomes the First Minister of the new power-sharing government on May 8 alongside Sinn Féin‘s Martin McGuinness as deputy First Minister, firmly shakes the hand of Ahern in public for the first time. As he arrives at Farmleigh, he quips, “I better shake the hands of this man. I’ll give him a firm handshake.”
Paisley, who is accompanied by his son, Ian Paisley, Jr., affectionately grabs the taoiseach by the shoulder. There is another handshake after the meeting at Farmleigh is finished.
Paisley says, “Mr. Ahern has come to understand me as an Ulsterman of plain speech. He didn’t ever need a dictionary to find out what I was saying. We engaged in clear and plain speech about our hopes and our aspirations for the people we both serve. The prime minister kindly congratulated me on my election victory.”
Paisley says that he had raised a number of issues crucial to unionists. “I have taken the opportunity to raise with the prime minister a number of key matters including ensuring that fugitives from justice who seek to use the border to their advantage are quickly apprehended and returned without protracted legal wrangle.” He adds, “I raised other legal issues of interests to unionists, and we discussed cooperation of an economic nature that will be to our mutual benefit.” He also says he had raised the issue of bringing Northern Ireland’s corporation tax into line with that of Ireland.
Regarding the invitation to visit the site of the Battle of the Boyne, Paisley says, “We both look forward to the visit to the battle site at the Boyne… Not to refight it, because that would be unfair, for he would have the home advantage. No Ulsterman ever gives his opponents an advantage. He adds, “Such a visit would help to demonstrate how far we have come when we can celebrate and learn from the past, so the next generation more clearly understands.”
Ahern pays tribute to the leadership shown by Paisley in helping to deliver a better future for the people of Northern Ireland. As Northern Ireland’s politicians continue at great pace to prepare for the return of power sharing, the taoiseach says that the progress has been very encouraging. “At this important time in our history, we must do our best to put behind us the terrible wounds of our past and work together to build a new relationship between our two traditions,” he says. “That new relationship can only be built on a basis of open dialogue and mutual respect. I fervently believe that we move on from here in a new spirit of friendship. The future for this island has never been brighter. I believe that this is a future of peace, reconciliation and rising prosperity for all. We stand ready to work with the new executive. We promise sincere friendship and assured cooperation. I believe that we can and will work together in the interests of everyone on this island.”
Ahern says he believes that the Battle of the Boyne site can be a symbol of the new beginning in the relationship between governments in Belfast and Dublin. “I believe that this site can become a valuable and welcome expression of our shared history and a new point of departure for an island, north and south, which is at ease with itself and respectful of its past and all its traditions,” he declared.
The Battle of the Boyne was fought in 1690 between the followers of England‘s King William of Orange, a Protestant, and the deposed King James, a Catholic, in Drogheda, eastern Ireland. Ireland was at that point under English rule. The battle is commemorated by many Northern Irish loyalists on July 12 each year.
Ministerial posts within the new devolved Stormont government have yet to be finalised. Already Sinn Féin has announced that MPs Michelle Gildernew and Conor Murphy and assembly members Gerry Kelly and Caitríona Ruane will be members of the government. However, the party has not yet indicated which of the four will take the three senior cabinet posts in education, agriculture and regional development and which one will be the junior minister in the Office of First and Deputy First Minister.
The DUP has also yet to name its ministers, but it has chosen finance, economy, environment and culture arts and leisure as the government departments it will head. The DUP’s deputy leader, Peter Robinson, and Nigel Dodds, the Belfast North MP, who both served in the last devolved government, are tipped to be the finance and economy ministers.
The Ulster Unionist Party (UUP) has yet to declare who their two ministers will be at the Departments of Health and Employment and Learning.
(From: “Upbeat Paisley shares first handshake with Irish PM” by Hélène Mulholland and agencies, The Guardian, http://www.theguardian.com, April 4, 2007)
Cuffe joins the Green Party in 1982, and campaigns with Students Against the Destruction of Dublin (SADD) in the 1980s. He is twice elected to Dublin City Council, in 1991 and 1999, for the South Inner City electoral area. In 1996, he launches a free bikes scheme in which bicycles are placed around Dublin city centre for use by the public.
In June 2003, Cuffe steps down as the Green Party’s environment spokesperson after it is revealed that he held shares worth $70,000 in a number of oil exploration companies which he had inherited when his late mother had left him $1.3 million in her will. He is re-elected at the 2007 Irish general election.
Following the 2007 election, the Green Party forms a coalition government with two other political parties and a number of independent TDs. Just after the election, on May 28, 2007, Cuffe writes in his blog: “A deal with Fianna Fáil would be a deal with the Devil. We would be spat out after 5 years and decimated as a party.” He loses his seat at the 2011 Irish general election.
While Cuffe is minister, the Oireachtas enacts the Planning and Development (Amendment) Act 2010 to address land-use planning failures and over-zoning of development land. The legislation reforms the way development plans and local area plans are made and, for the first time in Irish legislation, includes a definition of Anthropogenic Climate Change and required energy use to be taken into account in planning decisions. He publishes the Climate Change Response Bill 2010, and an update of the National Spatial Strategy. He is head of the Irish delegation at the 2010 United Nations Climate Change Conference in Cancún, Mexico.
Cuffe promotes healthy eating for children, school gardens and local markets. He publishes bills to address climate change, noise pollution, and heritage protection. In January 2011, he launches a new policy of allowing bicycles on off-peak Dublin Area Rapid Transit (DART) trains.
Cuffe resigns as Minister of State on January 23, 2011, when the Green Party withdraws from government.
At the 2014 Irish local elections, Cuffe is elected to Dublin City Council for Dublin North Inner City area, on the 13th count. He is appointed chairperson for the Dublin City Council Transportation Committee in 2014. As a member of the Central Area Committee for Dublin City Council, he works to provide a site for the Gaelscoil Choláiste Mhuire primary school on Dominick Street in 2017. He introduces 30 km/h speed limits to residential and school areas of Dublin and also advocates for a car-free College Green. He calls for an increase in affordable housing in Dublin, specifically for people with different incomes. Speaking on the Strategic Development Zone in the Dublin Docklands, he states, “We have seen a lot of cranes in the Docklands but not a lot of homes. Particularly affordable homes.” He proposes a Motion declaring a Climate Emergency which is approved at a meeting of the Council on May 13, 2019.
Cuffe is selected as the Green Party candidate for the Dublin constituency at the 2019 European Parliament elections. He tops the poll, receiving 63,849 votes and is elected as an MEP on the 13th count, with 17.54% first preference votes. He is also re-elected to Dublin City Council, but due to the prohibition on a dual mandate, this seat is co-opted to fellow Green Party member Janet Horner.
Cuffe is President of the European Forum for Renewable Energy Sources (EUFORES), a cross-party European parliamentary network gathering members of European, regional and national parliaments of the EU, and works to promote renewable energy and energy efficiency.
Warfield is raised in the Dublin suburb Inchicore, the second born in a family of four boys. Today, he and his wife June Warfield (née Radburn) reside in Blessington, County Wicklow.
Warfield is one of the founding members and lead singers of the Irish Folk band, The Wolfe Tones. He has written many songs for the band, notably “Up and Away (The Helicopter Song),” “Irish Eyes” and “My Heart is in Ireland.” “Let the People Sing” is written in dedication to those Irish ballad singers who were banned from singing Irish songs. It has been performed by many Celtic and Irish Rebel bands, including Celtic band Charlie and the Bhoys. The song is popular among fans of Celtic F.C. and a version is performed by The Malleys, omitting the second verse, at Celtic Park on match days.
Warfield’s affiliation with Celtic F.C. leads to him being asked to write a song for the club to celebrate its 100th anniversary. As a result, “Celtic Symphony” is composed. It is a song popular with many Celtic fans, but controversial due to its chorus, which features the words “ooh, ah, up the RA.” This is often seen as being a pro-Irish Republican Army (IRA) stance, but according to Warfield, the words were included in the balladic tradition of writing what is observed at the time.
As a songwriter, Warfield’s writing is typically a social commentary on Ireland and its issues. For the 2012 album, Child of Destiny, Warfield composes “Swing A Banker,” which is a comical ballad referring to Irish bankers as chickens. The music video is recorded outside the Treasury Building in Dublin.
The Wolfe Tones continue to tour but have announced that they are set to retire in 2024, after 60 years of performing together. In addition to gigs in the United States, there will be concerts at Galway Airport, Castlebar, County Mayo, and in the 3Arena in Dublin, with the band’s final gig taking place in Belfast in October 2024.
As of January 2024, Warfield has not communicated with his brother Derek Warfield since he left The Wolfe Tones in 2001.
Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct CatholicBelcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”
As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.
In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventhHarry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.
Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the JamesonDublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”
Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.
McKenna is born Kathleen Maria Kenna on September 9, 1897, in Oldcastle, County Meath. Her parents are William, a draper and hardware merchant, and Mary Kenna (née Hanley). She is the eldest child of seven, with three sisters and three brothers. She and her siblings add “Mc” to their surname as teenagers. Her maternal grandfather, a Fenian, miller and land agitator, is a strong influence on her. Agnes O’Farrelly is her paternal great aunt. She attends the Oldcastle Endowed School and goes on to pass the National University of Ireland (NUI) matriculation examination. She attends University College Dublin (UCD) briefly, but the family’s circumstances prevent her from completing her course.
McKenna’s father had been an active member of the Irish National Land League and the Meath Labour Union. He is one of the organisers of a short-lived local newspaper, Sinn Féin – Oldcastle Monthly Review, in 1902. Both her parents are members of Conradh na Gaielge. Arthur Griffith and Brian O’Higgins frequently visit the family home. Denounced by the local parish priest, Fr. Robert Barry, her father’s business goes into decline. The family leaves Oldcastle and moves to Dundalk in August 1915, and to Rugby, Warwickshire, England, in March 1916. In Rugby, her father teaches typing and shorthand, and her mother works in an ammunition factory. She works as a secretary for an engineering firm. Members of the family return to Ireland from 1919 to 1922, and by the time of her father’s death in 1939, he is living back in Oldcastle.
McKenna spends some holidays in Ireland and, during a visit to Dublin in the summer of 1919, she presents herself to the Sinn Féin offices in Harcourt Street. She has a letter of introduction from her father to Griffith, which emphasises her willingness to work for Irish independence. For her holidays, she works in the Sinn Féin press bureau and is employed as one of the first “Dáil girls” of the clandestine government. She is informed that if a planned news bulletin comes through, she will be summoned back to Dublin. In October 1919, she receives that summons and, after a typing test on November 11, she joins the Irish Bulletin under Minister for Publicity, Desmond FitzGerald, and director of publicity, Robert Brennan. She also becomes a member of the Conradh na Gaielge Parnell branch.
The Irish Bulletin is published five times a week, circulating the misdeeds of the British government in Ireland. McKenna edits and mimeographs a summary of “acts of aggression” from British forces in Ireland weekly, compiled by Anna Kelly. Frank Gallagher does most of the writing, edited by FitzGerald, and later Erskine Childers. Though she is sometimes described as the Bulletin‘s editor, she is more akin to an editorial assistant. R. M. Smyllie later recalls that she was in regular contact with the media. She types out each issue on a wax stencil in a typewriter which is used to create mimeograph copies, and then circulated to England. In the beginning, about 30 recipients, mostly London journalists, receive the Bulletin but by October 1920 it has grown to 600, and by July 1921 over 1,200. She also keeps the accounts, takes dictation of statements, and at times works up articles from notes given to her by Griffith or others. She also acts as a confidential messenger, couriering between Dáil departments and Irish Republican Army (IRA) leaders such as Michael Collins. Through this, she meets Moya Llewelyn Davies.
The Bulletin becomes a symbol of the underground government and a target for British forces. This necessitates the frequent moving of the operation from one Dublin hideout to another. She fears that if she were captured, she would break under interrogation. When FitzGerald is arrested, he is asked about “the girl wearing a green tam” in reference to McKenna’s tam-o’-shanter hat which prompts her to change her choice of hat. Despite the capture of a number of the Bulletin staff, as well as the capture of the office files and equipment on March 26, 1921, it never misses an issue.
McKenna’s sister Winifred also works as a secretary to the clandestine government. Her brother, Tadhg (Timothy), is a member of Sinn Féin and in Greenore, County Louth, is involved in trade union affairs. He is detained, beaten, and interned in March 1921. He is later an activist with the Irish Labour Party. Her brother William is a messenger for the Irish government during this period and during the Irish Civil War serves in the Free State Army.
After the truce in 1921, McKenna is assigned to the Dáil cabinet secretarial staff at the Mansion House, where she continues to work in the publicity department. She travels as Griffith’s private secretary to London as part of the Irish delegation to the treaty negotiations in October 1921. She is an admirer of both Griffith and Collins and is a firm supporter of the Anglo-Irish Treaty. She works as Griffith’s secretary until just before his death and also does some secretarial work for Collins during the negotiations. One of her sisters is anti-Treaty, and she later recalls that she lost friends due to her support of the treaty.
McKenna marries Vittorio Napoli in 1931. He is a captain, and later a general, in the Italian royal grenadier guards. They meet when she is on holiday in Italy in 1927. For the first five years of their marriage, they live in the port of Derna in Cyrenaica, Libya, while her husband is stationed there. A son and daughter are born there. From September 1939 to June 1940, the family lives in Albania, but after Italy enters World War II, she and the children move to Viterbo. Her husband is taken prisoner in Greece in September 1943, and is detained in Germany and Poland. He returns to Italy in September 1945. Viterbo had been heavily bombed, and after Allied troops arrive, McKenna works as a translator and gives English language lessons to support her family. Her husband remains in the army, and they remain in Viterbo until 1956, later moving to Rome.
After the war, McKenna writes articles for the Irish Independent and other publications from Ireland, the United States and New Zealand, including The Irish Press, Irish Travel, Standard, Word, and Writer’s Digest. Sometimes she writes under her own name, as well as her pen name Kayn or Kayen MacKay. As the wives of Italian officers do not traditionally work, the money she earns from this is kept for travel and other leisure activities. This money allows her to visit her family in Ireland in 1947 for the first time since 1932. After their retirement, she and her husband visit Ireland regularly, and travel around Italy.
McKenna applies for an Irish military pension in 1950/51 and 1970, receiving references in support of her claim from Gallagher. As she had not served in a military organisation, her claims are rejected. As an Irish War of Independence veteran, she is awarded free travel in 1972, which is later extended to her husband. In her later years, she becomes concerned about the inaccuracies in the history around the Irish War of Independence and the Irish Civil War. She gives two talks to Radio Éireann in 1951, speaking about her time with the Irish Bulletin. Copies of these recordings are now held by the Bureau of Military History. During her lifetime, extracts of her memoir are published in the Capuchin Annual and The Irish Times. She drafted and redrafted these memoirs from the late 1940s to the early 1980s. A version edited by her daughter and niece is published in 2014 as A Dáil girl’s revolutionary recollections.
McKenna dies on March 22, 1988, in Rome. She is buried with an Irish flag which she had kept with her. A large collection of her papers is held in the National Library of Ireland (NLI). In 2010, 2011 and 2016, some of her memorabilia is sold in Dublin.
The second of two bombing attacks in early 1993 in Warrington, Cheshire, England, takes place on March 20, 1993. The first attack takes place on February 26, when a bomb explodes at a gas storage facility. This explosion causes extensive damage, but no injuries. In the March 20 attack, two smaller bombs explode in litter bins outside shops and businesses on Bridge Street. Two children are killed and 56 people are injured.
The attacks are carried out by the Provisional Irish Republican Army (IRA). From the early 1970s, the IRA had been carrying out attacks in both Northern Ireland and England with the stated goal of putting pressure on the UK Government to withdraw from Northern Ireland. The IRA is designated a terrorist organisation in the United Kingdom.
Shortly before midday on Saturday, March 20, 1993, the Samaritans in Liverpool receive a bomb warning by telephone. According to police, the caller says only that a bomb has been planted outside a Boots shop. Merseyside Police send officers to branches of Boots in Liverpool and warn the Cheshire Constabulary, who patrols nearby Warrington. About 30 minutes later, at about 12:25 p.m., two bombs explode on Bridge Street in Warrington, about 100 yards apart. The blasts happen within a minute of each other. One explodes outside Boots and McDonald’s, and the other outside the Argos catalogue store. The area is crowded with shoppers. Witnesses say that shoppers flee from the first explosion into the path of the second. It is later found that the bombs had been placed inside cast iron litter bins, causing large amounts of shrapnel. Buses are organised to ferry people away from the scene and twenty paramedics and crews from seventeen ambulances are sent to deal with the aftermath.
Three-year-old Johnathan Ball dies at the scene. He had been in town with his babysitter, shopping for a Mother’s Day card. The second victim, 12-year-old Tim Parry, is gravely wounded. He dies on March 25, 1993, when his life support machine is switched off, after tests find only minimal brain activity. Another 54 people are injured, four of them seriously. One of the survivors, 32-year-old Bronwen Vickers, the mother of two young daughters, has to have a leg amputated, and dies just over a year later from cancer.
The Provisional IRA issues a statement the day after the bombing, acknowledging its involvement but saying:
“Responsibility for the tragic and deeply regrettable death and injuries caused in Warrington yesterday lies squarely at the door of those in the British authorities who deliberately failed to act on precise and adequate warnings.”
A day later, an IRA spokesman says that “two precise warnings” had been given “in adequate time,” one to the Samaritans and one to Merseyside Police. He adds, “You don’t provide warnings if it is your intention to kill.” Cheshire’s assistant chief constable denies there had been a second warning and says, “Yes, a warning was given half-an-hour before, but no mention was made of Warrington. If the IRA think they can pass on their responsibility for this terrible act by issuing such a nonsensical statement, they have sadly underestimated the understanding of the British public.”
The deaths of two young children ensures that the March 20 bombings receive major coverage in the media and cause widespread public anger. Shortly after the bombings, a group called “Peace ’93” is set up in Dublin. The main organiser is Susan McHugh, a Dublin housewife and mother. On March 25, 1993, thousands hold a peace rally in Dublin. They sign a condolence book outside the General Post Office and lay bouquets and wreaths, with messages of sorrow and apology, to be taken to Warrington for the boys’ funerals. Some criticise Peace ’93 for focusing only on IRA violence and for not responding to the deaths of children in Northern Ireland.
On September 19, 1994, Irish rock band The Cranberries release the song “Zombie,” which is written in protest of the bombings. The song goes on to become their biggest hit.
On November 14, 1996, the Duchess of Kent officially inaugurates a memorial called The River of Life, depicting “a symbol of hope for future generations,” in Bridge Street. It is developed in the aftermath of the bomb attack and commissioned by the Warrington Borough Council. The project, consisting of a symbolic water sculpture that features a commemorative plaque, is designed by the local primary school and Stephen Broadbent.
The parents of Tim Parry set up the Tim Parry Trust Fund to promote greater understanding between Great Britain and Ireland. The Tim Parry Johnathan Ball Foundation for Peace works jointly with the National Society for the Prevention of Cruelty to Children (NSPCC) to develop The Peace Centre, close to Warrington town centre, which opens on the seventh anniversary of the attack in 2000. Its purpose is to promote peace and understanding amongst all communities affected by conflict and violence. The centre hosts an annual peace lecture, as well as being home to the local NSPCC and is the home of Warrington Youth Club until 2022.
The bombings receive further attention in 2019 after the Brexit Party selects former Living Marxism writer Claire Fox as their lead candidate in the North West England constituency for the 2019 European Parliament election. The Revolutionary Communist Party, of which Fox is a leading member in 1993, defends the IRA’s bombing in their party newsletter. Despite the controversy, which sees another Brexit Party candidate resign from the party list in protest at the comments, Fox and the Brexit Party top the poll in several areas of the North West, including in Warrington.
The killing of Ball and Parry is still on Cheshire Police’s list of unsolved murders.
A piece on BBC North West‘s Inside Out programme in September 2013 speculates that the bombing may have been the work of a “rogue” IRA unit, which was supported by the IRA but operated independently and who used operatives who were from England to avoid suspicion. The programme also examines a possible link between the attack and British leftist political group Red Action, though nothing is ever proven.
(Pictured: Army bomb disposal at the Warrington Bomb scene in March 1993, photo credit: Walker Howard)
Having begun his career as a freelance musician, playing with the BBC Philharmonic orchestra and English National Opera North, an accident ends Cusack’s career as a musician, resulting in him pursuing a career in arts administration. Initially he focuses on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.
In 1992, Cusack makes his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly, where he produces a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he is appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre, and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009, he becomes the National Theatre’s Associate Producer. During this period, he produces numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he works as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London’s West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he is appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.
As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwrightMatt Wilkinson.
In 2023, Cusack is the recipient of the Olwen Wymark Award from the Writers’ Guild of Great Britain for his championing of new writing which is presented at the 18th Annual Awards Ceremony in London.
Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.
After initially attending Beaumont convent school, Allen goes to Firhousenational school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.
Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.
Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.
While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.
Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”
On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.
Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.
Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).
In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.
In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.
After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.
A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.
(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)
seamus dubhghaill 