Earhart first makes headlines in 1928 when she becomes the first woman to cross the Atlantic as a passenger on a trans-Atlantic airplane flight. At the time of her 1932 flight, just one other person, Charles Lindbergh, has flown solo across the Atlantic. A female aviator, Ruth Nichols, attempts the flight in 1931, but crashes in Canada.
After departing Newfoundland, Earhart encounters many difficulties including fatigue, a leaky fuel tank, and a cracked manifold that spews flames out the side of the engine cowling. Ice forms on her Lockheed Vega 5B‘s wings and causes an unstoppable 3,000-foot descent to just above the waves.
Earhart’s plan is to fly to Paris, which was also Lindbergh’s destination, but the weather and mechanical problems force her to land at a farm near Derry, completing the flight in 14 hours and 56 minutes. She describes her landing in a pasture, “After scaring most of the cows in the neighborhood, I pulled up in a farmer’s back yard.”
The first aircraft, an Irish Air Corps Aero Anson A43, lands at the newly opened Rineanna Airfield, which is later to become known as Shannon International Airport, on May 18, 1939.
Transatlantic aviation in the Shannon Estuary first commences with a seaplane base at Foynes. In October 1935, the Irish Government makes a decision to initiate a survey to find suitable bases for the operation of seaplanes and land planes on a transatlantic service. The Department of Defence, which provides technical advice on aviation to the Civil Aviation Section of the Department of Industry, is given the task.
On November 21, 1935, a survey party sets out and surveys sites as far north as Athlone and south to Askeaton. Among the sites for a seaplane base to be considered are the Shannon just below Limerick, Lough Derg, Lough Corrib, Tralee Bay, Kenmare Bay, Lough Ree, and Valentia. Foynes, near the mouth of the Fergus River, is finally selected due to its sheltered anchorage and its proximity to long open stretches of water.
The first priority is drainage to remove surface water from the site and to construct embankments to prevent flooding of the airfield due to its proximity to the tidal River Shannon. Several hundred men are employed to dig narrow lateral drains for the approximately 135 miles of pipes which are laid in parallel lines 50 feet apart over almost the entire area of the airfield site. They also excavate catchment drains to collect water from the surface of the site.
At this time all indications are that regular aerial travel between Europe and the United States will be initially by flying boat and accordingly, the base at Rineanna is designed to cater to both land planes and flying boats. Construction work commences to build embankments and a breakwater to provide for a seaplane base and to protect the airfield site from flooding from the River Shannon.
Developments in aviation during World War I ensure land planes and not flying boats are to be the future of aviation, therefore the mooring basin and the east breakwater which are being constructed for flying boats at Rineanna are never quite finished. Construction of the embankments continue to protect the site from the River Shannon and to form a drainage lagoon for surface water from the western headland of the airport site.
When World War II ends, the airport is ready to be used by the many new post-war commercial airlines of Europe and North America. On September 16, 1945, the first transatlantic proving flight, a Pan AmDC-4, lands at Shannon from New York City. On October 24, the first scheduled commercial flight, an American Overseas Airlines DC-4, passes through Shannon Airport. An accident involving President Airlines on September 10, 1961 results in the loss of 83 lives. The Douglas DC-6 aircraft crashes into the River Shannon while leaving Shannon Airport for Chicago.
The number of international carriers rises sharply in succeeding years as Shannon becomes well known as the gateway between Europe and the Americas as limited aircraft range necessitates refueling stops on many journeys. Shannon becomes the most convenient stopping point before and after a trip across the Atlantic. Additionally, during the Cold War, many transatlantic flights from the Soviet Union stop here for refueling, because Shannon is the westernmost non-NATO airport.
Shannon Airport is one of Ireland’s three primary airports, along with Dublin Airport and Cork Airport, and includes the longest runway in Ireland at 10,495 feet. It is a designated emergency landing site for the Space Shuttle during the U.S. shuttle program. In 2015, 1.715 million passengers pass through the airport, making it the third busiest airport in the country after Dublin and Cork. Shannon Airport is in Shannon, County Clare, and mainly serves Limerick, Ennis, Galway, and the south-west of Ireland.
Riverdance is rooted in a three-part suite of baroque-influenced traditional music called Timedance composed, recorded, and performed for the 1981 Eurovision Song Contest, which is hosted by Ireland. At the time, Bill Whelan and Dónal Lunny compose the music, augmenting the Irish folk band Planxty with a rock rhythm section of electric bass and drums and a four-piece horn section. The piece is performed, with accompanying ballet dancers, during the interval of the contest, and later released as a Planxty single. Whelan has previously produced EastWind, an album by Planxty member Andy Irvine with Davy Spillane who’s cross between Irish and Southeastern European folk music proves an influence on Riverdance. Thirteen years later, Bill Whelan is invited to do the intermission piece for another Eurovision Song Contest in Dublin and composes Riverdance. In the book The Humours of Planxty by Leagues O’Toole, Whelan says, “It was no mistake of mine to call it Riverdance because it connected absolutely to Timedance.”
The 1994 performance earns a standing ovation from the packed theatre of 3,000 people. As a result of this success, Riverdance is invited to perform at the prestigious Royal Variety Performance at Dominion Theatre, London, in the presence of Prince Charles on November 28, 1994.
An audio recording of Riverdance enters the Irish Singles Chart at number one on May 5, 1994, and remains there throughout the summer, eventually totalling a record eighteen weeks at #1. In response to the Rwandan genocide of May/June 1994, a video of the Eurovision interval performance is released by the Irish broadcaster Raidió Teilifís Éireann under the title Riverdance for Rwanda with all proceeds going to the Rwanda Appeal Disasters Joint Appeal Committee.
The success of the Eurovision performance leads husband and wife production team John McColgan and Moya Doherty to consider how to develop the piece. They decide to produce and direct a stage show, expanding the Eurovision piece and Bill Whelan’s composition. In November 1994, tickets are sold in Dublin for the first full-length performance of Riverdance, which opens at the Point Theatre on February 9, 1995. The show runs for five weeks and is a sell out with over 120,000 tickets sold. It stars the original lead dancers from the Eurovision performance as well as many from the dance troupe featured in the Eurovision performance.
Riverdance continues to be performed all over the world, in a diminished format and in smaller venues. Current productions are geared towards smaller theatres, whereas past productions have been performed in large theatres and arenas. Sets have been simplified, and some numbers contain fewer performers than in past productions.
With her distinctive sensual mezzo soprano sound, she is an important blue-eyed soul singer and, at her peak, is one of the most successful British female performers, with six top 20 singles on the United States Billboard Hot 100 and sixteen on the United Kingdom Singles Chart from 1963 to 1989. She is a member of both the U.S. Rock and Roll Hall of Fame and U.K. Music Hall of Fame. International polls name Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up, as well as her flamboyant performances on the black and white television of the 1960s, make her an icon of the Swinging Sixties.
As a fan of U.S. pop music, she brings many little-known soul singers to the attention of a wider U.K. record-buying audience by hosting the first national TV performance of many top-selling Motown artists beginning in 1965. Although she is never considered a Northern Soul artist in her own right, her efforts contribute a great deal to the formation of the genre.
Partly owing to these efforts, a year later she eventually becomes the best-selling female singer in the world and tops a number of popularity polls, including Melody Maker‘s Best International Vocalist. She is the first U.K. singer to top the New Musical Express readers’ poll for Female Singer.
To boost her credibility as a soul artist, Springfield goes to Memphis, Tennessee to record Dusty in Memphis, an album of pop and soul music with the Atlantic Records main production team. Released in 1969, it has been ranked among the greatest albums of all time by the U.S. magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers, and Channel 4 viewers. The album is also awarded a spot in the Grammy Hall of Fame. Despite its current recognition, the album does not sell well and after its release and Springfield experiences a career slump for several years. However, in collaboration with Pet Shop Boys, she returns to the Top 10 of the U.K. and U.S. charts in 1987 with What Have I Done to Deserve This? Two years later, she has two other U.K. hits on her own with Nothing Has Been Proved and In Private. Subsequently in the mid-1990s, owing to the inclusion of Son of a Preacher Man on the Pulp Fiction soundtrack, interest in her early output is revived.
In January 1994, while recording her penultimate album, A Very Fine Love, in Nashville, Dusty Springfield falls ill. When she returns to the United Kingdom a few months later, her physicians diagnose breast cancer. She receives months of chemotherapy and radiation treatment, and the cancer goes into remission. In 1995, in apparent good health, Springfield sets about promoting the album, which is released that year. By mid-1996, the cancer has returned, and, in spite of vigorous treatments, she dies in Henley-on-Thames on March 2, 1999. Her induction into the Rock and Roll Hall of Fame in Cleveland, Ohio, has been scheduled two weeks after her death. Her friend Elton John helps induct her into the Hall of Fame, declaring, “I’m biased but I just think she was the greatest white singer there ever has been … Every song she sang, she claimed as her own.”
Springfield is cremated and some of her ashes are buried at Henley-on-Thames, while the rest are scattered by her brother, Tom Springfield, at the Cliffs of Moher, County Clare, Ireland.
About 200 Anti-Treaty Irish Republican Army militants led by Rory O’Connor occupy the Four Courts in the centre of Dublin on April 14, 1922 in defiance of the Provisional Government. They intend to provoke the British troops, who are still in the country, to attack them, which they believe will restart the war with Britain and re-unite the Irish Republican Army against their common enemy. They also occupy other smaller buildings regarded as being associated with the former British administration, such as the Ballast Office and the Freemasons’ Hall in Molesworth Street, but the Four Courts remains the focus of interest. On June 15, O’Connor sends out men to collect the rifles that belong to the mutineers of the Civic Guards.
Winston Churchill and the Cabinet of the United Kingdom apply pressure on the Provisional Government to dislodge the rebels in Four Courts, considering their presence there as a violation of the Anglo-Irish Treaty. Michael Collins, President of the Provisional Government Cabinet, tries desperately to persuade O’Connor and his men to leave the building over the next three months. At the Third IRA Convention, the executive is split over whether the Irish Government should demand that all British troops leave within 72 hours. The motion is defeated, but the IRA splits into two factions opposed to the government, one conciliatory, led by Liam Lynch, Sean Moylan, and Liam Deasy, and the other less moderate, led by Tom Barry and Joe McKelvey.
During the month of June 1922, the Provisional Government engages in intense negotiations with the British Cabinet, seeking to diffuse the threat of imminent civil war. However, the conservative British Cabinet refuses to cooperate.
On June 22, 1922, arch-Unionist Sir Henry Wilson is assassinated by two IRA men, both former British soldiers, Reginald Dunne and Joseph O’Sullivan. It is considered by some that this is done on the orders of Michael Collins, who has been a close friend of Dunne in the London Irish Republican Brotherhood. David Lloyd George writes an angry letter to Collins which includes the line “…still less can Mr. Rory O’Connor be permitted to remain his followers and his arsenal in open rebellion in the heart of Dublin… organizing and sending out from this centre enterprises of murder not only in the area of your Government…”
On June 28, 1922, after the Four Courts garrison has kidnapped J.J. “Ginger” O’Connell, a general in the new Free State Army, Collins begins shelling the Four Courts with borrowed British artillery. O’Connor and 130 men surrender on July 3 and are arrested and imprisoned at Mountjoy Prison. This incident sparks the Irish Civil War as fighting breaks out around the country between pro and anti-treaty factions.
Educated at Oatlands College, Stillorgan, and University College, Dublin (UCD), Morgan comes to prominence as part of the team behind the highly successful RTÉ television show The Live Mike. Morgan makes his debut in the media on the Morning Ireland radio show produced by Gene Martin. Between 1979 and 1982 Morgan, who has been a teacher at St. Michael’s College, Ailesbury Road, plays a range of comic characters who appear between segments of the show, including Father Trendy, an unctuous trying-to-be-cool Catholic priest given to drawing ludicrous parallels with non-religious life in two-minute ‘chats’ to camera.
Morgan’s success as Father Trendy and other characters leads him to leave teaching and become a full-time comedian.
Morgan’s biggest Irish broadcasting success occurs in the late 1980s on the Saturday morning radio comedy show Scrap Saturday, which mocks Ireland’s political, business, and media establishment. The show’s treatment of the relationship between the ever-controversial Taoiseach Charles Haughey and his press secretary P.J. Mara prove particularly popular. When RTÉ axes the show in the early 1990s a national outcry ensues. Morgan lashes the decision, calling it “a shameless act of broadcasting cowardice and political subservience.”
Already a celebrity in Ireland, Morgan’s big break comes in Channel 4‘s Irish sitcom Father Ted, which runs for three series from April 21, 1995 until May 1, 1998. Writers Graham Linehan and Arthur Mathews audition many actors for the title role, but Morgan’s enthusiasm wins him the part.
Father Ted centres on three disparate characters. Father Ted Crilly, played by Morgan, lives a frustrated life trapped on the fictional Craggy Island. Irish TV comedy actor Frank Kelly plays Father Jack Hackett, a foul-mouthed and apparently brain-damaged alcoholic, while child-minded Father Dougal McGuire is played by comedian Ardal O’Hanlon. The three priests are looked after by their housekeeper, Mrs. Doyle, played by Pauline McLynn, with whom Morgan had worked on Scrap Saturday. Father Ted enjoys widespread popularity and critical acclaim. In 1998, the show wins a BAFTA award for the best comedy, Morgan wins a BAFTA for best actor, and McLynn is named best actress.
On February 28, 1998, one day after recording the last episode of Father Ted, Morgan has a heart attack while hosting a dinner party at his home in southwest London. He is rushed to hospital but dies soon afterwards. Morgan’s Requiem Mass in St. Therese’s Church in Mount Merrion, south Dublin, is attended by the President of Ireland Mary McAleese, her predecessor, Mary Robinson, and by political and church leaders, many of whom had been the targets of his humour in Scrap Saturday. He is cremated at Glasnevin Cemetery and his ashes are buried in the family plot in Deansgrange Cemetery.
Healy is born in Bantry, County Cork, the second son of Maurice Healy, clerk of the Bantry Poor Law Union, and Eliza Healy (née Sullivan). His father is transferred in 1862 to a similar position in Lismore, County Waterford. Timothy is educated at the Christian Brothers school in Fermoy, and is otherwise largely self-educated, in 1869, at the age of fourteen, he goes to live with his uncle Timothy Daniel Sullivan in Dublin.
Healy then moves to England in 1871, working first as a railway clerk and then from 1878 in London as parliamentary correspondent of The Nation, writing numerous articles in support of Charles Stewart Parnell, the newly emergent and more militant home rule leader, and his policy of parliamentary obstructionism. Healy takes part in Irish politics and becomes associated with Parnell and the Irish Parliamentary Party. After being arrested for intimidation in connection with the Irish National Land League, he is promptly elected as member of Parliament for Wexford Borough in 1880.
In Parliament, Healy becomes an authority on the Irish land question. The “Healy Clause” of the Land Act of 1881, which protects tenant farmers’ agrarian improvements from rent increases imposed by landlords, not only makes him popular throughout nationalist Ireland but also wins his cause seats in Protestant Ulster. He breaks with Parnell in 1886 and generally remains at odds with subsequent leaders of the Irish Parliamentary Party, though he is a strong supporter of proposals for Irish Home Rule. Meanwhile, he is called to the Irish bar in 1884 and becomes a queen’s counsel in 1899.
Healy believes that he has been awarded the Governor-Generalship for life. However, the Executive Council of the Irish Free State decides in 1927 that the term of office of Governors-General will be five years. As a result, he retires from the office and public life in January 1928 and publishes his extensive two volume memoirs later in that year. Throughout his life he is formidable because he is ferociously quick-witted, because he is unworried by social or political convention, and because he knows no party discipline. Towards the end of his life, he becomes more mellowed and otherwise more diplomatic.
Healy dies on March 26, 1931, at the age of 75, in Chapelizod, County Dublin. He is buried in Glasnevin Cemetery in Dublin.
For the first time in the 230-year history of the New York City St. Patrick’s Day parade, members of an LGBT group, the Irish Lesbian & Gay Organisation, are allowed to march in the parade on March 16, 1991.
New York Mayor David N. Dinkins gives up the traditional lead-off position in the parade and instead marches with the Irish gay group more than two hours later. It marks the first time in memory that a New York City mayor has declined to lead a St. Patrick’s Day Parade.
On March 14, Dinkins agrees to march with the gay group “for reasons we all understand” as part of a compromise to get the group into the parade. The mayor and the 135-member gay group are guests of Division 7 of the Ancient Order of Hibernians, the midtown Manhattan chapter of the fraternal order that sponsors and organizes the parade.
Normally, politicians jockey for high-profile spots in the parade, which is billed as the world’s largest civilian parade. No mayor has ever been in the difficult spot of trying to resolve such a public dispute between Irish American groups, which have long been political powers in New York City, and gay groups, which have gained strength and are an important part of the coalition that helped bring Dinkins to office.
Police officials have 3,100 officers along the parade route to provide security for the estimated one million spectators and 150,000 people marching in the parade. The parade costs the city more than $500,000 in overtime for police, sanitation, traffic, and other employees.
Dinkins is booed for nearly 40 blocks, briefly showered with beer, and dodges two thrown beer cans as he and other elected officials march up Fifth Avenue with the gay Irish group.
Governor Mario M. Cuomo also gives up a place at the front of the parade, marching with a group of handicapped children in wheelchairs that had been denied a place among the bands and bagpipes until they threatened to sue the parade organizers.
As in previous years, some marchers wear green sashes reading, “Free Joe Doherty,” referring to the Irish Republican Army soldier jailed in New York City. Others wear yellow ribbons to honor soldiers returning home from the Persian Gulf war. But the dispute about the homosexuals is the focus for much of the march.
After the parade, Dinkins says although he expected to draw protests for marching with the lesbian and gay group, he is surprised by the depth of anger directed against him and the homosexual marchers. “It was like marching in Birmingham, Alabama during the civil rights movement,” he said. “I knew there would be deep emotions, but I did not anticipate the cowards in the crowd. There was far, far too much negative comment.”
In contrast to the ambient experimentation of their 1984 release The Unforgettable Fire, the band aims for a harder-hitting sound within the limitation of conventional song structures on The Joshua Tree. The album is influenced by American and Irish roots music, and depicts the band’s love–hate relationship with the United States, using socially and politically conscious lyrics embellished with spiritual imagery.
Inspired by American tour experiences, literature, and politics, U2 chooses America as a theme for the album. Recording begins in Ireland in January 1986. Several events during the recording sessions help shape the conscious tone of the album, including the band’s participation in A Conspiracy of Hope tour, the death of roadie Greg Carroll, and lead vocalist Bono’s travels to Central America. Recording is completed in November 1986 and additional production continues into January 1987. Throughout the sessions, U2 seeks a “cinematic” quality for the record, one that will evoke a sense of location, in particular, the open spaces of America. They represent this in the sleeve photography depicting them in American desert landscapes.
The Joshua Tree receives critical acclaim, topping the charts in over 20 countries, and selling in record-breaking numbers. According to Rolling Stone, the album increases the band’s stature “from heroes to superstars.” It produces the hit singles With or Without You, I Still Haven’t Found What I’m Looking For, and Where the Streets Have No Name. The album wins Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The group supports the record with the Joshua Tree Tour throughout 1987.
Frequently featured on critics’ lists of music’s greatest records, The Joshua Tree is one of the world’s best-selling albums, with over 25 million copies sold. U2 releases a remastered edition of the record in 2007 to commemorate its 20th anniversary. In 2014, it is deemed “culturally, historically, or aesthetically significant” by the U.S. Library of Congress and selected for preservation in the National Recording Registry.
Irish patriot Roger Casement‘s body is returned to Ireland from the United Kingdom on February 23, 1965, forty-nine years after his execution for treason.
In October 1914, Roger Casement sails for Germany where he spends most of his time seeking to recruit an Irish Brigade from among more than 2,000 Irish prisoners-of-war taken in the early months of World War I and held in the prison camp of Limburg an der Lahn. His plan is that they will be trained to fight against Britain in the cause of Irish independence.
In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of arms that Casement has hoped. Casement does not learn of the Easter Rising until after the plan is fully developed. The German weapons never land in Ireland as the Royal Navy intercepts the ship transporting them.
In the early hours of April 21, 1916, three days before the beginning of the rising, Casement is taken by a German submarine and is put ashore at Banna Strand in Tralee Bay, County Kerry. Suffering from a recurrence of malaria and too weak to travel, he is discovered at McKenna’s Fort in Rathoneen, Ardfert, and arrested on charges of treason, sabotage, and espionage against the Crown. He is imprisoned in the Tower of London.
Casement’s trial for treason is highly publicized and he is ultimately convicted and sentenced to be hanged. He unsuccessfully appeals the conviction and death sentence. Among the many people who plead for clemency are Sir Arthur Conan Doyle, W. B. Yeats, and George Bernard Shaw.
On the day of his execution, Casement is again received into the Catholic Church at his request. He is attended by two Irish Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of St. Mary and St. Michael’s. Casement is hanged at Pentonville Prison in London on August 3, 1916. His body is buried in quicklime in the prison cemetery at the rear of the prison.
During the decades after his execution, many formal requests for repatriation of Casement’s remains are refused by the U.K. government. Finally, February 23, 1965, Casement’s remains are repatriated to the Republic of Ireland. Casement’s last wish, to be buried at Murlough Bay on the North Antrim coast, in what is now Northern Ireland, may never be satisfied as U.K. Prime Minister Harold Wilson‘s government releases the remains only on condition that they cannot be brought into Northern Ireland, as “the government feared that a reburial there could provoke Catholic celebrations and Protestant reactions.”
Casement’s remains lay in state at Arbour Hill in Dublin for five days, during which time an estimated half a million people file past his coffin. After a state funeral on March 1, the remains are buried with full military honours in the Republican plot in Glasnevin Cemetery in Dublin, with other militant republican heroes. The President of the Republic of Ireland, Éamon de Valera, who is in his mid-eighties and the last surviving leader of the Easter Rising, defies the advice of his doctors and attends the ceremony, along with an estimated 30,000 others.
