The British, in a general amnesty, release 33 Fenian prisoners on January 5, 1871. Most of these prisoners are men who have either been swept up by the British in 1865, when they suppressed the Fenian newspaper The Irish People for taking part in the Fenian Rising of March 1867, or had been rounded up after the “Smashing of the Van” rescue of Thomas J. Kelly and Timothy Deasy in September 1867.
The British penal system of the period is brutal under normal circumstances, and the Fenians receive much harsher treatment than that received by the normal inmates. Those Fenians still on the outside agitate constantly for the release of their comrades. The man most responsible for the release of 1871 is John “Amnesty” Nolan, who thus earns his sobriquet.
The names of many of the men released by William Ewart Gladstone’s government are well known to those who have studied the Irish republican movement. One of them is Jeremiah O’Donovan Rossa, as steadfast an enemy of English rule in Ireland as any who has ever lived. After Rossa’s death in the United States, his body is returned to Ireland for burial, and his funeral in 1915 includes the famous eulogy by Patrick Pearse, one of the seminal moments in the renewal of armed struggle for Irish freedom. Another Fenian released that day is John Devoy, who perhaps more than any other man keeps the struggle for Irish freedom alive among Irish exiles in America.
The British government releases the Fenians on condition that they exile themselves to the country of their choice and not return until their sentences have expired. Many chose to go to Australia, but Rossa, Devoy, John McClure, Henry Mulleda, and Charles Underwood O’Connell, who have all been imprisoned together, chose to go to the United States and ship together from Liverpool on board the Cuba. The so-called Cuba Five arrive in New York City to a hero’s welcome from the city’s large Irish community and even receive a resolution of welcome from the United States House of Representatives.
(Pictured: “The Cuba Five” – John Devoy, Jeremiah O’Donovan Rossa, Charles Underwood O’Connell, Henry Mulleda and John McClure)
Pakenham is the elder son of Thomas Pakenham, 5th Earl of Longford and Mary, Countess of Longford, née Child-Villiers. He is the only one of the Pakenham children on whom his mother dotes, apparently because he is to succeed to the earldom on his father’s death and because he is always in delicate health.
As a pupil at Eton College, where he twice received the Wilder Divinity Prize, Pakenham succeeds to the earldom when his father is killed in action at the Battle of Gallipoli on August 21, 1915. He is an Irish Nationalist since his days at Eton, taking inspiration from the Easter Rising in 1916 and the Russian Revolution of 1917. He learned Irish and adopted the name Eamon de Longphort.
Pakenham becomes an undergraduate at Christ Church, Oxford and meets his future wife, Christine Patti Trew, an Oxford “undergraduette.” They are married on July 18, 1925. His political views make him unpopular at both Eton and Christ Church, where he is famously put in “Mercury,” the pond containing a statue of Mercury in Tom Quad.
Pakenham also has several volumes of poetry published, some at the expense of his mother when he is still at Eton, but he is not considered to have been a very good poet.
Pakenham often collaborates with his wife with whom he is also responsible for redecorating Pakenham Hall, now Tullynally Castle, in Chinese style. Pakenham Hall is often the scene of gatherings of Oxford-educated intellectuals such as John Betjeman, Evelyn Waugh, and Maurice Bowra.
Edward Pakenham dies without issue on February 4, 1961, and is succeeded by his younger brother Frank. He is buried at Mount Jerome Cemetery in Dublin.
Purcell is the son of auctioneer Pierce Purcell and his second wife Catherine (née Hoban) of 4 Ashbrook Terrace, South Circular Road, Dublin. He is baptised six days after his birth at St. Kevin’s Church, Harrington Street. Within a few months, the Purcell family moves to 12 Mercer Street Lower. He is educated at Synge Street CBS. He loses the tip of his right index finger while making cigarette vending machines and also loses his entire left index finger due to an accident while he is an apprentice carpenter, a feature which he exploits for dramatic effect in the film Mutiny on the Bounty (1962).
Purcell begins his show business career at the age of 12 in Dublin’s Gaiety Theatre. Later, he tours Ireland in a vaudeville act with Jimmy O’Dea. Stage-trained in the classics in Dublin, he moves into films in 1934. He appears in Captain Boycott (1947) and as the elderly sailor whose death maroons the lovers-to-be in the first sound film version of The Blue Lagoon (1949). He plays a member of Captain Ahab‘s crew in Moby Dick (1956), Dan O’Flaherty in episode one, The Majesty of the Law, of The Rising of the Moon (1957), a gamekeeper in The List of Adrian Messenger (1963), and a barman in The Mackintosh Man (1973). The last two films are directed by John Huston.
Purcell is the subject of This Is Your Life in 1958 when he is surprised by Eamonn Andrews at the BBC Television Theatre. He also gains some recognition as a singer. Shortly after World War II, songwriter Leo Maguire composes “The Dublin Saunter” for him. He performs the song live for many years and later records it for the Glenside label, but the recording is not a hit. However, over time it becomes one of the most favourite songs about Dublin, receiving countless airplays on radio programmes.
When McLarnin is three years old the family emigrates to Saskatchewan, Canada via Liverpool. The McLarnins start out as a wheat farmers, but years later, following a particularly harsh winter, the family moves to Vancouver where they open a second-hand clothing store in Vancouver’s east end.
McLarnin is prodigious athlete, his main sports are football, baseball and boxing. He takes up boxing at the age of 10 after getting into a fight defending his newspaper-selling pitch. Former professional boxer Charles “Pop” Foster recognizes McLarnin’s talent at the age of 13. He constructs a makeshift gym for McLarnin to train in, sure that he will one day be the champion of the world. The two of them remain close, and when Foster dies, he leaves everything he has to McLarnin.
Following a successful start to his career in Vancouver, McLarnin grows aggrieved at the low pay he is receiving for bouts and decides to move to San Francisco. There his youthful appearance makes it difficult to get a fight until he lies about his age. It is for this reason that McLarnin is known as the “Baby-faced Assassin.” Despite his youthful appearance, McLarnin has incredible power with both fists, his right being particularly feared. Towards the end of his career he is forced to become more of a scientific boxer to reduce further injuries to his hands.
McLarnin loses his first title shot on May 21, 1928 in New York City against world lightweight champion Sammy Mandell. However, he does go on to beat him twice in the following two years. It is five years before McLarnin gets another title shot, during which time he knocks out gifted Jewish contenders Al Singer, Ruby Goldstein, and Sid Terris.
McLarnin’s second title shot comes against welterweight champion Young Corbett III. McLarnin wins by knockout after only 2 minutes 37 seconds. Following his title success, he fights an epic three-fight series with Barney Ross. The first fight, on May 28, 1934, is won by Ross, but McLarnin regains his title in their next match four months later. In the deciding fight on May 28, 1935, McLarnin loses his title for the final time in a narrow decision.
McLarnin retires in November 1936 still at the top of his game, having won his last two fights against all-time greats Tony Canzoneri and Lou Ambers. His record is 54 wins, 11 losses, and 3 draws in 68 contests. He never returns to the ring despite large incentives for him to do so. Unlike many boxers, he invested his money wisely and retires a wealthy man. He opens an electrical goods store, and also does some acting, golfing, and lecturing.
In 1996 The Ring votes McLarnin the fifth-greatest welterweight of all time.
Cary is born into an old Anglo-Irish family, and at age 16 he studies painting in Edinburgh and then in Paris. From 1909 to 1912 he is at Trinity College, Oxford, where he reads law. Having joined the colonial service in 1914, he serves in the Nigeria Regiment during World War I. He is wounded while fighting in Cameroon and returns to civil duty in Nigeria in 1917 as a district officer. West Africa becomes the locale of his early novels.
Resolved to become a writer, Cary settles in Oxford in 1920. Although that year he publishes ten short stories in The Saturday Evening Post, he decides he knows too little about philosophy, ethics, and history to continue writing in good conscience. Study occupies the next several years, and it is only in 1932 that his first novel, Aissa Saved, appears. The story of an African girl converted to Christianity but still retaining pagan elements in her faith, it is followed by three more African novels — An American Visitor (1933), The African Witch (1936), and Mister Johnson (1939) — and a novel about the decline of the British Empire, Castle Corner (1938). Childhood is the theme of his next two novels, his own in A House of Children (1941) and that of a cockney wartime evacuee in the country in Charley Is My Darling (1940).
Cary’s trilogy on art begins with the first-person narration of a woman, Sara Monday, in Herself Surprised (1941) and follows with that of two men in her life, the lawyer Tom Wilcher in To Be a Pilgrim (1942) and the artist Gulley Jimson in The Horse’s Mouth(1944), his best-known novel. Monday is portrayed as a warm-hearted, generous woman who is victimized both by the conservative upper-class Wilcher and by the talented but disreputable painter Jimson. The latter character is a social rebel and visionary artist whose humorous philosophy and picaresque adventures in The Horse’s Mouth helped make him one of the best-known characters in 20th-century fiction.
Similarly, Cary’s other trilogy is seen from the vantage of a politician’s wife in A Prisoner of Grace (1952), the politician himself in Except the Lord (1953), and the wife’s second husband in Not Honour More (1955).
In 1952, Cary has some muscle problems which are originally diagnosed as bursitis, but as more symptoms are noted over the next two years, the diagnosis is changed to that of motor neuron disease (known as Lou Gehrig’s disease (ALS) in North America), a wasting and gradual paralysis that is terminal. As his physical powers fail, Cary has to have a pen tied to his hand and his arm supported by a rope to write. Finally, he resorts to dictation until unable to speak, and then ceases writing for the first time since 1912. His last work, The Captive and the Free (1959), first volume of a projected trilogy on religion, is unfinished at his death on March 29, 1957. His short stories are collected in Spring Song (1960).
The Kildare Place Society, known officially as the Society for the Promotion of the Education of the Poor of Ireland, is formed on December 2, 1811, to maintain non-denominational schools and to promote the education of the poor. It is the most successful of all the voluntary educational agencies founded in the years prior to the establishment of the National Board of Education in 1831.
Set up in 1811 explicitly to cater to the demand for education among the Catholic poor, the Kildare Place Society aims to provide a Bible-based but non-denominational education that is acceptable to Catholics. In 1816 the society petitions the Parliament of the United Kingdom and is awarded 10,000 pounds, an amount that is greatly increased over the following decade. This money allows the society to spread across the country and to establish the rudiments of a national system of primary education. The society aims to modernize the teaching profession with a training college and an inspectorate, decent schoolhouses, and regular salaries for teachers. It also produces reading material aimed at a popular audience, which competes very favorably with the much-derided chapbooks that are the staple of popular reading material at the time.
Despite the commitment of the founders, many of whom are members of the Society of Friends, to respect denominational differences, and despite the allocation of seats for Catholics on the board of trustees, the society is increasingly drawn into quarrels over the use of the Protestant Bible for educational purposes during the second decade of the 19th century.
Particularly significant is the influence of the evangelical members of the board, especially Chief Justice Thomas Lefroy, who insists on the compulsory use of the Bible “without note or comment” in the Kildare Place schools. This measure is openly and stridently criticized by the Reverend John MacHale in the famous Hierophilus Letters of 1820 and is the immediate cause of the resignations of Daniel O’Connell and Valentine Lawless, 2nd Baron Cloncurry from the society’s board in 1821. This gesture is followed in short order by directives to Catholic parents to withdraw their children from the schools.
The substance of O’Connell’s and MacHale’s attacks on the Kildare Place Society is that its policies are in line with the more overtly proselytizing societies associated with the “Second Reformation” and are therefore unsuitable for Catholic children. The society does not survive the challenge. As a result of the ideological conflict over education, the government inaugurates a series of inquiries to determine what kind of educational system would be acceptable to the different denominations in Ireland, and the outcome is the establishment of the National Board of Education in 1831. Although the Kildare Place Society continues its work into the 1830s, its school system suffers an inevitable decline with the spread of the new national system.
(Pictured: The main offices of the Kildare Place Society in Kildare Place, Dublin)
The young men become increasingly impatient with the slow pace of O’Connell’s repeal campaign and soon begin to contemplate armed insurrection. Davis, along with John Dillon and Charles Duffy, found The Nation, the newspaper of the movement in 1842. In its pages the idea of total separation from England is soon openly suggested, and Lane becomes one of the paper’s contributors. He contributes articles and later poems to the paper, his best known poems being Carrig Dhoun and Kate of Araglen which are written under the pen name “Domhnall na Glanna” or “Domhnall Gleannach.”
Finally, in 1846, the issue of physical force split the Young Irelanders from O’Connell’s Repeal Association. Lane supports the split. Davis, Lane, and small group of their friends soon become known by the name which has survived to this day: the Young Ireland Party.
Lane and his college classmate Michael Joseph Barry are the most prominent Young Irelanders in Cork, and are interned in Cork City Gaol after the Young Ireland Rebellion of 1848. Lane spends four months in prison. After his release, he returns to Cork and does not appear to have much political involvement thereafter.
Sinn Féin, a left-wingIrish republican political party active in both the Republic of Ireland and Northern Ireland, is founded on November 28, 1905, when, at the first annual Convention of the National Council, Arthur Griffith outlines the Sinn Féin policy, “to establish in Ireland’s capital a national legislature endowed with the moral authority of the Irish nation.”
The phrase “Sinn Féin” is Irish for “ourselves” or “we ourselves,” although it is frequently mistranslated as “ourselves alone.” The meaning of the name itself is an assertion of Irish national sovereignty and self-determination, i.e., the Irish people governing themselves, rather than being part of a political union with Great Britain under the Westminster Parliament.
Around the time of 1969–1970, owing to the split in the republican movement, there are two groups calling themselves Sinn Féin, one under Tomás Mac Giolla, the other under Ruairí Ó Brádaigh. The latter becomes known as Sinn Féin (Kevin Street) or Provisional Sinn Féin, and the former becomes known as Sinn Féin (Gardiner Place) or Official Sinn Féin. The “Officials” drop all mention of Sinn Féin from their name in 1982, instead calling itself the Workers’ Party of Ireland. The Provisionals are now generally known as Sinn Féin. Supporters of Republican Sinn Féin, which comes from a 1986 split, still use the term “Provisional Sinn Féin” to refer to the party led by Gerry Adams.
Sinn Féin is a major party in both Northern Ireland and the Republic of Ireland. It is the largest nationalist party in the Northern Ireland Assembly, and the second-largest overall. It has four ministerial posts in the most recent power sharingNorthern Ireland Executive. It holds seven of Northern Ireland’s eighteen seats, the second largest bloc after the Democratic Unionist Party (DUP), at Westminster, where it follows a policy of abstentionism, refusing to attend parliament or vote on bills. It is the third-largest party in the Oireachtas, the parliament of the Republic of Ireland. As Ireland’s dominant parties of Fine Gael and Fianna Fáil are both centre-right, Sinn Féin is the largest left-wing party in Ireland.
Sinn Féin members have also been referred to as Shinners, a term intended as a pejorative.
The Gaiety is extended by theatre architect Frank Matcham in 1883, and, despite several improvements to public spaces and stage changes, it retains several Victorian era features and remains Dublin’s longest-established, continuously producing theatre.
Patrick Wall and Louis Elliman purchase the theatre in 1936 and run it for several decades with local actors and actresses. They sell it in 1965, and in the 1960s and the 1970s the theatre is run by Fred O’Donovan and the Eamonn Andrews Studios, until Joe Dowling, former artistic director of the Abbey Theatre, becomes director of the Gaiety in the 1980s. In the 1990s Groundwork Productions take on the lease and the theatre is eventually bought by the Break for the Border Group. The Gaiety is purchased by music promoter Denis Desmond and his wife Caroline in the late 1990s, who undertake a refit of the theatre. The Department of Arts, Sport and Tourism also contributes to this restoration fund.
The theatre plays host to the 1971 Eurovision Song Contest, the first to be staged in Ireland, during the Gaiety’s centenary year. Clodagh Rodgers, a contestant in that particular contest, later presents her RTÉ television series The Clodagh Rodgers Show from the theatre in the late 1970s.
Aeneas Coffey, Irish inventor and distiller, dies in England on November 26, 1852. He is born in Calais, France, to Irish parents in 1780. He is educated at Trinity College, Dublin, and enters the excise service around 1799–1800 as a gauger. He marries Susanna Logie in 1808, and they have a son, also named Aeneas, who may have been their only child.
According to British customs and excise records, Coffey is a remarkable man with widespread interests and multiple talents who rises quickly through the excise service ranks. He is appointed sub-commissioner of Inland Excise and Taxes for the district of Drogheda in 1813. He is appointed Surveyor of Excise for Clonmel and Wicklow in 1815. In 1816 he is promoted to the same post at Cork. By 1818 he is Acting Inspector General of Excise for the whole of Ireland and within two years is promoted to Inspector General of Excise in Dublin.
Coffey is a strong, determined upholder of the law, but aware of its shortcomings. He survives many nasty skirmishes with illegal distillers and smugglers, particularly in County Donegal in Ulster and in the west of Ireland, where moonshining is most rife. On several occasions he proposes to the government simple, pragmatic solutions to rules and regulations which have hampered legal distillers. Not all of his ideas are accepted. Between 1820 and 1824 he submits reports and gives evidence to Parliamentary Commissions of Inquiry on many aspects of distilling, including formalising the different spellings of Irish whiskey and Scotch whisky. His 1822 report is solidly backed by the Irish distillers. He believes in making it viable to distill legally, and illegal distilling might largely disappear.
He assists the government in the drafting of the 1823 Excise Act which makes it easier to distill legally. It sanctions the distilling of whiskey in return for a licence fee of £10, and a set payment per gallon of proof spirit. It also provides for the appointment of a single Board of Excise, under Treasury control, for the whole of the United Kingdom, replacing the separate excise boards for England, Scotland and Ireland. The 1823 Excise Act also provides for not more than four assistant commissioners of excise to transact current business in Scotland and Ireland, under the control of the board in London. Coffey resigns from government excise service at his own request in 1824.
Between his Dublin education and his work as an excise officer, Coffey has ample opportunity to observe the design and workings of whiskey stills, as Ireland is the world’s leading producer of whiskey in the 19th century, and Dublin is at the center of that global industry. This is how Coffey becomes familiar with a design differing from the traditional copper pot alembic still commonly used in Ireland, the continuous, or column, still. First patented by a Cork County distillery in 1822, the column still remains a relatively inefficient piece of equipment, although it points the way towards a cheaper and more productive way to distill alcohol. It is that last point that captures Coffey’s imagination. He makes his own modifications to existing column still designs, so as to allow a greater portion of the vapors to re-circulate into the still instead of moving into the receiver with the spirit. The result is more efficient, producing a lighter spirit at higher alcohol content. Coffey patents his design in 1830, and it becomes the basis for every column still used ever since.
On his retirement from service, Coffey goes into the Irish distilling business. For a short time he runs the Dodder Bank Distillery, Dublin and Dock Distillery in Grand Canal Street, Dublin, before setting up on his own as Aeneas Coffey Whiskey Company in 1830. The development of the Coffey still makes distillation of his own whiskey much more economical.
Nothing is known of the final years and last resting place of Aeneas Coffey. His only son, also called Aeneas Coffey, emigrates to South Africa and manages a distillery. He marries but his wife dies childless. He returns to England and spends his final years near London.
seamus dubhghaill 