Joseph Tomelty, Irish character actor and playwright, is born at Portaferry, County Down, on March 5, 1911. He works in film, television, radio, and on the stage, starring in Sam Thompson‘s 1960 play Over the Bridge.
Tomelty is the eldest of seven children. His father is known as “Rollickin’ James” for his skill on the fiddle. He leaves his local primary school at the age of 12 and is apprenticed to the trade of housepainter, his father’s trade. He moves to Belfast and attends classes at Belfast Technical College.
Tomelty first acts with St. Peter’s Players and with others in 1937 and 1938 takes part in discussions which lead to the formation of the Northern Ireland Players on a more professional basis. Radio plays Barnum is Right and Elopement are broadcast in December 1938 and February 1939 respectively. The Northern Ireland Players choose the stage version of Barnum is Right for their first major commercial venture at the Empire Theatre in June 1939.
In 1940 the Northern Ireland Players join forces with the Ulster Theatre and the Jewish Institute Dramatic Society to form the Group Theatre. In 1942 Tomelty becomes its general manager remaining in the post until 1951. His play, Idolatry at Innishargie, enjoys a short run at the Group Theatre in 1942, but The End House, a controversial political play, does not even appear there. The play deals with what he describes as “the inhumanity that resulted from the Special Powers Act.” It is however performed at the Abbey Theatre in Dublin in 1944.
Meanwhile, his career as a character actor rapidly develops and a successful stage and film career is underway. In 1948 he is commissioned by the BBC in Belfast to write the weekly radio comedy drama series The McCooeys. This radio series lasts for seven years with Tomelty writing 6,000 word scripts for each episode. He continues to write plays, including his masterpiece, and a modern Irish theatre classic, All Souls’ Night in 1948.
In 1954 Tomelty is injured in an automobile accident while filming Bhowani Junction in England and, while he recovers, he is never as productive again. He dies in Belfast on June 7, 1995.
Although a Protestant country-gentleman, O’Brien supports Catholic Emancipation while remaining a supporter of British-Irish union. In 1843, in protest against the imprisonment of Daniel O’Connell, he joins O’Connell’s anti-union Repeal Association.
Three years later, O’Brien withdraws the Young Irelanders from the association. In January 1847, along with Thomas Francis Meagher, he founds the Irish Confederation, although he continues to preach reconciliation until O’Connell’s death in May 1847. He is active in seeking relief from the hardships of the famine. In March 1848, he speaks out in favour of a National Guard and tries to incite a national rebellion. He is tried for sedition on May 15, 1848, but is not convicted.
On July 29, 1848, O’Brien and other Young Irelanders lead landlords and tenants in a rising in three counties, with an almost bloodless battle against police at Ballingarry, County Tipperary. In O’Brien’s subsequent trial, the jury finds him guilty of high treason. He is sentenced to be hanged, drawn, and quartered. Petitions for clemency are signed by 70,000 people in Ireland and 10,000 people in England.
In Dublin on June 5, 1849, the sentences of O’Brien and other members of the Irish Confederation are commuted to transportation for life to Van Diemen’s Land, which is Tasmania in present-day Australia.
O’Brien attempts to escape from Maria Island off Tasmania but is betrayed by Captain Ellis of the schooner hired for the escape. He is sent to Port Arthur where he meets up with John Mitchel, who had been transported prior to the rebellion. The cottages which O’Brien lives in on Maria Island and Port Arthur have been preserved in their 19th century state as memorials.
Having emigrated to the United States, Ellis is tried by another Young Irelanders leader, Terence MacManus, at a lynch court in San Francisco for the betrayal of O’Brien. He is freed for lack of evidence.
In 1854, after five years in Tasmania, O’Brien is released on the condition he never return to Ireland. He settles in Brussels. In May 1856, he is granted an unconditional pardon and returns to Ireland that July. He contributes to The Nation newspaper but plays no further part in politics.
In 1864 he visits England and Wales, with the view of rallying his failing health, but no improvement takes place, and he dies at Bangor, Wales on June 16, 1864.
Holland, the second of four siblings, all boys, is born in a coastguard cottage in Liscannor, County Clare, where his father, John Philip Holland, Sr., is a member of the British Coastguard Service. His mother, a native Irish speaker from Liscannor, Máire Ní Scannláin, is John Holland’s second wife. His first wife, Anne Foley Holland, believed to be a native of Kilkee, dies in 1835. The area is heavily Irish-speaking and Holland learns English properly only when he attends the local English-speaking St. Macreehy’s National School, and from 1858, in the Christian Brothers in Ennistymon.
Holland joins the Irish Christian Brothers in Limerick and teaches in CBS Sexton Street in Limerick and many other centres in the country, including North Monastery CBS in Cork, St. Joseph’s CBS in Drogheda, and as the first Mathematics teacher in Coláiste Rís in Dundalk. Due to ill health, he leaves the Christian Brothers in 1873 and emigrates to the United States. Initially working for an engineering firm, he returns to teaching again for an additional six years in St. John’s Catholic school in Paterson, New Jersey.
While a teacher in Cork, Holland reads an account of the battle between the ironclads USS Monitor and USS Merrimack in the Battle of Hampton Roads during the American Civil War. He realizes that the best way to attack such ships would be through an attack beneath the waterline. He draws a design, but when he attempts to obtain funding, he is turned away. After his arrival in the United States, Holland slips and falls on an icy Boston street and breaks a leg. While recuperating from the injury in a hospital, he uses his time to refine his submarine designs and is encouraged by a priest, Isaac Whelan.
In 1875, his first submarine designs are submitted for consideration by the U.S. Navy, but are turned down as unworkable. The Fenians, however, continue to fund Holland’s research and development expenses at a level that allows him to resign from his teaching post. In 1881, Fenian Ram is launched, but soon after, Holland and the Fenians part company on bad terms over the issue of payment within the Fenian organization, and between the Fenians and Holland. The submarine is now preserved at Paterson Museum in New Jersey.
Holland continues to improve his designs and works on several experimental boats, prior to his successful efforts with a privately built type, launched on May 17, 1897. This is the first submarine having power to run submerged for any considerable distance, and the first to combine electric motors for submerged travel and gasoline engines for use on the surface. The submarine is purchased by the U.S. Navy on April 11, 1900, after rigorous tests and is commissioned on October 12, 1900 as USS Holland (SS-1). Six more of her type are ordered and built at the Crescent Shipyard in Elizabeth, New Jersey. The company that emerges from under these developments is called The Electric Boat Company, founded on February 7, 1899. Isaac Leopold Rice becomes the company’s first President with Elihu B. Frost acting as vice president and chief financial officer. The company eventually evolves into the major defense contractor General Dynamics.
The USS Holland design is also adopted by others, including the Royal Navy in developing the Holland-class submarine. The Imperial Japanese Navy employs a modified version of the basic design for their first five submarines, although these submarines are at least 10 feet longer at about 63 feet. These submarines are also developed at the Fore River Ship and Engine Company in Quincy, Massachusetts. Holland also designs the Holland II and Holland III prototypes. The Royal Navy ‘Holland 1’ is on display at the Submarine Museum in Gosport, England.
Arthur Shields, Irish actor on television, stage, and film, is born on February 15, 1896, into an Irish Protestant family in Portobello, Dublin. Shields starts acting in the Abbey Theatre when he is 17 years old. He is the younger brother of Oscar-winning actor Barry Fitzgerald. They are the sons of Adolphus Shields, who is well-known in Dublin as a labor organizer although the 1901 census lists his occupation as “press reader,” and Fanny Sophia Sheilds.
Shields returns to the Abbey Theatre and has a varied career there from 1914-1939 as actor, assistant director, director, and stage manager. He appears in more than 300 roles in 350 plays while he is at the Abbey. Three of the productions he appears in are by Irish playwright Teresa Deevy – The Reapers, Temporal Powers, and Katie Roche. Three times he brings the Abbey Company to the United States.
Shields dies of complications related to emphysema on April 27, 1970, in Santa Barbara, California. He is survived by his wife, actress Laurie Bailey, a daughter, a son, and four great-grandchildren. His body is cremated, with the ashes taken to Dublin, where a burial with full military honors takes place.
Pigott is born in 1835 in Ratoath, County Meath. As a young man he supports Irish nationalism and works for The Nation and The Tablet before acting as manager of The Irishman, a newspaper founded by Denis Holland. James O’Connor later claims Pigott embezzled funds from the paper and covered his tracks by not keeping written records. Pigott also works for the Irish National Land League, departing in 1883 after accusing its treasurer, Mr. Fagan, of being unable to account for £100,000 of its funds, and for keeping inadequate records. Nothing is done about his accusation, which is publicised in the newspapers, and he turns against the League, which is allied to several Irish nationalist groups including the Irish Parliamentary Party led by Charles Stewart Parnell.
In 1879 Pigott is proprietor of three newspapers, which he soon sells to the Irish Land League, of which Charles Stewart Parnell is president. Hitherto a violent Nationalist, from 1884 Pigott begins to vilify his former associates and to sell information to their political opponents. In an effort to destroy Parnell’s career, Pigott produces fake letters, which purports that Parnell had supported one of the Phoenix Park murders.
The Times purchases Pigott’s forgeries for £1,780 and publishes the most damning letter on April 18, 1887. Parnell immediately denounces it as “a villainous and barefaced forgery.” In February 1889, the Parnell Commission vindicates him by proving that the letters are forgeries. They include misspellings which Pigott has written elsewhere. A libel action instituted by Parnell also vindicates him and his parliamentary career survives the Pigott accusations.
The Commission eventually produces 37 volumes in evidence, covering not just the forgeries but also the surrounding violence that follows from the Plan of Campaign.
After admitting his forgeries to Henry Labouchère, Pigott flees to Spain, and shoots himself in a Madrid hotel room. Parnell then sues The Times for libel, and the newspaper pays him £5,000 in an out-of-court settlement, as well as considerably more in legal fees. When Parnell next enters the House of Commons, he receives a hero’s reception from his fellow Members of Parliament.
(Pictured: Pigott as caricatured by Spy (Leslie Ward) in Vanity Fair, March 1889)
O’Mahony is born in 1816 in Kilbeheny, County Limerick. His father and uncle were members of the Society of United Irishmen and took part in the Irish Rebellion of 1798. On the death of an elder brother, he inherits a property which yields £300 per annum. He enters Trinity College, Dublin, where he studies Sanskrit, Hebrew, and Irish. He becomes an accomplished Gaelic scholar, and later teaches Greek and Latin, and contributes articles to Irish and French journals. He leaves Trinity without getting a degree.
In 1843, O’Mahony joins Daniel O’Connell‘s movement for the Repeal of the Acts of Union 1800, but quickly becomes dissatisfied with the lack of progress and joins the Young Ireland movement which William Smith O’Brien leads and takes part in the failed Young Ireland Rebellion of 1848. His participation in the rebellion obligates him to leave Ireland, and he settles for a time in Paris, where he lives in great poverty. In 1854, he joins John Mitchel in New York City, and takes part in the Emigrant Aid Association, the Emmet Monument Association, and other Irish organisations.
In 1857, O’Mahony publishes History of Ireland, by Geoffrey Keating, D. D., translated from the Original Gaelic, and Copiously Annotated (New York, 1857). O’Mahony’s notes are copied from John O’Donovan‘s translations of Annals of the Four Masters, and it is on this ground that Hodges & Smith procures an injunction against the sale of the book in the United Kingdom. The mental strain to which O’Mahony is subjected in the preparation of this work, which brings him no pecuniary gain, affects his reasoning and he is removed by his friends for a short time to a lunatic asylum.
In 1860, O’Mahony organises the Fenian Brotherhood, also known as the Irish Republican Brotherhood. The object of the association is to secure the freedom of Ireland. The name is probably derived from O’Mahony’s Gaelic studies, the Fenians having been a military body in pagan Ireland, celebrated in the songs of Ossian. The organisation of the new society is completed at conventions that are held in Chicago in 1864 and in Cincinnati in January 1865.
At the time of the Cincinnati convention, O’Mahony holds the rank of colonel of the 69th Regiment of New York State Militia, recruited mainly from the ranks of the Brotherhood, which has also furnished a large proportion of Thomas Francis Meagher‘s Irish Brigade, Michael Corcoran‘s legion, and Irish regiments engaged in the American Civil War. The rapid growth in membership of the Fenian Brotherhood renders it impossible for O’Mahony to retain the colonelcy of the 69th regiment, which he has held for some time. He resigns in order to give all his attention to the spread of Fenianism.
The close of the civil war in the spring of 1865 gives a great impetus to the Fenians, owing to the number of Irish American soldiers that are disbanded and anxious to see service elsewhere. Money pours into the Fenian exchequer. Many differences occur between O’Mahony and James Stephens and the Central Council relative to the policy to be pursued for the attainment of their object, but O’Mahony remains president of the organisation for several years. He does not take any part personally in the attempted insurrection in Ireland or in the raids on Canada, although his advice counts for much in these enterprises.
He devotes the last years of his life to literary pursuits, but suffers from ill health, and he has a hard struggle to secure the bare means for subsistence. However, visionary may have been his objectives, he is honest, and although thousands have passed through his hands, he is often at a loss for a dollar. When his poverty is discovered, he declines to receive assistance in any form. He dies in New York City on February 7, 1877, and soon after his death his remains are returned to Ireland and interred with the honors of a public funeral in Glasnevin Cemetery in Dublin.
Jane is the last of the four children of Charles Elgee, a Wexford solicitor, and his wife Sarah. Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).
Jane, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.
She is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragistMillicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act of 1883, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”
William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.
Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.
Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proved too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.
The Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the barmaid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.
The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.
The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.
Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”
In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”
The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.
His early education is of the plainest kind, but he is eager for culture, fond of reading, and anxious to become an artist. He later studies at the Cork School of Art.
Maclise exhibits for the first time at the Royal Academy of Arts in 1829. Gradually he begins to confine himself more exclusively to subject and historical pictures, varied occasionally by portraits – such as those of Lord Campbell, novelist Letitia Landon, Charles Dickens, and other of his literary friends. In 1833, he exhibits two pictures which greatly increase his reputation and, in 1835, the Chivalric Vow of the Ladies and the Peacock procure his election as associate of the Academy, of which he becomes full member in 1840. The years that follow are occupied with a long series of figure pictures, deriving their subjects from history and tradition and from the works of William Shakespeare, Oliver Goldsmith, and Alain-René Lesage.
Maclise also designs illustrations for several of Dickens’s Christmas books and other works. Between the years 1830 and 1836 he contributes to Fraser’s Magazine, under the pseudonym of Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time – character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which are afterwards published as the Maclise Portrait Gallery (1871). During the rebuilding of the Houses of Parliament in London in 1834–1850 by Charles Barry, Maclise is commissioned in 1846 to paint murals in the House of Lords on such subjects as Justice and Chivalry.
In 1858, Maclise commences one of the two great monumental works of his life, The Meeting of Wellington and Blücher, on the walls of the Palace of Westminster. It is begun in fresco, a process which proves unmanageable. The artist wishes to resign the task, but, encouraged by Prince Albert, he studies in Berlin the new method of water-glass painting, and carries out the subject and its companion, The Death of Nelson, in that medium, completing the latter painting in 1864.
Maclise’s vast painting of The Marriage of Strongbow and Aoife (1854) hangs in the National Gallery of Ireland, Dublin. It portrays the marriage of the main Norman conqueror of Ireland “Strongbow” to the daughter of his Gaelic ally. By the grand staircase of Halifax Town Hall, which is completed in 1863, there is a wall painting by Maclise.
The intense application which he gives to these great historic works, and various circumstances connected with the commission, has a serious effect on Maclise’s health. He begins to shun the company in which he formerly delighted, his old buoyancy of spirits is gone, and in 1865, when the presidency of the Royal Academy is offered to him he declines the honour. He dies of acute pneumonia on April 25, 1870 at his home 4 Cheyne Walk, Chelsea, London.
(Pictured lower right: The Marriage of Strongbow and Aoife)
Katharine Tynan, Irish writer, known mainly for her novels and poetry, is born into a large farming family in Clondalkin, County Dublin, on January 23, 1859.
Tynan is educated at St. Catherine’s, a convent school in Drogheda. Her poetry is first published in 1878. She meets and becomes friendly with the poet Gerard Manley Hopkins in 1886. She goes on to play a major part in Dublin literary circles. In 1898 she marries English writer and barrister Henry Albert Hinkson, and they move to England. After her marriage she usually writes under the name Katharine Tynan Hinkson, or variations thereof. Later she lives at Claremorris, County Mayo, when her husband is a magistrate from 1914 until 1919. Of their three children, Pamela Hinkson (1900–1982) was also known as a writer.
For a while, Tynan is a close associate of William Butler Yeats (who may have proposed marriage and been rejected, around 1885), and later a correspondent of Francis Ledwidge. Involved in the Irish Literary Revival, Tynan expresses concern for feminist causes, the poor, and the effects of World War I in her work. She also meditates on her Catholic faith. A prolific writer, she wrote more than one hundred novels, twelve collections of short stories, reminiscences, plays, and more than a dozen books of poetry.
Katharine Tynan Hinkson dies on April 2, 1931, in Wimbledon, London, at the age of 72.
seamus dubhghaill 