The Bachelor’s Walk massacre occurs in Dublin on July 26, 1914, when a column of troops of the King’s Own Scottish Borderers is accosted by a crowd on Bachelor’s Walk following the Howth gun-running operation. After some verbal baiting, the troops attack “hostile but unarmed” protesters with rifle fire and bayonets, resulting in the deaths of four civilians and injuries to in excess of 30 more. The four killed are Mary Duffy (50), Patrick Quinn (50), James Brennan (18) and Sylvester Pidgeon (40) who succumbs to his wounds on September 24. One of those shot is Luke Kelly, the father of folk singer Luke Kelly.
The events follow the landing of 1,500 rifles and ammunition, purchased for the Irish Volunteers in Hamburg, Germany, in May 1914. In a counter operation to the Unionistsrunning guns into Ulster, Erskine Childers lands the cargo in Howth, County Dublin, and a thousand rifle-carrying Irish Volunteers marched into Dublin. The quantity is negligible when compared to the far greater numbers of weapons landed and distributed by the Ulster Volunteers, completely without hindrance, but the reaction this time is severe from the British ruling authorities.
The incident proves a moment of political opportunity for Irish nationalists as it sharply brings out the different treatment for the Unionists and for unarmed Dublin civilians. Patrick Pearse declares, “The army is an object of odium, and the Volunteers are the heroes of the hour. The whole movement, the whole country, has been re-baptised by bloodshed for Ireland.”
The battle consists of ten days of fighting in the countryside around Kilmallock in County Limerick, in which the National Army of the Irish Free State, advancing south from Limerick city, find their path blocked by anti-Treaty IRA troops, dug into a number of villages at Bruff, Bruree and Patrickswell. The fighting end with the retreat of the anti-Treaty fighters and the occupation of Kilmallock by Free State forces.
The prelude to the battle is the fall of Limerick city to Free State forces. The Republican forces in the city under Liam Deasy withdraw from their positions after a week of fighting and concentrate in Kilmallock and the nearby towns of Bruff and Bruree. The Free State forces, advancing south from the city, find their path blocked by the Republicans dug in at the three hilltop towns.
The National Army’s attempt to break through this position produces the only “line battle” of the war with the two sides facing each other along clear front-lines. The Kilmallock-Bruff-Bruree triangle sees some of the war’s most intense fighting.
Whereas in the fighting in Dublin, Limerick and Waterford, Free State troops equipped with artillery overcome Anti-Treaty resistance relatively easily, at Kilmallock they have a much harder time. The main reason for this is that the Free State troops, most of whom are new recruits, are facing some of the best of the IRA forces without an advantage in numbers or firepower. General Eoin O’Duffy complains of shortage of arms and ammunition. He estimates that while his forces have about 1,300 rifles, the Republicans could muster over 2,000. He is also critical of the quality of the troops at his disposal, whom he describes as, “a disgruntled, undisciplined and cowardly crowd.”
The Republicans know this and are confident of success. Nevertheless, the Republican commanders have their own issues with logistical support and lack of co-operation between forces from different counties. Deasy’s command includes Volunteers from counties Limerick itself, Cork and Kerry, all of whom have their own commanders. They have three improvised armoured cars, some mortars and heavy machine guns but no artillery.
O’Duffy draws up plans for the advance on Kilmallock with the assistance of his second-in-command Major GeneralW. R. E. Murphy who had been a lieutenant colonel in World War I. His experience in the trenches has a major effect on his approach – pre-disposing him to cautious advances and use of trenches for cover.
The Republican forces have the better of the first clashes. On Sunday, July 23, Free State forces take Bruff and begin their advance on Kilmallock, but are twice beaten back by determined Republican resistance. The following day, the Republicans manage to retake Bruff in a counter-attack, taking 76 prisoners. As a result of this setback, O’Duffy calls off the advance for the time being and waits for reinforcements.
National Army forces quickly retake Bruff after reinforcements arrive. However, things get worse for the National Army as the week goes on. They make slow progress in taking the Republican strongpoints, and their casualties also mount. On Tuesday, July 25, a unit of the Dublin Guard under Tom Flood is ambushed on a narrow road. They fight their way clear, but only after losing four men. Three more Free State soldiers are killed two days later. On July 30, Major General Murphy launches an attack to take Bruree. The Dublin Guards attack the town from the southeast, supported by armoured cars and an 18-pound field gun. The Republicans hold out for five hours until Free State artillery is brought into action. At least 13 Free State soldiers and nine Anti-Treaty fighters are killed in the action and more are wounded before the Free State troops secure Bruree.
The Republican commander, Deasy, knows how important Bruree is to the defence of Kilmallock and draws up plans to recapture the town using three armoured cars, trench mortars and machine guns. On August 2, Republicans capture Patrickswell south of Limerick. The armoured cars then attack Bruree, taking Free State forces by surprise. One car attacks Commandant Flood’s headquarters at the Railway Hotel. The Commandant and his men manage to escape out the back of the building under the cover of Lewis gun fire. The second armoured car rams the front door of another post in the school house, which persuades the twenty-five troops inside to surrender.
However, when Free State reinforcements, along with armoured cars arrive, the Republican counter-attack stalls. The Free State reinforcements are led by Commandant General Seamus Hogan, who personally leads his forces, riding in the armoured car nicknamed “The Customs House.” Having failed to secure the surrender of the town, Republican forces retreat.
Having held Bruree against a Republican counterattack, Free State forces prepare to capture Kilmallock itself, but anticipate there will be heavy fighting. Republican Adjutant General Con Moloney comments on August 2, “Up to yesterday we have had the best of the operations there [the Kilmallock area]. There will, I fear, be a big change there now as the enemy have been reinforced very considerably.” In the 3rd Western Division area they have all but disbanded, unwilling to fight Free Staters, destroy roads, and now discouraged by the Catholic church.
On Thursday, August 3, a force of 2,000 Free State troops, backed up by armoured cars and artillery, advance on Kilmallock from Bruree, Dromin and Bulgaden. Seven hundred troops arrive the next day with an armoured car and a field gun. By Saturday, the town is surrounded by Free State forces. The Dublin Guard are also on hand to prevent Republican forces from escaping. Three miles away, Free State artillery is deployed and shells Republican forces on Kilmallock Hill and Quarry Hill. The two hills are soon controlled by Free State forces.
The National Army has, therefore, assembled sufficient force to smother resistance at Kilmallock. They are still, however, expecting hard fighting before they take the town. To their surprise, when the Free State troops enter the town, they encounter only light resistance from a Republican rearguard (volunteers from Cork). Most of the Republican troops have already abandoned their positions and retreated to Charleville.
They departed not because the Free State troops are stronger, but because they have been outflanked by Free State seaborne landings on the coasts of County Kerry and County Cork on August 2 and 8 respectively. The landings in Cork and Kerry force Commandant General Deasy to release units from this area to return home to their own areas. Although the landings in Cork occur after the retreat from Kilmallock, the subsequent loss of brigades from Cork adds to Commandant General Deasy’s problems. The final phase of the fighting in County Limerick comes when the Free State advance south is held up at Newcastle West. Another day of heavy fighting ensues in which the National Army troops have to bring up armoured cars and artillery to dislodge the Republicans, who reportedly lose up to 12 men before they retreat in the direction of Cork.
(Pictured: National Army troops lined up for a roll call during the Irish Civil War with local children casting an eye over the proceedings)
Pack is born on October 7, 1775 in Kilkenny, County Kilkenny, the younger son of Rev. Thomas Pack, Dean of Ossory, and Catherine Pack (née Sullivan), of St. Andrew’s parish, Dublin. In June 1790, he enters Trinity College Dublin (TCD), aged 15, but does not take his degree. His elder brother, Thomas Pack, previously attends TCD, but dies in December 1786.
Promoted to lieutenant colonel in December 1800, Pack commands the 71st (Highland) Regiment of Foot and takes part in the expedition to the Cape of Good Hope in 1806. He then takes part in General John Whitelocke‘s expedition to South America and is captured after an unsuccessful attack on Montevideo. His fellow-prisoner is William Carr Beresford, later 1st Viscount Beresford, and the two men remain friends for the rest of their lives. Refusing to give their parole to General Santiago de Liniers, they escape from La Plata in a boat, meeting a British cruiser at sea. Pack later takes part in the successful attack on Montevideo on February 9, 1807.
Pack is posted to Portugal in 1808 and is present at the Battle of Roliça on August 17 and the Battle of Vimeiro on August 21. In 1809, he takes part in the Walcheren Campaign and, promoted to colonel in July 1810, he is made aide-de-camp to George III. Returning to Portugal in 1810, he serves under Beresford, commanding a Portuguese brigade, and takes part in the Battle of Bussaco on September 27, 1810. Promoted to brigadier general in January 1812, he takes part in the Siege of Ciudad Rodrigo and is present at the Battle of Salamanca on July 22, 1812. In June 1813, he is promoted to major general and later is present at the battles of Vitoria (June 21, 1813), Nivelle (November 10, 1813), Nive (December 10-13, 1813), Orthez (February 27, 1814) and the final French defeat at Toulouse (April 10, 1814). In January 1815, he is made a Knight Commander of the Order of the Bath (KCB) in recognition of his services in the Peninsula.
In July 1816, Pack marries Lady Elizabeth Louisa de la Poer Beresford, daughter of George Beresford, 1st Marquess of Waterford. They have two sons and two daughters. His descendants adopted “Pack-Beresford” as their family name. He dies on July 24, 1823, at Lord Beresford’s house in Upper Wimpole Street, London. A monument to him is later erected in St. Canice’s Cathedral, Kilkenny. A portrait by G. L. Saunders is in family possession; another by Charles Turner, showing Pack wearing his numerous orders and decorations, is in the National Portrait Gallery, London. A collection of his papers is held by the University of Southampton.
Joan O’Hara, Irish stage, film and television actress, dies in Dublin on July 23, 2007. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.
More recently, O’Hara is best known for appearing in the popular Irish television soap operaFair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford says after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”
Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.
Bowes epitomizes the severity of the 18th century Penal Laws against Irish Catholics when he rules, in about 1759, that: “The law does not suppose any such person to exist as an Irish Roman Catholic, nor could such a person draw breath without the Crown’s permission”. Such views, given that Roman Catholics make up more than 90% of the Irish population at the time, inevitably make him bitterly unpopular, and in 1760 he is assaulted during a riot outside the House of Commons.
In spite of his religious bigotry, Bowes is considered one of the outstanding judges of his time. In particular, he is a reforming Lord Chancellor, who is praised for making the Court of Chancery “a terror for fraud, and a comfort and protection for honest men”. As Attorney-General he shows considerable courage in going on assize during the Irish Famine (1740–1741) despite the infectious fever which is raging at the time, and which claims the lives of three other judges who decide to brave the dangers.
Bowes is considered one of the finest speakers of his time. His speech for the prosecution at the trial of Henry Barry, 4th Baron Barry of Santry, who is charged with murder in 1739, is described by those who hear it as a masterpiece of eloquence and logic, and leads to the Irish House of Lords bringing in a unanimous verdict of guilty against Santry.
Bowes dies in Dublin on July 22, 1767, his mental faculties fully intact despite his bodily infirmities. He is buried in Christ Church Cathedral, Dublin, where his brother raises a memorial to him. He never marries, and his title becomes extinct on his death. He lives at Belvedere House, Drumcondra. His estates passes to his brother Rumsey Bowes of Binfield, Berkshire.
O’Connor releases four solo albums and his third one, titled No Place Like Home, is named by The Irish Times as Number 1 Traditional/Folk album of the year in 2004. After the sudden death of banjo player Barney McKenna on April 5, 2012, he joins The Dubliners to complete their planned tour, until the final shows at Vicar Street in Dublin, on December 28-30. McKenna himself says about Gerry O’Connor: “He’s my best pupil ever.” Together with Eamonn Campbell, Patsy Watchorn and Seán Cannon, O’Connor keeps touring in 2013 as The Dublin Legends.
O’Connor is one of four musicians brought together by blues rock singer/guitar player Joe Bonamassa to perform on a variety of instruments in an acoustic concert at the Vienna State Opera on July 3, 2012. None of the five had ever worked together nor even met until they arrive in Vienna, where three days later they put on a live performance. The event is released on March 12, 2013, on CD and DVD/Blu-Ray, titled An Acoustic Evening At The Vienna Opera House, and in 2014 is broadcast as a PBS special.
O’Connor mainly plays CGDA tuned tenor banjo, instead of the usual Irish tuning GDAE. He plays a David Boyle banjo on almost every tour since 1996, but usually records with an Epiphone Recording A banjo.
Sir Henry Sidney, English soldier, politician and Lord Deputy of Ireland from 1565 to 1571 and from 1575 to 1578, is born on July 20, 1529, probably in London. He cautiously implements Queen Elizabeth I’s policy of imposing English laws and customs on the Irish.
Sidney is the eldest son of Sir William Sidney of Penshurst, England and Anne Pakenham. William Sidney is a prominent politician and courtier during the reigns of Henry VIII and Edward VI, from both of whom he receives extensive grants of land, including the manor of Penshurst in Kent, which becomes the principal residence of the family.
Sidney is brought up at court as the companion of Prince Edward, afterward King Edward VI, and continues to enjoy the favour of the Crown, serving under Mary I of England and then, particularly, throughout the reign of Queen Elizabeth I. He is instrumental in the Elizabethan conquest of Ireland, serving as Lord Deputy three times. His career is controversial both at home and in Ireland.
Appointed Lord Deputy by Elizabeth in 1565, Sidney faces a major rebellion in Ulster led by the powerful chieftain Shane O’Neill. Failing to subdue O’Neill by force, he intrigues against him with his enemies, the O’Donnells of Tyrconnell and the MacDonnells of Antrim. Finally, O’Neill is assassinated by the MacDonnells in 1567. Nevertheless, Sidney is still not strong enough to destroy completely the power of Ulster’s native chieftains. He does, however, persuade a number of Irish chiefs to submit to Elizabeth’s authority, and he establishes English presidents of Munster and Connacht to control the chiefs. In addition, by refraining from introducing anti-Roman Catholic legislation in the Parliament of Ireland of 1569–71, he makes possible the containment and ultimate defeat in 1573 of a rebellion of Munster Catholics led by James FitzMaurice FitzGerald.
Resenting the Queen’s failure to provide him with an adequate military force, Sidney resigns in 1571, but is reappointed Lord Deputy four years later. His arbitrary taxation arouses popular resentment and leads to his recall in 1578. Thereafter he serves only as president of the Council of Wales and the Marches, living chiefly at Ludlow Castle for the remainder of his life, dying there at the age of 56 on May 5, 1586.
Born at 35 William Street in Wexford on September 17, 1886, Corish is the eldest child of carpenter Peter Corish and Mary Murphy. He is educated by the Christian Brothers in the town on George’s Street and leaves school at fourteen years old, which is not unusual at this time.
On September 29, 1913, at 27 years of age, he marries Catherine Bergin, daughter of labourer Daniel Bergin. They have six children, including Brendan.
Corish works as a fitter in the Wexford Engineering foundry the Star Iron Works. It is in this job that he witnesses the poor working conditions that industrial workers have to face all over the country. Many people of Ireland feel that this needs to change and so, in 1909, James Larkin forms the Irish Transport and General Workers’ Union (ITGWU). Many important figures join the union including P. T. Daly, James Connolly and eventually Corish himself, who becomes a voice for the Wexford workers.
The Wexford lockout from 1911 to 1912 that ensues because of this union is the event that first brings public attention to Corish in his hometown. Wexford employers counter the ITGWU by locking out their employees. On a conciliation committee, Corish represents the workers of the town and becomes a leader of this local union. During the lockout, he is arrested, spending a night in jail, for expressing his anger to a recently employed non-union foundry worker.
When visiting Wexford to support the workers, ITGWU leader James Larkin and trusted members James Connolly and P. T. Daly are put up in the Corish household on William Street.
In February 1912, the dispute is resolved with the introduction of the Irish Foundry Workers’ Union of which Corish is secretary until 1915. His career as a tradesman however is over as he is blacklisted by all employers. This new union is absorbed by the ITGWU two years later. He remains a respected figure in the town, especially by the foundry workers, and continues as secretary in the ITGWU until 1921.
Corish first takes his seat in the Wexford Borough Council in January 1913, where he is given the title of “Alderman.”
In May 1916, Corish is arrested after being suspected of having involvement in the Easter Rising and is imprisoned in Stafford, England until June. He is often targeted because of his republican activism, receiving a life-threatening letter in 1920 regarding the killing of Royal Irish Constabulary (RIC) officers.
Corish is first elected to Wexford County Council in 1920 and later that year is appointed mayor of the town.
Corish is an Irish Labour Party representative. However, as the Labour Party in the southern 26 counties, later the Irish Free State, choose not to contest the 1921 Irish elections, Corish runs as a Sinn Féin candidate and is elected to Dáil Éireann for the Wexford constituency.
Corish supports the Anglo-Irish Treaty and votes in favour of it. He also runs as a member of the Labour Party at the 1922 Irish general election. His involvement in the trade union movement and his clear speech-giving skills displayed during a visit from Michael Collins to Wexford that same year are what give him a fighting chance in the election. He is elected and serves in Dáil Éireann until his death in 1945.
He is a public supporter of the Garda Síochána, expressing his disagreement with the reductions in Garda pay and allowances in 1924 and 1929.
Corish is a recipient of the Honorary Freedom of the Borough of Wexford in early 1945 and dies later that year, on July 19, 1945, after serving as mayor and council member for 25 years. During exploratory surgery for stomach pain, the doctors of Wexford County Hospital realise that his condition is much worse than imagined and he dies at the age of 58 shortly thereafter. After appearing in the Dáil only a few days prior, his death is unexpected.
His death causes a by-election to the Dáil which is won by his son, Brendan Corish, who is later a leader of the Labour Party and Tánaiste. He serves as mayor up until his retirement in 1982. Another son, Des Corish, later also becomes mayor of the town. Corish’s granddaughter, Helen Corish, is mayor in 1990.
Corish Park is built in his honour in the early 1950s.
The newly unveiled Abbey Theatre opens its doors for the first time on July 18, 1966.
Fifteen years earlier, in 1951, the original buildings of the theatre are destroyed by fire during the run of The Plough and the Stars. Ironically, the play closes to the strains of “Keep the Home Fires Burning.” The fire forces the theatre company to find a new home.
They relocate to the Queen’s Theater on Pearse Street for what is intended to be a temporary stay but instead lasts for a decade and a half. A week before the brand new premises on Abbey Street are opened, the company has its final performance at the Queen’s Theatre in what is a bittersweet evening. For the Abbey Theatre it signals the end of an era and the beginning a new one, but the future of the Queen’s Theatre is far less bright.
After the final performances from the Abbey, Never the Time and the Place by Lennox Robinson and The Irishwoman of the Year by John Power, uncertainty shrouds the fate of the theatre with the Irish Independent reporting that “It will be used for variety performances up to the end of September, but after that it is just a matter for speculation.” It is ultimately closed in 1969 and is demolished in 1975.
The jubilee year of the 1916 Easter Rising, the 1966 Abbey opening recalls memories of the events that had taken place fifty years earlier.
In an article published the day after opening night, the Irish Independent recalls that “Thomas MacDonagh, one of the executed leaders of the Rising was himself an Abbey playwright and when news of the seizure of the General Post Office reached the theatre at a rehearsal, members of the Abbey players and other hands made a hurried exit to join the fighting. And by then others of the company were already at the barricades.”
A world away from the battleground of the Rising, the opening of the new Abbey Theatre is attended by a who’s who of arts, culture and politics.
The Abbey’s new home is opened by President Éamon de Valera, who once graced the Abbey Stage as an amateur actor.
The new building is designed by Irish architectMichael Scott, who also designed the nearby Busáras building. He is considered one of the great modern architects and his vision for the new Abbey is thought to be the last word in modern-day design.
McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.
McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).
Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweekhailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”
On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.
His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).
McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.
McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.
In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.
Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”
seamus dubhghaill 