On November 6, 1929, Conradh na Gaeilge (English: Gaelic League) announces expulsion for anyone who attends “foreign jazz dances.”
Conradh na Gaeilge, a cultural organisation which promotes the Irish language, implements a ban against all forms of jazz music. Taken by the executive of the Conradh na Gaeilge, it is an issue, which has festered for many months prior to the ban and will for some time afterward.
It is claimed that jazz music has taken hold in Ireland in the wake of World War I and has spread from Dublin to the music halls which have sprung up in towns and villages across the country. Detractors claim that jazz music and dancing is just a “passing phase” and that it is the “natural reaction” to the post-war phase that Ireland finds itself in.
All branches of Conradh na Gaeilge are sent a warning as to their conduct going forward with particular regard to attending or promoting jazz. The idea is to follow the Gaelic Athletic Association’s bans on the playing of foreign games, something which has proved popular across the country. While the debate had begun earlier in 1929 in Wexford and other centres, it is in Leitrim that the most vocal opponents of jazz are to be found. Here the parish priest of Cloone, Fr. Conferey, openly criticises jazz from the pulpit and tells the people that they should sing Irish songs only. In nearby Mohill it is reported that 3,000 people demand that jazz be banned and they carry banners with slogans such as “Down with Jazz” and “Out with paganism.”
Ultimately, the ban sparks outrage across the country but it speaks volumes about post-independent Ireland and attitudes towards culture and pastimes, which are not Irish.
(From: Gaelic League Bans ‘Jazz’ – 6 November 1929, Sunday Independent, Irish Newspaper Archives, http://www.irishnewsarchives.com, November 10, 1929)
Father Des Wilson, Irish Catholic priest and church dissident who in the course of the Northern IrelandTroubles embraces ideas and practice associated, internationally, with liberation theology, dies in his native Belfast on November 5, 2019. He believes the Word of God can never be silent in the face of oppression, injustice and suffering. He seeks to apply the ideas of liberation theology to the North, supporting and empowering marginalised communities, and acting as a voice for the voiceless.
Wilson is born in Belfast on July 8, 1925, the youngest of five sons to William Wilson, a publican and native of County Cavan, and his wife Emma (née McAvoy), a native of south County Down. He spends his earliest years above his father’s pub in Belfast, before the family moves to a house in the suburbs.
Wilson attends primary school locally, then receives secondary education at St. Malachy’s College. During his time there Belfast is blitzed in April and May 1941. Almost 1,000 are killed. The carnage he sees is a factor in his deciding on the priesthood.
After ordination Wilson serves as chaplain in Belfast’s Mater Infirmorum Hospital, then spends 15 years in St. Malachy’s as spiritual director. Former pupils remember him as fair, and able to play jazz excellently on the organ.
Wilson lives out his beliefs, spending half a century in Belfast’s Ballymurphy estate, among the North’s most deprived, and one of the areas which suffers worst from the Troubles. There he plays a role in community development, establishing projects to provide employment in the area. He suffers, finding himself for years outside the official Catholic Church.
Wilson plays a significant role in providing adult education. He wants an education that does not just provide qualifications and open career paths but is psychologically liberating.
Life changes in 1966 when Wilson is moved to St. John’s Parish in West Belfast as a curate. Having come from a comfortable background in Ballymurphy, he is shocked by the poverty, the poor housing and the treatment of women. Unusual for a priest at the time, he moves into a terraced house in the estate. He finds the Catholic Church unable to respond to the multiple problems people are facing. That inability worsens as the Troubles erupt.
Wilson’s personal probity is so recognised that he is accepted as a mediator in feuds between the Provisional Irish Republican Army and Official Irish Republican Army in the 1970s and is able to broker permanent peace. He also helps bring about the ceasefires in the 1990s.
Wilson does not shirk unpopular stances. In the 1970s he refuses to condemn the Irish Republican Army (IRA). Later he says the conviction of former Real Irish Republican Army leader Michael McKevitt for directing terrorism is unsafe. He also publicly visits and supports a Ballymurphy couple which has a very bitter falling out with Sinn Féin, leading to a picket on their home.
By 1975 relations with his bishop has broken down and Wilson resigns but continues ministering in Ballymurphy. Forbidden to say Mass in a church, his pay cut off, he says Mass in his house. He suffers hardship, living from savings, some earnings from writing, broadcasting and lecturing, and help from Quaker and Presbyterian friends. By the early 1980s his Ballymurphy home becomes too small for the many classes he organises. His classes are rehoused and expanded as the Conway Education Centre in a vacant mill. He is able to offer a range of vocational and non-vocational courses with almost 1,000 students. In the mid-1980s his relationship with the Dioceses of Down and Connor is re-established, and he is allowed to continue his ministry.
Personally, Wilson has great gifts of head and heart and is incapable of rancour. A strong belief is that it is important to share food to talk, as happened in Biblical times. Thus, a lunch would last an afternoon.
Wilson dies on November 5, 2019, in Belfast. Instead of wreaths, he asks mourners to donate to the Ballymurphy Massacre Memorial Garden. The garden is dedicated to the victims of the Ballymurphy massacre of August 1971, which saw the killing in the district of eleven civilians by soldiers of the 1st Battalion, Parachute Regiment. The victims include Fr. Hugh Mullan, who had been a student of Wilson’s at St. Malachy’s. He was shot while going to the aid of a wounded man.
Ferguson is the son of a farmer. In 1902, he goes to work with his brother, Joe, in his bicycle and car repair business. While working there as a mechanic, he develops an interest in aviation, visiting air shows abroad. In 1904, he begins to race motorcycles.
The first person to accomplish powered flight in the UK is Alliot Verdon Roe in June 1908, who also flies an aeroplane of his own design, but this has not yet been achieved in Ireland. Ferguson begins to develop a keen interest in the mechanics of flying and travels to several air shows, including exhibitions in 1909 at Blackpool and Rheims where he takes notes of the design of early aircraft. He convinces his brother that they should attempt to build an aircraft at their Belfast workshop and, working from his notes, they work on the design of a plane, the Ferguson monoplane.
After making many changes and improvements, they transport their new aircraft by towing it behind a car through the streets of Belfast up to Hillsborough Park to make their first attempt at flight. They are at first thwarted by propeller trouble but continue to make technical alterations to the plane. After a delay of nearly a week caused by bad weather, the Ferguson monoplane finally takes off from Hillsborough on December 31, 1909. Ferguson becomes the first Irishman to fly and the first Irishman to build and fly his own aeroplane.
After falling out with his brother over the safety and future of aviation, Ferguson decides to go it alone, and in 1911 founds a company selling Maxwell, Star and Vauxhall cars and Overtime Tractors. He sees at first hand the weakness of having tractor and plough as separate articulated units, and in 1917 he devises a plough that can be rigidly attached to a Ford Model T car — the Eros, which becomes a limited success, competing with the Fordson Model F.
In 1917 Ferguson meets Charles E. Sorensen while Sorensen is in England scouting production sites for the Fordson tractor. They discuss methods of hitching the implement to the tractor to make them a unit. In 1920 and 1921 he demonstrates early versions of his three-point linkage on Fordson tractors at Cork and at Dearborn, Michigan. He and Henry Ford discuss putting the Ferguson system of hitch and implements onto Fordson tractors at the factory, but no deal is struck. At the time the hitch is mechanical. Ferguson and his team of longtime colleagues, including Willie Sands and Archie Greer, soon develop a hydraulic version, which is patented in 1926. After one or two false starts, he eventually founds the Ferguson-Sherman Inc., with Eber and George Sherman.
The new enterprise manufactures the Ferguson plough, incorporating the patented “Duplex” hitch system mainly intended for the Fordson “F” tractor. Following several more years of development, Ferguson’s new hydraulic version of the three-point linkage is first seen on his prototype “Ferguson Black” or ‘Irish tractor’ as he calls it, now in the Science Museum, South Kensington, London. A production version of the “Black” is introduced in May 1936, made at one of the David Brown Engineering Ltd. factories in Huddersfield, West Yorkshire, and designated Ferguson Model A tractor.
In October 1938, Ferguson demonstrates his latest tractor to Henry Ford at Dearborn, and they make the famous “handshake agreement.” He takes with him his latest patents covering future improvements to the Ferguson tractor and it is these that lead to the Ford-Ferguson 9N introduction to the world on June 29, 1939.
Henry Ford II, Ford’s grandson, ends the handshake agreement on June 30, 1947, following unsuccessful negotiations with Ferguson, but continues to produce a tractor, the 8N, incorporating Ferguson’s inventions, the patents on almost all of which have not yet expired, and Ferguson is left without a tractor to sell in North America. His reaction is a lawsuit demanding compensation for damage to his business and for Ford’s illegal use of his designs. The case is settled out of court in April 1952 for just over $9 million. The court case costs him about half of that and a great deal of stress and ill health.
By 1952, most of the important Ferguson patents have expired, and this allows Henry Ford II to claim that the case had not restricted Ford’s activities too much. It follows that all the world’s other tractor manufacturers can also use Ferguson’s inventions, which they do. A year later Ferguson merges with Massey-Harris Limited to become Massey-Harris-Ferguson Co., later Massey Ferguson.
Ferguson dies at his home at Stow-on-the-Wold, Gloucestershire, England, on October 25, 1960, as the result of a barbiturate overdose. The inquest is unable to conclude whether his death had been accidental or not.
A blue plaque commemorating Ferguson is mounted on the Ulster Bank building in Donegall Square, Belfast, the former site of his showroom. A granite memorial has been erected to Ferguson’s pioneering flight on the North Promenade, Newcastle, County Down, and a full-scale replica of the Ferguson monoplane and an early Ferguson tractor and plough can be seen at the Ulster Folk and Transport Museum at Cultra, County Down. Today his name lives on in the name of the Massey Ferguson company.
O’Brien is a ship builder and designer, and his notable boats include the Kelpie (used for gun running in 1914), the Saoirse (in which he circumnavigates the globe) and the Ilen (a Falkland Islands service ship).
O’Brien is credited with two buildings in his lifetime: the Co-operative Hall in County Donegal and the People’s Hall in County Limerick. He is also known as a naval architect, having designed two ships, the Saoirse and the llen. He later captains both of these ships himself.
In Saoirse, a 20-ton, 42-foot ketch designed and built in 1922 in Baltimore, County Cork, he and three crew members circumnavigate the globe between 1923 and 1925 – the first recorded by an amateur skipper from west to east, the first yacht circumnavigation by way of the three great capes: Cape Horn, Cape of Good Hope and Cape Leeuwin, and the first boat flying the Irish tri-colour to enter many of the world’s ports and harbours. His voyage begins and ends at the Port of Foynes, County Limerick, where he lives. His account of the voyage, Across Three Oceans, (1927) becomes one of the classics of maritime literature.
Up until O’Brien’s circumnavigation, this route is the preserve of square-rigged grain ships taking part in the grain race from Australia to England via Cape Horn (also known as the clipper route).
O’Brien’s seagoing experiences are put to use in his design of the Ilen, which is built for the Falkland Islands as a service boat and launched in the spring of 1926. In 1998, Ilen returns to the site where she was first built, on the River Ilen near Baltimore, County Cork, where she undergoes a full restoration and is re-launched in May 2018. This task provides work-based learning for the students of the Ilen School.
O’Brien has some involvement with gun running in 1914 on behalf of the Irish Volunteers, for political reasons and because he has experience in sailing. On July 26, 1914, nine hundred guns are brought to Howth harbour aboard Erskine Childers‘ yacht Asgard. As part of the same operation, O’Brien transports arms on his yacht, Kelpie. The guns on Kelpie are transshipped to another yacht, Chotah, owned by Sir Thomas Myles, before being landed at Kilcoole in County Wicklow on August 1, 1914. After the gun running incidents, he serves in the Royal Naval Volunteer Reserve.
In 1928, O’Brien marries a well-known artist, Kathleen Francis, the youngest daughter of Sir George Clausen, RA. The couple thereafter moves to Ibiza, where they live on the Saoirse until Kathleen’s death in 1936. They have no children. Relocating to Cornwall, where he lives with his sister, he writes books on sailing and works of fiction for children. Although too old for active service when war with Germany breaks out in 1939, he assists the British war effort by serving in the Small Ships Pool, which delivers support vessels across the Atlantic and brings food supplies from the United States in private yachts.
In 1940 O’Brien sells Saoirse to the Royal Cornwall Yacht Club. The boat remains in use until 1980, when it is lost off the Jamaican coast. After the war he retires to another sister’s home in Foynes, County Limerick, where he lives and continues to write books for children until his death on April 18, 1952.
Charles Jervas, Irish portrait painter, translator, and art collector of the early 18th century, dies at his home at Cleveland Court, London, on November 2, 1739.
Born in Shinrone, County Offaly, around 1675, Jervas is one of seven children (five sons and two daughters) of John Jervas of Clonlisk, Shinrone, and his wife Elizabeth, daughter of Captain John Baldwin, High Sheriff of County Offaly, of Shinrone. He studies in London as an assistant under Sir Godfrey Kneller between 1694 and 1695.
After selling a series of small copies of the Raphael Cartoons around 1698 to Dr. George Clarke of All Souls College, Oxford, the following year, he travels to Paris and Rome (while financially supported by Clarke and others) remaining there for most of the decade before returning to London in 1709 where he finds success as a portrait painter.
Painting portraits of the city’s intellectuals, among them such personal friends as Jonathan Swift and the poet Alexander Pope, both of which are now in the National Portrait Gallery, London, Jervas becomes a popular artist often referred to in the works of literary figures of the period.
Jervas gives painting lessons to Pope at his house in Cleveland Court, St. James’s, which Pope mentions in his poem, To Belinda on the Rape of the Lock, written in 1713 and published in 1717 in Poems on Several Occasions.
Pope’s verse Epistle to Mr. Jervas, written around 1715, is published in the 1716 edition of John Dryden‘s 1695 translation of Fresnoy’s Art of Painting (Charles Alphonse du Fresnoy‘s De arte graphica, 1668). In it, Pope refers to Jervas’s skill as an artist:
O, lasting as those colours may they shine, Free as they stroke, yet faultless as thy line; New graces yearly like thy works display, Soft without weakness, without glaring gay!
With his growing reputation, Jervas succeeds Kneller as Principal Painter in Ordinary to King George I in 1723, and subsequently King George II. In 1727 he marries Penelope Hume, a wealthy widow with a supposed fortune of £20,000, and moves to Hampton, London. He continues to live in London until his death on November 2, 1739.
Jervas’s translation of Miguel de Cervantes‘s novel Don Quixote, published posthumously in 1742 as being made by Charles “Jarvis” due to a printer’s error, has since come to be known as “the Jarvis translation.” He is first to provide an introduction to the novel including a critical analysis of previous translations of Don Quixote. It has been highly praised as the most accurate translation of the novel up to that time, but also strongly criticised for being stiff and humourless, although it goes through many printings during the 19th century.
As principal portraitist to the King of England, Jervas is known for his vanity and luck, as mentioned in the Imperial Biographical Dictionary, “He married a widow with $20,000; and his natural self-conceit was greatly encouraged by his intimate friend [Alexander] Pope, who has written an epistle full of silly flattery.”
According to one account, after comparing a painting he had copied from Titian, Jervas is said to have stated, “Poor little Tit, how he would starve!”
Upon being told that Jervas had set up a carriage with four horses, Godfrey Kneller replies, “Ach, mein Gott, if his horses do not draw better than he does, he will never get to his journey’s end.”
Eileen Quinn, age 24 and within two months of the birth of her fourth child, is shot by Galway police on November 1, 1920, during the Irish War of Independence (1919-21), while holding her nine-month-old child in her arms and sitting on the lawn in front of her farmhouse at Kiltartan near Gort, bleeding to death later that night. She leaves three children, the eldest of whom is not yet four years old.
Afraid of ambushes, police have begun to “reconnoiter by fire,” shooting blindly into woods and possible ambush sites. Quinn is near one such site when the police open fire, and she is hit by a stray bullet.
At the time of the shooting, her husband Malachy Quinn, who is a farmer, is in Gort. Another messenger going to Ardrahan for Dr. Foley is, it is reported, wounded by a bullet. Uniformed men pass into Gort subsequently firing shots. When the lorry passes the house where the dying woman lay, the terror-stricken occupants flee by the back way.
Rev. Fr. John Considine, C.C., Gort, gives a graphic description of Quinn’s last moments.
“It is too awful, too inhuman, to contemplate.” These are Father Considine’s opening remarks concerning the tragedy. Pressed to explain what occurred, he says, “I have read of Turkish atrocities; I have read of the death of Joan of Arc; I have read of the sufferings of Nurse Cavell, and as I read those things I often felt my blood boil and I often prayed that the good God might change the minds and hearts of those cruel monsters.”
“Little did I then dream that I should witness a tragedy, an atrocity more hideous, more revolting, more frightful, more brutal, more cruel than any of those things, and here in our own little peaceful parish of Gort. My God, it is awful! About three o’clock on Tuesday, Malachy Quinn weeping bitterly, called for me. Father, says he, ‘I have just heard that my wife had been shot. Will you run down immediately?’ I procured a motor car and hurried to the scene. At the gateway there we beheld a large pool of blood. In the yard another pool, and the porch leading to the kitchen was covered with blood. I entered the room. Oh, God! what a sight. There lay the poor woman, the blood oozing out through her clothes.”
“She turned her eyes towards me and said, ‘Oh, Father John, I have been shot.’ ‘Shot!’ I exclaimed. ‘Yes,’ she replied. By whom, I asked. ‘Police’ she answered.”
Quinn then becomes weaker, Father Considine explains, and on rallying exclaims, “Father John, will you do something for me?” He tries to console her and administers the Last Sacrament.
“When I finished, she whispered to me, bring me Malachy, bring him to me, I hear him crying. I have something to tell him. I did so. What a scene. Then she became weak and fainted off. Gradually she became worse.”
“I sent word immediately to the Head Constable at Gort. He arrived with police and military. All seemed shocked at the tragedy. I asked him to go in and see the woman. He and his men felt the trial too much, as he answered, ‘I cannot.’ No trace of the bullet could be found.”
Continuing, Father Considine says Quinn is sitting on the lawn with her child when the lorry passes from which the fatal shot is fired. The bullet pierces her stomach and the child she is holding falls from her arms. She crawls over the wall into the yard, and then crawls to the porch to tell her servant that she has been shot. “Take in the little children!” she exclaims.
From 3:00 p.m. to 10:30 p.m. she lingers on in pain. Occasionally she clasps Father Considine’s hand and pulls him toward her, and says, “I’m done, I’m done!” At 10:30 her condition becomes worse, and they kneel by her bedside to recite the Rosary and prayers for the dying. She tries to join but is too weak.
At 10:45 p.m. the little children begin to cry, and with them the crowded house bursts into tears. As Father Considine reads the last prayer of the Ritual she looks around, then closes her eyes and dies.
Irish public opinion is outraged when a military court of inquiry subsequently returns a verdict of “death by misadventure.” Soon afterward, the Royal Irish Constabulary (RIC) Headquarters and the Chief of Police issue orders against wild firing from motor vehicles.
During her term at Stormont, Cochrane sits on the Finance and Personnel Committee and is a member of the Assembly Commission. She founds the All Party Group on Small and Medium Sized Enterprises (SMEs) and is a member of the All Party Group on Cancer, the All Party Group on Tourism, and the All Party Group on Rugby, which she co-founds and serves as vice chair.
Cochrane is married to Jonny Cochrane with whom she has two children. The family resides in East Belfast and actively attends Bloomfield Presbyterian Church.
The Irish Business Against Litter (IBAL) organisation launches a major anti-litter initiative on October 30, 2001, which will hold every town in Ireland accountable for its cleanliness.
IBAL is a pressure group supported by private business which promotes the equating of environmental cleanliness with economic prosperity. It includes a range of commercial bodies, including Waterford Foods, the Irish Hotels Federation, and major banks, oil companies, building societies, brewers and distillers.
The group’s latest initiative, the “All-Ireland Anti-Litter League,” involves twenty-nine towns being assessed for litter and then ranked in a league-type table.
Towns from 29 counties, including three in Northern Ireland, are to be gauged according to international standards with each town being awarded a litter rating of up to 100 points with 85 points deemed “litter-free status.” Towns are to be assessed for varying levels of rubbish including chewing gum, graffiti, flypostings and weeds.
The founding chairman of IBAL, Tom Cunningham, says the aim is to send a message to the country as a whole, through this pilot project, that “the success of two of our biggest revenue sources – food and tourism – hinge on a perception of hygiene and cleanliness.”
Cunningham says at the launch of the initiative in Dublin‘s Croke Park that this is not a “name and shame campaign” but more a novel means of “energising Local Authorities through a spirit of inter-community rivalry.”
The IBAL chairman speaks of the importance of combatting litter in view of the changing tourist market. He says next year (2002) Ireland will look to Continental markets to compensate for the shortfall in U.S. visitors and that “these tourists are typically litter conscious as we will discover to our cost if we don’t clean up our towns.”
The initiative is planned to run until September 2002, to coincide with the Gaelic Athletic Association (GAA) finals. Results of the first monitoring are expected in January 2002.
(From: “League tables to rate town litter problems” by Maurice Coffey, The Irish Times, http://www.irishtimes.com, October 30, 2001)
In the Fine Gael–Labour Partycoalition government which takes office after the 1973 Irish general election, Donegan is appointed as Minister for Defence. In October 1976, he makes a speech on an official visit to the opening of new kitchen facilities in an army barracks at Mullingar, County Westmeath in which he describes as a “thundering disgrace” PresidentCearbhall Ó Dálaigh‘s refusal to sign the Emergency Powers Bill 1976. Ó Dálaigh had instead exercised his powers under Article 26 of the Constitution of Ireland to refer it to the Supreme Court. The Taoiseach, Liam Cosgrave, refuses Donegan’s resignation. On October 21, Fianna Fáil proposes a motion in the Dáil calling on the minister to resign, which is defeated. Ó Dálaigh views the refusal to remove the minister as an affront to his office by the government and resigns on October 22, 1976.
In December 1976, Donegan is appointed as Minister for Lands. In February 1977, this office is restructured as the Minister for Fisheries. He serves in cabinet until the government loses office after the 1977 Irish general election.
Donegan retires from politics at the 1981 Irish general election. He dies at his home in County Louth on November 26,2000, following a long illness. Tributes in the Dáil are led by John Bruton as Fine Gael leader. He is buried in his hometown of Monasterboice, County Louth.
Liam Redmond, Irish character actor known for his stage, film and television roles, dies in Dublin on October 28, 1989, following a lengthy illness.
Redmond is born in Limerick, County Limerick, on July 27, 1913, one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin (UCD) and initially reads medicine before moving into drama.
While Director of the Dramatic Society, Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.
Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.
Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.
seamus dubhghaill 