Ó Faoláin writes his first stories in the 1920s, eventually completing 90 stories over a period of 60 years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill in Twickenham, England, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterwards returns to his native Ireland. He publishes novels, short stories, biographies, travel books, translations, and literary criticism – including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947.
Daniel Corkery, Irish politician, writer and academic, is born in Cork, County Cork on February 14, 1878. He is unquestionably best known as the author of The Hidden Ireland, his 1924 study of the poetry of eighteenth-century Irish Language poets in Munster.
After leaving St. Patrick’s, Corkery teaches art for the local technical education committee, before becoming inspector of Irish in 1925, and later Professor of English at University College Cork in 1930. Among his students in UCC are Seán Ó Faoláin and Seán Ó Tuama. He is often a controversial figure in academia for his “nativist” views on Irish literature, views which result in conflict with many Irish Language scholars, most notably Pádraig de Brún and his niece Máire Mhac an tSaoi. Ó Tuama, however, is frequently a staunch defender of Corkery’s reputation.
In his late twenties Corkery learns Irish and this brings him into contact with leading members of the Irish Language revival movement, including Terence MacSwiney, T. C. Murray and Con O’Leary, with whom he founds the Cork Dramatic Society in 1908. His plays Embers and The Hermit and the King are performed by the society. Later plays are staged at the famous Abbey Theatre, including The Labour Leader (1919) and The Yellow Bittern (1920).
Corkery is also a writer of short stories, including the collections A Munster Twilight (1916), The Hounds of Banba (1920), The Stormy Hills (1929), and Earth Out of Earth (1939), and a novel, The Threshold of Quiet (1917).
Corkery also writes non-fiction works, including The Hidden Ireland (1924), a highly influential work about the riches of eighteenth-century Irish poetry. In this he attempts to reconstruct a worldview preserved by Gaelic poets amongst the poor and oppressed Catholic peasantry of the Penal Laws era, virtually invisible in the Anglo-Irish tradition that has dominated the writing of Irish history. “An instant, influential classic,” writes Patrick Walsh, “its version of the past provided powerful cultural underpinning to the traditional nationalist history that became, in the 1930s, the educational orthodoxy of the new state.”
Corkery serves as a member of Seanad Éireann from 1951 to 1954 when he is nominated by the Taoiseach.
Daniel Corkery dies on December 31, 1964. His papers are held in the Boole Library of University College Cork.
Stephens’ mother works in the home of the Collins family of Dublin and is adopted by them. He is committed to the Meath Protestant Industrial School for Boys as a small child and spends his childhood there. He attends school with his adopted brothers Thomas and Richard before graduating as a solicitor’s clerk. He is known affectionately in school as “Tiny Tim” due to his 4’10” stature. He is much enthralled by the tales of military valour of his adoptive family and would have become a soldier if not for his height.
By the early 1900s Stephens is increasingly inclined to socialism and the Irish language and by 1912 is a dedicated Irish Republican. He is a close friend of the 1916 Easter Rising leader Thomas MacDonagh, who is then editor of The Irish Review and deputy headmaster in St. Enda’s School, the radical bilingual school run by Patrick Pearse. His growing nationalism brings a schism with his adopted family, but probably wins him his job as registrar in the National Gallery of Ireland, where he works between 1915 and 1925, having previously had an ill-paid job with the Mecredy solicitors’ firm.
Stephens produces many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humour and lyricism. He also writes several original novels, The Crock of Gold, Etched in Moonlight and Demi-Gods, based loosely on Irish fairy tales. The Crock of Gold in particular has achieved enduring popularity and has often been reprinted.
Stephens begins his career as a poet under the tutelage of “Æ” (George William Russell). His first book of poems, Insurrections, is published in 1909. His last book, Kings and the Moon (1938), is also a volume of verse.
Stephens’s influential account of the 1916 Easter Rising, Insurrection in Dublin, describes the effect of the deaths by execution of his friend Thomas MacDonagh and others as being “like watching blood oozing from under a door.” Of MacDonagh he writes:
No person living is the worse off for having known Thomas MacDonagh, and I, at least, have never heard MacDonagh speak unkindly or even harshly of anything that lived. It has been said of him that his lyrics were epical; in a measure it is true, and it is true in the same measure that his death was epical. He was the first of the leaders who was tried and shot.
Stephens lives between Paris, London and Dublin. During the 1930s he is a friend of James Joyce, and they mistakenly believe that they share a birthday. Joyce, who is concerned about his ability to finish what later becomes Finnegans Wake, proposes that Stephens assist him, with the authorship credited to JJ & S, short “Jameses Joyce & Stephens,” but also a pun on the popular Irish whiskey made by John Jameson & Sons. The plan is never implemented, as Joyce is able to complete the work on his own.
During the last decade of Stephens’ life, he finds a new audience through a series of broadcasts on the BBC. He dies at Eversleigh on Saint Stephen’s Day, December 26, 1950.
Noonan is born in Dublin on April 18, 1870, the illegitimate son of Samuel Croker, a senior member of the Royal Irish Constabulary. He is baptised and raised a Roman Catholic by his mother Mary Noonan. His father, who is not Catholic, has his own family, but attempts to provide for Robert until his death in 1875.
By 1875 Noonan is living in London. When he is sixteen, he shows signs of a radical political consciousness. He leaves his family declaring he “would not live on the family income derived largely from absentee landlordism.” It is around this time he changes his surname to his mother’s maiden name.
In 1890, Noonan is a sign writer living in Queen’s Road, Everton, Liverpool. On June 10, 1890, he appears at Liverpool County Intermediate Sessions court at Sessions House, Islington, Liverpool on charges of housebreaking and larceny. He is found guilty and given a six-month prison sentence.
By 1891, Noonan has moved to Cape Town, South Africa, where he is a painter and decorator. He marries in 1891, but the marriage is an unhappy one, with his wife having numerous affairs after the birth of their daughter, Kathleen. They divorce in 1895, and Noonan acquires all the property, including their house in an affluent suburb of Cape Town.
Noonan and his daughter move to Johannesburg, where he secures a well-paying job with a construction company. It is here that he learns the ways of the industry he would later write about in his novel, although Noonan’s actual circumstances vary greatly from the proletarian characters of the book. After becoming Secretary of the Transvaal Federated Building Trades Council, he is able to send his daughter to an exclusive convent school and also to employ a black manservant called Sixpence.
In 1897, Noonan leads a successful protest against the employment of black skilled labour. During 1898, he becomes a member of the Transvaal Executive Committee of the Centennial of 1798 Association, which commemorates the revolutionary nationalistSociety of United Irishmen. As a 1798 Association member, he helps form the Irish Brigades, an anti-British force that fights alongside the Boers in the Second Boer War. At this point, accounts of his life differ. Some assert he takes up arms and is interned by the British until the end of the war, when he returns to Britain. Others say he leaves South Africa just before hostilities began in October 1899.
In any event, around the turn of the century, Noonan ends up in Hastings, Sussex. Here, he finds work as a sign writer, but at much lower wages and in far poorer conditions than he had experienced in South Africa. He has to take part-time jobs in addition to his full-time position.
Influenced by the Marxist-influenced ideas of designer and socialist William Morris, he joins the Social Democratic Federation in 1906. The next year, after a dispute with his employer, he loses his job. Despite the demand for his skills, his health begins to deteriorate, and he eventually develops tuberculosis. Unemployed and unable to remain politically active, he starts writing, something he hopes will earn enough money to keep him from the workhouse.
He writes under the pen name Robert Tressell as he fears the socialist views expressed in the book will have him blacklisted. He completes The Ragged Trousered Philanthropists in 1910, but the 1,600-page hand-written manuscript is rejected by three publishing houses. The rejections severely depress him, and his daughter has to save the manuscript from being burned.
Unhappy with his life in Britain, Noonan decides that he and Kathleen should emigrate to Canada. However, he only reaches Liverpool when he is admitted to the Royal Liverpool Infirmary, where he dies of pulmonary tuberculosis on February 3, 1911, at the age of 40. He is buried in a pauper’s grave at Liverpool Parochial Cemetery, later known as Walton Park Cemetery. The location of the grave is not rediscovered until 1970. Twelve other people are buried in the same plot. The plot is now marked although the land is no longer used as a cemetery and is now used by Rice Lane City Farm.
Kathleen mentions her father’s novel to a friend, writer Jessie Pope, who recommends it to her publisher. In April 1914, the publisher purchases the rights to the book for £25, and it appears in Britain, Canada and the United States later that year, in the Soviet Union in 1920, and in Germany in 1925. The version as originally published is heavily abridged by Pope, with much of the socialist ideology removed.
The original manuscript is subsequently located by F. C. Ball and, after he raises funds to acquire and reassemble the original version, an unabridged edition is published in 1955.
O’Brian is born Richard Patrick Russ, in Chalfont St. Peter, Buckinghamshire, to Charles Russ, an English physician of German descent, and Jessie Russ (née Goddard), an English woman of Irish descent. His literary career begins in his childhood with the publishing of his earliest works, including several short stories, the book Hussein, An Entertainment, and the short story collection Beasts Royal. The latter two bring him considerable critical praise especially considering his youth. He publishes his first novel, Caesar: The Life Story of a Panda Leopard, at the age of 15 with help from his father.
O’Brian is best known for his Aubrey–Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centered on the friendship of the English naval captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series is published posthumously containing facing pages of handwriting and typescript.
O’Brian write a number of other novels and short stories, most of which were published before he achieves success with the Aubrey–Maturin series. He also translates works from French to English, and writes two biographies.
O’Brian’s major success as a writer comes late in life, when the Aubrey-Maturin series catches the eye of an American publisher. The series draws more readers and favourable reviews when the author is in his seventies. Near the end of his life, and in the same year he loses his beloved wife, British media reveals details of O’Brian’s early life, first marriage, and post-war change of name, causing distress to the very private author and to many of his readers at that time.
Between 1946 and 1949 O’Brian and his wife Mary live in Cwm Croesor, a remote valley in north Wales, where they initially rent a cottage from Clough Williams-Ellis. In 1949 they move to Collioure, a Catalan town in southern France. He and Mary remain together in Collioure until her death in 1998.
O’Brian dies on January 2, 2000 at Trinity College, Dublin where he had been living and working on his next book. His body is returned to Collioure, where he is buried next to his wife.
Pakenham is the elder son of Thomas Pakenham, 5th Earl of Longford and Mary, Countess of Longford, née Child-Villiers. He is the only one of the Pakenham children on whom his mother dotes, apparently because he is to succeed to the earldom on his father’s death and because he is always in delicate health.
As a pupil at Eton College, where he twice received the Wilder Divinity Prize, Pakenham succeeds to the earldom when his father is killed in action at the Battle of Gallipoli on August 21, 1915. He is an Irish Nationalist since his days at Eton, taking inspiration from the Easter Rising in 1916 and the Russian Revolution of 1917. He learned Irish and adopted the name Eamon de Longphort.
Pakenham becomes an undergraduate at Christ Church, Oxford and meets his future wife, Christine Patti Trew, an Oxford “undergraduette.” They are married on July 18, 1925. His political views make him unpopular at both Eton and Christ Church, where he is famously put in “Mercury,” the pond containing a statue of Mercury in Tom Quad.
Pakenham also has several volumes of poetry published, some at the expense of his mother when he is still at Eton, but he is not considered to have been a very good poet.
Pakenham often collaborates with his wife with whom he is also responsible for redecorating Pakenham Hall, now Tullynally Castle, in Chinese style. Pakenham Hall is often the scene of gatherings of Oxford-educated intellectuals such as John Betjeman, Evelyn Waugh, and Maurice Bowra.
Edward Pakenham dies without issue on February 4, 1961, and is succeeded by his younger brother Frank. He is buried at Mount Jerome Cemetery in Dublin.
Arthur Murphy, Irish writer also known by the pseudonym Charles Ranger, is born at Cloonyquin, County Roscommon, on December 27, 1727, the son of Richard Murphy and Jane French.
Murphy studies at Saint-Omer in France, and is a gifted student of the Latin and Greek classics. He works as an actor in the theatre, becomes a barrister, a journalist and finally a playwright. He edits Gray’s Inn Journal between 1752 and 1754. As Henry Thrale‘s oldest and dearest friend, he introduces Samuel Johnson to the Thrales in January 1765. He is appointed Commissioner of Bankruptcy in 1803.
An example of Murphy’s theatrical writings is The Citizen, a farce, first produced at Drury Lane in 1761. Philpot, a wealthy skinflint, has bargained with Sir Jasper Wilding for his son Young Philpot to marry Maria Wilding, and for his daughter Sally to marry Wilding’s son, for settlements and twenty thousand pounds paid to Sir Jasper. Young Philpot has lost a fortune, but borrows money from his father and embarks on an insurance fraud involving shipwrecked goods. Maria plans to marry Beaufort, who loves her. As Young Philpot tries to propose, she convinces him she is half-witted, and he spurns her. In the second act, Philpot senior is visiting Corinna, a lady of loose virtue, but hides under the table when his son calls upon her. He overhears as Young Philpot tells her how he has cajoled the money out of his father. Maria’s brother surprises them, and old Philpot is also discovered, to their mutual shame. In the final scene Sir Jasper with a lawyer obtains Philpot’s signature to the agreements, but meanwhile Maria, an educated girl, shows her strong character to Young Philpot and he again refuses to propose. Having signed away his rights old Philpot offers to marry her, but the lawyer reveals himself as Beaufort, and explains that he has swapped the deeds, so that Philpot has unwittingly signed his agreement for Maria to marry Beaufort.
Murphy is thought to have coined the legal term “wilful misconstruction” whilst representing the Donaldson v. Becket appeal to the House of Lords in 1774 against the perpetual possession of copyright.
Arthur Murphy dies at Knightsbridge, London, on June 18, 1805, and is buried at Hammersmith, London. A biography is written in 1811 by Dr. Jesse Foot. Nathaniel Dance-Holland paints Murphy’s portrait which is thought to now be in the Irish National Portrait Collection.
(Pictured: 1777 portrait of Arthur Murphy by Nathaniel Dance-Holland)
Violet Florence Martin, Irish author, dies in Drishane, County Cork, on December 21, 1915. She is the co-author of a series of novels with her cousin Edith Somerville under the pen name of Martin Ross in the late nineteenth and early twentieth centuries.
Martin is born at Ross House in Connemara, County Galway, the youngest of sixteen children of James Martin of Ross (1804–1872). The Martin family, a branch of the Martyn family – one of the Tribes of Galway – had settled at Ross by the early seventeenth century, having previously inhabited the town of Galway for some three hundred years. Her father is a Protestant, his grandfather having converted from the Catholic faith in order to retain the family estates under the Penal Laws. Nevertheless, each child of the family is secretly ‘baptised’ by the family servants.
Martin is a kinswoman of Richard Martin and her contemporary, Edward Martyn, two other notable members of the tribe. Her older brother, Robert Jasper Martin, is a noted songwriter and a well-regarded member of the Tory party in London. She shares a great-grandmother with the writer Maria Edgeworth, whose use of Irish vernacular speech she follows in her work.
Martin’s father manages to save both his estate and his tenants during the Great Famine boasting that not one of his people died during the disaster, but at the cost of bankruptcy. Following his death in 1872, the family moves to Dublin and only returns to Ross in 1888 following revelations of financial fraud of the estate by their agent.
Violet Martin and Edith Somerville are second cousins. They originally meet on January 17, 1886, at Castletownshend, after which they become lifelong companions and literary partners. They come to share a home in Drishane, County Cork. In 1889, Violet adopts the pseudonym Martin Ross, which comprises her surname and the name of her ancestral home. Thus, the authors are called Somerville and Ross. Their works include The Real Charlotte (1889), Some Reminiscences of an Irish R.M. and In the Vine Country.
Martin is a convinced Irish Unionist, in opposition to Somerville’s open nationalism. Both she and her brother Robert are well-regarded members of the literary circle in Irish unionism. However, unlike her brother, Martin is a convinced suffragette, becoming vice-president of the Munster Women’s Franchise League. While on friendly terms with the leading members of the Gaelic literary revival such as W.B. Yeats and Lady Gregory, she objects to their romantic version of Irish peasantry. She is on good terms with Edward Martyn, partner of Gregory and Yeats – and her kinsman – and shares his love of the Irish language and culture.
Martin is seriously injured in a riding accident in November 1898, from which she never fully recovers. This is a contributing factor to her death in Drishane, County Cork, on December 21, 1915. Edith Somerville continues to write under their joint literary names, claiming that they are still in contact. The two women leave thousands of letters and 116 volumes of diaries, detailing their lives, much of them yet unpublished. Edith dies at Castletownshend in October 1949, aged 91, and is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork, Ireland.
Charles Wolfe, Irish poet, is born at Blackhall, County Kildare, on December 14, 1791. He is chiefly remembered for “The Burial of Sir John Moore after Corunna” which achieves popularity in 19th century poetry anthologies.
Not long after he is born, his father dies, and the family moves to England. In 1801, Wolfe is sent to a school in Bath but is sent home a few months later due to ill health. From 1802 to 1805, he is tutored by a Dr. Evans in Salisbury before being sent to Hyde Abbey School, Winchester. In 1808, his family returns to Ireland, and the following year he enters Trinity College, Dublin, graduating in 1814.
Wolfe is ordained as a Church of Ireland priest in 1817, first taking the Curacy of Ballyclog in County Tyrone before transferring almost immediately to Donaghmore, County Tyrone. There he develops a close friendship and deep respect for the Rev. Thomas Meredith, Rector of nearby Ardtrea, and a former Fellow of Trinity College Dublin. Wolfe writes two epitaphs for Meredith, one on his memorial in the parish church of Ardtrea, and another intended for his tomb.
Wolfe is best remembered for his poem “The Burial of Sir John Moore after Corunna”, written in 1816 and much collected in 19th and 20th century anthologies. The poem first appears anonymously in the Newry Telegraph of April 19, 1817, and is reprinted in many other periodicals. But it is forgotten until after his death when Lord Byron draws the attention of the public to it. Wolfe’s only volume of verse, Poetical Remains, appears in 1825 with “The Burial of Sir John Moore” and fourteen other verses of an equally high standard.
Wolfe remains at Donaghmore until 1820 but, rejected by the woman for whom he gave up his academic career, and with Meredith, his only real friend in County Tyrone, now dead, he moves to Southern France. Shortly before his death he returns to Ireland and lives at Cobh, County Cork, where he dies at the age of 31 of consumption, which he catches from a cow. He is buried in Cobh at Old Church Cemetery. There is also a plaque to his memory in the church at Castlecaulfield, the village where he lives whilst Curate at Donaghmore, as well as a marble monument to him at St. Patrick’s Cathedral, Dublin.
(Pictured: Bas-relief of Charles Wolfe in St. Patrick’s Cathedral, Dublin)
Henry is the son of a woolen draper, Robert Henry, and his wife Kathleen Elder. He is educated by Unitarianschoolmasters and then at Trinity College, Dublin. At age 11 he falls in love with the poetry of Virgil and gets into the habit of always carrying a copy of the Aeneid in his left breast-pocket.
Henry graduates from Trinity with the gold medal for Classics. He then turns to medicine and practises as a physician in Dublin until 1845. In spite of his unconventionality and unorthodox views on religion and his own profession, he is very successful. He marries Anne Jane Patton, from Donegal, and has three daughters, only one of whom, Katherine, born in 1830, survives infancy.
His accession to a large fortune in 1845 enables him to devote himself entirely to the absorbing occupation of his life – the study of Virgil. Accompanied by his wife and daughter, he visits all those parts of Europe where he is likely to find rare editions or manuscripts of the poet. When his wife dies in Tyrol he continues his work with his daughter, who becomes quite a Virgil expert in her own right, and crosses the Alps seventeen times. After the death of his daughter in 1872 he returns to Dublin and continues his research at Trinity College, Dublin.
As a commentator on Virgil, Henry will always deserve to be remembered, notwithstanding the occasional eccentricity of his notes and remarks. The first fruits of his researches are published at Dresden in 1853 under the quaint title Notes of a Twelve Years Voyage of Discovery in the first six Books of the Eneis. These are embodied, with alterations and additions, in the Aeneidea, or Critical, Exegetical and Aesthetical Remarks on the Aeneis (1873-1892), of which only the notes on the first book are published during Henry’s lifetime. As a textual critic Henry is exceedingly conservative. His notes, written in a racy and interesting style, are especially valuable for their wealth of illustration and references to the less-known classical authors.
Henry is also the author of five collections of verse plus two long narrative poems describing his travels, and various pamphlets of a satirical nature. At its best his poetry has something of the flavour of Robert Browning and Arthur Hugh Clough while at its worst it resembles the doggerel of William McGonagall. His five volumes of verse are all published at his own expense and receive no critical attention either during or after his lifetime.
seamus dubhghaill 