The young men become increasingly impatient with the slow pace of O’Connell’s repeal campaign and soon begin to contemplate armed insurrection. Davis, along with John Dillon and Charles Duffy, found The Nation, the newspaper of the movement in 1842. In its pages the idea of total separation from England is soon openly suggested, and Lane becomes one of the paper’s contributors. He contributes articles and later poems to the paper, his best known poems being Carrig Dhoun and Kate of Araglen which are written under the pen name “Domhnall na Glanna” or “Domhnall Gleannach.”
Finally, in 1846, the issue of physical force split the Young Irelanders from O’Connell’s Repeal Association. Lane supports the split. Davis, Lane, and small group of their friends soon become known by the name which has survived to this day: the Young Ireland Party.
Lane and his college classmate Michael Joseph Barry are the most prominent Young Irelanders in Cork, and are interned in Cork City Gaol after the Young Ireland Rebellion of 1848. Lane spends four months in prison. After his release, he returns to Cork and does not appear to have much political involvement thereafter.
Lewis is born in Belfast on November 29, 1898. When he is seven, his family moves into “Little Lea,” the family home of his childhood, in the Strandtown area of East Belfast. He was schooled by private tutors until age 9, when his mother dies from cancer. His father then sends him to live and study at Wynyard School in Watford, Hertfordshire. The school closes soon afterwards due to a lack of pupils. He then attends Campbell College in the east of Belfast about a mile from his home, but leaves after a few months due to respiratory problems. He is then sent to the health-resort town of Malvern, Worcestershire, where he attends the preparatory school Cherbourg House. It is during this time that Lewis abandons his childhood Christian faith and becomes an atheist. In September 1913, he enrolls at Malvern College, where he remains until the following June. After leaving Malvern, he studies privately with William T. Kirkpatrick, his father’s old tutor and former headmaster of Lurgan College.
Lewis and fellow novelist J.R.R. Tolkien are close friends. They both serve on the English faculty at Oxford University, and are active in the informal Oxford literary group known as the Inklings. According to Lewis’s memoir Surprised by Joy, he is baptised in the Church of Ireland, but fell away from his faith during adolescence. He returns to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he becomes an “ordinary layman of the Church of England.” His faith profoundly affects his work, and his wartime radio broadcasts on the subject of Christianity bring him wide acclaim.
Lewis writes more than 30 books, which have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularised on stage, TV, radio, and cinema. His philosophical writings are widely cited by Christian apologetics from many denominations.
In early June 1961, Lewis begins suffering from nephritis, which results in blood poisoning. His illness causes him to miss the autumn term at Cambridge, though his health gradually begins improving in 1962 and he returns that April. His health continues to improve and he is fully himself by early 1963. On July 15 of that year he falls ill and is admitted to hospital. At 5:00 PM the following day he suffers a heart attack and lapses into a coma, unexpectedly awaking the following afternoon. After he is discharged from the hospital he is too ill to return to work. As a result, he resigns from his post at Cambridge in August. His condition continues to decline, and in mid-November he is diagnosed with end-stage renal failure. On November 22, exactly one week before his 65th birthday, he collapses in his bedroom at 5:30 PM and dies a few minutes later. He is buried in the churchyard of Holy Trinity Church, Headington, Oxford.
Media coverage of Lewis’s death is almost completely overshadowed by news of the assassination of U.S. President John F. Kennedy, which occurs on the same day approximately 55 minutes following Lewis’s collapse, as does the death of English writer Aldous Huxley, author of Brave New World.
In 2013, on the 50th anniversary of his death, Lewis is honoured with a memorial in Poets’ Corner in Westminster Abbey. His works enter the public domain in 2014 in countries where copyright expires 50 years after the death of the creator, such as Canada.
Shaw’s influence on Western theatre, culture and politics extends from the 1880s to his death and beyond. He writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, culminating in 1925 with his awarding of the Nobel Prize in Literature.
Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualistFabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man, in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that included Major Barbara, The Doctor’s Dilemma and Caesar and Cleopatra.
Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist. The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award.
Shaw’s appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left. He expresses admiration for both Benito Mussolini and Joseph Stalin. In the final decade of his life, he makes fewer public statements, but continues to write prolifically until shortly before his death on November 2, 1950, refusing all state honours including the Order of Merit in 1946.
Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to William Shakespeare among British dramatists. Analysts recognise his extensive influence on generations of English-language playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.
The location of Goldsmith’s birth is uncertain. He is born either in the townland of Pallas, near Ballymahon, County Longford, where his father is the Anglicancurate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill house near Elphin, County Roscommon. When Goldsmith is two years old, his father is appointed the rector of the parish of Kilkenny West in County Westmeath. The family moves to the parsonage at Lissoy, between Athlone and Ballymahon, and continues to live there until his father’s death in 1747.
In 1744 Goldsmith enters Trinity College, Dublin. Neglecting his studies in theology and law, he falls to the bottom of his class. In 1747, along with four other undergraduates, he is expelled for a riot in which they attempt to storm the Marshalsea Prison. He graduates in 1749 as a Bachelor of Arts, but without the discipline or distinction necessary to gain entry into a profession in the church or the law. He lives for a short time with his mother, tries various professions without success, studies medicine desultorily at the University of Edinburgh from 1752 to 1755, and sets out on a walking tour of Flanders, France, Switzerland and Northern Italy, living by his wits.
Goldsmith settles in London in 1756, where he briefly holds various jobs, including an apothecary‘s assistant and an usher of a school. Perennially in debt and addicted to gambling, Goldsmith produces a massive output as a hack writer on Grub Street for the publishers of London, but his few painstaking works earn him the company of Samuel Johnson, with whom he is a founding member of “The Club.” There, through fellow Club member Edmund Burke, he makes the acquaintance of Sir George Savile, who later arranges a job for him at Thornhill Grammar School. During this period, he uses the pseudonym “James Willington” to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe.
In character Goldsmith has a lively sense of fun, is totally guileless, and never happier than when in the light-hearted company of children. The money that he sporadically earns is often frittered away or happily given away to the next good cause that presents itself so that any financial security tends to be fleeting and short-lived. His talents are unreservedly recognised by Samuel Johnson whose patronage aids his eventual recognition in the literary world and the world of drama.
Goldsmith is described by contemporaries as prone to envy, a congenial but impetuous and disorganised personality who once planned to emigrate to America but failed because he missed his ship. At some point around this time he works at Thornhill Grammar School, later basing the character Squire Thornhill in The Vicar of Wakefield on his benefactor Sir George Savile and certainly spending time with eminent scientist Rev. John Mitchell, whom he probably knows from London. Mitchell sorely misses good company, which Goldsmith naturally provides in spades.
Oliver Goldsmith’s premature death in 1774 may have been partly due to his own misdiagnosis of his kidney infection. He is buried in Temple Church in London. There is a monument to him in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.
Stoker’s father, Abraham Stoker, is a civil servant and his mother, Charlotte Mathilda Blake Thornley, is a charity worker and writer. Stoker is a sickly child and is bedridden with an unknown illness until he starts school at the age of seven, when he makes a complete recovery. Growing up his mother tells him a lot of horror stories which may have influence on his later writings.
In 1864 Stoker enters Trinity College, Dublin. While attending college he begins working as an Irish civil servant. He also works part time as a free lance journalist and drama critic. In 1876 he meets Henry Irving, a famous actor, and they soon become friends. Not long after that, Stoker meets and falls in love with an aspiring actress named Florence Balcombe whom he marries on December 4, 1878 at St. Anne’s Parish Church, Dublin. In 1878 he accepts a job working in London as Irving’s personal secretary.
On December 9, Stoker and his new wife move to England to join Irving. His first book The Duties of Clerks of Petty Sessions in Ireland though written while he is still in Dublin, is published in 1879. On December 30, 1879 Stoker and his wife have their only child, a son Noel. While in England Stoker also writes several novels and short stories. His first book of fiction, Under the Sunset, is published in 1881.
Stoker visits the English coastal town of Whitby in 1890, a visit that is said to be part of the inspiration for Dracula. Before writing Dracula, he meets Ármin Vámbéry, a Hungarian writer and traveller. Dracula likely emerges from Vámbéry’s dark stories of the Carpathian Mountains. Stoker then spends several years researching European folklore and mythological stories of vampires.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which add a level of detailed realism to the story, a skill which Stoker develops as a newspaper writer. At the time of its publication, Dracula is considered a “straightforward horror novel” based on imaginary creations of supernatural life.
The original 541-page typescript of Dracula is believed to have been lost until it is found in a barn in northwestern Pennsylvania in the early 1980s. It consists of typed sheets with many emendations, plus handwritten on the title page is “THE UN-DEAD.” The author’s name is shown at the bottom as Bram Stoker. The typescript is purchased by Microsoft co-founder Paul Allen.
After suffering a number of strokes, Abraham “Bram” Stoker dies at No. 26 St. George’s Square, London on April 20, 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He is cremated and his ashes are placed in a display urn at Golders Green Crematorium in north London.
While in Dublin Sheridan attends the English Grammar School in Grafton Street. The family moves permanently to England in 1758 where he is a pupil at Harrow School from 1762 to 1768. After his period in Harrow School, his father employs a private tutor to directs his studies.
In 1775, Sheridan’s first play, The Rivals, is produced at London’s Covent Garden Theatre. It is a failure on its first night. He casts a more capable actor in the lead for its second performance, and it is a smash which immediately establishes the young playwright’s reputation and the favour of fashionable London. It has gone on to become a standard of English literature.
Shortly after the success of The Rivals, Sheridan and his father-in-law, Thomas Linley the Elder, a successful composer, produce the opera, The Duenna. This piece is accorded such a warm reception that it plays for seventy-five performances.
The following year, Sheridan, his father-in-law, and one other partner purchase a half-interest in the Drury Lane theatre and, two years later, buy out the other half. Sheridan is the manager of the theatre for many years and later becomes sole owner with no managerial role.
His most famous play, The School for Scandal (Drury Lane, May 8, 1777), is considered one of the greatest comedies of manners in English. It is followed by The Critic (1779), an updating of the satirical Restoration comedyThe Rehearsal. He has a rivalry with his fellow playwright Richard Cumberland and includes a parody of Cumberland in The Critic. In 1778, Sheridan writes The Camp, which comments on the ongoing threat of a French invasion of Britain.
In 1780, Sheridan enters Parliament as the ally of Charles James Fox on the side of the American Colonials in the political debate of that year. He remains in Parliament for 32 years.
On February 24, 1809, despite the much-vaunted fire safety precautions of 1794, the theatre burns down. On being encountered drinking a glass of wine in the street while watching the fire, Sheridan is famously reported to have said, “A man may surely be allowed to take a glass of wine by his own fireside.”
When he fails to be re-elected to Parliament in 1812, his creditors close in on him and his last years are harassed by debt and disappointment. On hearing of his debts, the United States Congress offers Sheridan £20,000 in recognition of his efforts to prevent the American Revolutionary War. The offer is refused.
In December 1815 Sheridan becomes ill and is largely confined to bed. He dies in poverty on July 7, 1816, and is buried in the Poets’ Corner of Westminster Abbey. His funeral is attended by dukes, earls, lords, viscounts, the Lord Mayor of London, and other notables.
Lawless is born at Lyons Demesne below Lyons Hill, Ardclough, County Kildare. Her grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Emily Lawless dies at Gomshall, Surrey, on October 19, 1913. Her papers are preserved in Marsh’s Library in Dublin.
Máirtín Ó Cadhain, one of the most prominent Irish language writers of the twentieth century, dies on October 18, 1970. Perhaps best known for his 1949 work Cré na Cille, Ó Cadhain plays a key role in bringing literary modernism to contemporary Irish language literature.
Born in Connemara, County Galway, Ó Cadhain becomes a schoolteacher but is dismissed due to his membership in the Irish Republican Army (IRA). In the 1930s he serves as an IRA recruiting officer, enlisting fellow writer Brendan Behan, and participates in the land campaign of the native speakers, which leads to the establishment of the Ráth Cairn neo-Gaeltacht in County Meath. Subsequently, he is arrested and interned in the Curragh Camp in County Kildare during the Emergency years due to his continued involvement in the violent activities of the IRA.
Ó Cadhain’s politics are a nationalist mix of Marxism and social radicalism tempered with a rhetorical anti-clericalism. In his writings concerning the future of the Irish language he is, however, practical about the position of the Catholic Church as a social and societal institution, craving rather for a wholehearted commitment to the language cause even among Catholic churchmen. It is his view that, as the Church is there anyway, it would be better if it were more willing to address the Faithful in the national idiom.
As a writer, Ó Cadhain is acknowledged to be a pioneer of Irish language modernism. His Irish is the dialect of Connemara, but he is happy to cannibalise other dialects, classical literature and even Scottish Gaelic for the sake of linguistic and stylistic enrichment of his own writings. Consequently, much of what he writes is reputedly hard to read for a non-native speaker.
Ó Cadhain is a prolific writer of short stories. His collections of short stories include Cois Caoláire, An Braon Broghach, Idir Shúgradh agus Dháiríre, An tSraith Dhá Tógáil, An tSraith Tógtha and An tSraith ar Lár. He also writes three novels, of which only Cré na Cille is published during his lifetime. The other two, Athnuachan and Barbed Wire, appear in print only recently. He translates Charles Kickham‘s novel Sally Kavanagh into Irish as Saile Chaomhánach, nó na hUaigheanna Folmha. He also writes several political or linguo-political pamphlets. His political views can most easily be discerned in a small book about the development of Irish nationalism and extremism since Theobald Wolfe Tone, Tone Inné agus Inniu. In the early 1960s he writes, partly in Irish, partly in English, a comprehensive survey of the social status and actual use of the language in the west of Ireland, published as An Ghaeilge Bheo – Destined to Pass. In August 1969 he delivers a speech, published as Gluaiseacht na Gaeilge: Gluaiseacht ar Strae, in which he speaks of the role Irish speakers should take in ‘Athghabháil na hÉireann’, or the Re-Conquest of Ireland as James Connolly first coins the term.
He and Diarmaid Ó Súilleabháin are considered the two most innovative Gaelic authors to emerge in the 1960s. He has frequent difficulties to get his work edited, but unpublished writings have appeared at least every two years since the publication of Athnuachan in the mid-nineties.
Davis is the son of a Welsh father, a surgeon in the Royal Artillery, and an Irish mother. Through his mother he is descended from the Gaelic noble family of O’Sullivan Beare. His father dies one month after his birth and his mother moves to Warrington Place near Mount Street bridge in Dublin. In 1830, they move to 67 Lower Baggot Street. He attends school in Lower Mount Street before studying at Trinity College, Dublin. He graduates in Law and receives an arts degree in 1836, before being called to the Irish Bar in 1838.
Davis gives a voice to the 19th-century foundational culture of modern Irish nationalism. Formerly it is based on the republicans of the 1790s and on the Catholic emancipation movement of Daniel O’Connell in the 1820s-30s, which has little in common with each other except for independence from Britain. Davis aims to create a common and more inclusive base for the future. He establishes The Nation newspaper with Charles Gavan Duffy and John Blake Dillon.
He writes some stirring nationalistic ballads, originally contributed to The Nation and afterwards republished as Spirit of the Nation, as well as a memoir of Curran, the Irish lawyer and orator, prefixed to an edition of his speeches, and a history of King James II‘s parliament of 1689. He has formed many literary plans which are unfinished at the time of his early death.
Davis supports O’Connell’s Repeal Association from 1840, hoping to recreate the old Parliament of Ireland. They split during a debate on the proposed new Queen’s University of Ireland, when Davis is reduced to tears by O’Connell’s superior debating skill. Davis is in favour of a university that would inclusively educate all Irish students. O’Connell and the Catholic hierarchy prefer a separate system for Catholic students within Ireland that would remain under church control.
O’Connell generally refers to his inexperienced allies as “Young Ireland,” initially as a dismissive term, that from the 1870s becomes the accepted term for nationalists inspired by Davis. He also prefers a federal arrangement with Britain in the 1840s while Davis seeks a greater degree of autonomy. Both agree that a gradual and non-violent process is the best way forward. Despite their differences, O’Connell is distraught at Davis’s early death.
Davis is a Protestant but preaches unity between Catholics and Protestants. To him, it is not blood that makes a person Irish, but the willingness to be part of the Irish nation. He is to the fore of Irish nationalist thinking and it has been noted by later nationalist notables, such as Patrick Pearse, that while Theobald Wolfe Tone laid out the basic premise that Ireland as a nation must be free, Davis is the one who built this idea up promoting the Irish identity.
Irish author John Banville beats higher profile favorites to become the surprise winner of Britain‘s prestigious Booker Prize for fiction on October 11, 2005. His 14th novel, The Sea, is described by the judges as “a masterly study of grief, memory, and love recollected.”
Banville wins the Booker Prize in 2005 after having been on the short list in 1989. His later work is contending with novels by Kazuo Ishiguro, Julian Barnes, Ali Smith, Sebastian Barry and Zadie Smith. The judge’s vote is split between Banville and Ishiguro, and Chairman of Judges John Sutherland casts the winning vote in favour of Banville.
Earlier in the year Sutherland had written approvingly of Ian McEwan‘s novel Saturday. Banville strongly criticizes the work in The New York Review of Books. Banville later admits that, upon reading Sutherland’s letter in response to his review, he had thought, “Well, I can kiss the Booker goodbye. I have not been the most popular person in London literary circles over the past half-year. And I think it was very large of Sutherland to cast the winning vote in my favour.”
Banville is noted for having written a letter in 1981 to The Guardian requesting that the Booker Prize, for which he is “runner-up to the shortlist of contenders”, be given to him so that he can use the money to buy every copy of the longlisted books in Ireland and donate them to libraries, “thus ensuring that the books not only are bought but also read — surely a unique occurrence.”
When his The Book of Evidence is shortlisted for the 1989 Booker Prize, Banville says a friend, whom he describes as “a gentleman of the turf,” instructed him “to bet on the other five short listees, saying it was a sure thing, since if I won the prize I would have the prize-money, and if I lost one of the others would win…But the thing baffled me and I never placed the bets. I doubt I’ll be visiting Ladbrokes any time soon.”
seamus dubhghaill 