Martin is born in Belfast on August 12, 1949. He starts learning the piano at the age of six and joins his first professional band, Killing Floor, in April or May 1968. In 1969 Martin and Stuart McDonald are recruited by 17-year-old Darryl Read who forms a band for Emperor Rosko‘s brother, Jeff Pasternak, called Crayon Angels. Read assembles the band and plays drums while Rosko acts as manager. Martin later leaves Killing Floor to play alongside Gallagher, and is featured on several of Gallagher’s albums, including Blueprint, Tattoo, Irish Tour ’74, Against the Grain, Calling Card, Defender and Fresh Evidence. He also plays rhythm guitar on one track, “Race the Breeze” from Blueprint.
Martin plays in the Nickey Barclay band in London in the 1980s, alongside Barclay on keyboards, with John Conroy and Dave Ball on lead guitar. The band plays across London on the blues rock circuit during the 1980s at venues such as The White Lion, Putney, The Star and Garter on Lower Richmond Road, The Golden Lion, Fulham and the Cartoon, Croydon.
Killing Floor releases an album in 2004 named Zero Tolerance, on which Martin participates.
After a period of illness including cancer and a number of strokes, Lou Martin dies peacefully in a hospital in Bournemouth, Dorset, at the age of 63, on August 17, 2012.
The Intermediate Education Act, enacted on August 16, 1878, grants female students the right to participate in public competitive examinations, take university degrees and to enter into careers and professions.
From the early 1870s there had been a growing demand in Ireland for a competitive examinations system which would allow Catholics in particular to enter for the newly created jobs in the Civil Service and for careers in the professions. In response to this pressure, the Irish Intermediate Education Bill is introduced to parliament in 1878. It provides an Examining Board with an annual sum of £32,500 per annum which would cover money prizes for pupils and results fees for schools. Students with the highest marks can gain valuable exhibitions worth up to £50. However, these provisions only apply to boys.
The Bill is in its final stages in parliament, when Isabella Tod of the North of Ireland Women’s Suffrage Society, arrives with a small delegation of women backed by a handful of Irish MPs, to demand that girls should also be included in the provisions of the Bill. Fortunately, attitudes among a majority of English MPs are favourable to the inclusion of girls in the Bill. The most influential of these MPs is William Ewart Gladstone, the leader of the Liberal Party, who believes the proposal to admit women to the benefits of the Bill is reasonable and fair. Although not in favour of giving women the vote, he is prepared to admit that “we have on the whole done rather less than justice to women as compared to men” when it comes to education.
Charles Henry Meldon, MP for Kildare, strongly objects to what he calls “the victory” which the inclusion of girls would give to the advocates of women’s rights, “whose object was not that there should be a limited measure dealing specially with the education of women, but that the same education should be given to girls as given to men.”
Richard O’Shaughnessy, the only Home Rule MP on Isabella Tod’s delegation, assures Meldon that the question at stake is not one of women’s rights but simply of their education and that the object of the amendment “was nothing more nor less than to educate the women of Ireland that they may be better able to discharge their duties as daughters, wives and mothers.”
So, despite the strong objections of most Irish Home Rule MPs, girls are included in the Intermediate Examination Act. Isabella Tod at a meeting in Dublin to promote the extension of the franchise to women thanks O’Shaughnessy and James Stansfield for their support but declares, “We could not help feeling how easy our task would have been if each of these members had owed some votes to women and felt a distinct responsibility to them.”
There is unease felt about public competitive examinations for girls in Ireland. Some believe that the competitive idea should be carefully excluded from the examinations for women. The ladies present at the suffrage meeting are also urged to press the government to avoid publishing the names of girls in order of merit.
This attitude helps explain why it is felt that girls are not ready to compete on an equal basis with boys. In December 1878, the Intermediate Board decides that girls will compete among themselves for the money prizes. A money prize is offered for every ten pupils who pass. These prizes are, therefore, allocated proportionately according to the numbers of boys and of girls who enter for the examinations. During the first twenty years of the Intermediate examinations, three quarters of the entrants are boys and only one quarter are girls. Girls’ schools, especially convent schools, are particularly handicapped because they have few teachers who know Latin or Greek and extra marks are allotted for other traditional boys’ subjects such as mathematics.
The Intermediate examinations have three levels: Junior, Middle and Senior Grades with strict age limits of under 16, 17 and 18 years of age respectively. This represents a problem for girls’ schools since many girls come late to second level schools, being often 14 or 15 years of age.
The fact that public opinion in Ireland is at first generally against such examinations for girls and that many girls have neither the opportunity nor the means to take immediate advantage of the Act, does not alter its crucial importance as a catalyst for changing the role of women in Irish society.
(Pictured: Isabella Tod, Museums and Galleries of Northern Ireland, content from Discovering Women in Irish History, http://womeninhistory.scoilnet.ie)
Control of the Duchies of Milan and Mantua is the main strategic prize in Northern Italy as they are key to the security of Austria‘s southern border. In May, an Austrian army under Prince Eugene of Savoy enters Northern Italy and wins a series of victories which by February 1702 forces the French behind the Adda river.
In early August, Vendôme’s army stops at the Austrian-held town of Luzzara on the right bank of the Po River. The total French force is around 30,000-35,000, including 10,000 Savoyards and five regiments of the Irish Brigade.
Eugene lifts his blockade of Mantua since these moves threaten to cut him off from his supply bases at Modena and Mirandola. Taking all available forces, around 26,000 men, he marches to intercept the French at Luzzara but arrives too late to prevent its surrender and establishes his headquarters at the village of Riva, north of the French positions.
Just above Luzzara, the sides of the Seraglo to Rovero canal have been built up to prevent the Po River flooding the countryside. Eugene plans to use these to conceal his movements and attack the French as they enter their camp. He splits his forces into two lines, the left wing under General Visconti, the right under Charles Thomas, Prince of Vaudémont and himself in charge of the centre.
During the morning and early afternoon of August 15, the Imperialists cross the Po River and manage to achieve a large measure of surprise in surrounding the French camp but are discovered shortly before completing this operation. Around 5:00 PM, Prince Eugene orders a general assault. The French are taken by surprise, some units marching into the camp and immediately out again to the front line but quickly recover. Eugene’s right wing is repulsed no less than four times, while the struggle on the left is equally bloody, his Danish mercenaries nearly break through on several occasions. The French line manages to hold until sheer exhaustion and darkness end the fighting around midnight.
Casualties on both sides are heavy, particularly among the Irish units and Albemarle’s Regiment on the right. During the night, Eugene entrenches his position and the French do not resume the attack the following morning.
The overall result is a draw, although in the practice of the times Eugene claims it as a victory, since he remains in possession of the ground. However, his forces are too weak to intervene as the French continue to take strongpoints. The two armies lay facing each other until early November, when both move into winter quarters.
Eugene is recalled to Vienna in January 1703 to take over as head of the Imperial War Council, while Vendôme continues preparations for the summer campaign. In October 1703, Victor Amadeus II of Sardinia, Duke of Savoy defects to the Alliance and Vendôme spends the next three years in Savoy.
In 1708 Prince Eugene commissions a series of paintings recording his victories from Dutch artist Jan van Huchtenburg, one being Luzzara which gives an indication of how he viewed it.
(Pictured: “The Battle of Luzzara, 1702,” oil on canvas by Jan van Huchtenburgh)
McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.
In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.
McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).
Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982, at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017, a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.
By 1975, the conflict in Northern Ireland known as “the Troubles” is more than six years old. On February 10, 1975, the Provisional IRA and the British government enter into a truce and restart negotiations. There is a rise in sectarian killings during the truce, which ‘officially’ lasts until early 1976. The truce, however, is interrupted in the early hours of July 31, 1975, by the Miami Showband killings at Buskhill outside Newry, County Down.
Two weeks later, on August 13, 1975, the Bayardo Bar is crowded with people of all ages. Shortly before closing time a stolen green Audi automobile, containing a three-man unit of the IRA’s Belfast Brigade, pulls up outside. It is driven by the unit’s leader Brendan “Bik” McFarlane, a 24-year-old volunteer from Ardoyne. Volunteers Seamus Clarke and Peter “Skeet” Hamilton get out and approach the pub’s side entrance on Aberdeen Street. One of them immediately opens fire with an ArmaLite, instantly killing doorman William Gracey and his brother-in-law Samuel Gunning, with whom he had been chatting outside. The other volunteer then enters the pub, where patrons are drinking and singing, and drops a duffel bag containing a ten-pound bomb at the entrance. Both men make their getaway back to the waiting car. As panicked customers run to the toilets for safety, the bomb explodes and brings down a section of the old brick-and-plaster building upon them. The bodies of civilian Joanne McDowell and UVF member Hugh Harris are later found beneath the rubble of fallen masonry. Seventeen-year-old civilian Linda Boyle is pulled out alive but dies of her injuries at the hospital on August 21. Over 50 people are injured in the attack.
A Belfast Telegraph article later claims that, as the IRA unit drives away down Agnes Street, they fire into a crowd of women and children queuing at a taxi rank although there are no fatalities. Within 20 minutes of the blast, the IRA unit is arrested after their car is stopped at a roadblock. The ArmaLite that had been used to kill Gracey and Gunning is found inside the car along with spent bullet casings and fingerprints belonging to the three IRA men.
The IRA does not initially claim responsibility, however, IRA members later state that the Bayardo was attacked because it was a pub where Ulster Volunteer Force (UVF) members met and planned terrorist assaults against nationalists. The pub is in the UVF-dominated middle Shankill Road area, and the Ulster Banner is displayed from its upper windows. A former IRA prisoner claims that fellow inmate Lenny Murphy told him he had left the Bayardo ten minutes before the attack and that the Brigade Staff had just finished holding a meeting there.
Loyalists, especially the UVF, respond with another wave of sectarian attacks against Catholics. Two days after the pub attack, a loyalist car bomb explodes without warning on the Falls Road, injuring 35 people. On 22 August, the UVF launches a gun and bomb attack on McGleenan’s Bar in Armagh. The attack is strikingly similar to that at Bayardo. One gunman opens fire while another plants the bomb, the explosion causing the building to collapse. Three Catholic civilians are killed and several more are wounded. That same night, another bomb wrecks a Catholic-owned pub in nearby Blackwatertown, although there are no injuries.
In May 1976, Brendan McFarlane, Seamus Clarke, and Peter Hamilton are convicted in a non-jury Diplock court and sentenced to life imprisonment inside the HM Prison Maze for carrying out the Bayardo murders. In 1983 McFarlane leads the Maze Prison escape, a mass break-out of 38 republican prisoners, including Clarke and Hamilton.
Holland, the second of four siblings, all boys, is born on February 24, 1841 in a coastguard cottage in Liscannor, County Clare, where his father, John Philip Holland, Sr., is a member of the British Coastguard Service. His mother, a native Irish speaker from Liscannor, Máire Ní Scannláin, is John Holland’s second wife. His first wife, Anne Foley Holland, believed to be a native of Kilkee, dies in 1835. The area is heavily Irish-speaking and Holland learns English properly only when he attends the local English-speaking St. Macreehy’s National School, and from 1858, in the Christian Brothers in Ennistymon.
Holland joins the Irish Christian Brothers in Limerick and teaches in CBS Sexton Street in Limerick and many other centres in the country, including North Monastery CBS in Cork, St. Joseph’s CBS in Drogheda, and as the first Mathematics teacher in Coláiste Rís in Dundalk. Due to ill health, he leaves the Christian Brothers in 1873 and emigrates to the United States. Initially working for an engineering firm, he returns to teaching again for an additional six years in St. John’s Catholic school in Paterson, New Jersey.
While a teacher in Cork, Holland reads an account of the battle between the ironclads USS Monitor and USS Merrimack in the Battle of Hampton Roads during the American Civil War. He realizes that the best way to attack such ships would be through an attack beneath the waterline. He draws a design, but when he attempts to obtain funding, he is turned away. After his arrival in the United States, Holland slips and falls on an icy Boston street and breaks a leg. While recuperating from the injury in a hospital, he uses his time to refine his submarine designs and is encouraged by a priest, Isaac Whelan.
In 1875, his first submarine designs are submitted for consideration by the U.S. Navy, but are turned down as unworkable. The Fenians, however, continue to fund Holland’s research and development expenses at a level that allows him to resign from his teaching post. In 1881, Fenian Ram is launched, but soon after, Holland and the Fenians part company on bad terms over the issue of payment within the Fenian organization, and between the Fenians and Holland. The submarine is now preserved at Paterson Museum in New Jersey.
Holland continues to improve his designs and works on several experimental boats, prior to his successful efforts with a privately built type, launched on May 17, 1897. This is the first submarine having power to run submerged for any considerable distance, and the first to combine electric motors for submerged travel and gasoline engines for use on the surface. The submarine is purchased by the U.S. Navy on April 11, 1900, after rigorous tests and is commissioned on October 12, 1900 as USS Holland (SS-1). Six more of her type are ordered and built at the Crescent Shipyard in Elizabeth, New Jersey. The company that emerges from under these developments is called The Electric Boat Company, founded on February 7, 1899. Isaac Leopold Rice becomes the company’s first President with Elihu B. Frost acting as vice president and chief financial officer. The company eventually evolves into the major defense contractor General Dynamics.
The USS Holland design is also adopted by others, including the Royal Navy in developing the Holland-class submarine. The Imperial Japanese Navy employs a modified version of the basic design for their first five submarines, although these submarines are at least 10 feet longer at about 63 feet. These submarines are also developed at the Fore River Ship and Engine Company in Quincy, Massachusetts. Holland also designs the Holland II and Holland III prototypes. The Royal Navy ‘Holland 1’ is on display at the Submarine Museum in Gosport, England.
Breen’s father dies when he is six, leaving the family very poor. He is educated locally before becoming a plasterer and later a linesman on the Great Southern Railways.
Breen is sworn into the Irish Republican Brotherhood in 1912 and the Irish Volunteers in 1914. On January 21, 1919, the day the First Dáil meets in Dublin, Breen takes part in the Soloheadbeg Ambush. The ambush party of eight men, led by Seán Treacy, attacks two Royal Irish Constabulary (RIC) men who are escorting explosives to a quarry. The two policemen, James McDonnell and Patrick O’Connell, are fatally shot during the incident. The ambush is considered to be the first incident of the Irish War of Independence.
During the conflict, the British put a £1,000 price on Breen’s head, which is later increased to £10,000. He quickly establishes himself as a leader within the Irish Republican Army. He is known for his courage. On May 13, 1919 he helps rescue his comrade Seán Hogan at gunpoint from a heavily guarded train at Knocklong station in County Limerick. Breen, who is wounded, remembers how the battalion is “vehemently denounced as a cold-blooded assassins” and roundly condemned by the Catholic Church. After the fight, Treacy, Séumas Robinson, and Breen meet Michael Collins in Dublin, where they are told to make themselves scarce although they do not necessarily agree.
Breen and Sean Treacy shoot their way out through a British military cordon in the northern suburb of Drumcondra (Fernside). They escape, only for Treacy to be killed the next day. Breen is shot at least four times, twice in the lung.
The British reaction is to make Tipperary a “Special Military Area,” with curfews and travel permits. Volunteer GHQ authorises entrerprising attacks on barracks. The British policy forces Breen and Treacy to retreat to Dublin. They join Michael Collins’ Squad of assassins, later known as the Dublin Guard, and Dublin becomes the centre of the war.
Breen is present in December 1919 at the ambush in Ashtown beside Phoenix Park in Dublin where Martin Savage is killed while trying to assassinate the Lord Lieutenant of Ireland, Viscount John French. The IRA hides behind hedges and a dungheap as the convoy of vehicles drives past. They have been instructed to ignore the first car but this contains their target, Lord French. Their roadblock fails as a policeman removes the horse and cart intended to stop the car.
Breen utterly rejects the Anglo-Irish Treaty, which makes him, like many others, angry and embittered. In the June 1922 elections Breen is nominated as a candidate by both the pro- and anti-Treaty sides, but is not elected.
Breen is elected to Dáil Éireann at the 1923 general election as a Republican anti-Treaty Teachta Dála (TD) for the Tipperary constituency. Following the Anglo-Irish Treaty, Breen joins the Anti-Treaty IRA in the civil war, fighting against those of his former comrades in arms who support the Treaty. He is arrested by the National Army of the Irish Free State and interned at Limerick Prison. He spends two months there before going on hunger strike for six days followed by a thirst strike of six days, prompting his release.
Breen writes a best-selling account of his guerrilla days, My Fight for Irish Freedom, in 1924. He represents Tipperary from the fourth Dáil in 1923 as a Republican with Éamon de Valera and Frank Aiken. He is defeated in the June 1927 Irish general election and travels to the United States where he opens a prohibitionspeakeasy. In 1932 he returns to Ireland and regains his seat as a member of Fianna Fáil in the Dáil at that year’s general election. During World War II he is said to hold largely pro-Axis views. He represents his Tipperary constituency without a break until his retirement at the 1965 election.
Breen dies in Dublin on December 27, 1969 and is buried in Donohill, near his birthplace. His funeral is the largest seen in west Tipperary since that of his close friend and comrade-in-arms Seán Treacy at Kilfeacle in October 1920. An estimated attendance of 10,000 mourners assemble in the tiny hamlet, giving ample testimony to the esteem in which he was held.
Breen is the subject of a 2007 biography Dan Breen and the IRA by Joe Ambrose.
The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of Dutch Golden Age painters, Pieter Claesz for instance, had specialized in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.
Harnett paints musical instruments, hanging game, and tankards, but also paints the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.
Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. His best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.
Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one broken string. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.
Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He dies in New York City on October 29, 1892. Other artists who paint similar compositions in Harnett’s wake include his contemporary John Haberle and successors such as Otis Kaye and Jefferson David Chalfant.
The operation sparks four days of violence in which 20 civilians, two IRA members and two British soldiers are killed. All of those arrested are Irish nationalists, the vast majority of them Catholic. Due to faulty intelligence, many have no links with the IRA. Ulster loyalistparamilitaries are also carrying out acts of violence, which are mainly directed against Catholics and Irish nationalists, but no loyalists are included in the sweep.
The introduction of internment, the way the arrests are carried out, and the abuse of those arrested, lead to mass protests and a sharp increase in violence. Amid the violence, about 7,000 people flee or are forced out of their homes. The interrogation techniques used on some of the internees are described by the European Commission of Human Rights in 1976 as torture, but the superior court, the European Court of Human Rights (ECHR), rules on appeal in 1978 that, although the techniques are “inhuman and degrading”, they do not, in this instance, constitute torture. It is later revealed that the British government had withheld information from the ECHR and that the policy had been authorized by British government ministers. In December 2014, in light of the new evidence, the Irish government asks the ECHR to revise its 1978 judgement. The ECHR declines the request in 2018.
Following the suspension of the Northern Ireland Government and Parliament, internment is continued by the direct rule administration until December 5, 1975. During this time 1,981 people are interned, 1,874 are nationalist while 107 are loyalist. The first loyalist internees are detained in February 1973.
(Pictured: The entrance to Compound 19, one of the sections of Long Kesh internment camp)
Behan makes his Rovers debut on February 8, 1931, in a 5–1 win over Bray Unknowns F.C. at Glenmalure Park. In his first season, he wins the FAI Cup. He signs with Manchester United in September 1933, along with fellow Irishman David Byrne, becoming the first players from the south of Ireland to play for the club in over a decade.
Behan makes his United debut in a Football League Second Division home game against Bury F.C. on March 3, 1934. The following July, he briefly returns to Shelbourne before again returning to the Rovers. Over the next two seasons, he wins another FAI Cup and a League of Ireland Shield. His last game for the Rovers is on August 23, 1936, in a Shield win over Drumcondra F.C..
After his retirement as a player, Behan becomes a respected referee and is in charge of the 1943 FAI Cup Final. He then manages Drumcondra F.C. in the 1950s where he wins the FAI Cup again.
Behan’s father, William Sr., is one of the founder members of Shamrock Rovers. His brothers John and Paddy also play for the Rovers. His son William junior keeps goal for the Rovers side also for a time. His second cousin is Bob Fullam.
Behan’s grandson, Philip Behan, is the former Head of International Football at the Football Association of Ireland and is now a UEFA and FIFA agent organising friendly international matches and tournaments around the world.
Billy Behan dies on November 12, 1991, at the age of 80.
seamus dubhghaill 