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Tag Archives: Anglo-Irish People


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Beginning of the Siege of Duncannon

The siege of Duncannon begins on January 20, 1645, during the Irish Confederate Wars. An Irish Catholic Confederate army under Thomas Preston besieges and successfully takes the town of Duncannon in County Wexford from an English Parliamentarian garrison. The siege is the first conflict in Ireland in which mortars are utilized.

At the outbreak of the Irish Rebellion of 1641, most of south-eastern Ireland falls to the Catholic insurgents. Roughly 1,000 rebels blockade Duncannon, which is heavily fortified and contains an English garrison of about 300 men. Around 150 of the English troops are killed in forays against the Irish at nearby Redmond’s Hall, but without siege artillery, or expertise in siege warfare, the rebels are unable to take Duncannon.

Hostilities continue throughout 1642, as the Irish, now organised as the Irish Confederacy raid the town’s hinterland. As in much of Ireland, the conflict is bitter. In one incident, Laurence Esmonde, 1st Baron Esmonde, the Royalist commander, hangs 16 Irish prisoners who have been taken at nearby Ramsgrange. In response, the Irish execute 18 English prisoners whom they have been holding.

In 1643, because of his need for troops to fight in the English Civil War, Charles I signs a ceasefire with the Irish Confederates. As a result, hostilities between Duncannon and the Catholic-held surrounding area are suspended.

However, in 1644, the English garrison of Cork, under Murrough O’Brien, 1st Earl of Inchiquin, unhappy with the Royalist truce with the Irish Confederates, declares for the English Parliament, who are to remain hostile to Irish Catholic forces throughout the 1640s. Esmonde, under pressure from elements of his garrison, also changes to the side of Parliament and effectively re-declares war on the Catholic Confederates. His motives are unclear: though he is a Protestant convert, the Esmonde family are Anglo-Irish Roman Catholics, and he owes his entire advancement to the Crown.

Duncannon is a strategically important town for two reasons. Firstly, it has formidable defences. Secondly and more importantly, its guns overlook the sea route to Waterford and New Ross, two of the most important Catholic-held towns and also ports at which the Confederates receive military aid from Catholic Europe.

Needing to keep this channel open and also fearing the presence of an English garrison deep in their territory, the Confederates’ Supreme Council in Kilkenny despatches Thomas Preston, general of their Leinster Army, to take Duncannon in January 1645. Preston has at his disposal 1,300 men, four cannons and a mortar. The mortar, the first of its kind to be used in Ireland has been donated by Spain the previous year and is commanded by a French military engineer named Nicholas La Loue. La Loue had served with Preston in Flanders and is chief of engineering in the Leinster Army.

Duncannon possesses formidable defences. For one thing, it is located on a peninsula and can only be approached from the north, the other three sides jutting out into the sea. Just off the town are docked four Parliamentarian ships, which are supplying Duncannon with food and reinforcements. Secondly, it possesse two lines of fortifications, the outer line being a more modern low deep rampart protected by a dry ditch and the inner wall being a medieval curtain wall, complete with three towers. However, it has two grave weaknesses, first, it is overlooked by a hill to the north, from which an attacker can fire into the town and, secondly, the water supply is located outside the walls. 

Preston arrives at Duncannon on January 20 and proceeds to construct a ring of trenches which cut off Duncannon on its landward side. From the hill that overlooks the town to the north, his guns are able to fire on a squadron of four Parliamentarian ships that are docked off Duncannon and providing the town with supplies. The flagship, the Great Louis, is badly damaged, its mast wrecked by cannon fire, and it takes several more hits from the mortar as it tries to get away. The ship sinks in deep water, drowning its crew and 200 soldiers who are on board.

Having cut off Duncannon’s supply from the sea, Preston proceeds to dig saps closer to the walls, the ultimate aim being to bring his cannon close enough to the walls in order to blast a breach and open the way for an assault. His engineers also dig a mine underneath one of the town’s bastions. All the while, the town’s defenders are kept under a bombardment by the mortar and, as the Confederate troops get closer to the walls, by sharpshooters. On March 12, one such sniper kills the fort’s second in command, one Captain Lurcan, who is hit in the head by a bullet.

On March 16, by which time the Irish trenches are “within pistol shot of the walls,” Preston orders the mine to be exploded, opening a breach in Duncannon’s outer walls. The Irish infantry then assault the town, but are beaten off with some losses. The following day, Saint Patricks Day, Preston tries again and this time his troops succeed in taking the town’s outer, more modern walls but are stopped at Duncannon’s inner, medieval ramparts. They succeed in occupying one of the town’s towers for an hour before being beaten back. Geoffrey Baron, a Confederate politician, who keeps a diary of the siege, reports that 24 Irish soldiers are killed in the two assaults.

At this point, Preston summons Esmonde to surrender, before he has to “proceed to extremities.” This is a delicate threat, implying that if the town falls to an assault, its defenders will be put to the sword – as is customary in contemporary siege warfare. Esmonde is also advised to surrender by the Parliamentarian vice admiral, William Smith, who is anchored offshore with seven ships, but cannot break through to relieve the town. In a letter that reaches Esmonde on March 11, Smith warns him that “if the rebels take the fort by storming it, they will undoubtedly put you all to death…you should agree with thy adversary while thou art in the way.” Esmond has Smith’s letter publicly read to his troops after the assaults of March 16-17 to discourage those who favour holding out.

Alongside the risk of massacre, the English garrison is also very low on gunpowder and water. The town’s only source of fresh water, a well, is behind the Confederate siege lines.

In light of these facts, Esmonde formally surrenders Duncannon to Preston on March 18. The Confederates take possession of the town but its garrison is allowed to march away to Youghal, which is in Protestant hands. However, they have to leave behind the town’s 18 artillery pieces. Esmonde himself dies a feways after the end of the siege. Preston goes on to briefly besiege Youghal, but bad weather, a lack of supplies and squabbling with James Tuchet, 3rd Earl of Castlehaven, the Confederate Munster general, puts an end to his campaign for the winter. 

The siege is of importance in that it reopens the sea route into Waterford and eliminates a hostile English garrison in Confederate territory. Preston, who had for many years been the Spanish military governor of Leuven, is highly experienced in siege warfare and his conduct of the siege draws widespread praise. Not only does he take the town, but he does so at a relatively low cost. Sixty-seven Confederate soldiers die in the siege, of whom roughly 30 die of disease. Given that the campaign is conducted in mid-winter, in an age when disease routinely kills many more soldiers than combat, this represents a considerable logistical achievement on the part of the Irish general.

The Great Lewis, the Parliamentarian ship sunk during the siege, is rediscovered in 1999 and raised in 2004.

Duncannon is besieged again during the Cromwellian conquest of Ireland by the forces of the English Parliament, as part of the Siege of Waterford. It repels a siege by Oliver Cromwell in 1649 but surrenders after a lengthy blockade by Henry Ireton in 1650.


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Death of Gerard Slevin, Heraldist & Dramatist

(John) Gerard Slevin, dramatist and Chief Herald of Ireland from 1954 to 1981, dies on January 18, 1997.

Slevin is born on November 1, 1919, in Cork, County Cork, the son of John Slevin, motor mechanic, of Wellington Road, Cork, and Bridget Slevin (née Kennelly). His father, who hails from County Laois tenant farmers, works with the Irish Omnibus Corporation. He is educated at North Monastery CBS and University College Cork (UCC), taking an MA summa cum laude in philosophy and English in 1941.

After lecturing at St. Patrick’s College, Dublin, from 1941 to 1944, Slevin enters the civil service. Despite no prior interest in heraldry, he is selected via competition to assist the newly installed Chief Herald, Dr. Edward MacLysaght, in the genealogical office, Bedford Tower, Dublin Castle. After serving as Deputy Chief Herald (1944–54), he succeeds MacLysaght as Chief Herald of Ireland, becoming the longest-serving occupant of the office (1954–81).

One of three national heralds named to a vexillogical committee to devise a common emblem for the Council of Europe, Slevin persuades his colleagues to eschew religious iconography, such as the Christian cross, as inappropriate. His own design of a circle of twelve golden stars on an azure field is selected by the committee in 1954, and formally accepted by the council in December 1955. With blue chosen as a colour common to the flags of many European countries, the twelve stars represent not individual states but such associations as the zodiac and a clock face, suggesting ideals of universality, harmony, and evolution through time. Adopted in 1985 for the flag of the European Community (latterly the European Union), his design attracts wide acclaim in heraldic circles, leading to his being awarded membership of the Académie Internationale d’Héraldique.

During Slevin’s tenure as Chief Herald, several hundred patents of arms are issued to Irish public bodies, including civic and municipal authorities, and to individuals of Irish descent worldwide. On behalf of the Irish government, he confirms the Irish connections of such notables as United States presidents Kennedy, Nixon, and Reagan, French president Charles de Gaulle, and Princess Grace of Monaco. His coat of arms for President Kennedy, combining the ancient arms of the Kennedy and Fitzgerald families, wins renown as a masterpiece of heraldic design. While possessing a keen sense of graphic impact, he is not a great draughtsman, and he employs the noted heraldic painter Myra Maguire to execute the designs that he creates. He oversees expansion of genealogical office services, instituting an advisory service and team of research assistants for the growing numbers – especially within emigrant communities abroad – seeking to trace Irish ancestry. He establishes a committee to catalogue churchyard memorial inscriptions as an archival resource, meant to redress the loss of state records in the 1922 Four Courts fire.

Slevin wins first prize in successive years in the 1950s for entries in the Oireachteas drama competition, both plays being subsequently produced at the Abbey Theatre. He writes a detective novel in Irish, and contributes numerous articles to learned journals, chiefly on medieval heraldry and Anglo-Irish families. Erudite and possessed of great presence, courtesy, and wit, he is an engaging speaker.

Resident in south County Dublin, Slevin is active in amateur dramatics, local history societies, and the ecumenical movement. His recreation is long country walks. He marries Millicent Nolan in 1950 and they have three sons. He dies on January 18, 1997.

(From: “Slevin, (John) Gerard” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009 (last revised February 2025))


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Birth of P. S. O’Hegarty, Writer, Editor & Historian

Patrick Sarsfield O’Hegarty (Irish: Pádraig Sáirséal Ó hÉigeartaigh), Irish writer, editor and historian and a member of the Supreme Council of the Irish Republican Brotherhood, is born on December 29, 1879, at Carrignavar, County Cork.

O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).

O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.

O’Hegarty joins the postal service in Cork in 1897. Along with J. J. Walsh, he plays on the Head Post Office hurling team. He joins the IRB and represents Munster on the IRB Supreme Council. He starts writing for Arthur Griffith‘s United Irishman and The Shan Van Vocht, a periodical established by Alice Milligan and Ethna Carbery.

O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.

O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.

In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.

O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.

O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.

O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.

O’Hegarty dies on December 17, 1955.

O’Hegarty’s papers are acquired by the Kenneth Spencer Research Library at the University of Kansas. This includes an outstanding collection of books, pamphlets and periodicals of W. B. Yeats.

(Pictured: “P. S. O’Hegarty, 1929,” pastel on paper by Harry Kernoff, RHA, property from the Yeats family)


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Birth of Jeremy Henderson, Anglo-Irish Artist & Painter

Jeremy Henderson, an Anglo-Irish artist and painter, is born at Lisbellaw, County Fermanagh, Northern Ireland, on December 25, 1952. He was Artist-in-Residence at Kingston University, with art exhibited at the Royal Academy of Arts and National Art Collections.

Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.

From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Arts first class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.

In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.

During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.

In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.

Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.

Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. President Bill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.

Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.

John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.

Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”

Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.

Henderson’s work is held in the private collection of the entrepreneur Vincent Ferguson, owner of Fitzwilton and Independent News & Media PLC. His work is also held in the Smurfit Art Collection of Smurfit Kappa Group.


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Birth of Charles Agar, 1st Earl of Normanton

Charles Agar, 1st Earl of Normanton, an Anglo-Irish clergyman of the Church of Ireland, is born in Gowran Castle in Gowran, County Kilkenny, on December 22, 1736. He serves as Dean of Kilmore, as Bishop of Cloyne, as Archbishop of Cashel, and finally as Archbishop of Dublin from 1801 until his death.

Agar is the third son of Henry Agar of Gowran and his wife Anne Ellis, daughter of the Most Reverend Welbore Ellis, Bishop of Meath. His brothers include James Agar, 1st Viscount Clifden, and Welbore Ellis Agar, a notable art collector. Welbore Ellis, 1st Baron Mendip, is his maternal uncle.

Agar is educated at Westminster School in Westminster, London, and Christ Church, Oxford, where he matriculates on May 31, 1755, aged 18. He graduates BA in 1759, promoted by seniority to MA in 1762. On December 31, 1765, he is created a Doctor of Civil Law.

Agar is known to have held particularly marked Calvinistic positions. He serves as Dean of Kilmore from 1765 to 1768, and then as Bishop of Cloyne until 1779.

In 1776, Agar marries Jane Benson, a daughter of William Benson, of Downpatrick, County Down. In 1779 he is appointed as Archbishop of Cashel and also joins the Privy Council of Ireland. In 1784, while he is in office, the new St. John’s Cathedral, Cashel, is completed, and two years later its important Samuel Green organ is built.

In 1794, Agar is raised to the Peerage of Ireland as Baron Somerton. In 1801, he is translated to become Archbishop of Dublin and is created Viscount Somerton. In 1806, he is further honoured when he is made Earl of Normanton. These titles are all in the Peerage of Ireland. He remains as Archbishop of Dublin until his death in 1809, and from the beginning of 1801 onward, sits in the House of Lords as one of the twenty-eight original Irish representative peer, following the Acts of Union 1800 which unites Ireland and Great Britain.

Agar dies on July 14, 1809, aged 72, and is succeeded in his secular titles by his son Welbore Ellis Agar. He is buried in the north transept of Westminster Abbey. His widow Jane, Countess of Normanton, is buried alongside him following her death in 1826. His tomb dates from 1815 and is created by John Bacon.


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Birth of Sir Anthony Babington, Barrister, Judge & Politician

Sir Anthony Brutus Babington PC (NI), Anglo-Irish barrister, judge and politician, is born on November 24, 1877, at Creevagh House, County Londonderry, to Hume Babington JP, son of Rev. Hume Babington and a landowner of 1,540 acres, and Hester (née Watt), sister of Andrew Alexander Watt.

Babington is born into the Anglo-Irish Babington family that arrives in Ireland in 1610 when Brutus Babington is appointed Bishop of Derry. Notable relations include Robert Babington, William Babington, Benjamin Guy Babington and James Melville Babington and author Anthony Babington.

Babington is educated at Glenalmond School, Perthshire, and Trinity College, Dublin, where he wins the Gold Medal for Oratory of the College Historical Society in 1899.

Babington is called to the Irish Bar in 1900. He briefly lectures in Equity at King’s Inns, and it is during this time, in 1910, that he re-arranges and re-writes R.E. Osborne’s Jurisdiction and Practice of County Courts in Ireland in Equity and Probate Matters. He takes silk in 1917.

Babington moves to the newly established Northern Ireland in 1921 and practises as a barrister until his election to the House of Commons of Northern Ireland as the Ulster Unionist Party member for Belfast South in the 1925 Northern Ireland general election and subsequent appointment as Attorney General for Northern Ireland the same year in the cabinet of James Craig, 1st Viscount Craigavon. His appointment to the Privy Council of Northern Ireland in 1926 entitles him to the style “The Right Honourable.” From 1929 he is the MP for Belfast Cromac, the Belfast South constituency having been abolished. He is made an honorary bencher of the Middle Temple in 1930.

Babington resigns from politics in 1937 upon his appointment as a Lord Justice of Appeal and is knighted in the 1937 Coronation Honours.

In 1947, Babington chairs the Babington Agricultural Enquiry Committee, named in his honour, which is established in 1943 to examine agriculture in Northern Ireland. The committee’s first recommendation under Babington’s leadership is that Northern Ireland should direct all its energies to the production of livestock and livestock products and to their efficient processing and marketing.

Babington retires from the judiciary in 1949, taking up the chairmanship of the Northern Ireland Transport Tribunal, which exists until 1967, established under the Ulster Transport Act – promoting a car-centred transport policy – and which is largely responsible for the closure of the Belfast and County Down Railway. He endorses the closure on financial grounds and is at cross purposes with his co-chair, Dr. James Beddy, who advises against the closure, citing the disruption of life in the border region between the north and the south as his primary reason in addition to financial grounds.

Babington also chairs a government inquiry into the licensing of clubs, the proceeds of which results in new regulatory legislation at Stormont. While Attorney General, he is a proponent of renaming Northern Ireland as “Ulster.”

Babington is critical of the newly proposed Irish constitution, in which the name of the Irish state is changed to “Ireland,” laying claim to jurisdiction over Northern Ireland.

Michael McDunphy, Secretary to the President of Ireland, then Douglas Hyde, recalls Ernest Alton‘s correspondence with Babington on the question of Irish unity, in which Alton and Babington are revealed to be at cross purposes. The discussion is used as an example by Brian Murphy, in Forgotten Patriot: Douglas Hyde and the Foundation of the Irish Presidency, as an example of the office of the Irish President becoming embroiled in an initiative involving Trinity College Dublin and a senior Northern Ireland legal figure, namely Babington. 

Babington writes to Alton, then Provost of Trinity College, Dublin, expressing his view that, as Murphy summarises, “… Severance between the two parts of Ireland could not continue, that it was the duty of all Irishmen to work for early unification and that in his opinion Trinity College was a very appropriate place in which the first move should be made.” When Alton arrives to meet with Hyde, it emerges, after conversing with Hyde’s secretary McDunphy, that he and Babington are at cross purposes. “It soon became clear that the united Ireland contemplated by Mr. [sic] Justice Babington of the Northern Ireland Judiciary was one within the framework of the British Commonwealth of Nations, involving recognition of the King of England as the Supreme Head, or as Dr. Alton put it, the symbol of unity of the whole system,” writes McDunphy.

On September 5, 1907, Babington marries Ethel Vaughan Hart, daughter of George Vaughan Hart of Howth, County Dublin (the son of Sir Andrew Searle Hart) and his wife Mary Elizabeth Hone, a scion of the Hone family. They have three children.

Babington is a member of the Apprentice Boys of Derry. From 1926 to 1952, he is a member of the board of governors of the Belfast Royal Academy. He serves as warden (chairman) of the board from 1941 to 1943. Through his efforts the school acquires the Castle Grounds from Anthony Ashley-Cooper, 9th Earl of Shaftesbury in 1934.

Babington is a keen golfer. He is an international golfer from 1903 to 1913, during which he is runner-up in the Irish Amateur Golf Championships in 1909 and one of the Irish representatives at an international match in 1913. The Babington Room in the Royal Portrush Golf Club is named after him, as is the 18th hole on the course as a result of the key role he plays in shaping its history.

Babington dies at the age of 94 on April 10, 1972 at his home, Creevagh, Portrush, County Antrim.


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Death of William Trevor, Writer & Playwright

William Trevor Cox KBE, Irish novelist, playwright, and short story writer, dies in Crediton, Devon, England, on November 20, 2016. One of the elder statesmen of the Irish literary world, he is widely regarded as one of the greatest contemporary writers of short stories in the English language. He wins the Whitbread Prize three times and is nominated five times for the Booker Prize, the last for his novel Love and Summer (2009), which is also shortlisted for the International Dublin Literary Award in 2011. His name is also mentioned in relation to the Nobel Prize in Literature.

Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.

Trevor is born as William Trevor Cox on May 24, 1928, in Mitchelstown, County Cork, to a middle class, Anglo-Irish Protestant (Church of Ireland) family. He moves several times to other provincial locations, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official.

Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching. 

Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960. 

Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.

In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.

In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.

Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.


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Birth of Jasmine Guinness, Designer & Fashion Model

Jasmine Leonora Guinness, Irish designer and a fashion model active since 1994, is born on September 28, 1976. She is a member of Anglo-Irish brewing Guinness family.

Guinness is the daughter of Patrick Guinness and Liz Casey. She is educated at St. Columba’s College, Rathfarnham, in Dublin. She also spends a year at Winchester School of Art, the art school of the University of Southampton, situated 10 miles (14 km) north of Southampton in the city of Winchester near the south coast of England.

Guinness and Gawain O’Dare Rainey are engaged on January 31, 2005, and married on July 1, 2006, in Leixlip, County Kildare. The wedding is extensively covered in the July 18, 2006 issue of Hello! magazine and is attended by 500 guests, including the designer of her draped silk dress, Jasper Conran, Mario Testino, Paddy Moloney, Anjelica Huston, Jacquetta Wheeler, Jade Parfitt, Erin O’Connor, Garech Browne and Philip Treacy.

Her husband is the son of Michael Rainey and the Hon. Jane Ormsby-Gore, a daughter of David Ormsby-Gore, 5th Baron Harlech. They have two sons and a daughter together.

Guinness opens the toy shop Honeyjam on London‘s Portobello Road in 2006.

A portrait of Guinness is held at the National Portrait Gallery in London. She has modeled for various perfume and make-up campaigns, including Armani and Shu Uemura. She is the face of the Goffs Million horse races at the Curragh Racecourse in September 2007, an event that pays the highest winnings of any race meeting in Europe.

In 2009, Guinness is the face of the Arthur’s Day event celebrating her ancestor Arthur Guinness. In March and December 2011 she is again the subject of articles in Hello! magazine.

The year 2014 marks a revival of Guinness’s modeling career as she leads Jaeger‘s AW14 campaign alongside her mother Liz and fellow models Kirsty Hume and Jodie Kidd. Her range largely includes knitwear, including cardigans, skirts and sweater dresses.

Guinness is the great-granddaughter of Diana Mitford (later Lady Mosley), who is one of the Mitford sisters, and her first husband Bryan Guinness, later the 2nd Lord Moyne. Her paternal grandfather, Desmond Guinness, is a conservationist specialising in Georgian and classical architecture, while her paternal grandmother, Mariga Guinness, is born Marie-Gabrielle, Princess of Urach. Desmond and Mariga Guinness are co-founders of the Irish Georgian Society. Guinness’s maternal family is researched in the RTÉ programme Where Was Your Family During the Famine?


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Death of Arthur Hill, 3rd Marquess of Downshire

Arthur Blundell Sandys Trumbull Hill, 3rd Marquess of Downshire KP, an Anglo-Irish peer, styled Viscount Fairford from 1789 until 1793 and Earl of Hillsborough from 1793 to 1801, dies on September 12, 1845, in Blessington, County Wicklow.

Hill is born in Hanover Square, on October 8, 1788, the eldest son of Arthur Hill, 2nd Marquess of Downshire, and his wife, Mary Sandys. He becomes Marquess of Downshire on the early death of his father in 1801. He is educated at Eton College and Christ Church, Oxford, gaining his MA in 1809 and a DCL in 1810.

During his early political career, Hill is identified with the Whigs and supports the reform of Parliament. After the Grey Ministry comes to power, he receives a succession of appointments, becoming Colonel of the South Down Militia on March 25, 1831, and carrying the second sword at the coronation of William IV on September 8. He is appointed a deputy lieutenant of Berkshire on September 20, Lord Lieutenant of Down on October 17 (a new office replacing the Governor of Down), and finally a Knight of the Order of St Patrick on November 24, 1831. He receives an honorary LL.D. from the University of Cambridge on July 6, 1835.

Hill is a very strong supporter of the Irish language, and is president of the Ulster Gaelic Society (est. 1830). In this capacity he plays an important role in helping preserve records of the language, poetry, folk and song collections and much else.

Hill is disliked by Elizabeth Smith, diarist at Baltyboys House, County Wicklow, who feels snubbed by him when she and her husband first move into the area. Writing of him after his death she recalls “The late Lord never called upon me when I first came here although the Colonel waited upon him. The Colonel never went near him again.”

High-minded, if also at times high-handed in manner and self-important, Hill works hard himself and expects all his employees and tenants to be equally conscientious. Naturally, he is often disappointed. He is particularly concerned about his failure, despite all efforts and exhortations, to make his southern estates as efficient and well behaved as those in the north. Though an absentee owner in the south, he visits both Blessington and Edenderry regularly. It is during one of these periodic tours of inspection that he drops dead at Blessington on September 12, 1845. He is buried in St. Malachy Parish Churchyard at Royal Hillsborough, County Down. The funeral attracts an enormous crowd of mourners and is reported at some length in The Illustrated London News. His memory is perpetuated in an impressive pillar monument, with his statue on top, erected at Hillsborough in 1848.


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The Royal Irish Constabulary is Disbanded

The Royal Irish Constabulary (RIC), the police force in Ireland from 1822 until 1922, when all of the island was part of the United Kingdom, is disbanded on August 17, 1922, and replaced by the Garda Síochána.

A separate civic police force, the unarmed Dublin Metropolitan Police (DMP), patrols the capital and parts of County Wicklow, while the cities of Derry and Belfast, originally with their own police forces, later have special divisions within the RIC. For most of its history, the ethnic and religious makeup of the RIC broadly matches that of the Irish population, although Anglo-Irish Protestants are overrepresented among its senior officers.

The first organised police forces in Ireland come about through Dublin Police Act 1786, which is a slightly modified version of the failed London and Westminster Police Bill 1785 drafted by John Reeves at the request of Home Secretary Thomas Townshend, 1st Viscount Sydney, following the Gordon Riots of 1780. The force is viewed as oppressive by local elites and becomes a strain on the city budget. The arguably excessive budget is used as a pretext by Irish nationalist MP Henry Grattan and short-lived Lord Lieutenant of Ireland William Fitzwilliam, 4th Earl Fitzwilliam, to essentially abolish the Dublin Police in 1795 and even temporarily move it under Dublin Corporation.

The Peace Preservation Act 1814, for which Sir Robert Peel is largely responsible, and the Irish Constabulary Act 1822 forms the provincial constabularies. The 1822 act establishes a force in each province with chief constables and inspectors general under the United Kingdom civil administration for Ireland controlled by the Dublin Castle administration.

The RIC’s existence is increasingly troubled by the rise of the Home Rule campaign in the early twentieth century period prior to World War I.

In January 1922, the British and Irish delegations agree to disband the RIC. Phased disbandments begin within a few weeks with RIC personnel both regular and auxiliary being withdrawn to six centres in southern Ireland. On April 2, 1922, the force formally ceases to exist, although the actual process is not completed until August 17. The RIC is replaced by the Civic Guard (renamed as the Garda Síochána the following year) in the Irish Free State and by the Royal Ulster Constabulary (RUC) in Northern Ireland.

According to a parliamentary answer in October 1922, 1,330 ex-RIC men join the new RUC in Northern Ireland. This results in an RUC force that is 21% Roman Catholic at its inception in 1922. As the former RIC members retire over the subsequent years, this proportion steadily falls.

Just thirteen men transfer to the Garda Síochána. These include men who had earlier assisted Irish Republican Army (IRA) operations in various ways. Some retire, and the Irish Free State pays their pensions as provided for in the terms of the Anglo-Irish Treaty agreement. Others, still faced with threats of violent reprisals, emigrate with their families to Great Britain or other parts of the British Empire, most often to join police forces in Canada, Australia, New Zealand, South Africa and Southern Rhodesia. A number of these men join the Palestine Police Force, which is recruiting in the UK at the time.