Edgeworth is the son of Richard Edgeworth senior, and great-grandson of Sir Salathiel Lovell through his mother, Jane Lovell, granddaughter of Sir Salathiel. The Edgeworth family comes to Ireland in the 1580s. He is descended from Francis Edgeworth, appointed joint Clerk of the Crown and Hanaper in 1606, who inherits a fortune from his brother Edward Edgeworth, Bishop of Down and Connor.
A Trinity College, Dublin and Corpus Christi College, Oxford alumnus, Edgeworth is credited for creating, among other inventions, a machine to measure the size of a plot of land. He also makes strides in developing educational methods. He anticipates the caterpillar track with an invention that he plays around with for forty years but never successfully develops. He describes it as a “cart that carries its own road.”
Edgeworth is married four times, including both Honora Sneyd and Frances Beaufort, older sister of Francis Beaufort of the Royal Navy. He is the father of 22 children by his four wives. Beaufort and he install a semaphore line for Ireland. He is a member of the Lunar Society of Birmingham. The Lunar Society evolves through various degrees of organization over a period of years but is only ever an informal group. No constitution, minutes, publications or membership lists survive from any period, and evidence of its existence and activities is found only in the correspondence and notes of those associated with it. Dates given for the society range from sometime before 1760 to it still operating as late as 1813. Fourteen individuals have been identified as having verifiably attended Lunar Society meetings regularly over a long period during its most productive time: these are Matthew Boulton, Erasmus Darwin, Thomas Day, Richard Lovell Edgeworth, Samuel Galton, Jr., James Keir, Joseph Priestley, William Small, Jonathan Stokes, James Watt, Josiah Wedgwood, John Whitehurst and William Withering.
Trevor is born to a middle-class, Anglo-IrishProtestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”
Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.
Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.
King is the eldest surviving son of Edward King, 1st Earl of Kingston, and Jane Caulfeild. From 1767 to 1768 he is educated at Eton College. He is styled Viscount Kingsborough between 1768 and 1797. He marries Caroline FitzGerald, daughter of Richard FitzGerald and Margaret King, on December 5, 1769, from whom he later separates. Together they have nine children.
On May 18, 1798, King is tried by his peers in the Irish House of Lords after allegedly murdering Colonel Henry FitzGerald. FitzGerald is a married man who elopes with King’s daughter. With public sympathy on King’s side and with considerable publicity he is tried by his peers. An executioner stands beside King with an immense axe, painted black except for two inches of polished steel, and holds at the level of the defendant’s neck. King is acquitted as after three summonses no witnesses come forward. After a short conferee the Lords Temporal returns to the House of Commons and delivers the verdict ‘not guilty.’ The Lord Chancellor of Ireland, John FitzGibbon, 1st Earl of Clare, pronounces the verdict, breaks his wand and dismisses the assembly.
The Directory of the United Irishmen had planned to use the occasion to kill the entire government and all the lords, but one vote cast against this scheme by the informer Francis Magan causes it to be abandoned.
Wellesley is born to Garret Wesley, 1st Earl of Mornington and Anne Wellesley, Countess of Mornington. Fatherless at an early age and neglected by his mother, he is a reserved, withdrawn child. He fails to shine at Eton College and instead attends private classes in Brussels, followed by a military school in Angers, France. Ironically, he has no desire for a military career. Instead, he wishes to pursue his love of music. Following his mother’s wishes, however, he joins a Highland regiment.
Wellesley fights at Flanders in Belgium in 1794, and directs the campaign in India in 1796, where his elder brother Richard is Governor-General. Knighted for his efforts, he returns to England in 1805.
After the Battle of Waterloo, Wellesley becomes Commander in Chief of the army in occupied France until November 1818. He then returns to England and Parliament, and joins Robert Jenkinson, 2nd Earl of Liverpool’s government in 1819 as Master-General of the Ordnance. He undertakes a number of diplomatic visits overseas, including a trip to Russia.
In 1828, after twice being overlooked in favour of George Canning and F. J. Robinson, 1st Viscount Goderich, Wellesley is finally invited by King George IV to form his own government and set about forming his Cabinet. As Prime Minister, he is very conservative; known for his measures to repress reform, his popularity sinks a little during his time in office. Yet one of his first achievements is overseeing Catholic emancipation in 1829, the granting of almost full civil rights to Catholics in the United Kingdom. Feelings run very high on the issue. George Finch-Hatton, 10th Earl of Winchilsea, an opponent of the bill, claims that by granting freedoms to Catholics Wellesley “treacherously plotted the destruction of the Protestant constitution.”
Wellesley has a much less enlightened position on parliamentary reform. He defends rule by the elite and refuses to expand the political franchise. His fear of mob rule is enhanced by the riots and sabotage that follow rising rural unemployment. His opposition to reform causes his popularity to plummet to such an extent that crowds gathered to throw missiles at his London home.
The government is defeated in the House of Commons and Wellesley resigns on November 16, 1830, to be replaced by Charles Grey, 2nd Earl Grey. Wellesley, however, continues to fight reform in opposition, though he finally consents to the Great Reform Act in 1832.
Two years later Wellesley refuses a second invitation to form a government because he believes membership in the House of Commons has become essential. The king reluctantly approves Robert Peel, who is in Italy at the time. Hence, Wellesley acts as interim leader for three weeks in November and December 1834, taking the responsibilities of Prime Minister and most of the other ministries. In Peel’s first cabinet (1834–1835), he becomes Foreign Secretary, while in the second (1841–1846) he is a Minister without portfolio and Leader of the House of Lords. Upon Peel’s resignation in 1846, he retires from politics.
In 1848 Wellesley organises a military force to protect London against possible Chartist violence at the large meeting at Kennington Common.
(From: “Arthur Wellesley, 1st Duke of Wellington,” GOV.UK (wwww.gov.uk) | Pictured: “Arthur Wellesley, 1st Duke of Wellington (1769-1852)” by Thomas Lawrence, oil on canvas)
Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of ArchbishopRichard Chenevix Trench. The marriage produces no children.
Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.
Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).
Her father, William Joseph Smithson, is an actor and theatrical manager from Gloucestershire, England, and her mother is an actress whose full name is unknown. She also has a brother, Joseph Smithson, and a sister, name also unknown. In October 1801, she is left in the care of Reverend James Barrett, a priest of the Church of Ireland, parish of Drumcliffe. Barrett becomes her guardian and raises her as though she were his own daughter. He instructs her “in the precepts of religion,” and keeps everything connected with the stage from her view. After his death on February 16, 1808, the Smithsons send Harriet to a boarding school in Waterford.
On May 27, 1814, Smithson makes her first stage appearance at the Theatre Royal, Dublin, as Albina Mandevill in Frederick Reynolds‘s The Will. Her performance is well received. In 1815, she takes her parents’ place in Montague Talbot’s company in Belfast after they return to Dublin. The season opens on January 1, 1816, where she extends her range in roles, performing in multiple comedies. She then travels to Newry, Limerick, Dublin, and Birmingham, where she joins Robert Elliston‘s company. She spends the next two months playing over forty roles in various genres.
Four years later, January 20, 1818, Smithson makes her first London appearance at Drury Lane as Letitia Hardy in The Belle’s Stratagem. Her first performance receives mixed reviews from critics, but she quickly gains some favour of critics and performers as she obtains more experience. She joins the permanent company at the Royal Coburg Theatre later that year. However, she rejoins Drury Lane Company in the autumn of 1820. On February 20, 1821, she takes the lead female role in Thérèse by John Howard Payne, when the cast actress falls ill. Overall, the London public remembers her as The Times put it, “a face and features well adapted to her profession; but [an actress] not likely to make a great impression on a London audience, or to figure among stars of the first magnitude.”
In 1827, Smithson makes her Paris début as Lydia Languish in The Rivals at the Théâtre de l’Impératrice. Though she receives negative reviews for this role, she is highly praised for her beauty and ability in the subsequent performance of She Stoops to Conquer. On September 11, 1827, she is given the small part of Ophelia next to Charles Kemble in Shakespeare’s Hamlet. She leaves a long-lasting impression on the French through her interpretation of Ophelia’s madness, utilizing pantomime and natural presentation.
The tremendous success of Hamlet leads to the announcement of Romeo and Juliet, for September 15. Smithson is cast as Juliet, where she revolutionizes the women’s role in theatre by becoming as important as her male counterpart. Until this point, women’s lines in theatre are heavily cut and censored to reduce the role for the company’s “restricted talent.” Again, the production is widely well received. On September 18, Shakespeare’s Othello becomes the third Shakespeare tragedy to be performed by The English theatre. Her performance as Desdemona is less effective, but the production is popular enough to be repeated the following week. She is cast as Jane Shore in the renowned tragedyThe Tragedy of Jane Shore, a role in which she moves her audience to tears. The production soon becomes the most performed play in the English season. At the end of her time in France, she had acted in several productions with famous actors such as William Charles Macready, Edmund Kean, and Charles Kemble.
As opportunities to continue her work in Paris dwindle, Smithson returns to London to perform Jane Shore again. The production opens at Covent Garden on May 11, 1829, under unfavorable circumstances. Some audience members, who had read her reviews before she went to Paris, feel reluctant to attend the show. However, just seven days after her next performance as Juliet, in Shakespeare’s Romeo and Juliet, the press gives her glowing reviews.
After Covent Garden closes for the summer in 1832, Smithson tours England to minor theatres performing almost exclusively in tragedies. In June 1832, she joins the Theatre Royal Haymarket, where she has limited success and receives criticism about her weight.
In 1830, Smithson goes back to Paris to set up an English theatre under her own management. She obtains permission to perform at the Theatre-Italien where she performs several unsuccessful plays. A year later, she breaks her leg and is forced to put her career on hold until her leg heals, leaving her in great debt. She gives her last performance, as Ophelia, on December 15, 1836, before her health deteriorates.
Toward the end of her life, Smithson suffers from paralysis, which leaves her barely able to move or speak. She dies on March 3, 1854, at her home on the rue Saint-Vincent, and is buried at the Cimetière Saint-Vincent. Berlioz has her body is later reinterred at the Montmartre Cemetery when Cimetière Saint-Vincent undergoes redevelopment.
(Pictured: Oil on canvas portrait of Harriet Smithson by Claude-Marie-Paul Dubufe, located at the Musee Magnin, Dijon, France)
By this time access to institutional power in Ireland was restricted to a small minority, the Anglo-Irish of the Protestant Ascendancy, and frustration at the lack of reform among the Catholic majority eventually led, along with other reasons, to the Irish Rebellion in 1798, involving a French invasion of Ireland and the seeking of complete independence from Great Britain. This rebellion was crushed with much bloodshed, and the subsequent drive for union between Great Britain and Ireland that passes in 1800 is motivated at least in part by the belief that the rebellion was caused as much by reactionary loyalist brutality as by the Society of United Irishmen.
Furthermore, Catholic emancipation is being discussed in Great Britain, and fears that a newly enfranchised Catholic majority will drastically change the character of the Irish government and parliament also contributes to a desire from London to merge the Parliaments.
Complementary acts have to be passed in the Parliament of Great Britain and in the Parliament of Ireland. The Parliament of Ireland had recently gained a large measure of legislative independence under the Constitution of 1782. Many members of the Irish Parliament jealously guard this autonomy and a motion for union is legally rejected in 1799.
Only Anglicans are permitted to become members of the Parliament of Ireland, though the great majority of the Irish population are Roman Catholic, with many Presbyterians in Ulster. In 1793 Roman Catholics regain the right to vote if they own or rent property worth £2 per acre. The Catholic hierarchy is strongly in favour of union, hoping for rapid emancipation and the right to sit as MPs, which is delayed after the passage of the acts until the passage of the Roman Catholic Relief Act 1829.
From the perspective of Great Britain, the union is desirable because of the uncertainty that followed the Irish Rebellion of 1798 and the French Revolution of 1789. If Ireland adopted Catholic Emancipation, willingly or not, a Roman Catholic Parliament could break away from Britain and ally with the French. Also the Irish and British Parliaments, when creating a regency during King George III‘s “madness”, gave the Prince Regent different powers. These considerations lead Great Britain to decide to attempt merger of the two kingdoms and their Parliaments.
The final passage of the Act in the Irish Parliament is achieved with substantial majorities, in part according to contemporary documents through bribery, namely the awarding of peerages and honours to critics to get their votes. Whereas the first attempt had been defeated in the Irish House of Commons by 109 votes against to 104 for, the second vote in 1800 produces a result of 158 to 115.
In the first Parliament of the United Kingdom of Great Britain and Ireland, the members of the House of Commons are not elected afresh. By royal proclamation authorised by the Act, all the members of the last House of Commons from Great Britain take seats in the new House, and from Ireland 100 members are chosen from the last Irish House of Commons: two members from each of the 32 counties and from the two largest boroughs, and one from each of the next 31 boroughs (chosen by lot) and from the University of Dublin. The other 84 Irish parliamentary boroughs are disfranchised, all being pocket boroughs, whose patrons receive £15,000 compensation for the loss of what is considered their property.
(Pictured: Coat of Arms of the United Kingdom from 1837 to 1952 used by Queen Victoria, King Edward VII, George V, Edward VIII and George VI)
At age eight, Boyle begins his formal education at Eton College, where his studious nature quickly becomes apparent. In 1639 he and his brother Francis embark on a grand tour of the continent together with their tutor Isaac Marcombes. In 1642, owing to the Irish rebellion, Francis returns home while Robert remains with his tutor in Geneva and pursues further studies.
Boyle returns to England in 1644, where he takes up residence at his hereditary estate of Stalbridge in Dorset. There he begins a literary career writing ethical and devotional tracts, some of which employ stylistic and rhetorical models drawn from French popular literature, especially romance writings. In 1649 he begins investigating nature via scientific experimentation. From 1647 until the mid-1650s, he remains in close contact with a group of natural philosophers and social reformers gathered around the intelligencer Samuel Hartlib. This group, the Hartlib Circle, includes several chemists who heighten his interest in experimental chemistry.
Boyle spends much of 1652–1654 in Ireland overseeing his hereditary lands and performing some anatomic dissections. In 1654 he is invited to Oxford, and he takes up residence at the university until 1668. In Oxford he is exposed to the latest developments in natural philosophy and becomes associated with a group of notable natural philosophers and physicians, including John Wilkins, Christopher Wren, and John Locke. These individuals, together with a few others, form the “Experimental Philosophy Club.” Much of Boyle’s best known work dates from this period.
In 1659 Boyle and Robert Hooke, the clever inventor and subsequent curator of experiments for the Royal Society, complete the construction of their famous air pump and use it to study pneumatics. Their resultant discoveries regarding air pressure and the vacuum appear in Boyle’s first scientific publication, New Experiments Physico-Mechanicall, Touching the Spring of the Air and Its Effects (1660). Boyle and Hooke discover several physical characteristics of air, including its role in combustion, respiration, and the transmission of sound. One of their findings, published in 1662, later becomes known as “Boyle’s law.” This law expresses the inverse relationship that exists between the pressure and volume of a gas, and it is determined by measuring the volume occupied by a constant quantity of air when compressed by differing weights of mercury.
Among Boyle’s most influential writings are The Sceptical Chymist (1661), which assails the then-current Aristotelian and especially Paracelsian notions about the composition of matter and methods of chemical analysis, and the Origine of Formes and Qualities (1666), which uses chemical phenomena to support the corpuscularian hypothesis. He argues so strongly for the need of applying the principles and methods of chemistry to the study of the natural world and to medicine that he later gains the appellation of the “father of chemistry.”
Boyle is a devout and pious Anglican who keenly champions his faith. He sponsors educational and missionary activities and writes a number of theological treatises. He is deeply concerned about the widespread perception that irreligion and atheism are on the rise, and he strives to demonstrate ways in which science and religion are mutually supportive. For Boyle, studying nature as a product of God’s handiwork is an inherently religious duty. He argues that this method of study would, in return, illuminate God’s omnipresence and goodness, thereby enhancing a scientist’s understanding of the divine. The Christian Virtuoso (1690) summarizes these views and may be seen as a manifesto of his own life as the model of a Christian scientist.
In 1668 Boyle leaves Oxford and takes up residence with his sister Katherine Jones, Vicountess Ranelagh, in her house on Pall Mall in London. There he sets up an active laboratory, employs assistants, receives visitors, and publishes at least one book nearly every year. Living in London also provides him the opportunity to participate actively in the Royal Society.
Boyle is a genial man who achieves both national and international renown during his lifetime. He is offered the presidency of the Royal Society and the episcopacy but declines both. Throughout his adult life, he is sickly, suffering from weak eyes and hands, recurring illnesses, and one or more strokes. He dies in London at age 64 on December 31, 1691, after a short illness exacerbated by his grief over Katherine’s death a week earlier. He leaves his papers to the Royal Society and a bequest for establishing a series of lectures in defense of Christianity. These lectures, now known as the Boyle Lectures, continue to this day.
Born in Kilkea, County Kildare, Shackleton and his Anglo-Irish family move to Sydenham, London when he is ten. His first experience of the polar regions is as third officer on Captain Robert Falcon Scott‘s Discovery Expedition of 1901–04, from which he is sent home early on health grounds, after he and his companions Scott and Edward Adrian Wilson set a new southern record by marching to latitude 82°S. During the Nimrod Expedition of 1907–09, he and three companions establish a new record Farthest South latitude at 88°S, only 97 geographical miles from the South Pole, the largest advance to the pole in exploration history. Also, members of his team climb Mount Erebus, the most active Antarctic volcano. For these achievements, he is knighted by King Edward VII on his return home.
After the race to the South Pole ends in December 1911, with Roald Amundsen‘s conquest, Shackleton turns his attention to the crossing of Antarctica from sea to sea, via the pole. To this end, he makes preparations for what becomes the Imperial Trans-Antarctic Expedition, 1914–17. Disaster strikes this expedition when its ship, Endurance, becomes trapped in pack ice and is slowly crushed before the shore parties can be landed. The crew escapes by camping on the sea ice until it disintegrates, then by launching the lifeboats to reach Elephant Island and ultimately South Georgia Island, a stormy ocean voyage of 720 nautical miles and Shackleton’s most famous exploit.
In 1921, Shackleton returns to the Antarctic with the Shackleton–Rowett Expedition on a 125-ton Norwegian sealer, named Foca I, which he renames Quest. When the party arrives in Rio de Janeiro, he suffers a suspected heart attack. He refuses a proper medical examination, so Quest continues south, and on January 4, 1922, arrives at South Georgia. In the early hours of the next morning, Shackleton summons the expedition’s physician, Alexander Macklin, to his cabin, complaining of back pains and other discomfort. According to Macklin’s own account, he tells Shackleton he has been overdoing things and should try to “lead a more regular life,” to which Shackleton answers, “You are always wanting me to give up things, what is it I ought to give up?” “Chiefly alcohol, Boss,” replies Macklin. A few moments later, at 2:50 AM on January 5, 1922, he suffers a fatal heart attack. At his wife’s request, he is buried there.
Away from his expeditions, Shackleton’s life is generally restless and unfulfilled. In his search for rapid pathways to wealth and security, he launches business ventures which fail to prosper, and he dies heavily in debt. Upon his death, he is lauded in the press but is thereafter largely forgotten, while the heroic reputation of his rival Scott is sustained for many decades. Later in the 20th century, Shackleton is “rediscovered”. He rapidly becomes a role model for leadership as one who, in extreme circumstances, kept his team together in a survival story described by cultural historian Stephanie Barczewski as “incredible.”
In 1745 Loftus marries Frances Monroe, daughter of Henry Monroe of Roe’s Hall, County Down. Frances is a leading figure in Dublin society who wields some political influence and is a much stronger character than her rather ineffectual husband, whom she seems to dominate completely. She dies in 1774.
There is a portrait of the couple, with Lady Ely’s nieces, Dorothea (Dolly) and Frances Monroe, the daughters of her brother Henry Monroe of Roe’s Hall, by the celebrated Swiss painter Angelica Kauffman, who visits Ireland in 1771. Dolly Monroe is one of the greatest beauties of the age, whose admirers include Henry Grattan and Oliver Goldsmith. She marries the politician William Richardson and dies without issue in 1793. Her sister Frances marries Henry Read.
Loftus marries secondly Anne Bonfoy, daughter of Captain Henry Bonfoy and Anne Eliot, and sister of Edward Craggs-Eliot, 1st Baron Eliot. He has no issue by either marriage and at his death on May 8, 1783, his estates pass to his nephew Charles Loftus, 1st Marquess of Ely, the son of his sister Elizabeth and Sir John Tottenham, 1st Baronet. His widow dies in 1821, having outlived her mother, who lives to be 97, by only five years.
(Pictured: Henry Loftus (1709-1783), 1st Earl of Ely, and his wife Frances Monroe (d.1821), Countess of Ely, circa 1775, source National Trust, Upton House)
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