James Plunkett Kelly, Irish writer who writes under the pseudonym of James Plunkett, is born in Dublin on May 21, 1920.
Plunkett is the son of a World War I veteran who was a member of James Larkin‘s Irish Transport and General Workers Union, which had a life-long impact on the young writer. He is educated at Synge Street CBS. He works as a clerk in the Dublin Gas Company and later joins the trade union movement, serving under Larkin between 1946 and 1947.
Plunkett grows up among the Dublin working class and they, along with the petite bourgeoisie and lower intelligentsia, make up the bulk of the dramatis personae of his oeuvre. His best-known works are the novel Strumpet City, set in Dublin in the years leading up to the lockout of 1913 and during the course of the strike, and the short stories in the collection The Trusting and the Maimed. His other works include a radio play on Larkin, who figures prominently in his work.
During the 1960s, Plunkett works as a producer at Telefís Éireann. He wins two Jacob’s Awards, in 1965 and 1969, for his TV productions. In 1971 he writes and presents “Inis Fail – Isle of Destiny,” his very personal appreciation of Ireland. It is the final episode of the BBC series Bird’s Eye View, shot entirely from a helicopter, and the first co-production between the BBC and RTÉ. He is a member of Aosdána.
Plunkett dies in a Dublin nursing home at the age of 83 on May 28, 2003. A second-year class, “2 Plunkett” at Synge Street CBS, is named in his honour.
Hunniford starts as a BBC production assistant in Belfast and a local radio broadcaster. In the 1970s and 1980s, she is the presenter of Good Evening Ulster and on the ITV Network Sunday Sunday and We Love TV. She also appears on Lily Savage’s Blankety Blank and on Call My Bluff. She is a regular reporter on This Morning and The One Show.
From 1998 to 2003, Hunniford presents Open House with Gloria Hunniford for Channel 5. In August 2010, she appears as a panellist/presenter on the ITV daytime programme 3@Three. Since 2009, she has co-presented Rip Off Britain, a consumer complaints programme on BBC One with Angela Rippon and, for the first two series, Jennie Bond, and then, for the third series, with Julia Somerville replacing Bond. Together, the trio of Hunniford, Rippon and Somerville also present Charlie’s Consumer Angels.
In 2012, Hunniford presents the BBC One documentary series Doorstep Crime 999. From September 8, 2014, she is a presenter on ITV chat show Loose Women. She is previously a guest panelist in 2003. From September 2014 to July 2015, she appears on the panel in 31 episodes of the programme, three of which she anchors. As of April 6, 2017, she has appeared 93 times, four of which she anchors and two where she is a guest panelist.
In 2014, Hunniford presents the first series of the BBC One programme Home Away from Home. Gyles Brandreth presents the second series. She also presents three series of Food: Truth or Scare with Chris Bavin from 2016.
Hunniford makes a health and exercise video called Fit for Life and also appears on the UK music video of the Muppets cover to “She Drives me Crazy.” She has written an Irish Cookery Book with her sister Lena entitled Gloria Hunniford’s Family Cookbook.
On The Alan Titchmarsh Show on May 6, 2011, Hunniford reveals her support for David Cameron‘s Conservative-led coalition government, describing herself as “a bit of a David Cameron fan,” although she criticises the government’s decision to continue giving aid to Pakistan when it is making cuts in the UK.
In August 2014, Hunniford is one of 200 public figures who are signatories to a letter to The Guardian opposing Scottish independence in the run-up to September’s referendum on that issue.
Robert John Gibbings, Irish artist and author most noted for his work as a wood engraver and sculptor, and for his books on travel and natural history, is born into a middle-class family in Cork, County Cork on March 23, 1889. Along with Noel Rooke he is one of the founder members of the Society of Wood Engravers in 1920 and is a major influence in the revival of wood engraving in the twentieth century.
Gibbings’ father, the Reverend Edward Gibbings, is a Church of Ireland minister. His mother, Caroline, is the daughter of Robert Day, Fellow of the Royal Society of Antiquaries of Ireland and president of The Cork Historical and Archaeological Society. He grows up in the town of Kinsale where his father is the rector of St. Multose Church.
Gibbings is very much at the centre of developments in wood engraving. He is a founder member and leading light of the Society of Wood Engravers, which he sets up with Noel Rooke in 1920. In 1922 he contributes two wood engravings, “Clear Waters” and “Hamrun,” to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth & Company and an enthusiast for the new style of wood engravings. In 1923 he receives a commission for a set of wood engravings for The Lives of Gallant Ladies for the Golden Cockerel Press, his most important commission to date at 100 guineas.
Gibbings is working on the wood engravings The Lives of Gallant Ladies when Hal Taylor, the owner of the press, becomes very ill with tuberculosis and has to put it up for sale. He seeks a loan from a friend, Hubert Pike, a director of Bentley Motors, to buy the press. He takes over in February 1924 and owns and runs the press until 1933.
Gibbings illustrates numerous books on travel and natural history, including Charles Darwin’s The Voyage of the Beagle, and writes a series of bestselling river books, notably Sweet Thames Run Softly. He does a huge amount to popularise the subject of natural history, travelling extensively through Polynesia, Bermuda and the Red Sea to gather inspiration for his work.
Gibbings is the first man to draw underwater, the illustrations filling his Penguin classic Blue Angels and Whales. He is one of the first natural history presenters on the BBC.
In September 1955 Gibbings and his wife, Patience, purchase Footbridge Cottage, a tiny beehive of a cottage in Gibbings’s words, in Long Wittenham on the banks of the River Thames. Life there suits him, and he has a period of tranquility that he had not known previously. They live there until he dies of cancer in an Oxford hospital on January 19, 1958. He is buried in the churchyard at Long Wittenham. The grave is marked by a simple headstone featuring his device of a crossed quill and graver, carved by Michael Black, a young sculptor who is a friend of Gibbings.
Beckett is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.
In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.
In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.
During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.
After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.
Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.
Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.
The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.
Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art of evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.
By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies on July 17, 1989. His life is confined to a small room where he receives visitors and writes. Suffering from emphysema and possibly Parkinson’s disease, he dies on December 22, 1989.
Alistair Cooke, British journalist, television personality, and broadcaster, who describes himself as a “Lancastrian Irishman,” is born in Salford, Lancashire, England on November 20, 1908. He is best known for his lively and insightful interpretations of American history and culture.
From the late 1930s, Cooke reports and comments on American affairs for BBC Radio and several major British newspapers. His weekly 15-minute program, Letter from America, broadcast from 1946 to 2004, is one of the longest-running series on radio. The texts of many broadcasts are collected in One Man’s America (1952) and Talk About America (1968). From 1956 to 1961 he hosts and narrates the weekly television “magazine” Omnibus, which wins numerous broadcasting awards.
Cooke’s interpretation of the American experience culminates in his BBC-produced television series America: A Personal History of the United States (1972–1973). In thirteen installments, filmed on location throughout the United States, he surveys some 500 years of American history in an eclectic and personal but highly coherent narrative. Alistair Cooke’s America (1973), the book based on the award-winning program, is a best-seller in the United States. From the 1970s to the early 1990s, as host of Masterpiece Theatre, he serves as an interpreter of British culture through the presentation of BBC dramatic television programming to American audiences.
Cooke’s other works include the critical biography Douglas Fairbanks: The Making of a Screen Actor (1940), Generation on Trial: The USA v. Alger Hiss (1950), based on his coverage of a celebrated Congressional investigation, The Vintage Mencken (1955), The Patient Has the Floor (1986), America Observed (1988), Memories of the Great and the Good (2000) and, with Robert Cameron, The Americans (1977).
On March 2, 2004, at the age of 95, following advice from his doctors, Cooke announces his retirement from Letter from America—after 58 years, the longest-running speech radio show in the world.
Alistair Cooke dies at midnight on March 30, 2004 at his home in New York City. He had been ill with heart disease, but dies of lung cancer, which had spread to his bones. He is cremated and his ashes are clandestinely scattered by his family in New York’s Central Park.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Hume, 61, the Catholic head of the Social Democratic and Labor Party, is cited by the Nobel Committee in Oslo for having been the “clearest and most consistent of Northern Ireland’s political leaders in his work for a peaceful solution.”
Trimble, 54, the Protestant leader of the Ulster Unionist Party, is honored for having demonstrated “great political courage when, at a critical stage in the process, he advocated solutions which led to the peace agreement.”
The accord, signed on April 10 and known as the Good Friday Agreement, gives the 1.7 million residents of Northern Ireland a respite from the sectarian violence that has claimed more than 3,200 lives in the previous 30 years. It also opens the possibility of lasting stability for the first time since the establishment of Northern Ireland with partition from Ireland in 1921.
Forging concessions from fiercely antagonistic populations, the accord seeks to balance the Protestant majority’s wish to remain part of Britain with Catholic desires to strengthen ties to the Republic of Ireland to the south. The committee, seeing in Northern Ireland’s two warring groups a dispute with notable similarities to violent tribal confrontations elsewhere, expresses the hope that the accord will serve “to inspire peaceful solutions to other religious, ethnic and national conflicts around the world.”
Adams, in New York on a fund-raising trip for Sinn Féin, welcomes the Oslo announcement and particularly praises Hume, who is widely seen as having helped persuade the IRA to adopt a cease-fire and having eased Sinn Féin’s entry into the talks. “Indeed, there would be no peace process but for his courage and vision,” Adams says, adding, “No one deserves this accolade more.” He also wishes Trimble well and says the prize imposes on everyone the responsibility to “push ahead through the speedy implementation of the agreement.”
In the unforgiving politics of Northern Ireland, the Unionist dissidents and members of other Protestant parties who do not join in the peace talks attack both Trimble and Hume. Ian Paisley Jr., son of the head of the Democratic Unionist Party, calls the Nobel Committee’s decision a “farce” and says of the winners, “These people have not delivered peace, and they are not peacemakers.”
Trimble says he is “slightly uncomfortable” with the award because so many other people have been involved beside him in reaching the settlement and much remains to be done to put it in place. “We know that while we have the makings of peace, it is not wholly secure yet,” he tells the BBC from Denver, where he is on an 11-city North American tour to spur foreign investment in Ulster. “I hope it does not turn out to be premature.”
Hume receives word of the prize at his home in Londonderry and terms it “an expression of the total endorsement of the work of very many people.” He adds, “This isn’t just an award to David Trimble and myself. It is an award to all the people in Northern Ireland.”
In Washington, D.C., President Clinton says “how very pleased” he is, “personally and as President, that the Nobel Prize Committee has rewarded the courage and the people of Northern Ireland by giving the Nobel Peace Prize to John Hume and to David Trimble.” He adds “a special word of thanks” to George Mitchell, who issues a statement praising Hume and Trimble as “fully deserving of this honor.”
The peace talks began in the summer of 1996. They eventually draw the participation of 8 of the 10 Northern Irish parties, with many of the men around the table convicted murderers and bombers who had emerged from prison with a commitment to peaceful resolution to what for nearly a century have been referred to wearily as “the Troubles.” The paramilitary groups had also made the tactical decision that violence would not secure their goals; a shared conviction that gives these talks a chance for success that past fitful attempts at settlement lacked.
The peace talks move in a desultory manner until Blair takes office in May 1997 and highlights the cause of peace in Northern Ireland as an early commitment. At his and Ahern’s urging, the IRA declares a cease-fire in July, and by September Sinn Féin is permitted to join the talks.
Blair also gives Trimble and Adams unprecedented access to 10 Downing Street, and the Ulster Protestants report that they obtained from Clinton the most sympathetic hearing they ever had from an American President, allaying their longtime suspicions of Washington’s bias in favor of the Catholic minority.
(From: “2 Ulster Peacemakers Win the Nobel Prize,” The New York Times, Warren Hoge, October 17, 1998)
The Magee Campus gains its name from Martha Magee, the widow of a Presbyterian minister, who, in 1845, bequeathed £20,000 to the Presbyterian Church in Ireland to found a college for theology and the arts. It opens in 1865 primarily as a theological college but accepts students from all denominations to study a variety of subjects. It is a college of the Royal University of Ireland from 1880 and later becomes associated with Trinity College, Dublin when the Royal University is dissolved in 1909 and replaced by the National University of Ireland.
During World War II, the college is taken over by the Admiralty for Royal NavyRoyal Navy operational use, becoming with Ebrington Barracks (HMS Ferret), a major facility in the Battle of the Atlantic. A 2013 BBC report describes a secret major control bunker, later buried beneath the lawns of the college. From 1941 this bunker, part of Base One Europe, together with similar bunkers in Derby House, Liverpool and Whitehall is used to control one million Allied personnel and fight the NaziU-boat threat.
In 1984, the New University merges with the Ulster Polytechnic, and Magee becomes the early focus of development of a new four-campus university, the University of Ulster. Student and faculty numbers recover and grow rapidly over the next ten to fifteen years, accompanied by numerous construction projects. Magee grows from just 273 students in 1984 to over 4,000 undergraduates in 2012. In 2012, the University continues to lobby the Northern Ireland Executive for an additional 1,000 full-time undergraduate places, leading to 6,000 students at Magee in 2017.
On September 14, 2013, Magee hosts, for the first time on the island of Ireland, the 23rd International Loebner Prize Contest in Artificial Intelligence based on the Turing test proposed by the renowned British computer scientist Alan Turing in 1950. Turing also works on cracking the Enigma machine code at Bletchley Park which is instrumental in the Battle of the Atlantic.
In October 2014 the University of Ulster is rebranded as Ulster University.
Louis MacNeice, British poet and playwright, is born in Belfast on September 12, 1907. He is a member, along with Wystan Hugh Auden, Cecil Day-Lewis, and Stephen Spender, of a group whose low-keyed, unpoetic, socially committed, and topical verse is the “new poetry” of the 1930s. His body of work is widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style.
MacNeice’s first book of poetry, Blind Fireworks, appears in 1929, followed by more than a dozen other volumes, such as Poems (1935), Autumn Journal (1939), Collected Poems, 1925–1948 (1949), and, posthumously, The Burning Perch (1963). An intellectual honesty, Celtic exuberance, and sardonic humour characterize his poetry, which combines a charming natural lyricism with the mundane patterns of colloquial speech. His most characteristic mood is that of the slightly detached, wryly observant, ironic and witty commentator. Among MacNeice’s prose works are Letters from Iceland (with W.H. Auden, 1937) and The Poetry of W.B. Yeats (1941). He is also a skilled translator, particularly of Horace and Aeschylus (The Agamemnon of Aeschylus, 1936).
By the early 1960s, MacNeice is “living on alcohol,” and eating very little, but still writing. In August 1963 he goes caving in Yorkshire to gather sound effects for his final radio play, Persons from Porlock. Caught in a storm on the moors, he does not change out of his wet clothes until he is home in Hertfordshire. Bronchitis evolves into viral pneumonia and he is admitted to hospital in London on August, 27. He dies there on September 3, 1963 at the age of 55. He is buried in Carrowdore churchyard in County Down, alongside his mother.
MacNeice’s final book of poems, The Burning Perch, is published a few days after his funeral. His life-long friend from Oxford, W.H. Auden, who gives a reading at MacNeice’s memorial service, describes the poems of his last two years as “among his very best.”
Leslie Alexander Montgomery, playwright, humorist, and writer who writes under the pen name “Lynn Doyle,” dies in Dublin on August 18, 1961. He adopts the pseudonym for his writing, using a homophone of “linseed oil.” Supposedly, he chooses the name after seeing a large tin of linseed oil in a paint shop, initially signing “Lynn C. Doyle” but later dropping the “C.”
Born in Downpatrick, County Down on October 5, 1873, Montgomery is educated at Dundalk in County Louth. He commences work as a bank clerk at the age of 16, and remains with the Northern Banking Company, working in locations such as Keady and Cushendall before a transfer to the quaint seaside town of Skerries in County Armagh. There he becomes branch manager until his retirement in 1934.
Aside from this rather strait-laced, white-collar career, however, Montgomery fosters a life-time passion for writing in various forms and genres, and his contribution to Ulster literature in the early part of the 20th century should not be underestimated.
Montgomery is part of the Ulster Literary Theatre movement founded by Bulmer Hobson and David Parkhill in 1902, and early works include Love and Land, a play that is produced at the Little Theatre in London and represents Montgomery’s first critical success.
Other works during this decade include The Summons and The Lilac Ribbon. By the beginning of the 1920s, Montgomery is a leading northern playwright. He is best known, however for the Ballygullion series, twenty books which fondly caricature Northern Irish village life. The first in the series is published in 1908 and the last in 1957.
Montgomery writes the first book, which would lend its title to the rest of the series, in Dublin. This is followed by other works every few years such as Mr. Wildridge of the Bank, Lobster Salad, Dear Ducks, Me and Mr. Murphy and Rosabelle and Other Stories.
Written in the dialect of the east Ulster region, the stories celebrate an imaginary townland area in the Slieve Gullion region of County Down. They reflect Montgomery’s early years there and in Dundalk. The books also reveal a lot about contemporary Ulster life.
The versatile writer also produces poetry during the 1930s. Ballygullion Ballads, published in 1936 is illustrated by the famous Belfast artist William Conor, as are several of the later editions of his books.
In 1936, Montgomery has the somewhat dubious honour of being the first Irish writer to be appointed to the Censorship Board. He resigns within two years of accepting the job, however, claiming that it is “so terribly easy to read only the marked passages, so hard to wade through the whole book afterwards.”
Following his retirement from the Northern Banking Company, he gains further notoriety as a lecturer, and also regularly broadcasts his stories for the fledgling BBC in Belfast. Indeed, his most productive period as a writer is in his 1960s, during which time he writes his autobiography, An Ulster Childhood, in 1954.
Montgomery dies in Dublin on August 18, 1961, but his legacy is preserved in the Lynn Doyle Collection at Belfast Central Library, which consists of a series of archival boxes which were purchased by the library. The collection is extensive, and includes broadcasts and lecture transcripts, manuscripts, essays, short stories, poetry, personal correspondence, photographs, land leases and legal documents.
seamus dubhghaill 