Mitchell’s family moves to Belfast while he is a child. He receives his formal education at Belfast Academy where he excels in mathematics. He begins to notice that his eyesight is failing. By the age of 16 he can no longer read and by the age of 22 he is completely blind.
Undeterred, Mitchell borrows £100 and starts up a successful business making bricks in the Ballymacarrett area of Belfast. This enables him to start building his own houses and he completes approximately twenty in the city. It is during this period that his talent for inventing comes to the fore and he fabricates several machines for use in brickmaking and the building trade.
Mitchell patents the screw pile in 1833, for which he later gains some fame. The screw-pile is used for the erection of lighthouses and other structures on mudbanks and shifting sands, including bridges and piers. His designs and methods are employed all over the world from the Portland, Mainebreakwater to bridges in Bombay. Initially it is used for the construction of lighthouses on Maplin Sands in the Thames Estuary in 1838, at Fleetwood Lancashire (UK) Morecambe Bay in 1839 and at Belfast Lough where his lighthouse is finished in July 1844.
In May 1851 Mitchell moves to Cobh to lay the foundation for the Spit Bank Lighthouse. The success of these undertakings leads to the use of his invention on the breakwater at Portland, the viaduct and bridges on the Bombay, Baroda and Central India Railway and a broad system of Indian telegraphs.
Mitchell dies at Glen Devis near Belfast on June 25, 1868, and is buried in the old Clifton graveyard in Belfast. His wife and daughter predecease him.
McKeown is ordained to the priesthood on July 3, 1977.
Following ordination, McKeown’s first pastoral assignment is as chaplain at Mater Infirmorum Hospital, before returning to Rome to complete his licentiate. He returns to the Diocese of Down and Connor in 1978, where he is appointed as a teacher at Our Lady and St. Patrick’s College, Knock, while also serving as assistant priest in Derriaghy. He returns to St. MacNissi’s College in 1983, where he continues his involvement with youth ministry and is given responsibility for organising the annual diocesan pilgrimage to Lourdes.
McKeown subsequently returns to St. Malachy’s College in 1987, where he teaches and serves as dean of the adjoining seminary, before succeeding Canon Noel Conway as president in 1995. During his presidency, he completes a Master of Business Administration at the University of Leicester in 2000, specialising in educational management.
McKeown has completed the Belfast Marathon on two occasions: as a priest with a team of 48 from Derriaghy in 1982, and as a bishop fundraising for a minibus for St. Malachy’s College in 2001.
In response to a 2007 decision by Amnesty International to campaign for the legalisation of abortion in certain circumstances, McKeown supports the decision of Catholic schools in the diocese to disband their Amnesty International support groups, on the grounds that it is no longer appropriate to promote the organisation in their schools.
It is reported in an article in The Irish News that the mention of McKeown as a possible successor to Walsh as Bishop of Down and Connor is actively opposed by some priests in the diocese, who regard him as being “too soft” on the issue of integrated education. This opposition is branded a “Stop Donal” campaign.
McKeown also serves as a member of the Irish Catholic Bishops’ Conference and its committee on education and chairs its committees on vocations and youth. He leads the youth of the diocese to World Youth Day in 2002 and 2005 and also travels to Rome with his brother bishops for their quinquennial visit ad limina in 2006. He is also a regular contributor on Thought for the Day on BBC Radio Ulster.
McKeown starts a 33-day journey of prayer toward the Consecration to Jesus Christ through Mary on January 9, 2025. The prayer takes place online each evening at 7:00 p.m. The 33 days of prayer take place the week following the Baptism of the Lord until the Feast of Our Lady of Lourdes on February 11.
Muldoon, the eldest of three children, is born on June 20, 1951, on a farm in County Armagh, Northern Ireland, outside The Moy, near the boundary with County Tyrone. His father works as a farmer (among other jobs) and his mother is a school mistress. In 2001, Muldoon says of the Moy:
“It’s a beautiful part of the world. It’s still the place that’s ‘burned into the retina,’ and although I haven’t been back there since I left for university 30 years ago, it’s the place I consider to be my home. We were a fairly non-political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we’d hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn’t really socialise a great deal. We were ‘blow-ins’ – arrivistes – new to the area, and didn’t have a lot of connections.”
Talking of his home life, Muldoon continues, “I’m astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopedia, which I certainly read again and again. People would say, I suppose that it might account for my interest in a wide range of arcane bits of information. At some level, I was self-educated.” He is a “Troubles poet” from the beginning.
In 1969, Muldoon reads English at Queen’s University Belfast (QUB), where he meets Seamus Heaney and becomes close to the Belfast Group of poets which include Michael Longley, Ciaran Carson, Medbh McGuckian and Frank Ormsby. He says of the experience, “I think it was fairly significant, certainly to me. It was exciting. But then I was 19, 20 years old, and at university, so everything was exciting, really.” He is not a strong student at QUB. He recalls, “I had stopped. Really, I should have dropped out. I’d basically lost interest halfway through. Not because there weren’t great people teaching me, but I’d stopped going to lectures, and rather than doing the decent thing, I just hung around.” During his time at QUB, his first collection New Weather (1973) is published by Faber & Faber. He meets his first wife, fellow student Anne-Marie Conway, and they are married after their graduation in 1973. The marriage breaks up in 1977.
For thirteen years (1973–86), Muldoon works as an arts producer for the BBC in Belfast. In this time, which sees the most bitter period of the Troubles, he published the collections Why Brownlee Left (1980) and Quoof (1983). After leaving the BBC, he teaches English and Creative Writing at the University of East Anglia and at Gonville and Caius College and Fitzwilliam College, Cambridge, where his students include Lee Hall (Billy Elliot) and Giles Foden (The Last King of Scotland). In 1987, he emigrates to the United States, where he teaches in the creative writing program at Princeton University. He is Professor of Poetry at Oxford University for the five-year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.
Kelly is one of five sons and four daughters born to William Kelly, retail and wholesale fruitier, and his wife Margaret (née Maginness). Living off Carlisle Circus in a flashpoint area of north Belfast and close to Crumlin Road Gaol, the Kellys are a strongly republican family, regularly supplying republican inmates with fruit and assisting them on their release.
Kelly joins the IRA in the early 1950s when he is eighteen and takes part in the Border Campaign of 1956–62 but is arrested in December 1956 and imprisoned until 1963. He is a member of the Northern Ireland Civil Rights Association (NICRA) in 1967–69 which leads on to sectarian riots in Belfast. A leader of the newly formed Provisional IRA in 1969, he is involved in the formation of “citizens’ defence groups” to protect nationalist areas of Belfast from loyalist rioters who are largely unhampered by the police.
Kelly is jailed on three occasions for IRA related activity spending a total of fifteen years in prison in Northern Ireland and the Republic of Ireland. His first term is for his activity in the 1956 IRA border campaign. He also serves a six-month term in 1973 in the Republic of Ireland for being a member of the IRA.
Commenting later on the Troubles, Kelly says, “Yes, it was a terrible period. But you can’t turn the clock back. The Irish government did not create the Provisional IRA. What happened was as inevitable as the changing seasons.”
The citizens’ defence groups seek help from the government in Dublin in 1969, then led by Jack Lynch. Several ministers respond and arrange a fund of £100,000 but the planned arms shipment fails. Kelly later says, “These discussions were all about guns. The whole thing was government-sponsored, government-backed and government-related.” The planning includes travel to Britain, Europe, and on to the United States where he meets the founders of NORAID. He is one of the co-defendants in the subsequent Dublin “Arms Trial” with ministers Charles Haughey and Neil Blaney, accused of conspiring to import arms illegally into the Republic of Ireland. The trial eventually collapses from a lack of evidence, as the relevant government files are kept secret, but the Irish government sacks several ministers as a result.
Kelly goes into electoral politics, serving on Magherafelt District Council from 1997. At the 1998 Northern Ireland Assembly election he is elected to the Northern Ireland Assembly as a Sinn Féin member for Mid Ulster. He is deselected before the 2003 election, and criticises the decision by the Sinn Féin leadership to support policing reforms. In January 2006 he co-writes a letter with Brendan Hughes which casts doubt on the claims that dissident republicans have threatened Sinn Féin leaders and claims that the real threats are being made by the Sinn Féin leadership against those who seek a debate on policing. He leaves Sinn Féin which he considers too controlled from the centre, opposing the leadership “deceit and the philosophy of creative ambiguity,” and he retires from politics.
Kelly dies in Maghera following a long battle with cancer on September 5, 2007. Many tributes are paid to him including a minute’s silence before the Derry Senior Football Championship quarter final between St. Patrick’s GAC, Loup, and Dungiven GAC on September 8, 2007, at the home of his local club, Watty Graham GAC, Glen. A Na Piarsaigh Belfast GAC jersey is draped over his coffin before he is interred at Maghera Catholic Graveyard.
Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”
Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.
Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.
She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.
Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.
In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.
Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.
Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.
She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.
Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.
Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.
Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.
The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.
Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.
The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.
Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.
Martin is one of the hosts on the RTÉquiz showThe Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.
During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.
Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
McLaverty is born on July 5, 1904, at Magheross, near Carrickmacross, County Monaghan, the son of Michael McLaverty, a waiter, and Kathleen McLaverty (née Brady). His father works in a hotel in the town until they move to Rathlin Island, and later to Belfast, when he is five years old. He attends St. Malachy’s College in the city, where an inspiring teacher instills in him a love of William Shakespeare‘s writings. He entered Queen’s University Belfast (QUB) in October 1924 and studies physics. He obtains a B.Sc. in 1928 and immediately takes his H.Dip.Ed., completing his teaching practice in St. Mary’s University College, Strawberry Hill, London. The following year he begins teaching at St. John’s Primary School in Colinward Street, west Belfast. He is admitted to the degree of M.Sc. at QUB in 1933.
In 1933, McLaverty marries Mary Conroy (formerly Giles), a young widow and fellow teacher at St. John’s. They have two sons and two daughters.
During his time at St. John’s, McLaverty writes his first five novels and fifteen short stories. In the 1930s he has developed a distinctive style in precise, unsentimental, but compassionate short stories. By the late 1930s, however, he switches his energies from short stories to the novel. Call My Brother Back (1939) contrasts the traditional world of Rathlin Island with the northern troubles in a family context. Another novel, Lost Fields (1941), and his collection of short stories, The White Mare (1943), explore the Belfast of his childhood and deal with the underlying tensions in Irish rural life. In the period 1949–55 he publishes five other novels: Three Brothers (1948), Truth in the Night (1951), School for Love (1954), The Choice (1958), and Brightening Day (1965). These novels deal with ordinary people and the dilemmas they encounter in their families and communities. His writings are influenced by Anton Chekhov, Leo Tolstoy, Katherine Mansfield, Gerard Manley Hopkins, and the Irish short story writers Liam O’Flaherty and Daniel Corkery.
As headmaster of St. Thomas’s intermediate school, a large school for boys in Ballymurphy, off the Falls Road, McLaverty gives his first job to the young Seamus Heaney, in whom he cultivates an interest in the writings of Chekhov and Tolstoy and the Irish writers Mary Lavin and Patrick Kavanagh. He deems Heaney to be the only genius he has ever met, and his work and success are a great source of pride and joy to him. His encouragement of the young John McGahern is of as much benefit to McLaverty himself, as their short but intense correspondence give him the energy to resume his writings.
Between his resignation from St. Thomas’s in 1963 and the early 1970s he teaches part-time at St. Joseph’s training college and St. Dominic’s High School, one of Belfast’s best-known grammar schools. In 1981 his old alma mater recognises his contribution to literature by awarding him an honorary master’s degree. In the same year he wins the American Irish literary fellowship, a prestigious literary award of $10,000, in recognition of his “impressive body of work as a short story writer and novelist.”
McLaverty dies on March 22, 1992, in County Down, Northern Ireland.
(From: “McLaverty, Michael” by Éamonn Ó Ciardha, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Drew is born on September 18, 1838, in Victoria Place, Belfast, into the large family of Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton). He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is educated in Belfast and in 1854 articled to the Antrimcounty surveyor and architect Sir Charles Lanyon, before moving to work in Dublin in 1862, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore. From this point forward, church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall and the Graduates’ Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins the Fitzgerald medal from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
From 1879 onward Drew lives in Gortnadrew, one half of a pair of semi-detached houses of his own design, on Alma Road in Monkstown, County Dublin. For many years he serves as a commissioner of the local township of Blackrock, Dublin. He dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery in the suburban area of Deansgrange in Dún Laoghaire–Rathdown, County Dublin.
Drew is commemorated in a memorial brass in Christ Church Cathedral, Dublin. His wife survives him by three years and in her will bequeaths back to the RIAI the loving cup presented to her husband in commemoration of his knighthood, and to the Belfast Municipal Museum and Art Gallery (Ulster Museum since 1962) an 1852 portrait of his father Thomas. A portrait of Drew by Walter Osborne is held in the National Gallery of Ireland (NGI) in Dublin.
Ireland wins the rugby Triple Crown for first time on March 10, 1894. In rugby union, the Triple Crown (Irish: An Choróin Triarach) is an honour contested annually by the national teams of England, Scotland, Ireland, and Wales as part of the Six Nations Championship. If any one team manages to win all their games against the other three then they win the Triple Crown.
The history of the Ireland national rugby union team begins in 1875, when Ireland plays its first international match, a 0–7 loss against England. Ireland has competed in the Six Nations (formerly known as the Five Nations and originally known as the Home Nations) rugby tournament since 1883. Ireland has also competed at the Rugby World Cup every four years since its inception.
Dublin University is the first organised rugby football club in Ireland, having been founded in 1854. The club is organised by students who have learned the game while at English public schools. During the third quarter of the nineteenth century, and following the adoption of a set of official rules in 1868, rugby football begins to spread quickly throughout Ireland, resulting in the formation of several other clubs which are still in existence, including North of Ireland F.C. (1868), Wanderers F.C. (1869), Queen’s University RFC (1869), Youghal RFC (1869), Lansdowne F.C. (1873), Dungannon RFC (1873), County Carlow F.C. (1873), University College Cork RFC (1874) and Ballinasloe RFC (1875) which amalgamates with Athlone RFC to form Buccaneers RFC.
In 1874, the Irish Football Union. reconstituted as the Irish Rugby Football Union after unification with the North of Ireland Union, is formed by Dublin University Football Club, Wanderers F.C., Engineers F.C., Lansdowne F.C., Bray, Portora, Dungannon RFC and Monaghan. Ireland loses their first test match against England 0-7 at The Oval on February 15, 1875. Both teams field twenty players in this match, as is customary in the early years of rugby union. It was not until 1877 that the number of players is reduced from twenty to fifteen. Ireland’s first home game is also against England in the same year. It is held at the Leinster Cricket Club in Rathmines as Lansdowne Road is deemed unsuitable. The first match at Lansdowne Road is held on March 11, 1878, with England beating Ireland by 2 goals and 1 try to nil.
It is not until 1881 that Ireland first wins a test, beating Scotland at Ormeau Cricket Ground in Belfast. Ireland turns up two men short for their game in Cardiff in 1884 and has to borrow two Welsh players. The first victory Ireland has at Lansdowne Road takes place on February 5, 1887. It is also their first win over England, by two goals to nil. On March 3, 1888, Ireland records their first win over Wales with a goal, a try and a drop goal to nil.
In 1894, Ireland follows the Welsh model of using seven backs instead of six for the first time. After victory over England at Blackheath, Ireland wins back-to-back matches for the first time when recording their first win over Scotland on February 24, 1894. Ireland goes on to beat Wales in Belfast on March 10, 1894, and wins the Triple Crown for the first time.
In the 1890s, rugby is primarily a game for the Protestant middle class, the only Catholic in Edmund Forrest’s 1894 team is Thomas Crean. Of the eighteen players used in the three games, thirteen are from three Dublin clubs – Wanderers, Dublin University and Bective Rangers – and the remaining five are from Ulster. They go on to win the Home international championship twice more before the century is out (1896 and 1899), so that by 1901 all four of the Home Unions have tasted success at a game that is growing in popularity with players and spectators.
(Pictured: The 1894 Ireland Rugby Union team, Kildare Observer, Irish News Archives)
seamus dubhghaill 