O’Neil of the Glen, the first production released by the Film Company of Ireland (FCOI), premieres at Dublin’s Bohemian Picture Theatre on August 7, 1916. The film is adapted by W.J. Lysaght from a book by the acclaimed Irish novelist, Mrs. M. T. Pender. The film is a romantic tale which features two well-known Abbey Theatre members, as well as a host of rising stars.
Formed in March 1916 by James Mark Sullivan and Henry Fitzgibbon, the FCOI becomes the most important indigenous fiction film producer of the 1910s.
On 29 June, FCOI announces a “trial exhibition,” or what would now be called a test screening, of their first completed production, O’Neil of the Glen, at Dublin’s Carlton Cinema. Addressing a lunch for the press at the Gresham Hotel following the screening, Fitzgibbon claims that FCOI “had started an industry which would eventually be a source of great revenue in Ireland.” For his part, Sullivan argues that the film showed that Irish productions – taking advantage of Irish “imagination, ideals, and artistic temperament and beautiful scenery” – could compete with those anywhere.
The Bohemian is one of Dublin’s biggest and most luxurious cinemas, and Frederick A. Sparling’s commitment to a run that is twice the usual three days “speaks well for the film and the undoubted drawing powers such a production will have for Irish audiences.” In the event, Sparling also includes an unplanned Sunday show to take advantage of the phenomenal level of interest.
In the following weeks and months, O’Neil of the Glen is exhibited around the country. Following substantial runs in Dublin and Belfast it is announced for a three-day runs at Galway’s Victoria Cinema Theatre on September 11-13 and Cork’s Coliseum Theatre on September 14-16.
Hamilton is born to Charles Hamilton (d.1759), a Scottish merchant, and his wife Katherine Mackay (d.1767). She lives most of her life in Scotland, moving there in 1762 to live with a Mrs. Marshall, her paternal aunt, near Stirling and spending much of her later life in Edinburgh.
Hamilton’s first literary efforts are directed in supporting her brother Charles in his orientalist and linguistic studies. After his death in 1792 she continues to publish orientalist scholarship, as well as historical, educationalist and theoretical works. She writes The Cottagers of Glenburnie (1808), a tale which has much popularity in the day, and perhaps has some effect in the improvement of certain aspects of humble domestic life in Scotland. She also writes the anti-Jacobin novel Memoirs of Modern Philosophers (1800), and the satirical Translation of the Letters of a Hindoo Rajah in 1796, a work in the tradition of Montesquieu and Oliver Goldsmith. Her most important pedagogical works are Letters on Education (1801), Letters on the Elementary Principles of Education (1801), Letters addressed to the Daughter of a Nobleman, on the Formation of Religious and Moral Principle (1806), and Hints addressed to the Patrons and Directors of Schools (1815).
To make up for a deficiency in their living Hannay writes a short story and sends it to a London publisher. It is accepted for publication, and he receives a check of ￡10. On his wife’s advice, he gives up writing fiction and commits himself to the study of Christian theology with her. This bears fruit with the publications of The Spirit and Origin of Christian Monasticism (1903) and The Wisdom of the Desert (1904).
Hannay then serves as rector of Holy Trinity Church in Westport, County Mayo. It is here that he makes his debut as a novelist. His early writings raise the ire of nationalist Catholics, and he withdraws from the Gaelic League in the wake of ongoing protests about the tour of his successful play General John Regan.
Hannay becomes rector of Kildare parish from 1918 to 1920, and after serving as chaplain to the Lord Lieutenant of Ireland, he joins the British ambassadorial team in Budapest in 1922. He returns to officiate at Mells, Somerset from 1924 to 1934, after which he is appointed vicar of Holy Trinity Church in the London suburb of Kensington where he serves from 1934 until his death in London on February 2, 1950.
Hannay enjoys sailing and is taught the rudiments by his father and grandfather in Belfast. When he is based in Westport, the financial success of his writing enables him to purchase a boat, a Dublin Bay Water Wag. In recognition of Hannay, the Water Wag Club of Dun Laoghaire returns to Westport and Clew Bay in 2016. In the frontispiece of his book The Inviolable Sanctuary Hannay includes a picture of the Water Wag.
Catholic rioting has been common in recent years when the parades are forced through the mostly Irish nationalist Ardoyne in north Belfast. The local Orangemen parade down the predominantly Ulster loyalist Crumlin Road towards the loyalist Woodvale area. Before turning into the Woodvale, they are met by Irish republican protesters and a nearby counter-parade organised by the Greater Ardoyne Residents Association (GARC). Nationalists then attack the Police Service of Northern Ireland (PSNI) and the parade with bricks, bottles and petrol bombs.
There is also violence in the Bogside area of Derry, where petrol bombs are thrown at police and a car is set afire. In south and east Belfast there are five arrests for a variety of offences including disorderly behaviour.
Prolonged attacks on the PSNI by Catholics follow the parades with missiles being thrown at police lines. Three cars are hijacked and pushed at police lines with at least one of them being set on fire, and at night ten shots are fired at police by a nationalist gunman who intends to kill police officers. On July 18, 2012, a 47-year-old man is charged with attempted murder of the police officers. The PSNI blames the violence on “thugs” and makes a further 26 arrests across Northern Ireland relating to the trouble.
In another incident during a different parade, a Shankill Road-based loyalist band “The Young Conway Volunteers” is filmed by a Sinn Féin activist playing The Famine Song outside St. Patrick’s Catholic Church in Ardoyne. The activist filming the incident is attacked by band members who try to snatch the phone from him. The incident brings condemnation, with Sinn Féin declaring it “provocative.” Protestant church leaders also condemn the incident as “blatantly sectarian.” It is this incident that is believed to ignite tensions in the area which continue over the next few months.
In the days that follow strong loyalist criticism is levelled at the Parades Commission blaming them for the violence. Nigel Dodds of the Democratic Unionist Party (DUP) accuses the Parades Commission of making a “bizarre, crazy, and mad decision” to allow the nationalist parade to coincide with the Orange parade while Sinn Féin’s Gerry Kelly blames the Orangemen for violating regulations set out by the Parades Commission. The Parades Commission denies responsibility, explaining “We have to balance the rights of everybody concerned in parades, not just the rights of paraders, but the rights of people who live in the areas and the rights of police officers.”
McDonnell is born on Slate Street in the lower Falls Road of Belfast, Northern Ireland on September 14, 1951, as one of ten children. He attends a nearby Roman Catholic school. He marries Goretti in 1970 and moves into her sister’s house in Lenadoon. There are only two Catholic houses in this predominantly Ulster Protestanthousing estate, and their house is attacked on numerous occasions.
McDonnell agrees with the goals of the Irish hunger strike, namely: the right not to wear a prison uniform; the right not to do prison work; the right of free association with other prisoners; the right to organise their own educational and recreational facilities and the right to one visit, one letter and one parcel per week.
Although McDonnell is not involved in the first hunger strike in 1980, he joins Bobby Sands and the others in the second hunger strike the following year. During the strike he fights the general election in the Republic of Ireland, and only narrowly misses election in the Sligo–Leitrim constituency. He goes 61 days without food before dying on July 8, 1981. He has two children. His wife takes an active part in the campaign in support of the hunger strikers.
McDonnell is buried in the grave next to Bobby Sands at Milltown Cemetery in west Belfast. John Joe McGirl, McDonnell’s election agent in Sligo–Leitrim, gives the oration at his funeral. Quoting Patrick Pearse, he states, “He may seem the fool who has given his all, by the wise men of the world; but it was the apparent fools who changed the course of Irish history.”
Reid is the youngest son of a Protestant family of twelve, six of whom survive. His mother, his father’s second wife, comes from an aristocratic Shropshire family. Although proud of this ancestry, he finds the strict Protestant ethics of his immediate family constricting. He is educated at the Royal Belfast Academical Institution, after which he is initially apprenticed into the Belfast tea-trade before going to Christ’s College, Cambridge, where he reads medieval and modern languages, and is influenced by the novelist E. M. Forster. His first book, The Kingdom of Twilight, is published in 1904. Following graduation in 1908, he returns to Belfast to pursue a writing career.
As well as his fiction, Reid also translates poems from the Greek Anthology. His study of the work of W. B. Yeats, W. B. Yeats: A Critical Study, has been acclaimed as one of the best critical studies of that poet. He also writes the definitive work on the English woodcut artists of the 1860s, Illustrators of the Sixties (1928). His collection of original illustrations from that time is housed in the Ashmolean Museum, Oxford.
Reid is a close friend of Walter de la Mare, whom he first meets in 1913, and about whose fiction he publishes a perceptive book in 1929. He is also an influence on novelist Stephen Gilbert and has good connections to the Bloomsbury Group of writers. He is a founding member of the Imperial Art League (later the Artists League of Great Britain) and is also a close friend of Arthur Greeves, the artist known to be C. S. Lewis‘s best friend. Greeves paints several portraits of Reid, now all in the possession of the Royal Belfast Academical Institution.
Reid publishes articles in many magazines, including Uladh, The Westminster Review and the Ulster Review, and he reviews books for The Manchester Guardian. Apostate, an autobiography, is published in 1926, and its sequel, Private Road, is published in 1940. He is a founder member of the Irish Academy of Letters.
Though Reid’s books are not necessarily well known today, he has been labelled “the first Ulster novelist of European stature,” and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce‘s seminal novel of growing up in CatholicDublin, A Portrait of the Artist as a Young Man (1914). Reid’s fiction, which often uses submerged narratives to explore male beauty and love, can be placed within the historical context of the emergence of a more explicit expression of homosexuality in English literature in the 20th century.
A ‘Forrest Reid Collection’ is held at the University of Exeter, consisting of first editions of all Reid’s works and books about him. Many of his original manuscripts are in the archives of the Belfast Central Library. In 2008, Queen’s University Belfast catalogues a large collection of Forrest Reid documentary material including many letters from E. M. Forster.
In 1952 Forster travels to Belfast to unveil a plaque commemorating Forrest Reid’s life at 13 Ormiston Crescent.
Gallagher is born in Ballyshannon, County Donegal, on March 2, 1948. Both he and his brother Dónal are musically inclined and encouraged by their parents. At age nine, Gallagher receives his first guitar from them. After winning a talent contest when he is twelve, he begins performing with both his acoustic guitar and an electric guitar that he purchases with his prize money. It is, however, his purchase three years later of a 1961 Fender Stratocaster for £100 that becomes his primary instrument and most associated with him for the span of his lifetime.
Gallagher is initially attracted to skiffle after hearing Lonnie Donegan on the radio. While still in school, playing songs by Buddy Holly and Eddie Cochran, he discovers his greatest influence in Muddy Waters. He begins experimenting with folk, blues, and rock music.
While still a young teenager, Gallagher begins playing after school with Irish showbands. In 1963, he joins one named Fontana, a sextet playing the popular hit songs of the day. The band tours Ireland and the United Kingdom, earning enough money for Gallagher to make the payments on his Stratocaster guitar. Gallagher begins to influence the band’s repertoire and successfully moulds Fontana into The Impact, changing the line-up into a rhythm and blues group. The band plays gigs in Ireland and Spain until it disbands in London, with Gallagher and the bassist and drummer continuing to perform as a trio in Hamburg, Germany.
In 1966, Gallagher returns to Ireland and forms Taste, a blues rock and R&B power trio. Initially, the band is composed of Gallagher and Cork musicians Norman Damery and Eric Kitteringham. However, by 1968, Damery and Kitteringham are replaced by Belfast musicians John Wilson on drums and Richard McCracken on bass. Performing extensively in the UK, the group supports both Cream at their Royal Albert Hall farewell concert and the blues supergroup Blind Faith on a tour of North America.
After the break-up of Taste in 1970, Gallagher tours under his own name. He hires former Deep Joy bass player Gerry McAvoy to play on his self-titled debut album, Rory Gallagher. This is the beginning of a twenty-year musical relationship between Gallagher and McAvoy. The 1970s are Gallagher’s most prolific period, producing ten albums in the decade. In 1971 he is voted Melody Maker‘s International Top Guitarist of the Year, ahead of Eric Clapton. However, despite a number of his albums reaching the UK Albums Chart, Gallagher does not attain major star status. Though he sells over thirty million albums worldwide, it is his marathon live performances that win him the greatest acclaim.
In the 1980s Gallagher continues recording and embarks on a tour of the United States. In addition, he plays with Box of Frogs, a band formed in 1983 by former members of The Yardbirds.
In the later years of his life, Gallagher develops a phobia of flying. To overcome this he receives a prescription for a powerful sedative. This medication, combined with his alcohol use, results in severe liver damage. Despite his condition he continues touring. By his final performance on January 10, 1995 in the Netherlands, he is visibly ill and the remainder of the tour is cancelled. He is admitted to King’s College Hospital in London in March 1995. His liver is failing and the doctors determine that a liver transplant is the only possible course of action. After 13 weeks in intensive care, his health suddenly worsens when he contracts a Staphylococcal infection. Gallagher dies on June 14, 1995, and is buried in St. Oliver’s Cemetery just outside Ballincollig near Cork.
After playing for the Shamrock Rovers F.C. under-18 squad at the age of 11, Jennings concentrates on Gaelic football until he is sixteen years old, when he makes his soccer comeback with his hometown Newry City F.C. After impressing with the team, he moves to English Third DivisionWatford F.C. in May 1963. He again impresses in his first season in England, playing every league game for his club, and making two international appearances that season. He is signed by Tottenham Hotspur F.C. for £27,000 in June 1964.
Jennings spends thirteen years at White Hart Lane, where he plays in 472 league games for the Spurs, and 591 in all competitions. He wins the FA Cup in 1967, the League Cup in 1971 and 1973, and the UEFA Cup in 1972. In 1973 the Football Writers’ Association name him as its footballer of the year. Three years later he wins the Professional Footballers’ Association‘s (PFA) version of the award, the first goalkeeper to receive this accolade.
In August 1977, Jennings is transferred to Tottenham’s arch-rivals, Arsenal F.C., with Tottenham thinking he is nearing the end of his career. However, Jennings plays for Arsenal for another eight years where he helps Arsenal to the FA Cup final in 1978, 1979, and 1980, as well as the UEFA Cup Winners’ Cup final that year. However, Arsenal only manages to win the second of these finals, a 3–2 victory against Manchester United F.C. In total, Jennings makes 327 appearances for Arsenal between 1977 and his eventual retirement from first-team club football in 1985. On February 26, 1983, he becomes the first player in English football to make 1,000 senior appearances, celebrating this milestone with a clean sheet in a goalless league draw for Arsenal at West Bromwich Albion F.C.
After his retirement, Jennings returns to Tottenham Hotspur, playing mostly in their reserve side to maintain his match sharpness for Northern Ireland’s 1986 FIFA World Cup campaign. His final appearance for Tottenham is in the Football League Super Cup against Liverpool F.C. in January 1986. He also plays briefly for Everton F.C., having been signed as goalkeeping cover for the 1986 FA Cup Final against Liverpool.
Despite retiring from club football in 1985, Jennings plays his final international game at the 1986 FIFA World Cup, on his 41st birthday, making him at the time the World Cup’s oldest ever participant. The match is Northern Ireland’s final group game, a 3–0 defeat against Brazil. In total, he participates in the qualifying stages of six World Cups between 1966 and 1986.
Eight Provisional Irish Republican Army prisoners escape from Crumlin Road Gaol in Belfast, one of the most heavily guarded prisons in Europe, on June 10, 1980. Using handguns that had been smuggled into the prison, they take prison officers hostage and shoot their way out of the building and exit through the front gate.
The regime inside Crumlin Road Gaol on that day is just like any other. The prison had been the scene of several protests regarding strip-searching shortly beforehand, but the rules had been somewhat relaxed. On A and C Wings the remand prisoners are outside in the yard for exercise. As usual, several men from each wing are called for visits. Some of these visits are from solicitors and an area of the prison is set aside to allow legal teams and the accused a place to discuss their business in private.
When warders come to return one set of prisoners to their wing, the operation begins. One of the Volunteers produces a gun, forces the warders to release the other prisoners and then locks about ten warders in the cell. They then make their way to B wing’s visiting area and arrest all the warders, visitors and solicitors who are there, before locking about thirty up in a room. One warder named Killen reaches for his baton, is disarmed and hit over the head.
Two warders and a solicitor are ordered to strip and three of the IRA Volunteers, dress in two uniforms and a suit respectively, calmly walk to the main gate which is opened for them. They then pull guns on the real warders in this key security area and make them lie on the ground until their five comrades run across a small courtyard to join them.
Once outside however, the alarm is set off and British Army sentries pour a hail of automatic fire at the prisoners from a watch tower before they are able to reach the front gate. Undeterred, the prisoners dash through the bullets, weaving from side to side to throw off their attackers.
As the men make their escape, clearly visible to republican prisoners in cells on the top landing of A wing, loud cheers go up and makeshift flags are flown from the windows.
Outside the prison, cars have been parked by the IRA’s Belfast Brigade in the car park of the health clinic beside the courthouse, their ignition keys hidden under the floor mats. The prisoners run across the road towards the health centre, dodging bullets as they run. The escapees head towards the loyalistShankill area where they commandeer cars to help their getaway.
Stunned by the daring escapees, the crown forces erect checkpoints across Belfast and along all border routes.
All eight men reach safe houses within an hour and, after a lying low for a short while, are spirited over the border to begin new lives “on the run.”
One week later, at the annual pilgrimage to the graveside of Wolfe Tone, the father of republicanism, which is always a source of renewed strength for its participants, the crowd is given an added morale boost when at the closing ceremony, one of the escapees, Paul ‘Dingus’ Magee, makes a dramatic appearance on the platform.
There are many more attempts to break free from Crumlin Road Gaol before it finally closes its doors in April 1995, having been used as a weapon in the attempted suppression of the Irish freedom struggle for 151 years.
Waddell is the tenth and youngest child of Hugh Waddell, a Presbyterian minister and missionary who is lecturing in the Imperial University. She spends the first eleven years of her life in Japan before her family returns to Belfast. Her mother dies shortly afterwards, and her father remarries. Hugh Waddell himself dies and leaves his younger children in the care of their stepmother. Following the marriage of her elder sister Meg, she is left at home to care for her stepmother, whose health is deteriorating by this time.
Waddell is educated at Victoria College for Girls and Queen’s University Belfast, where she studies under Professor Gregory Smith, graduating in 1911. She follows her BA with first class honours in English with a master’s degree, and in 1919 enrolls in Somerville College, Oxford, to study for her doctorate. A traveling scholarship from Lady Margaret Hall in 1923 allows her to conduct research in Paris. It is at this time that she meets her life-long friend, Maude Clarke.
Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, is compiled in the 1940s but not published until after her death. Her other works range widely in subject matter. For example, she also writes plays. Her first play is The Spoiled Buddha, which is performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbe Prevost is staged in 1935. Her historical novel Peter Abelard is published in 1933. It is critically well received and becomes a bestseller.
A serious debilitating neurological disease puts an end to her writing career in 1950. She dies in London on March 5, 1965, and is buried in Magherally churchyard, County Down, Northern Ireland. A prize-winning biography of her by the Benedictine nun DameFelicitas Corrigan is published in 1986.
seamus dubhghaill 