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Tag Archives: County Cork


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Birth of Thomas Davis, Founder of Young Ireland Movement

Thomas Osborne Davis, Irish writer and the chief organiser and poet laureate of the Young Ireland movement, is born in Mallow, County Cork, on October 14, 1814.

Davis is the son of a Welsh father, a surgeon in the Royal Artillery, and an Irish mother. Through his mother he is descended from the Gaelic noble family of O’Sullivan Beare. His father dies one month after his birth and his mother moves to Warrington Place near Mount Street bridge in Dublin. In 1830, they move to 67 Lower Baggot Street. He attends school in Lower Mount Street before studying at Trinity College, Dublin. He graduates in Law and receives an arts degree in 1836, before being called to the Irish Bar in 1838.

Davis gives a voice to the 19th-century foundational culture of modern Irish nationalism. Formerly it is based on the republicans of the 1790s and on the Catholic emancipation movement of Daniel O’Connell in the 1820s-30s, which has little in common with each other except for independence from Britain. Davis aims to create a common and more inclusive base for the future. He establishes The Nation newspaper with Charles Gavan Duffy and John Blake Dillon.

He writes some stirring nationalistic ballads, originally contributed to The Nation and afterwards republished as Spirit of the Nation, as well as a memoir of Curran, the Irish lawyer and orator, prefixed to an edition of his speeches, and a history of King James II‘s parliament of 1689. He has formed many literary plans which are unfinished at the time of his early death.

Davis supports O’Connell’s Repeal Association from 1840, hoping to recreate the old Parliament of Ireland. They split during a debate on the proposed new Queen’s University of Ireland, when Davis is reduced to tears by O’Connell’s superior debating skill. Davis is in favour of a university that would inclusively educate all Irish students. O’Connell and the Catholic hierarchy prefer a separate system for Catholic students within Ireland that would remain under church control.

O’Connell generally refers to his inexperienced allies as “Young Ireland,” initially as a dismissive term, that from the 1870s becomes the accepted term for nationalists inspired by Davis. He also prefers a federal arrangement with Britain in the 1840s while Davis seeks a greater degree of autonomy. Both agree that a gradual and non-violent process is the best way forward. Despite their differences, O’Connell is distraught at Davis’s early death.

Davis is a Protestant but preaches unity between Catholics and Protestants. To him, it is not blood that makes a person Irish, but the willingness to be part of the Irish nation. He is to the fore of Irish nationalist thinking and it has been noted by later nationalist notables, such as Patrick Pearse, that while Theobald Wolfe Tone laid out the basic premise that Ireland as a nation must be free, Davis is the one who built this idea up promoting the Irish identity.

He is the author of influential songs such as The West’s Awake, A Nation Once Again and In Bodenstown Churchyard. He also writes The Lament for Owen Roe O’Neill.

Thomas Davis dies from scarlet fever on September 16, 1845, at the age of thirty. He is buried in Mount Jerome Cemetery, Dublin.


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Birth of Irish Writer Frank O’Connor

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The Frank O’Connor International Short Story Award is named in his honour.

Raised in Cork, the only child of Minnie (née O’Connor) and Michael O’Donovan, O’Connor attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of Irish, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of O’Connor’s writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Death of the Irish Giant, Patrick Cotter O’Brien

Patrick Cotter O’Brien, the first of only seventeen people in medical history to stand at a verified height of eight feet or more, dies on September 8, 1806 in Bristol, England.

O’Brien is born in Kinsale, County Cork. His real name was Patrick Cotter and he adopts O’Brien as his stage name in the sideshow circus, claiming descent from the legendarily gigantic Brian Boru. He is also known as the Bristol Giant and the Irish Giant. Another giant of this period, Charles Byrne, also claims to be an O’Brien.

It is believed that O’Brien dies from the effects of the disease gigantism.

No hearse can be found to accommodate his nine foot four inch coffin encased in lead, and his remains are borne to the grave by relays of fourteen men. In his will, Cotter leaves £2,000 to his mother and requests that his body be entombed within twelve feet of solid rock in order to prevent exhumation for scientific or medical research.

O’Brien’s remains are exhumed three times – in 1906, 1972 and finally in 1986. In 1972 O’Brien’s remains are examined and it is determined that, while alive, he stood approximately 8 feet 1 inch (246 cm) tall. This makes him the tallest person ever at that time, a record that is surpassed by the next “eight-footer,” John Rogan, who dies almost a century later. O’Brien is subsequently reburied but in 1986, during a redevelopment in the area, his remains are again identified and then cremated after a church service. O’Brien’s giant boots are on display in the Kinsale Museum.

One of O’Brien’s arms is currently preserved in the Medical Museum of the Royal College of Surgeons of England in London.


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The Funeral of Michael Collins

Michael Collins, soldier and politician who is a leading figure in the struggle for, and achievement of Irish independence in the early 20th century, is laid to rest in Dublin‘s Glasnevin Cemetery on August 28, 1922.

Collins is shot and killed by anti-Treaty ambushers as his Free State Army convoy approaches Béal na Bláth, an isolated crossroads in County Cork, on August 22, 1922, during the Irish Civil War.

Collins’s body is transported by sea from Cork to Dublin. He lay in state for three days in Dublin City Hall where tens of thousands of mourners filed past his coffin to pay their respects, including many British soldiers departing Ireland who had fought against him. His funeral mass on August 28, 1922, takes place at Dublin’s St. Mary’s Pro-Cathedral where a number of foreign and Irish dignitaries are in attendance. According to a report in The New York Times, the seven-mile journey from the cathedral to his final resting place in Glasnevin Cemetery is lined with half a million mourners, almost one fifth of the country’s population at the time, and many of whom likely differed with him on his Treaty vote.

No official inquiry is ever undertaken into Collins’s death and consequently there is no official version of what happened, nor are there any authoritative, detailed contemporary records.

In this vacuum, independent investigations and conspiracy theorists have put forward a number of suspects as having executed or ordered his death, including an anti-Treaty sharpshooter, members of his own escort, the British Secret Intelligence Service, or Éamon de Valera himself.

De Valera is alleged to have declared in 1966, “It is my considered opinion that in the fullness of time history will record the greatness of Michael Collins; and it will be recorded at my expense.”

An annual commemoration ceremony takes place each year in August at the ambush site at Béal na Bláth, organised by The Béal na mBláth Commemoration Committee. In 2009, former President of Ireland Mary Robinson gives the oration. In 2010, the Minister for Finance Brian Lenihan, Jnr. becomes the first Fianna Fáil person to give the oration. In 2012, on the 90th anniversary of the death of Collins, Taoiseach Enda Kenny gives the oration, the first serving head of government to do so. There is also a remembrance ceremony in Glasnevin Cemetery every year at Collins’s gravesite on the anniversary of his death.

RIP Big Fellow!


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The Funeral of Jeremiah O’Donovan Rossa

The funeral of Fenian Jeremiah O’Donovan Rossa is held before a huge crowd at Glasnevin Cemetery in Dublin on August 1, 1915.

Rossa’s body had been returned from New York City where he died June 29. He had been exiled by the British for his Fenian activities in 1871. While in exile, Rossa manages to alienate many of his former Fenian colleagues, including his good friend John Devoy, with his uncompromising advocacy of violence to end British rule in Ireland. Perhaps his attitude is due in part to the harsh treatment he receives in British prisons as well as scenes he witnesses while helping to distribute relief in his native County Cork during the Great Hunger.

In the late 1870s, he organizes the “Skirmishing Fund,” which finances the infamous Fenian dynamite campaign in England. When he dies in New York on June 29, 1915, he is estranged from most in the Irish republican movement.

Rossa’s funeral is one of the seminal events in the revival of the Irish republican movement in Ireland. During the three days when Rossa lays in the vestibule of the City Hall, encased in a coffin with a plate glass lid, thousands of citizens pass by to pay their final respects.

The coffin is conveyed from the City Hall in the four-horse bier in waiting at 2:25 PM and fifteen minutes later the cortège starts, headed by a guard of honour of the Irish Volunteers with rifles, a mounted guard being supplied by the same body. The coffin is thickly covered with wreaths and an open carriage behind is also filled with floral tokens, while many of the contingents carry wreaths to be placed on the grave.

The procession, in marching four deep at a slow pace, takes a little over fifty minutes to pass the corner of Dame Street into George’s Street. A conservative estimate of those who actually take part in the procession give the numbers as exceeding 6,000 and there must be at least ten times that number lining the streets.

The funeral comes into College Green at about 3:00 PM, headed by a body of Volunteers with the St. James’s Band. It is nearing 6:00 PM when the hearse passes through the main gates of Glasnevin Cemetery. The avenue leading to the mortuary chapel is lined by detachments of Volunteers. The prayers in the chapel are said by the Rev. D. Byrne, chaplain. Several priests then accompany the coffin to the grave, which is situated just beyond the eastern fringe of the O’Connell circle, close to the graves of two other prominent Fenians, John O’Leary and James Stephens.

Patrick Pearse gives an address at the graveside which has resounded with republicans down through the years. The final words of his oration provide them with one of their most enduring slogans, “Ireland unfree will never be at peace.”

A firing party then fires a volley, the Last Post is sounded, and wreaths are laid on the grave.


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Death of Thomas Croke, Archbishop of Cashel & Emly

Thomas William Croke, the second Catholic Bishop of Auckland in New Zealand (1870–74) and later Archbishop of Cashel and Emly in Ireland, dies on July 22, 1902. He is important in the Irish nationalist movement especially as a Champion of the Irish National Land League in the 1880s. The main Gaelic Athletic Association stadium in Dublin is named Croke Park in his honour.

Croke is born in Castlecor, County Cork, on May 28, 1824. He is educated in Charleville, County Cork, the Irish College in Paris and the Pontifical Irish College in Rome, winning academic distinctions including a Doctor of Divinity with honours. He is ordained in May 1847. Returning to Ireland for a short time he is appointed a Professor in St. Patrick’s, Carlow College. The Irish radical William O’Brien says that Croke fought on the barricades in Paris during the French Revolution of 1848. Croke returns to Ireland and spends the next 23 years working there. In 1858 he becomes the first president of St. Colman’s College, Fermoy, County Cork and then serves as both parish priest of Doneraile and Vicar General of Cloyne diocese from 1866 to 1870. Croke attends the First Vatican Council as the theologian to the Bishop of Cloyne 1870.

Croke gains the good opinion of the Irish ecclesiastical authorities and is rewarded in 1870 by his promotion to Bishop of Auckland in New Zealand. His former professor, Paul Cullen, by then Cardinal Archbishop of Dublin, is largely responsible for filling the Australasian Catholic church with fellow Irishmen. His strong recommendations lead to Croke’s appointment. Croke arrives at Auckland on December 17, 1870, on the City of Melbourne. During his three years as bishop, he restores firm leadership to a diocese left in disarray by his predecessor, Bishop Jean Baptiste Pompallier. He devotes some of his considerable personal wealth to rebuilding diocesan finances and also takes advantage of Auckland’s economic growth following the development of the Thames goldfields to further his aims, ensuring that all surplus income from parishes at Thames and Coromandel is passed on to him, and he institutes a more rigorous system for the Sunday collection at St. Patrick’s Cathedral. He imports Irish clergy to serve the growing Catholic community, and with Patrick Moran, the first Catholic Bishop of the Diocese of Dunedin, he tries unsuccessfully to secure an Irish monopoly on future episcopal appointments in New Zealand. Croke supports separate Catholic schools and their right to state aid and voices his opposition to secular education as Auckland’s Catholic schools are threatened by the provincial council’s Education Act 1872, which helps to create a free, secular and compulsory education system. However, generally, Croke’s image is uncontroversial. On January 28, 1874, after barely three years in office, Croke departs for Europe, on what is ostensibly a 12-month holiday, and he does not return to New Zealand.

Croke becomes a member of the Irish hierarchy when he is translated to be Archbishop of Cashel, one of the four Catholic Irish archbishoprics in 1875. Archbishop Croke is a strong supporter of Irish nationalism, aligning himself with the Irish National Land League during the Land War, and with the chairman of the Irish Parliamentary Party, Charles Stewart Parnell. In an 1887 interview he explains that he had opposed the League’s “No rent manifesto” in 1881, preferring to stop payment of all taxes.

Croke also associates himself with the Temperance Movement of Fr. Theobald Mathew and Gaelic League from its foundation in 1893. Within Catholicism he is a supporter of Gallicanism, as opposed to the Ultramontanism favoured by the Archbishop of Dublin, Cardinal Cullen. His support of nationalism causes successive British governments and Lord Lieutenant of Ireland‘s governments in Dublin to be deeply suspicious of him, as are some less politically aligned Irish bishops.

Following the scandal that erupts over Parnell’s relationship with Katharine O’Shea, the separated wife of fellow MP Captain William O’Shea, Archbishop Croke withdraws from active participation in nationalist politics.

Thomas Croke, 78, dies at the Archbishop’s Palace in Thurles, County Tipperary on July 22, 1902. He is buried at the Cathedral of the Assumption in Thurles. In honour of Croke, his successors as Archbishop of Cashel and Emly traditionally are asked to throw in the ball at the minor Gaelic football and All-Ireland Senior Hurling Championship finals.


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Birth of Sculptor Seamus Murphy

Seamus Murphy, Irish sculptor and stone carver best known for designing the Church of the Annunciation, Blackpool, Cork, is born near Mallow, County Cork on July 15, 1907.

Murphy is the son of James Murphy, a railway employee, and Margaret Sheehan of Little Island, County Cork. He attends Saint Patrick’s School on Gardiner’s Hill. In 1921 he enrolls as a part-time student at the Crawford School of Art, Emmet Place, Cork. In 1922 he finds work as an apprentice stone-carver at John Aloysius O’Connell’s Art Marble Works, Watercourse Road, Blackpool. There he specialises in architectural and foliage carving while continuing his studies at Crawford by night.

Murphy studies at the Académie Colarossi and at the Académie de la Grande Chaumière in Paris in 1932-1933 where he is befriended by the Irish American sculptor Andrew O’Connor. He opens his studio/workshop on Watercourse Road, Blackpool, Cork in 1934.

He is elected associate of the Royal Hibernian Academy in 1944, elected a full member in 1954, and appointed Royal Hibernian Academy Professor of Sculpture in 1964.

Also in 1944, he married Maighread Higgins, daughter of the Cork sculptor Joseph Higgins, and they go on to have three children – the knitwear designer Bebhinn Marten, the novelist Orla Murphy and the painter and De Dannan member Colm Murphy.

Murphy designs the Church of the Annunciation on Great William O’Brien Street in Blackpool, Cork, for William Dwyer in 1945. The stonework in the church is mostly by Murphy himself. It is officially dedicated on October 7, 1945.

Seamus Murphy dies in Cork on October 2, 1975. He is buried in Rathcooney, County Cork.

Examples of Murphy’s unique carvings of statues, gravestones, monuments and plaques can be seen around Cork and Ireland, including a signed panel of the four evangelists outside the entrance of the church of Our Lady and Saint John in Carrigaline, County Cork.


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Execution of the Sheares Brothers

Brothers John and Henry Sheares, both Irish lawyers and members of the Society of United Irishmen, are executed in Dublin on July 14, 1798 during the Irish Rebellion of 1798.

The Sheares brothers are the sons of Henry Sheares, a liberal banker from County Cork who also sits in the Irish Parliament for the Borough of Clonakilty. Henry attends Trinity College, Dublin, buys an officer’s commission and then studies as a lawyer, being called to the bar as a barrister in 1790. John qualifies as a barrister in 1788.

In 1792 the brothers go to Paris and are swept away by the popular enthusiasms of the French Revolution. They meet leaders such as Jacques Pierre Brissot and Jean-Marie Roland, both of whom are to be executed in 1793. In particular they witness the introduction of the guillotine, on which 1,400 are to die in 1792. On the boat from France to England they meet Daniel O’Connell, then a student, who is disgusted by the increasingly bloodthirsty nature of the revolution. O’Connell remains an advocate of non-violence thereafter.

The brothers join the United Irish movement upon their return to Dublin in January 1793, when it is still legal, and John begins to write articles for the Press, a nationalist paper. However, France declares war on Britain, and by extension on Ireland, in February 1793. The Society’s initial aims of securing Catholic emancipation and universal suffrage are unsuccessful, amounting to the administration’s 1793 Relief Act. Its stance becomes more radical, and in turn the Irish administration fears a group inspired by France, banning it in 1794.

The Sheares brothers principally organise the movement in Cork, while continuing with their legal careers. A Mr. Conway, one of their keenest members in Cork, informs the administration of their activities. During 1793 the brothers also join the Dublin Society of the United Irishmen, where another spy, Thomas Collins, passes on their names. Their other two less famous brothers enlist in the British army and are killed in action. On the arrest of most of the United Irish “Directory” members in March 1798, John is chosen as a replacement on the approach to the outbreak of rebellion. His main act at this point is to decide on the date – May 23.

The Directory fatally stays in Dublin, where the United Irish have less support. Already quietly betrayed by Conway and Collins, John also befriends Captain Warnesford Armstrong from County Down, who claims to be a busy member of the party there. John never verifies this, and Armstrong informs the authorities of the brothers’ whereabouts, also appearing as a witness in the ensuing trial. They are arrested on May 21 and indicted on June 26.

Inevitably the brothers are tried on July 12, as the rebellion is at its height, and are hanged, drawn and quartered two days later outside Newgate Prison. Their lawyer is John Philpot Curran who, with Sir Jonah Barrington, obtain a stay of execution in the hope that Henry will recant, but the brothers are already dead. They are buried at Dublin’s St. Michan’s Church. Visitors are brought to their coffins on a tour of St. Michan’s vaults.

(Pictured: The coffins of the Sheares brothers in the crypt of St. Michan’s Church)


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Birth of Bob Crowley, Theatre Designer & Director

Bob Crowley, scenic and costume theatre designer and theatre director, is born in Cork, County Cork on June 10, 1952. He is the brother of director John Crowley.

Crowley trains at the Bristol Old Vic Theatre School in Bristol, England. He designs over twenty productions for the Royal National Theatre in London including Ghetto, The Madness of George III, Carousel and The History Boys. He also designs numerous productions for the Royal Shakespeare Company including The Plantagenets, for which he wins a Laurence Olivier Award for Best Set Design, and Les Liaisons Dangereuses, which later has a successful run in London, followed by a transfer to Broadway. Opera productions include the critically acclaimed production of The Magic Flute directed by Nicholas Hytner, with whom Crowley frequently collaborates, for the English National Opera and La traviata for the Royal Opera House.

Crowley has received multiple Tony Award nominations, and has won seven times, for designing the Broadway productions of Carousel (1994), Aida (2000), The History Boys (2006), Mary Poppins (2007), The Coast of Utopia (2007), Once (2012) and An American in Paris (2015). He receives three other Tony Award nominations in 2015, two for his costumes on The Audience and An American in Paris and one for his scenic designs for Skylight. He is a recipient of the Laurence Olivier Award for Best Set Design and a three-time recipient of the Drama Desk Award for Outstanding Set Design.

Crowley designs set and costume for Mary Poppins, which plays in both the West End theatre and on Broadway. He designs and directs the Phil Collins musical Tarzan. He is the set and costume designer for Andrew Lloyd Webber‘s Love Never Dies, and the costume designer of the 2008-2009 version of The Little Mermaid.


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Birth of Cillian Murphy, Stage & Screen Actor

Cillian Murphy, actor of stage and screen, is born in Douglas, County Cork, on May 25, 1976.

Since making his debut in his home country in the late 1990s, Murphy has also become a presence in British and American cinemas noted by critics for his performances in many independent and mainstream films. He is best known as Jim in 28 Days Later (2002), the Scarecrow in The Dark Knight Trilogy (2005–12), Jackson Rippner in Red Eye (2005), Robert Capa in Sunshine (2007), Robert Fischer in Inception (2010) and Thomas Shelby in the BBC series Peaky Blinders.

Murphy begins his performing career as a rock musician. After turning down a record deal, he makes his professional acting debut in the play Disco Pigs in 1996. While continuing with stage work, he also begins appearing in independent films, first coming to international attention in 2002 as the hero of Danny Boyle‘s post-apocalyptic film 28 Days Later. Murphy’s profile continues to grow in 2005 when he appears in a series of successful films including as the Scarecrow in Christopher Nolan‘s 2005 blockbuster Batman Begins, a role he reprises in The Dark Knight (2008) and The Dark Knight Rises (2012), and in the action-thriller Red Eye (2005). For his performance as a transgender woman in Breakfast on Pluto (2005), Murphy receives a Golden Globe award nomination for Best Actor in a Musical or Comedy.

In 2006, Murphy plays the lead role in Ken Loach‘s Palme d’Or-winning film The Wind That Shakes the Barley. He teams up again with Boyle for the science-fiction film Sunshine (2007), and with Nolan for the highly successful thriller Inception (2010). Since 2013, Murphy has played the lead in the BBC gangster series Peaky Blinders. He continues to work on stage and wins the Drama Desk Award for Outstanding Solo Performance for Misterman in 2011.

In 2011 Murphy becomes patron of the UNESCO Child and Family Research Centre at the National University of Ireland Galway. He is closely associated with the work of Professor Pat Dolan Director UCFRC and UNESCO Chair in Children, Youth and Civic Engagement.

Murphy lives with his wife, Yvonne McGuinness, and two children in Monkstown, County Dublin.