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Birth of Harry Furniss, Artist & Illustrator

harry-furniss

Harry Furniss, artist and illustrator, is born in Wexford, County Wexford on March 26, 1854. His father is English and his mother Scottish, Furniss identifying himself as English. He is educated at Wesley College in Dublin.

Furniss’s first job as an illustrator is for the Illustrated Sporting and Dramatic News, and when it is purchased by the owner of The Illustrated London News he moves to that magazine. There he produces illustrations of social events such as the The Boat Race, Goodwood Racecourse and even the annual fancy dress ball at Brookwood Asylum, as well as acting as a special correspondent reporting on less pleasant aspects of life in contemporary England, such as the scandalous divorce trial of Lady Colin Campbell.

After some years Furniss moves to The Graphic, initially writing and illustrating a series of supplements titled “Life in Parliament,” and he comments that “from this time forward it would be difficult to name any illustrated paper with which I have not at some time or other been connected.”

Furniss’s most famous humorous drawings are published in Punch, for which he starts working in 1880, and to which he contributes over 2,600 drawings. He leaves Punch in 1894 when its owners discover that he has sold one of his Punch drawings to Pears Soap for use in an advertising campaign.

He illustrates Lewis Carroll‘s novel Sylvie and Bruno in 1889 and Sylvie and Bruno Concluded in 1893. Carroll and Furniss sometimes produce both pictures and text simultaneously. Carroll exerts strong control over Furniss’s illustration, to such an extent that Furniss pretends to be out when Carroll calls at his home. After completing Sylvie and Bruno Concluded Furniss vows never to work for the author again. In 1890, he illustrates the Badminton Library‘s volume on Golf.

Upon leaving Punch, Furniss brings out his own humorous magazine, Lika Joko, but when this fails, he moves to the United States where he works as a writer and actor in the fledgling film industry and where, in 1914, he pioneers the first animated cartoon film for Thomas Edison.

His two-volume autobiography, titled The Confessions of a Caricaturist is published in 1902, and a further volume of personal recollections and anecdotes, Harry Furniss At Home, is published in 1904.

Furniss writes and illustrates 29 books of his own, including Some Victorian Men and Some Victorian Women and illustrates 34 works by other authors, including the complete works of Charles Dickens and William Makepeace Thackeray. On some projects, like his illustrations for G. E. Farrow‘s Wallypug books, Furniss collaborates with his daughter, fellow artist Dorothy Furniss.

Harry Furniss dies on January 14, 1925, in London, England.


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Birth of Production Designer Cedric Gibbons

cedric-gibbons

Austin Cedric Gibbons, Irish American art director and production designer for the film industry, is born in Dublin on March 23, 1893. He also makes a significant contribution to motion picture theater architecture from the 1930s to 1950s.

Gibbons was born to architect Austin P. Gibbons and Veronica Fitzpatrick Simmons. He is privately tutored and studies at the Art Students League of New York. In 1911 he begins working in his father’s office as a junior draftsman. From 1915 he serves as art director at Edison Studios in New Jersey and then serves in the United States Navy during World War I. He then joins Goldwyn Studios and begins a long career with Metro-Goldwyn-Mayer in 1924, the year the studio is founded.

Gibbons is one of the original 36 founding members of the Academy of Motion Picture Arts and Sciences and oversees the design of the Academy Awards statuette in 1928, a trophy for which he himself would be nominated 38 times for Best Production Design, winning eleven.

In 1930, Gibbons marries actress Dolores del Río and co-designs their house in Santa Monica, an intricate Art Deco residence influenced by Rudolf Schindler. They divorce in 1941. Three years later he marries actress Hazel Brooks, with whom he remains until his death.

Gibbons’s set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspire motion picture theater architecture in the late 1930s through 1950s. The style is found very clearly in the theaters that are managed by the Skouras brothers, whose designer Carl G. Moeller uses the sweeping scroll-like details in his creations. Among the more classic examples are the Loma Theater in San Diego, The Crest in Long Beach and Fresno, and the Culver Theater in Culver City. The style is sometimes referred to as Art Deco and Art Moderne.

Gibbons retires in 1956 with about 1,500 films credited to him, however, his contract with MGM dictates that he receives credit as art director for every MGM film released in the United States, even though other designers might do the bulk of the work. Even so, his actual hands-on art direction is believed to be about 150 films.

Gibbons’ second cousin, Frederick Gibbons, a musician, orchestra conductor, and entertainer who works with him at MGM, is the father of Billy Gibbons of the rock band ZZ Top.

Cedric Gibbons dies in Los Angeles on July 26, 1960, at the age of 67. He is buried in the Calvary Cemetery, East Los Angeles.


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Birth of Melesina Trench, Writer, Poet & Diarist

melesina-trench

Melesina Trench (née Chenevix), Irish writer, poet and diarist, is born in Dublin on March 22, 1768. During her lifetime she is known more for her beauty than her writing. It is not until her son, Richard Chenevix Trench, publishes her diaries posthumously in 1861 that her work receives notice.

Melesina Chenevix is born to Philip Chenevix and Mary Elizabeth Gervais. She is orphaned before her fourth birthday and is brought up by her paternal grandfather, Richard Chenevix (1698–1779), the Anglican Bishop of Waterford and Lismore. The family is of Huguenot extraction.

After the death of Richard Chenevix she goes to live with her other grandfather, the Archdeacon Gervais. On October 31, 1786, she marries Colonel Richard St. George, who dies only four years later in Portugal, leaving one son, Charles Manners St. George, who becomes a diplomat.

Between 1799 and 1800, Melesina travels around Europe, especially Germany. It is during these travels that she meets Lord Horatio Nelson, Lady Hamilton and the cream of European society, including Antoine de Rivarol, Lucien Bonaparte, and John Quincy Adams while living in Germany. She later recounts anecdotes of these meetings in her memoirs.

On March 3, 1803, in Paris she marries her second husband, Richard Trench, who is the sixth son of Frederick Trench and brother of Frederick Trench, 1st Baron Ashtown.

After the breakdown of the Peace of Amiens, Richard Trench is detained in France by Napoleon‘s armies, and in August 1805 Melesina takes it upon herself to petition Napoleon in person and pleads for her husband’s release. Her husband is released in 1807, and the couple settles at Elm Lodge in Bursledon, Hampshire, England.

Their son, Francis Chenevix Trench, is born in 1805. In 1807, when they are on holiday in Dublin, their son Richard Chenevix Trench is born. He goes on to be the Archbishop of Dublin, renowned poet and contemporary of Alfred, Lord Tennyson. Her only daughter dies a few years later at the age of four.

Trench corresponds with, amongst others, Mary Leadbeater, with whom she works to improve the lot of the peasantry at her estate at Ballybarney. She dies at the age of 59 in Malvern, Worcestershire on May 27, 1827.

Melesina Trench’s diaries and letters are compiled posthumously by Richard Chenevix Trench as The remains of the late Mrs. Richard Trench in 1861 with an engraving of her taken from a painting by George Romney. Another oil painting, The Evening Star by Sir Thomas Lawrence, has her as a subject, and she is reproduced in portrait miniatures – one in Paris by Jean-Baptiste Isabey and another by Hamilton that is copied by the engraver Francis Engleheart.

Copies of a number of her works are held at Chawton House Library.

(Pictured: “Melesina Chenevix, Mrs. George, later Mrs. Trench,” attributed to George Romney (British, 1734–1802), oil on canvas)


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The Headford Ambush

headford-ambush

The Headford Ambush is carried out by the Irish Republican Army (IRA) on March 21, 1921, during the Irish War of Independence. The battle lasts almost an hour and fourteen people are killed – nine British soldiers, two IRA volunteers and three civilians.

The guerrilla war in County Kerry escalates rapidly in the spring of 1921. The county is occupied by the British Army, Auxiliary Division and Black and Tans paramilitary police, as well as the Royal Irish Constabulary (RIC). For the previous several months they have been burning suspected Republicans’ property and shooting suspected IRA sympathisers. By early 1921, they have begun rounding up male inhabitants of nearby towns and villages and searching for IRA suspects.

On January 23, in response to the IRA’s assassination of RIC District Inspector Sullivan, 1,000 soldiers and armed police surround Ballymacelligott, arrest 240 men and march them to Tralee for questioning. British forces, especially the Auxiliaries, also carry out a number of reprisal shootings of local civilians. The IRA sets up full-time guerrilla units, known as flying columns, to avoid arrest and to assemble units capable of taking on British patrols. IRA GHQ in Dublin also sends an organizer, Andy Cooney, to Kerry to oversee the setting up of flying columns. On March 2, under Cooney’s direction, the 2nd Kerry Brigade sets up its own flying column under Dan Allman and Tom McEllistrim. On March 5, McEllistrim leads 20 volunteers from the column to a successful ambush at Clonbanin, in which they co-operate with Cork IRA units, killing four British soldiers including Brigadier General Hanway Robert Cumming. Buoyed by their success in Cork, the 2nd Kerry Brigade tries on a number of occasions to ambush British forces in Kerry itself.

On March 21, an IRA party of the 2nd Kerry Brigade is billeted about four miles from the Headford railway junction when they hear that British troops are returning by train from Kenmare to Tralee. As the train does not go directly to Tralee, the British have to change trains at Headford, making them vulnerable to ambush. Allman, commanding 30 volunteers, reaches the junction only 12 minutes before the train, which is carrying 30 soldiers of the 1st Royal Fusiliers. The railway staff just has time to flee before the train pulls into the platform, where its passengers have to change trains for Tralee. Alongside the soldiers, the train is packed with cattle and pig farmers on their way back from the market in Kenmare. Most of the civilians have already got off when the British soldiers begin to disembark. Allman himself tries to disarm a Fusilier but shoots him when he resists. This is the signal for the IRA to open fire on the British troops.

One of the first British casualties is Lieutenant CE Adams DCM, who is shot dead when he appears at the carriage door, as are several other soldiers who are standing in front of the engine. The surviving British troops open fire from the train while those who have got off scramble underneath it for cover. In the ensuing close-quarter firefight, conducted at a range of just 20 yards, three civilians and two IRA volunteers, including Allman, are killed. Two-thirds of the British force is estimated to have been killed or wounded. Most of those killed are hit in the initial firing. Afterwards, the IRA gunmen have no direct field of fire into the troops who are hidden under the train.

MacEllistrim calls on the survivors to surrender and when they refuse, the IRA begins to move in to finish off those who keep shooting by throwing hand grenades under the train. Just as they are doing so, another train pulls into the junction carrying another party of British troops. The IRA column has used most of its ammunition and is forced to retreat, escaping toward the hills in the south.

(Pictured: British soldiers searching a train in County Kerry, 1921)


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The Assassination of Tomás Mac Curtain

Tomas-mac-curtain

Tomás Mac Curtain, Sinn Féin Lord Mayor of Cork, is assassinated in Cork, County Cork on March 20, 1920, which is also his 36th birthday.

Thomas Curtin is born at Ballyknockane, Mourne Abbey, County Cork, on March 20, 1884, the son of Patrick Curtin, a farmer, and Julia Sheehan. He attends Burnfort National School. In 1897 the family moves to Cork City, where he attends the North Monastery school.

Mac Curtain, as he later becomes known, is active in a number of cultural and political movements beginning around the turn of the 20th century. He joins the Blackpool, Cork branch of Conradh na Gaeilge, becoming its secretary in 1902. He has interests in music, poetry, history, archaeology and Irish history. He works in his early career as a clerk, and in his free time teaches Irish. In 1911 he joins Fianna Éireann and is a member of the Irish Volunteers.

He meets Elizabeth Walsh (Eibhlís Breathnach) at a Gaelic League meeting, and they marry on June 28, 1908. They have six children, five of whom survive into adulthood. The family lives over 40 Thomas Davis Street, where Mac Curtain runs a small clothing and rainwear factory.

In April 1916, at the outset of the Easter Rising, Mac Curtain commands a force of up to 1,000 men of the Irish Volunteers who assemble at various locations around County Cork. From the volunteer’s headquarters at Sheares Street in the city, Mac Curtain and his officers await orders from the volunteer leadership in Dublin, but conflicting instructions and confusion prevail and as a result the Cork volunteers never enter the fray. A tense stand-off develops when British forces surround the volunteer hall and continued for a week until a negotiated agreement leads to the surrender of the volunteers’ arms to the then Lord Mayor of Cork Thomas Butterfield on the understanding that they will be returned at a later date. This does not happen however, and Mac Curtain is jailed in Wakefield Prison, in the Frongoch internment camp in Wales, and in Reading Gaol. After the general amnesty of participants in the Rising 18 months later, Mac Curtain returns to active duty as a Commandant of what is now the Irish Republican Army.

By 1918 Mac Curtain is a brigade commander, the highest and most important rank in the IRA. During the Conscription Crisis of 1918, he actively encourages the hiring of the women of Cumann na mBan to cater for Volunteers. He is personally involved with Michael Collins‘ Squad that, along with a Cork battalion, attempt to assassinate Lord John French, whose car is missed as the convoy passes through the ambush positions. Despite the setback he remains brigadier of No.1 Cork when he is elected Lord Mayor. He is elected in the January 1920 council elections as the Sinn Féin councillor for NW Ward No. 3 of Cork and is chosen by his fellow councillors to be the Lord Mayor. He begins a process of political reform within the city.

In January 1919, the Irish War of Independence starts, and Mac Curtain becomes an officer in the IRA. On March 20, 1920, his 36th birthday, Mac Curtain is shot dead in front of his wife and son by a group of men with blackened faces, who are found to be members of the Auxilaries along with unknown members of the Royal Irish Constabulary (RIC) by the official inquest into the event. In the wake of the killing, which is in revenge for the shooting of a policeman, Mac Curtain’s house in Blackpool is ransacked.

The killing causes widespread public outrage. The coroner’s inquest passes a verdict of willful murder against British Prime Minister David Lloyd George and against certain members of the RIC. Michael Collins later orders his squad of assassins to uncover and assassinate the police officers involved in the attack. RIC District Inspector Oswald Swanzy, who had ordered the attack, is fatally shot, with Mac Curtain’s own revolver, while leaving a Protestant church in Lisburn, County Antrim on August 22, 1920, sparking what is described by Tim Pat Coogan as a “pogrom” against the Catholic residents of the town.

Tomás Mac Curtain is buried in St. Finbarr’s Cemetery, Cork.


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Birth of Artist & Illustrator Harry Clarke

harry-clarke

Henry Patrick (Harry) Clarke, Irish stained-glass artist and book illustrator, is born in Dublin on March 17, 1889. He is a leading figure in the Irish Arts and Crafts movement.

Clarke is the younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moves to Dublin from Leeds in 1877 and starts a decorating business, Joshua Clarke & Sons, which later incorporates a stained-glass division. Through his work with his father, Clarke is exposed to many schools of art but Art Nouveau in particular.

Clarke is educated at the Model School in Marlborough Street, Dublin and Belvedere College, which he leaves in 1905. After his mother’s death in 1903, he is apprenticed into his father’s studio and attends evening classes in the Metropolitan College of Art and Design. His The Consecration of St. Mel, Bishop of Longford, by St. Patrick wins the gold medal for stained glass work in the 1910 Board of Education National Competition. At the art school in Dublin, he meets fellow artist and teacher Margaret Crilley. They marry on October 31, 1914.

Clarke moves to London to seek work as a book illustrator. Picked up by London publisher George G. Harrap and Co., he starts with two commissions which are never completed. Difficulties with these projects makes Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It includes 16 colour plates and more than 24 halftone illustrations. This is followed by illustrations for an edition of Edgar Allan Poe‘s Tales of Mystery and Imagination, the second version of which, published in 1923, makes his reputation as a book illustrator. His work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. His final book, Selected Poems of Algernon Charles Swinburne, is published in 1928.

Clarke also continues to work in stained-glass, producing more than 130 windows. His glass is distinguished by the finesse of its drawing and his use of rich colours. He is especially fond of deep blues. His use of heavy lines in his black-and-white book illustrations echoes his glass techniques.

Clarke’s stained-glass work includes many religious windows, including the windows of the Honan Chapel in University College Cork. He also produces much secular stained glass such as a window illustrating John Keats‘ The Eve of St. Agnes (now in the Hugh Lane Gallery in Dublin) and the Geneva Window, (now in the Wolfsonian Museum, Miami Beach, Florida). Perhaps his most seen works are the windows he creates for Bewley’s on Dublin’s Grafton Street.

Clarke is plagued with ill health, in particular respiratory problems. He is diagnosed with tuberculosis in 1929 and goes to a sanatorium in Davos, Switzerland. Fearing that he will die abroad, he begins his journey back to Dublin in 1931, but dies on this journey on January 6, 1931, in Chur where he is buried. A headstone is erected but local law requires that the family pledge to maintain the grave 15 years after the death. This is not explained to the Clarke family and Harry Clarke’s remains are disinterred in 1946 and reburied in a communal grave.


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Birth of William Reeves, Bishop of Down, Connor & Dromore

bishop-william-reeves

William Reeves, Irish antiquarian and the Church of Ireland Bishop of Down, Connor and Dromore from 1886 until his death, is born on March 16, 1815. He is the last private keeper of the Book of Armagh and at the time of his death is President of the Royal Irish Academy.

Reeves is born at Charleville, County Cork, the eldest child of Boles D’Arcy Reeves, an attorney, whose wife Mary is a daughter of Captain Jonathan Bruce Roberts, land agent to the Edmund Boyle, 8th Earl of Cork. This grandfather had fought at the Battle of Bunker’s Hill, and Reeves is born at his house in Charleville.

From 1823, Reeves is educated at the school of John Browne in Leeson Street, Dublin, and after that at a school kept by the Rev. Edward Geoghegan. In October 1830, he enters Trinity College, Dublin, where he quickly gains a prize for Hebrew. In his third year, he becomes a scholar and goes on to graduate BA in 1835. He proceeds to read medicine, wins the Berkeley Medal, and graduates MB in 1837. His object in taking his second degree is that he intends to become a clergyman and to practice the medical profession among the poor of his parish.

In 1838, Reeves is appointed Master of the diocesan school in Ballymena, County Antrim, and is ordained a deacon of Hillsborough, County Down. The following year, he is ordained a priest of the Church of Ireland at Derry.

In 1844, Reeves rediscovers the lost site of Nendrum Monastery when he visits Mahee Island in Strangford Lough, County Down, searching for churches recorded in 1306, and recognises the remains of a round tower. By 1845, he is corresponding with the Irish scholar John O’Donovan, and an archive of their letters between 1845 and 1860 is preserved at University College, Dublin. In July 1845, Reeves visits London.

Reeves resides in Ballymena from 1841 to 1858, when he is appointed vicar of Lusk following the success of his edition of Adomnán‘s Life of Saint Columba (1857), for which the Royal Irish Academy awards him their Cunningham Medal in 1858. In 1853, he purchases from the Brownlow family the important 9th-century manuscript known as the Book of Armagh, paying three hundred pounds for it. He sells the book for the same sum to Archbishop Beresford, who has agreed to present it to Trinity College, Dublin.

In 1875 Reeves is appointed Dean of Armagh, a position he holds until 1886 when he is appointed as Bishop of Down, Connor and Dromore. In 1891 he is elected as President of the Royal Irish Academy. As bishop, he resides at Conway House, Dunmurry, County Antrim, and signs his name “Wm. Down and Connor.”

William Reeves dies in Dublin on January 12, 1892, while still President of the Academy. At the time of his death, he is working on a diplomatic edition of the Book of Armagh, by then in the Trinity College Library. The work is completed by Dr. John Gwynn and published in 1913.


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The Bombing of Nelson’s Pillar

nelsons-pillar-bombing

A powerful explosion destroys the upper portion of Nelson’s Pillar in Dublin in the early morning hours of March 8, 1966, bringing Nelson’s statue crashing to the ground amid hundreds of tons of rubble. All that is left of the Pillar is a 70-foot-high jagged stump. The pillar is seen by many as an anachronistic monument to English occupation of Ireland, especially as 1966 is the 50th anniversary of the 1916 Easter Rising.

Nelson’s Pillar is a large granite column capped by a statue of Horatio Nelson, built in the centre of what is then Sackville Street (later renamed O’Connell Street) in Dublin. It is completed in 1809 when Ireland is part of the United Kingdom. Its remnants are later destroyed by the Irish Army.

The decision to build the monument is taken by Dublin Corporation in the euphoria following Nelson’s victory at the Battle of Trafalgar in 1805. The original design by William Wilkins is greatly modified by Francis Johnston, on grounds of cost. The statue is sculpted by Thomas Kirk. From its opening on October 29, 1809, the Pillar is a popular tourist attraction, but provokes aesthetic and political controversy from the outset. A prominent city centre monument honouring an Englishman rankles as Irish nationalist sentiment grows, and throughout the 19th century there are calls for it to be removed or replaced with a memorial to an Irish hero.

During the Easter Rising in 1916 an attempt is made to blow up the pillar, but the explosives fail to ignite due to dampness. It remains in the city as most of Ireland becomes the Irish Free State in 1922, and the Republic of Ireland in 1949. The chief legal barrier to its removal is the trust created at the Pillar’s inception, the terms of which gave the trustees a duty in perpetuity to preserve the monument. Successive Irish governments fail to deliver legislation overriding the trust. Although influential literary figures such as James Joyce, William Butler Yeats and Oliver St. John Gogarty defend the Pillar on historical and cultural grounds, pressure for its removal intensifies in the years preceding the 50th anniversary of the Rising, and its sudden demise is, on the whole, well received by the public. Although it is widely believed that the action is the work of the Irish Republican Army (IRA), the police are unable to identify any of those responsible.

After years of debate and numerous proposals, the site is occupied in 2003 by the Spire of Dublin, a slim needle-like structure rising almost three times the height of the Pillar. In 2000 a former republican activist gives a radio interview in which he admits planting the explosives in 1966, but after questioning him the Gardaí decides not to take action. Relics of the Pillar are found in Dublin museums and appear as decorative stonework elsewhere, and its memory is preserved in numerous works of Irish literature.


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Birth of Author Eilís Dillon

eilis-dillon

Eilís Dillon, Irish author of 50 books, is born in Galway, County Galway on March 7, 1920. Her work has been translated into 14 languages.

Dillon is the third of five children of Professor Thomas Dillon and his wife Geraldine (née Plunkett), who is the sister of Joseph Mary Plunkett. She is raised at Dangan House outside of Galway City before moving to the small fishing village of Barna. She attends the local primary school where she becomes proficient in the Irish language and gains an intimate knowledge of tradition in the Connemara. Her family is involved in Irish revolutionary politics. Her uncle, Joseph Mary Plunkett, is a signatory of the 1916 Proclamation of the Irish Republic and is executed after the Easter Rising.

Educated by the Ursuline nuns in Sligo, she works briefly in the hotel and catering trade. In 1940 she marries Cormac Ó Cuilleanáin, an academic from University College Cork and 17 years her senior. They have at least three children, including the Irish poet and Trinity College Dublin professor Eiléan Ní Chuilleanáin and her brother, Cormac Ó Cuilleanáin, also a Trinity professor, who writes novels as Cormac Millar.

Dillon’s first books are written in Irish including An Choill Bheo, published in 1948, Oscar agus an Cóiste sé nEasóg in 1952 and Ceol na coille in 1955. After the success of The Lost Island, published in 1952, she writes almost exclusively in English. Most of her books are aimed at teen readers with themes of self-discovery and problem solving evident.

Dillon’s adult fiction career begins in 1953 with the publication of the detective novel Death at Crane’s Court. This is followed by Sent to His Account in 1954 and Death in the Quadrangle in 1956. These novels are known for their depiction of contemporary Ireland. Over the following decade Dillon publishes many novels including The Bitter Glass (1959), Across the Bitter Sea (1973) and The Wild Geese (1981).

In 1964 she moves to Rome due to her husband’s poor health. While there she acts as adviser to International Commission on English in the Liturgy. She returns to Cork with her husband in 1969 where he dies the following year. She continues to visit Italy over the next several years, setting some of her stories there including Living in Imperial Rome (1974) and The Five Hundred (1972), though these are not as popular as her Irish books. In 1974 she marries the American-based critic and professor Vivian Mercier, dividing her time between California, Italy and Dublin.

In her later years Dillon plays a prominent role in Irish culture. She is a Fellow of the Royal Society for Literature and a member of Aosdána, serves on the Irish Arts Council 1974–1979, chairs the Irish Writers’ Union and the Irish Writers’ Centre, and founds the Irish Children’s Book Trust. In 1987 she and her husband move permanently to Dublin where she supports up and coming Irish authors. Her last story is Children of Bach published in 1993.

Eilís Dillon dies on July 19, 1994, and is buried beside her second husband in Clara, County Offaly. A prize in her memory is given annually as part of the Bisto Book of the Year Awards.


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Irish Race Convention of 1916

hotel-astor-nyc

The third Irish Race Convention is held in New York City on March 4, 1916, and serves as an immediate call for the Easter Rebellion in Dublin. Previous conventions were held in Chicago (1881) and Dublin (1896). The Irish Race Conventions are a disconnected series of conventions held in Europe and the Americas between 1881 and 1994. The main participants and financial supporters of the conventions are usually Irish Americans.

The 1916 convention, comprising 2,300 delegates at the Hotel Astor, is held six weeks before the Easter Rising, and considers the division between the home Rule parties and the more militant nationalists. The Rising would be supported by Clan na Gael, but other members remain hopeful that the 1914 Home Rule Act, which had been passed but suspended during World War I, might work.

A majority at the convention support the American policy of neutrality during the war and are opposed to any alliance with Britain. Woodrow Wilson wins the United States presidential election in 1916 with help from Irish Americans and his campaign slogan of “He kept us out of War.”

An important result is the formation of the “Friends of Irish Freedom” that work as a coordinating body to support “the independence of Ireland, the industrial development of Ireland, the use and sale of Irish products, and to revive Irish culture.”

(Pictured: Hotel Astor, located in the Times Square area of Manhattan, New York City. The hotel was demolished in 1967 and replaced with the 54-story high-rise office tower One Astor Plaza.)