seamus dubhghaill

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Tag Archives: Florence (Italy)


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Death of Nancy Wynne-Jones, Welsh & Irish Artist

Nancy Wynne-Jones HRHA, a Welsh and Irish artist, dies in County Wicklow on November 9, 2006.

Mary Esperance (“Nancy”) Wynne-Jones is born on December 10, 1922, in Penmaenucha, Wales, to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra. After the start of World War II, she continues in Aberystwyth. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war, Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London, from 1951 to 1952 and the Chelsea School of Art from 1952 to 1955. She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show in 1957 at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C. (1959) and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962, Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Gallery, run by John and Patrick Taylor. She is elected an honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well-known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however, it is the death of her mentor Peter Lanyon which devastates her. She meets the sculptor Conor Fallon through their mutual friend, Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by her. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972, she moves with her family to Kinsale, County Cork. It is in the area around here that a number of her paintings are created. Later she paints the mountain visible from her Wicklow home after the family moves in the late 1980s. She moves to Ballard House, near Rathdrum, County Wicklow in 1987.

Wynne-Jones dies on November 9, 2006, and is buried in Ballinatone (Church of Ireland), Rathdrum.


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Death of Michele Esposito, Composer, Conductor & Pianist

Michele Esposito, Italian composer, conductor and pianist who spends most of his professional life in Dublin, dies on November 19, 1929.

Esposito is born at Castellammare di Stabia, near Naples, Italy, on September 29, 1855. In 1865, he wins a scholarship to the Naples Conservatory as a piano pupil of Beniamino Cesi, himself a favourite pupil of Sigismond Thalberg, and studies composition there for eight years under Paolo Serrao, teacher of Francesco Cilea and others. He is a near-contemporary of Giuseppe Martucci, and a few years the senior of Alessandro Longo, both taught by these teachers. In 1878, he goes to Paris for several years where he establishes a growing reputation.

In 1879, Esposito marries Natalia Klebnikoff, the only daughter of Pierre Klebnikoff, professor of chemistry and physics at Saint Petersburg University. They have four children, including the noted scholar, Mario Esposito.

On December 24, 1881, Esposito is visited by an old friend, Caracciolo, who is principal professor of singing at the Royal Irish Academy of Music (RIAM) in Dublin. Upon his recommendation, Esposito is offered the position of chief pianoforte professor of piano at the RIAM at Easter 1882.

Esposito remains in Dublin for more than forty years, devoting himself to the encouragement of classical music in Dublin. He inaugurates the Royal Dublin Society (RDS) chamber music recitals, with great success, and gives piano recitals for the Society every year. He establishes the Dublin Orchestral Society in 1898 and is its conductor until its disbandment in 1914. He is also the conductor of the Sunday Orchestral Concerts until they are discontinued in 1914. He conducts concerts of the London Symphony Orchestra at Woodbrook in 1913 and 1914, and also performs his piano concerto with them under the baton of Hamilton Harty. Together with Sir Stanley Cochrane, he founds the music publishing company C. E. Edition.

Esposito receives awards from the Feis Ceoil for his cantata Deirdre, his Irish Symphony and his String Quartet in D major. His Cello Sonata wins a prize from the London Incorporated Society of Musicians in 1899. His Violin Sonata in E minor gains a prize offered by La Société Nouvelle, Paris, in 1907, and his String Quartet in C minor wins another offered by the Accademia Filarmonica di Bologna.

In 1923, King Victor Emmanuel III awards Esposito the Order of the Crown of Italy, with the title “Commendatore,” to mark his contribution to Irish music.

Esposito retires in 1928 and returns to Italy after failing to revive the Dublin Orchestral Society the previous year. He dies on November 19, 1929, in Florence. He is buried at the Cimitero di Trespiano where his gravestone is inscribed with three bars of music by “H. H.” Of his four children, Vera Esposito is involved in Irish theatre, and Mario Esposito becomes a scholar of Latin learning in medieval Ireland.


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Birth of Julia O’Faolain, Novelist & Short Story Writer

Julia O’Faolain, Irish novelist and short story writer, is born in London on June 6, 1932. She works as a writer, language teacher, editor and translator and lives in France, Italy, and the United States.

Although born in England when her father, Irish writer Seán Ó Faoláin, is lecturing at the Catholic college, St. Mary’s College, at Strawberry Hill, London, O’Faolain grows up in Ireland. The family returns to Ireland when she is just one year old. They live first in Killough House in County Wicklow, where future Taoiseach Garret FitzGerald is a playmate, artist Paul Henry a neighbour and Cork writer Frank O’Connor a regular visitor. The family then moves to Knockaderry House in Killiney, County Dublin, where her father publishes the literary journal The Bell from an outhouse at the bottom of the garden. Writers, poets and intellectuals such as Patrick Kavanagh, Brendan Behan and Conor Cruise O’Brien are regular visitors and often have to entertain her while waiting to speak with her father.

O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.

In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.

In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.

O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).

O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”

As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”

O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.


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Birth of Nancy Wynne-Jones, Welsh & Irish Landscape Artist

Nancy Wynne-Jones HRHA, Welsh and Irish artist, is born Mary Esperance Wynne-Jones on December 10, 1922, in Penmaenucha, Dolgellau, Wales.

Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.

Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.

(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)


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Birth of Richard Lalor Shiel, Politician, Writer & Orator

Richard Lalor Sheil, Irish politician, writer and orator, is born at Drumdowney, Slieverue, County Kilkenny on August 17, 1791. The family is temporarily domiciled at Drumdowney while their new mansion at Bellevue, near Waterford, is under construction.

Shiel’s father is Edward Sheil, who acquires considerable wealth in Cadiz in southern Spain and owns an estate in County Tipperary. His mother is Catherine McCarthy of Springhouse, near Bansha, County Tipperary, a member of the old aristocratic family of Mac Cárthaigh Riabhach of Springhouse, who in their time were Princes of Carbery and Counts of Toulouse in France. He is taught French and Latin by the Abbé de Grimeau, a French refugee. He is then sent to a Catholic school in Kensington, London, presided over by a French nobleman, M. de Broglie. For a time, he attends the lay college in St. Patrick’s College, Maynooth. In October 1804, he is removed to Stonyhurst College, Lancashire, and in November 1807 enters Trinity College, Dublin, where he specially distinguishes himself in the debates of the Historical Society.

After taking his degree in 1811 Sheil is admitted a student of Lincoln’s Inn and is called to the Irish bar in 1814. He is one of the founders of the Catholic Association in 1823 and draws up the petition for inquiry into the mode of administering the laws in Ireland, which is presented in that year to both Houses of Parliament.

In 1825, Sheil accompanies Daniel O’Connell to London to protest against the suppression of the Catholic Association. The protest is unsuccessful, but, although nominally dissolved, the association continues its propaganda after the defeat of the Catholic Relief Bill in 1825. He is one of O’Connell’s leading supporters in the agitation persistently carried on until Catholic emancipation was granted in 1829.

In the same year Shiel is returned to Parliament for Milborne Port, and in 1831 for County Louth, holding that seat until 1832. He takes a prominent part in all the debates relating to Ireland, and although he is greater as a platform orator than as a debater, he gradually wins the somewhat reluctant admiration of the House. In August 1839, he becomes Vice-President of the Board of Trade in Lord Melbourne‘s ministry.

After the accession of Lord John Russell to power in 1846, Shiel is appointed Master of the Mint, and in 1850 he is appointed minister at the court of Tuscany. He dies in Florence on May 23, 1851. His remains are conveyed back to Ireland by a British ship-of-war, and interred at Long Orchard, near Templetuohy, County Tipperary.

George W. E. Russell says of Shiel, “Sheil was very small, and of mean presence, with a singularly fidgety manner, a shrill voice, and a delivery unintelligibly rapid. But in sheer beauty of elaborated diction not O’Connell nor anyone else could surpass him.”

Shiel’s play, Adelaide, or the Emigrants, is performed at the Crow Street Theatre in Dublin, on February 19, 1814, with success, and, on May 23, 1816, it is performed at Covent Garden in London. The Apostate, produced at the latter theatre on May 3, 1817, establishes his reputation as a dramatist. His other principal plays are Bellamira (written in 1818), Evadne (1819), Huguenot (produced in 1822) and Montini (1820).

In 1822, Sheil begins, with William Henry Curran, to contribute to The New Monthly Magazine a series of papers entitled “Sketches of the Irish Bar.” Curran, in fact, does most of the writing. These pieces are edited by Marmion Wilme Savage in 1855 in two volumes, under the title of Sketches Legal and Political. Sheil’s Speeches are edited in 1845 by Thomas MacNevin.

In 1816, Shiel marries a Miss O’Halloran, niece of Sir William MacMahon, Master of the Rolls in Ireland. They have one son, who predeceases Sheil. His wife dies in January 1822. In July 1830, he marries Anastasia Lalor Power, a widow. He then adds the middle name Lalor.


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Birth of Frederick Temple Hamilton-Temple-Blackwood, Lord Dufferin

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Frederick Temple Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava, British diplomat who is a distinguished Governor General of Canada and Viceroy and Governor-General of India and holder of Clandeboye Estate in Bangor, County Down, is born in Florence, Grand Duchy of Tuscany, Italy on June 21, 1826.

The son of Price Blackwood, 4th Baron Dufferin and Claneboye, Blackwood is educated at Eton College and Christ Church, Oxford. In his youth he is a popular figure in the court of Queen Victoria, and becomes well known to the public after publishing a best-selling account of his travels in the North Atlantic.

Lord Dufferin’s long career in public service begins as a commissioner to Syria in 1860, where his skillful diplomacy maintains British interests while preventing France from instituting a client state in Lebanon. After his success in Syria, he serves in the Government of the United Kingdom as William Ewart Gladstone’s Chancellor of the Duchy of Lancaster and Under-Secretary of State for War. He is created Earl of Dufferin in 1871.

In 1872 Lord Dufferin becomes the third Governor General of Canada, bolstering imperial ties in the early years of the Dominion. After leaving Ottawa in 1878 at the end of his term, he returns to Great Britain to continue his diplomatic career. He serves as British ambassador to Imperial Russia from 1879 to 1881. In 1881 he becomes ambassador to the Ottoman Empire and deals with the problems raised by the British occupation of the Ottoman dependency of Egypt. In 1884 he reaches the pinnacle of his diplomatic career when he succeeds George Robinson, 1st Marquess of Ripon as Viceroy and Governor-General of India and placates the British community there, which had been antagonized by Ripon’s reforms.

By the annexation of Burma (Myanmar) in 1886, Lord Dufferin consolidates British territories. For his services he is made Marquess of Dufferin and Ava when, in 1888, he retires from India. He then spends three years (1889–91) as Britain’s ambassador to Italy and four years (1892–96) as ambassador to France. He retires in 1896.

Following his retirement from the diplomatic service, Lord Dufferin’s final years are marred by personal tragedy and a misguided attempt to secure his family’s financial position. In 1897, worried about the family financial situation, he is persuaded to become chairman of the London and Globe Finance Corporation, a mining promotion and holding company controlled by Whitaker Wright. It subsequently transpires that Wright is a consummate fraudster and the firm goes bankrupt, although Lord Dufferin is not guilty of any deception and his moral standing remains unaffected. Soon after the misfortune, his eldest son, Lord Ava, is killed in the Second Boer War and another son is badly wounded.

Following the death of his son and in poor health, Lord Dufferin returns to his country house at Clandeboye, near Bangor, County Down, and dies there on February 12, 1902.

Lord Dufferin’s biographer Richard Davenport-Hines says he was “imaginative, sympathetic, warm-hearted, and gloriously versatile.” He was an effective leader in Lebanon, Canada and India, averted war with Russia, and annexed Burma. He was careless with money but charming in high society on three continents.


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Birth of Herbert Trench, Poet & Playwright

herbert-trench

Frederic Herbert Trench, Irish poet and playwright, is born at Avoncore, County Cork on November 12, 1865.

Trench is educated at Haileybury and Keble College, Oxford, and is elected a fellow of All Souls College, Oxford. In 1891, after some years spent in traveling, he is appointed an examiner in the Board of Education. He gives up this appointment in 1908 in order to devote himself to literary work.

In 1908 a dramatic symphony, Apollo and the Seaman (Op.51), written by Joseph Holbrooke setting Trench’s poem Apollo and the Seaman is performed, under Thomas Beecham. Trench then moves into theatrical work for a few years becoming director of the Theatre Royal Haymarket in London. Here he collaborates with his friend Thomas Evelyn Scott-Ellis, 8th Baron Howard de Walden. They stage The Blue Bird by Maurice Maeterlinck in 1909, and Henrik Ibsen‘s The Pretenders in 1913.

During World War I Trench works in Florence for the establishment of a better understanding between Great Britain and Italy.

From his school days Trench has been a writer of verse, and his first volume of poems, Deirdre Wed and other Poems, appears in 1901. It is followed by further poems, notably Apollo and the Seaman, included in New Poems (1907), and Lyrics and Narrative Poems (1911). Among his later publications are an Ode from Italy in time of War (1915), Poems with Fables in Prose (1917) and a poetic play Napoleon (1919), which is produced in London by the Stage Society in 1919. Some of his poems are set to music by Arnold Bax.

Herbert Trench dies in Boulogne-sur-Mer, a coastal city in Northern France, on June 11, 1923.


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Birth of Painter James Barry

james-barry-self-portrait

James Barry, Irish painter best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London, is born in Water Lane (now Seminary Road) on the northside of Cork, County Cork on October 11, 1741.

Barry first studies painting under local artist John Butts. At the schools in Cork to which he is sent he is regarded as a child prodigy. About the age of seventeen he first attempts oil painting, and between that and the age of twenty-two, when he first goes to Dublin, he produces several large paintings.

The painting that first brings him into public notice, and gains him the acquaintance and patronage of Edmund Burke, is founded on an old tradition of the landing of Saint Patrick on the sea-coast of Cashel, although Cashel is an inland town far from the sea, and of the conversion and Baptism of the King of Cashel. It is exhibited in London in 1762 or 1763 and rediscovered in the 1980s in unexhibitable condition.

In late 1765 Barry goes to Paris, then to Rome, where he remains upwards of three years, from Rome to Florence and Bologna, and thence home through Venice. He paints two pictures while abroad, an Adam and Eve and a Philoctetes.

Soon after his return to England in 1771 Barry produces his painting of Venus, which is compared to the Triumph of Galatea of Raphael, the Venus of Urbino of Titian and the Venus de’ Medici. In 1773 he exhibits his Jupiter and Juno on Mount Ida. His Death of General Wolfe, in which the British and French soldiers are represented in very primitive costumes, is considered as a falling-off from his great style of art.

In 1773 Barry publishes An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England, vindicating the capacity of the English for the fine arts and tracing their slow progress to the Reformation, to political and civil dissensions, and lastly to the general direction of the public mind to mechanics, manufactures and commerce.

In 1774 a proposal is made through Valentine Green to several artists to ornament the Great Room of the Society for the encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts), in London’s Adelphi Theatre, with historical and allegorical paintings. This proposal is rejected at the time. In 1777 Barry makes an offer, which is accepted, to paint the whole on condition that he is allowed the choice of his subjects, and that he is paid by the society the costs of canvas, paints and models. He finishes the series of paintings after seven years to the satisfaction of the members of the society. He regularly returns to the series for more than a decade, making changes and inserting new features. The series of six paintings, The progress of human knowledge and culture, has been described by critic Andrew Graham-Dixon as “Britain’s late, great answer to the Sistine Chapel.”

Soon after his return from the continent Barry is chosen a member of the Royal Academy of Arts. In 1782 he is appointed professor of painting in the room of Edward Penny with a salary of £30 a year. In 1799 he is expelled from the Academy soon after the appearance of his Letter to the Society of Dilettanti, an eccentric publication, full of enthusiasm for his art and at the same time of contempt for the living professors of it. He remains the only academician ever to be expelled by the Academy until Brendan Neiland in July 2004.

After the loss of his salary, a subscription is set on foot by the Earl of Buchan to relieve Barry from his difficulties, and to settle him in a larger house to finish his painting of Pandora. The subscription amounts to £1000, with which an annuity is bought, but on February 6, 1806 he is seized with illness and dies on February 22. His remains are interred in St. Paul’s Cathedral, London on March 4, 1806.

(Pictured: James Barry, Self-portrait, 1803, oil on canvas. National Gallery of Ireland, Dublin.)


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Birth of Marguerite Gardiner,Novelist & Journalist

marguerite-power-farmer-gardiner

Marguerite Gardiner, Countess of Blessington, Irish novelist, journalist, and literary hostess, is born near Clonmel, County Tipperary on September 1, 1789. She becomes acquainted with Lord Byron in Genoa and writes a book about him.

Born Margaret Power, she is a daughter of Edmund Power and Ellen Sheehy, small landowners. She is “haphazardly educated by her own reading and by her mother’s friend Ann Dwyer.” Her childhood is blighted by her father’s character and poverty, and her early womanhood made wretched by a compulsory marriage at the age of fifteen to Captain Maurice St. Leger Farmer, an English officer whose drunken habits finally bring him as a debtor to the King’s Bench Prison, where he dies by falling out of a window in October 1817. She had left him after three months of marriage.

Marguerite later moves to Hampshire, England to live for five years with the family of Thomas Jenkins, a sympathetic and literary sea captain. Jenkins introduces her to the Irishman Charles John Gardiner, 1st Earl of Blessington, a widower with four children and seven years her senior. They marry at St. Mary’s, Bryanston Square, Marylebone, on February 16, 1818, only four months after the death of her first husband.

Of rare beauty, charm and wit, Lady Blessington is no less distinguished for her generosity and for the extravagant tastes she shares with her second husband, which results in encumbering his estates with debt. On August 25, 1822, they set out for a continental tour with Marguerite’s youngest sister, the 21-year-old Mary Anne, and servants. On the way they meet Count Alfred D’Orsay, who had first become an intimate of Lady Blessington in London in 1821, in Avignon on November 20, 1822, before settling at Genoa for four months from March 31, 1823. There they meet Lord Byron on several occasions, giving Lady Blessington material for her Conversations with Lord Byron.

After that they settle for the most part in Naples, where she meets the Irish writer Richard Robert Madden, who is to become her biographer. They also spend time in Florence with their friend Walter Savage Landor, author of Imaginary Conversations which she greatly admires.

It is in Italy, on December 1, 1827, that Count D’Orsay marries Harriet Gardiner, Lord Blessington’s only daughter by his former wife. The Blessingtons and the newlywed couple move to Paris towards the end of 1828, taking up residence in the Hôtel Maréchal Ney, where the Earl suddenly dies at the age of 46 of an apoplectic stroke in 1829. D’Orsay and Harriet then accompanied Lady Blessington to England, but the couple separates soon afterwards amidst much acrimony. D’Orsay continues to live with Lady Blessington until her death. Their home, first at Seymour Place, and afterwards Gore House, Kensington, now the site of the Royal Albert Hall, become a centre of attraction for all that is distinguished in literature, learning, art, science and fashion. Benjamin Disraeli writes Venetia whilst staying there, and it is at her home that Hans Christian Andersen first meets Charles Dickens.

After her husband’s death Lady Blessington supplements her diminished income by contributing to various periodicals as well as by writing novels. She is for some years editor of The Book of Beauty and The Keepsake, popular annuals of the day. In 1834 she publishes her Conversations with Lord Byron. Her Idler in Italy (1839–1840), and Idler in France (1841) are popular for their personal gossip and anecdotes, descriptions of nature and sentiment.

Early in 1849, Count D’Orsay leaves Gore House to escape his creditors. Subsequently the furniture and decorations are sold in a public sale successfully discharging Lady Blessington’s debts. She joins the Count in Paris, where she dies on June 4, 1849, of a burst heart. On examination it is discovered that her heart is three times normal size.

(Pictured: Marguerite, Countess of Blessington, painted by Sir Thomas Lawrence in 1822)


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Birth of Soprano Catherine Hayes

Catherine Hayes, world-famous Irish soprano of the Victorian era, is born in Limerick, County Limerick, on October 25, 1818. According to London‘s Daily Express, “Hayes was the ‘Madonna‘ of her day; she was the 19th-century operatic equivalent of the world’s most famous pop star.”

Hayes is born into abject poverty. After five years of vocal study in Paris and Milan she makes her debut at the Italian Opera in Marseilles, in Vincenzo Bellini‘s I Puritani in May 1845, followed by performances of Gaetano Donizetti‘s Lucia di Lammermoor and Gioachino Rossini‘s Mosé in Egitto.

Her debut at La Scala in Milan quickly followed in 1845 with phenomenal success. Shortly thereafter the young Giuseppe Verdi becomes interested in her for one of his new operas. Her great success continues in Vienna, as well as in Venice, Florence, Genoa, Rome and other cities in Italy, where she becomes the most sought after Lucia di Lammermoor.

Early in 1849, Hayes accepts a contract to sing at the Royal Opera House, Covent Garden, London where she makes her debut in Linda di Chamounix in April. In June 1849, she receives an invitation to sing at Buckingham Palace for Queen Victoria and 500 guests. After an evening of Italian music, when the Queen requests an encore, Hayes with a smile sings the beautiful Irish rebel song “Kathleen Mavourneen.”

During Ireland’s Great Famine in November 1849, her emotional return to her native country results in rave notices for her performance in Lucia di Lammermoor and other operas and concerts in Dublin, Limerick and Cork. Her success is now almost complete.

In 1851 Hayes goes to the United States, where Jenny Lind is creating such a wave of success. Hayes gives concerts in New York City, Boston, Toronto, Philadelphia, Washington, D.C., Charleston, Savannah and New Orleans and forty-five other places including the river towns along the Mississippi River, with equal success. She meets presidents, statesmen and business leaders along the way. She is also destined to meet her future lover and husband in America, Jenny Lind’s former manager. Her travels take her to the “gold rush” in the San Francisco area in the 1850s, where her presence creates a furor, singing for the miners and the elite of San Francisco. The great showman P.T. Barnum sponsors her tour.

She sings in opera and concerts in Peru and Chile, then travels to Hawaii where she gives a concert before continuing on to Australia. Hayes is the first great European opera star to visit Australia. She is mentioned in most Australian history books about early culture in the young colony.  She also travels to Calcutta, India where she performs for the British Military and then on to Singapore and Batavia (Java) before returning to Australia for more opera and concerts.

Hayes returns to England in August 1856, after an absence of five years.  On October 8, 1857, at St. George’s, Hanover Square, she marries William Avery Bushnell. He soon falls into ill-health and dies at Biarritz, France, on July 2, 1858. After her husband’s death she takes part in concerts in London and the country towns.

Catherine Hayes dies in the house of a friend, Henry Lee, at Roccles, Upper Sydenham, Kent, on August 11, 1861, and is buried in Kensal Green Cemetery.