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Birth of James FitzJames Butler, 2nd Duke of Ormonde

James FitzJames Butler, 2nd Duke of Ormonde, KG, Irish statesman and soldier, is born into a Protestant family on April 29, 1665, at Dublin Castle. He is the third of the Kilcash branch of the family to inherit the earldom of Ormond. He serves in the campaign to put down the Monmouth Rebellion, in the Williamite War in Ireland, in the Nine Years’ War and in the War of the Spanish Succession but is accused of treason and goes into exile after the Jacobite rising of 1715.

Butler is the second but eldest surviving son, and one of eleven children, of Thomas Butler by his wife Emilia van Nassau-Beverweerd. His father is known as Lord Ossory. His father is heir apparent of James Butler, 1st Duke of Ormond but predeceases him and so never becomes duke. His father’s family, the Butler dynasty, is Old English and descends from Theobald Walter, who had been appointed Chief Butler of Ireland by King Henry II in 1177. His mother is Dutch. She descends from a cadet branch of the House of Nassau.

Butler is educated in France and afterwards at Christ Church, Oxford. On the death of his father on July 30, 1680, he becomes Baron Butler in the peerage of England and the 7th Earl of Ossory in the peerage of Ireland.

Butler obtains command of a cavalry regiment in Ireland in 1683 and having received an appointment at court on the accession of James II, he serves against the Duke of Monmouth at the Battle of Sedgemoor in July 1685. Having succeeded his grandfather as 2nd Duke of Ormonde on July 21, 1688, he is appointed a Knight of the Order of the Garter on September 28, 1688. In 1688, he also becomes Chancellor of the University of Dublin and Chancellor of the University of Oxford.

In January and February 1689, Butler votes against the motion to put William of Orange and Mary on the throne and against the motion to declare that James II has abdicated it. Nevertheless, he subsequently joins the forces of William of Orange, by whom he is made colonel of the 2nd Troop of Horse Guards on April 20, 1689. He accompanies William in his Irish campaign, debarking with him in Carrickfergus on June 14, 1690, and commands this troop at the Battle of the Boyne in July 1690. In February 1691 he becomes Lord Lieutenant of Somerset.

Butler serves on the continent under William of Orange during the Nine Years’ War and, having been promoted to major general, he fights at the Battle of Steenkerque in August 1692 and the Battle of Landen in July 1693, where he is taken prisoner by the French and then exchanged for the Duke of Berwick, James II’s illegitimate son. He is promoted to lieutenant general in 1694.

After the accession of Queen Anne in March 1702, Butler becomes commander of the land forces co-operating with Sir George Rooke in Spain, where he fights in the Battle of Cádiz in August 1702 and the Battle of Vigo Bay in October 1702 during the War of the Spanish Succession (1701–1714). Having been made a Privy Councillor, he succeeds Lord Rochester as Lord Lieutenant of Ireland in 1703. In 1704, he leases and rebuilds a property that becomes known as Ormonde Lodge in Richmond outside London.

Following the dismissal of the Duke of Marlborough, Butler is appointed Commander-in-Chief of the Forces and colonel of the 1st Regiment of Foot Guards on January 4, 1712, and Captain General on February 26, 1712. In the Irish Parliament he and the majority of peers support the Tory interest.

Butler plays a dramatic role at the notorious meeting of the Privy Council on March 8, 1711, when Antoine de Guiscard, a French double agent who is being questioned about his treasonable activities, attempts to assassinate Robert Harley, 1st Earl of Oxford, against whom he has a personal grudge for drastically cutting his allowance, by stabbing him with a penknife. Harley is wounded, but not seriously, due largely to the fact that he is wearing a heavy gold brocade waistcoat in which the knife gets stuck. Several Councillors, including Butler, stab Guiscard in return. Guiscard implores Butler to finish the deed, but he replies that it is not for him to play the hangman. In any case, he has the sense to see that Guiscard must be kept alive at least long enough to be questioned, although as it turns out Guiscard’s wounds are fatal, and he dies a week later.

On April 23, 1712, Butler leaves Harwich for Rotterdam to lead the British troops taking part in the war. Once there he allows himself to be made the tool of the Tory ministry, whose policy is to carry on the war in the Netherlands while giving secret orders to him to take no active part in supporting their allies under Prince Eugene. In July 1712, he advises Prince Eugene that he can no longer support the siege of Le Quesnoy and that he is withdrawing the British troops from the action and instead intends to take possession of Dunkirk. The Dutch are so exasperated at the withdrawal of the British troops that they close the towns of Bouchain on Douai to British access, despite the fact that they have plenty of stores and medical facilities available. Butler takes possession of Ghent and Bruges as well as Dunkirk, in order to ensure his troops are adequately provided for. On April 15, 1713, he becomes Lord Lieutenant of Norfolk.

Ormonde’s position as Captain-General makes him a personage of much importance in the crisis brought about by the death of Queen Anne and, during the last years of Queen Anne, he almost certainly has Jacobite leanings and corresponds with the Jacobite Court including his cousin, Piers Butler, 3rd Viscount Galmoye, who keeps barrels of gunpowder at Kilkenny Castle. King George I, on his accession to the throne in August 1714, institutes extensive changes and excludes the Tories from royal favour. Butler is stripped of his posts as Captain-General, as colonel of the 1st Regiment of Foot Guards and as Commander in Chief of the Forces with the first two posts going to the Duke of Marlborough and the role of Commander-in-Chief going to John Dalrymple, 2nd Earl of Stair. On November 19, 1714, Butler is instead made a member of the reconstituted Privy Council of Ireland.

Accused of supporting the Jacobite rising of 1715, Butler is impeached for high treason by Lord Stanhope on June 21, 1715. He might avoid the impending storm of Parliamentary prosecution, if he remains in England and stands trial but instead, he chooses to flee to France in August 1715 and initially stays in Paris with Henry St. John, 1st Viscount Bolingbroke. On August 20, 1715, he is attainted, his estate forfeited, and honours extinguished. The Earl Marshal is instructed to remove the names and armorial bearings of Butler and Bolingbroke from the list of peers and his banner as Knight of the Garter is taken down in St. George’s Chapel.

On June 20, 1716, the Parliament of Ireland passes an act extinguishing the regalities and liberties of the county palatine of Tipperary; for vesting Butler’s estate in the crown and for giving a reward of £10,000 for his apprehension, should he attempt to land in Ireland. But the same parliament passes an act on June 24, 1721, to enable his brother, Charles Butler, 1st Earl of Arran, to purchase his estate, which he does accordingly.

Butler subsequently moves to Spain where he holds discussions with Cardinal Giulio Alberoni. He later takes part in a Spanish and Jacobite plan to invade England and puts James Francis Edward Stuart on the British throne in 1719, but his fleet is disbanded by a storm in the Bay of Biscay. In 1732, he moves to Avignon, where he is seen in 1733 by the writer Lady Mary Wortley Montagu. He dies at Avignon in exile on November 16, 1745, but his body is returned to London and buried in Westminster Abbey on May 22, 1746.

On July 20, 1682, Butler, then called Lord Ossory, marries Lady Anne Hyde, daughter of Laurence Hyde, who is then Viscount Hyde of Kenilworth but becomes Earl of Rochester in November. The couple has a daughter, Mary, who dies young in 1688.

Following the death of his first wife in 1685, Butler plans to marry again in order to secure a male heir. He gains permission from the House of Lords for the arranging of a jointure for another marriage in May 1685, and in August of that year, he marries Lady Mary Somerset, daughter of the Duke of Beaufort and Mary Capel. The couple has a son, Thomas (1686–1689), and two daughters, Elizabeth (1689–1750) and Mary (1690–1713). His second wife is a Lady of the Bedchamber to Queen Anne. Their younger daughter, Mary, marries John Ashburnham, 1st Earl of Ashburnham.

(Pictured: Portrait of James Butler, 2nd Duke of Ormonde, by Michael Dahl, National Portrait Gallery)


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Birth of Piers Butler, 3rd Viscount Galmoye

Piers Butler, 3rd Viscount Galmoye, otherwise Viscount Galmoy, an Anglo-Irish nobleman, is born on March 21, 1652. He is descended from Thomas Butler, 10th Earl of Ormond, and is the son of Edward Butler, 2nd Viscount Galmoye, and Eleanor (née Whyte), daughter of Sir Nicholas Whyte of Leixlip, County Kildare.

Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.

Under James II of England Butler is Privy Councillor of Ireland, Lieutenant of the County of Kilkenny, and Colonel of the 2nd Regiment of Irish Horse. Serving as part of the Jacobite Irish Army, he commands a regiment at the Battle of the Boyne and serves with distinction in the Battle of Aughrim. He is one of the signatories of the Treaty of Limerick. At the Glorious Revolution, he might have been able to secure his old estates of 10,000 acres in Kilkenny and 5,000 in Wexford, had he consented to give his allegiance to William III of England rather than following Patrick Sarsfield and James II into exile in France. Instead, the English Parliament attaints him and declares his titles forfeited in 1697 by the statute 9 Will. 3. c. 4.

In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.

Butler marries Anne Mathew and with her has one son, Colonel Edward Butler, who is killed at the Battle of Malplaquet in 1709. After the death of his first wife, he marries Henrietta FitzJames, the illegitimate daughter of King James II and Arabella Churchill and the widow of Henry Waldegrave, 1st Baron Waldegrave, on April 3, 1695. She deserts him and returns to England.

Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”

Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.


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Death of Playwright T. C. Murray

Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia.

Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).


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Execution of George Plantagenet, Duke of Clarence

George Plantagenet, Duke of Clarence, an English nobleman who engages in several major conspiracies against his brother, King Edward IV, is executed for high treason in the Tower of London on February 18, 1478, allegedly by drowning in a butt of malmsey wine.

Plantagenet is born in Dublin Castle on October 21, 1449, the sixth child and third surviving son of Richard Plantagenet, 3rd Duke of York, and Cecily Neville, Duchess of York, and the brother of English kings Edward IV and Richard III. His father’s struggle to gain power precipitates the Wars of the Roses (1455–85) between the houses of York and Lancaster.

Soon after Edward IV becomes king in March 1461, Plantagenet is made Duke of Clarence, and in 1462 he is appointed Lord Lieutenant of Ireland. However, around 1468, he falls under the influence of Richard Neville, 16th Earl of Warwick, who is losing the control that he had formerly exercised over the King. In defiance of Edward IV, he marries Neville’s daughter Isabel in Église Notre-Dame de Calais in July 1469. Then, in March 1470, he and Neville secretly support an armed uprising in northern England. When Edward IV discovers their treachery, they flee to France but return in September.

After Edward IV goes into exile, Plantagenet and Neville put the ineffectual Lancastrian monarch Henry VI, deposed in 1461, back on the throne. But Plantagenet soon becomes disenchanted with Neville’s management of the government. When Edward IV returns from exile in March 1471, the brothers become reconciled, and Plantagenet, who fights in the battles that lead to Edward’s restoration, is created, by right of his wife, first Earl of Warwick on March 25, 1472, and first Earl of Salisbury in a new creation.

After his wife dies on December 22, 1476, Plantagenet seeks to wed Mary, Duchess of Burgundy. But when Edward IV objects to that match also, the embittered Plantagenet once more begins scheming against his brother. Edward IV becomes convinced that his brother is aiming at his throne. Plantagenet is thrown into prison, and in January 1478 the King unfolds the charges against his brother to Parliament. He had slandered the King, had received oaths of allegiance to himself and his heirs, and had prepared for a new rebellion. Both houses of Parliament pass the bill of attainder, he is “privately executed” at the Tower of London on February 18, 1478, by tradition in the Bowyer Tower, and soon after the event, a rumour spreads that he had been drowned in a butt of malmsey wine.

Two of Plantagenet’s children survive their father: Margaret Pole, Countess of Salisbury (1473–1541), and Edward Plantagenet, 17th Earl of Warwick (1475–99), who passes the greater part of his life in prison and is beheaded in November 1499.

Plantagenet is a principal character in two of William Shakespeare‘s history plays: Henry VI, Part 3 and The Tragedy of Richard the Third. Shakespeare portrays him as weak-willed and changeable.


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Birth of Lilian Davidson, Artist, Teacher & Writer

Lilian Davidson ARHA, Irish landscape and portrait artist, teacher and writer, is born on January 26, 1879, at Castle Terrace, Bray, County Wicklow.

Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.

Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).

Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.

Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.

Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.

As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”

Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.


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Death of Myles Byrne, United Irishman & French Army Officer

Myles Byrne, United Irishman, French army officer, and author, dies at his house in the rue Montaigne (now rue Jean Mermoz, 8th arrondissement, near Champs-Élysées), Paris on January 24, 1862.

Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.

When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.

Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.

Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.

Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.

After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.

An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”

A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.

Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.

Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.

(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)


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Birth of Mildred Anne Butler, Animal & Genre Painter

Mildred Anne Butler, Irish artist who works in watercolour and oil of landscape, genre and animal subjects, is born on January 11, 1858, in Kilmurry, a Georgian house near Thomastown, County Kilkenny.

The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.

In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.

Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”

Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.

In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.

(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Waddell Cunningham, Belfast Merchant

Waddell Cunningham, merchant and public figure in Georgian-era Belfast, dies at his restored house in Hercules Street (now Royal Avenue) in Belfast on December 15, 1797, seven months before the Irish Rebellion of 1798.

Cunningham is born in 1728 or 1729 at Ballymacilhoyle in the parish of Killead, County Antrim, the youngest son in the large family of John Cunningham and his wife, Jane, daughter of James Waddell of Islandderry, a townland in the parish of Dromore, County Down. The extended families of Cunningham and Waddell have interests in farming, linen, provisioning, and overseas trade. By 1752, no doubt with support from his family, Cunningham is in New York City trading near the meal market. Just as the Seven Years’ War is beginning in May 1757, he becomes the local partner of a Belfast merchant, Thomas Greg. While carrying on a wide range of commercial activities, the firm of Greg & Cunningham specialises in the flaxseed trade with Ireland and becomes “the most successful Irish American transatlantic trading partnership of the colonial period.” He amasses a large fortune from trade, some of it illicit, during the war, and becomes one of the largest shipowners in the American port. This enables the partners to purchase a 150-acre estate, which they rename “Belfast,” on the West Indies island of Dominica, just as it is passing, by the Treaty of Paris (1763), from French to British rule. It is possible that the estate is managed by Greg’s brother, John.

Sometime after suffering imprisonment for assaulting a fellow merchant (July–August 1763), Cunningham returns to Ireland, leaving the firm in the charge of junior partners until its dissolution in 1775. In Belfast he enters into a second partnership with Greg in May 1765 comprising all their business activities other than those in New York. In November 1765, he also marries Greg’s sister-in-law Margaret, second daughter of a Belfast merchant, Samuel Hyde. He lives in a large house in Hercules Street, later renamed Royal Avenue, which serves also as the premises for his many business interests, commercial, financial, industrial, and agricultural. In 1767, he and Greg start the manufacture of vitriol at a factory by the River Lagan at Lisburn, 12 km from Belfast. They open up fisheries in Donegal and Sligo, exporting herring to the West Indies as food for slaves. They also trade Irish horses and mules for West Indian sugar and American tobacco, the sugar being processed by them at the New Sugar House in Waring Street, Belfast. During the American Revolutionary War (1775–83), he illegally ships linen uniforms to the insurgent colonists. He becomes a middleman on the estate of Arthur Chichester, 5th Earl of Donegall, by obtaining leases of land in the Templepatrick district of County Antrim, a venture that involves him in disputes with tenant farmers resulting in an attack by the Hearts of Steel on Belfast and the destruction by fire of his home on December 23, 1771.

Despite this setback, Cunningham becomes the foremost Belfast merchant. As well as those mentioned, he has interests in shipping, brewing, glass manufacture and flour milling. When a chamber of commerce is set up in 1783, he is elected president, a position he holds until 1790. In the 1780s, in partnership with William Brown, John Campbell and Charles Ranken, he opens a bank. Known as Cunningham’s Bank, it closes on December 31, 1793, likely as a result of the recession brought on by the outbreak of war between England and France.

A prominent Volunteer, Cunningham joins the movement as a lieutenant in 1778 and is captain of the 1st Belfast company from 1780 until the dissolution of the Volunteers in 1793. Entering politics, he fails to be nominated as a parliamentary candidate for Belfast by its patron, Lord Donegall, at the general election of 1783, but stands for Carrickfergus at a February 1784 by-election on a platform of parliamentary reform and is returned – a rare distinction for a Presbyterian – by 474 votes to 289. A petition against his return is lodged successfully, but he remains an MP until March 1785, when he is defeated in a new election. It is during this period that he, probably the wealthiest, most enterprising merchant in Belfast and having, as he does, Caribbean interests, proposes in December 1784 fitting out a ship to engage in the Atlantic slave trade. The proposal comes to nothing but is the subject of intense debate in the 1920s between two rival Belfast local historians, Francis Joseph Bigger and Samuel Shannon Millin.

Cunningham plays a prominent role on several Belfast boards – those of White Linen Hall, the harbour, poorhouse, and dispensary. He gives money to the first Catholic chapel, St. Mary’s, opened in the town in 1784, and to the First Belfast Presbyterian congregation, as well as providing a site for a meeting house for his own congregation, Second Belfast, in 1767. Staunch in his advocacy of the reform of parliament, he becomes a member of the Northern Whig Club in 1790. He is cautious, however, about Catholic relief, for he fears its possible consequences. On July 14, 1792, an organiser of a Volunteer display to mark the third anniversary of the fall of the Bastille, he balks even at a very moderately worded resolution in favour of the Catholics. Thereafter he becomes increasingly ill-disposed toward reform and when the Belfast yeoman infantry is formed in 1797, he becomes captain of the 4th company.

Cunningham dies on December 15, 1797, at his restored house in Hercules Street. He and his wife have no children. His property in Ireland (worth £60,000) passes to James Douglas, youngest son of his sister Jane, who had married their first cousin, Cunningham’s personal clerk Robert Douglas. His name had already passed to Thomas Greg’s son, Cunningham Greg, who takes over Greg’s business after his death. Cunningham’s portrait is painted by Robert Home. A mausoleum is built over the Cunningham vault at Knockbreda Church cemetery overlooking Belfast.

(From: “Cunningham, Waddell” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Henry Armstrong, Politician & Member of Parliament

Henry Bruce Wright Armstrong, Northern Irish barrister, politician and Unionist Member of Parliament (MP) for Mid Armagh from June 1921 until 1922, dies on December 4, 1943.

Born on July 27, 1844, at Hull House, Sholden, Kent, England, Armstrong is the second surviving son of William Jones Wright Armstrong, Justice of the Peace (JP), Deputy Lieutenant and High Sheriff of Armagh, and Frances Elizabeth, widow of Sir Michael McCreagh, and daughter of Major Christopher Wilson. He is educated at The Royal School, Armagh, and Trinity College, Cambridge, gaining a BA (2nd Class Law Tripos) in 1867 and an MA in 1870. He is called to the English bar (Inner Temple) in 1868. He practises in England for four years. During this period, he also travels widely in Europe, the East, and the Far East, witnessing the last of the German army leave France after the Franco–Prussian War (1870–71) and acting as a copy carrier for The Daily News while in Metz in 1873.

Known principally for his contribution to Ulster politics at local level, Armstrong serves as JP and is appointed High Sheriff of Armagh for 1875 and High Sheriff of Longford for 1894. He is a County Councillor for Armagh from 1899 to 1920, and a Member of the Irish Convention in 1917–18. Vice-Lieutenant of County Armagh in 1920, he is a Senator of Queen’s University Belfast from 1920 to 1937.

Armstrong is returned unopposed to the Imperial House of Commons for Mid-Armagh in the 1921 Mid Armagh by-election, at the advanced age of 76, becoming one of the oldest first-time MPs whose birth date is recorded. Certainly, he immediately becomes the oldest member of the current House of Commons. He is a Senator of Northern Ireland from 1921 to 1937, and Lord Lieutenant of Armagh from 1924 to 1939. For twenty-five years he is a member of the Representative Body of the Church of Ireland. He is Chairman of the County Armagh Education Committee from 1925 to 1931, and President of the Association of Education Committees of Northern Ireland. In 1932, he is made a Privy Councillor for Northern Ireland, and in 1938 he serves as a Justice for the Government of Northern Ireland in the absence of the Governor.

In his later years, Armstrong provides financial support for Jewish refugees fleeing Nazi-occupied Europe.

In 1883, Armstrong marries Margaret Leader, daughter of William Leader of Rosnalea, County Cork. They have five sons and three daughters, of whom C. W. Armstrong also becomes a politician.

Armstrong dies at his home in Dean’s Hill, Armagh, on December 4, 1943, at the age of 99 years.


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Death of Sir James Ware, Anglo-Irish Historian

Sir James Ware, historian, collector of manuscripts, and civil servant, dies at his home in Castle Street, Dublin, on December 1, 1666.

Ware is born on November 16, 1594, in Castle Street, Dublin, eldest surviving son among ten children of Sir James Ware, auditor general, and his wife Mary Bryden, sister of Sir Ambrose Briden of Maidstone, Kent, England, whose house provides Ware’s base in England. His father, a Yorkshireman, comes to Ireland in the train of Lord Deputy of Ireland Sir William FitzWilliam in 1588 and builds up a substantial landed estate. He enters Trinity College Dublin (TCD), where his father is the college auditor, as a fellow commoner in 1605 and is presented a silver standing bowl in 1609. His association with the college continues, as he particularly remembers the philosophy lectures of Anthony Martin, who becomes a fellow in 1611. He takes his MA on January 8, 1628, but by then he has already launched on his future course. His father procures him the reversion of his office in 1613, and by 1620 he already owns the Annals of Ulster and is taking notes from the Black Book of Christ Church. In 1621, he marries Elizabeth Newman, daughter of Jacob Newman, one of the six clerks in chancery. Newman becomes clerk of the rolls in 1629, which apparently facilitates Ware’s assiduous research in the Irish public records.

From Ware’s numerous surviving notebooks, it is possible to follow his scholarly tracks over the rest of his life. He is particularly concerned to trace the succession of the Irish bishops. The first fruits appear in print in 1626, Archiepiscoporum Cassiliensium et Tuamensium . . . adjicitur historia coenobiorum Cisterciensium Hiberniae, followed in 1628 by De presulibus Lageniae . . ., the whole to be rounded off in 1665 with De presulibus Hiberniae. . . . However, he has wide interests in Irish history and in 1633 edits Edmund Spenser‘s A View of the Present State of Irelande and the Irish histories of Edmund Campion, Meredith Hanmer, and Henry of Marlborough. The first Irish biographical dictionary follows in 1639, De scriptoribus Hiberniae. Both publications are dedicated to the viceroy, Thomas Wentworth. In public life he is a supporter, first of Wentworth, later of James Butler, 1st Duke of Ormond, rather than a leader, and always a stout royalist. He is knighted in 1630 and following his father’s death in 1632 he succeeds as auditor general. He is elected member of parliament for Dublin University in 1634, 1640, and 1661, but is not admitted to the Privy Council of Ireland until 1640.

Shortly after the outbreak of rebellion in October 1641, Ware is in England, and in London at the time of the passing of the Adventurers’ Act 1640, presumably on the council’s business. During Ormond’s prolonged negotiations with the confederates, he is sent to advise the king at Oxford in November 1645. While there he works in the Bodleian Library and is incorporated into the university as a Doctor of Civil Law. On his way back to Ireland in January 1646, he is captured at sea by a parliament ship and held prisoner in the Tower of London until October 1646.

When Ormond is arranging the surrender of Dublin to the parliament in the summer of 1647, Ware is sent to London as one of the hostages for his performance of the terms. Back in Dublin he has been replaced as auditor general but is able to carry on his work on the public records. In 1648 he publishes the catalogue of his manuscript library. As a leading royalist he is unwelcome to those governing the city for the parliament and is sent into exile in France on April 7, 1649, with his eldest son, also James, who already holds the reversion of the auditor generalship and eventually succeeds his father. He is allowed to live in London from October 1650, and from 1653, when hostilities end in Ireland, he is allowed brief visits there, perhaps taking up residence again in 1658.

Ware’s years in London are spent in the library of Archbishop of Armagh James Ussher, then in Lincoln’s Inn, and in the Royal, Cotton, Carew, and Dodsworth libraries. He publishes his De Hibernia et antiquitatibus ejus disquisitiones in 1654, lamenting the inaccessibility of his notes, then in Dublin. The second edition, published in 1658, also includes the annals of Henry VII. His Opuscula Sancto Patricio . . . adscripta . . . appears in 1656. In it he remarks that his knowledge of the Irish language is not expert enough for an edition of the ‘Lorica’. According to Roderick O’Flaherty, Ware can read and understand but not speak Irish. For the older language he employs Irish scholars, Dubhaltach Mac Fhirbhisigh being the last and most learned. The 1660 Stuart Restoration sees him back as auditor general and one of the commissioners for the Irish land settlement. He publishes annals of Henry VIII in 1662, and in 1664 annals for 1485–1558.

Ware dies in his house in Castle Street on December 1, 1666, and is buried in the family vault in St. Werburgh’s Church, Dublin. He has numerous friends among the scholars of the day, including Irish Franciscans, across the sectarian divide. While clergy lists are still partly dependent on his work, his notebooks and manuscripts remain of first importance for the study of medieval Ireland. Of his ten children, two boys and two girls survive him. His wife dies on June 9, 1651. The engraving by George Vertue prefixed to Harris’ edition of Ware’s Works is claimed to be based on a portrait in the possession of the family.

(From: “Ware, Sir James” by William O’Sullivan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)