Soon after Edward IV becomes king in March 1461, Plantagenet is made Duke of Clarence, and in 1462 he is appointed Lord Lieutenant of Ireland. However, around 1468, he falls under the influence of Richard Neville, 16th Earl of Warwick, who is losing the control that he had formerly exercised over the King. In defiance of Edward IV, he marries Neville’s daughter Isabel in Église Notre-Dame de Calais in July 1469. Then, in March 1470, he and Neville secretly support an armed uprising in northern England. When Edward IV discovers their treachery, they flee to France but return in September.
After Edward IV goes into exile, Plantagenet and Neville put the ineffectual Lancastrian monarch Henry VI, deposed in 1461, back on the throne. But Plantagenet soon becomes disenchanted with Neville’s management of the government. When Edward IV returns from exile in March 1471, the brothers become reconciled, and Plantagenet, who fights in the battles that lead to Edward’s restoration, is created, by right of his wife, first Earl of Warwick on March 25, 1472, and first Earl of Salisbury in a new creation.
After his wife dies on December 22, 1476, Plantagenet seeks to wed Mary, Duchess of Burgundy. But when Edward IV objects to that match also, the embittered Plantagenet once more begins scheming against his brother. Edward IV becomes convinced that his brother is aiming at his throne. Plantagenet is thrown into prison, and in January 1478 the King unfolds the charges against his brother to Parliament. He had slandered the King, had received oaths of allegiance to himself and his heirs, and had prepared for a new rebellion. Both houses of Parliament pass the bill of attainder, he is “privately executed” at the Tower of London on February 18, 1478, by tradition in the Bowyer Tower, and soon after the event, a rumour spreads that he had been drowned in a butt of malmsey wine.
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.
When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.
Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.
Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.
Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.
After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.
An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”
A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.
Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.
Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.
(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)
The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.
In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.
Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”
Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.
In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.
(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Cunningham is born in 1728 or 1729 at Ballymacilhoyle in the parish of Killead, County Antrim, the youngest son in the large family of John Cunningham and his wife, Jane, daughter of James Waddell of Islandderry, a townland in the parish of Dromore, County Down. The extended families of Cunningham and Waddell have interests in farming, linen, provisioning, and overseas trade. By 1752, no doubt with support from his family, Cunningham is in New York City trading near the meal market. Just as the Seven Years’ War is beginning in May 1757, he becomes the local partner of a Belfast merchant, Thomas Greg. While carrying on a wide range of commercial activities, the firm of Greg & Cunningham specialises in the flaxseed trade with Ireland and becomes “the most successful Irish American transatlantic trading partnership of the colonial period.” He amasses a large fortune from trade, some of it illicit, during the war, and becomes one of the largest shipowners in the American port. This enables the partners to purchase a 150-acre estate, which they rename “Belfast,” on the West Indies island of Dominica, just as it is passing, by the Treaty of Paris (1763), from French to British rule. It is possible that the estate is managed by Greg’s brother, John.
Sometime after suffering imprisonment for assaulting a fellow merchant (July–August 1763), Cunningham returns to Ireland, leaving the firm in the charge of junior partners until its dissolution in 1775. In Belfast he enters into a second partnership with Greg in May 1765 comprising all their business activities other than those in New York. In November 1765, he also marries Greg’s sister-in-law Margaret, second daughter of a Belfast merchant, Samuel Hyde. He lives in a large house in Hercules Street, later renamed Royal Avenue, which serves also as the premises for his many business interests, commercial, financial, industrial, and agricultural. In 1767, he and Greg start the manufacture of vitriol at a factory by the River Lagan at Lisburn, 12 km from Belfast. They open up fisheries in Donegal and Sligo, exporting herring to the West Indies as food for slaves. They also trade Irish horses and mules for West Indian sugar and American tobacco, the sugar being processed by them at the New Sugar House in Waring Street, Belfast. During the American Revolutionary War (1775–83), he illegally ships linen uniforms to the insurgent colonists. He becomes a middleman on the estate of Arthur Chichester, 5th Earl of Donegall, by obtaining leases of land in the Templepatrick district of County Antrim, a venture that involves him in disputes with tenant farmers resulting in an attack by the Hearts of Steel on Belfast and the destruction by fire of his home on December 23, 1771.
Despite this setback, Cunningham becomes the foremost Belfast merchant. As well as those mentioned, he has interests in shipping, brewing, glass manufacture and flour milling. When a chamber of commerce is set up in 1783, he is elected president, a position he holds until 1790. In the 1780s, in partnership with William Brown, John Campbell and Charles Ranken, he opens a bank. Known as Cunningham’s Bank, it closes on December 31, 1793, likely as a result of the recession brought on by the outbreak of war between England and France.
A prominent Volunteer, Cunningham joins the movement as a lieutenant in 1778 and is captain of the 1st Belfast company from 1780 until the dissolution of the Volunteers in 1793. Entering politics, he fails to be nominated as a parliamentary candidate for Belfast by its patron, Lord Donegall, at the general election of 1783, but stands for Carrickfergus at a February 1784 by-election on a platform of parliamentary reform and is returned – a rare distinction for a Presbyterian – by 474 votes to 289. A petition against his return is lodged successfully, but he remains an MP until March 1785, when he is defeated in a new election. It is during this period that he, probably the wealthiest, most enterprising merchant in Belfast and having, as he does, Caribbean interests, proposes in December 1784 fitting out a ship to engage in the Atlantic slave trade. The proposal comes to nothing but is the subject of intense debate in the 1920s between two rival Belfast local historians, Francis Joseph Bigger and Samuel Shannon Millin.
Cunningham plays a prominent role on several Belfast boards – those of White Linen Hall, the harbour, poorhouse, and dispensary. He gives money to the first Catholic chapel, St. Mary’s, opened in the town in 1784, and to the First Belfast Presbyterian congregation, as well as providing a site for a meeting house for his own congregation, Second Belfast, in 1767. Staunch in his advocacy of the reform of parliament, he becomes a member of the Northern Whig Club in 1790. He is cautious, however, about Catholic relief, for he fears its possible consequences. On July 14, 1792, an organiser of a Volunteer display to mark the third anniversary of the fall of the Bastille, he balks even at a very moderately worded resolution in favour of the Catholics. Thereafter he becomes increasingly ill-disposed toward reform and when the Belfast yeoman infantry is formed in 1797, he becomes captain of the 4th company.
Cunningham dies on December 15, 1797, at his restored house in Hercules Street. He and his wife have no children. His property in Ireland (worth £60,000) passes to James Douglas, youngest son of his sister Jane, who had married their first cousin, Cunningham’s personal clerk Robert Douglas. His name had already passed to Thomas Greg’s son, Cunningham Greg, who takes over Greg’s business after his death. Cunningham’s portrait is painted by Robert Home. A mausoleum is built over the Cunningham vault at Knockbreda Church cemetery overlooking Belfast.
(From: “Cunningham, Waddell” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Known principally for his contribution to Ulster politics at local level, Armstrong serves as JP and is appointed High Sheriff of Armagh for 1875 and High Sheriff of Longford for 1894. He is a County Councillor for Armagh from 1899 to 1920, and a Member of the Irish Convention in 1917–18. Vice-Lieutenant of County Armagh in 1920, he is a Senator of Queen’s University Belfast from 1920 to 1937.
Armstrong is returned unopposed to the Imperial House of Commons for Mid-Armagh in the 1921 Mid Armagh by-election, at the advanced age of 76, becoming one of the oldest first-time MPs whose birth date is recorded. Certainly, he immediately becomes the oldest member of the current House of Commons. He is a Senator of Northern Ireland from 1921 to 1937, and Lord Lieutenant of Armagh from 1924 to 1939. For twenty-five years he is a member of the Representative Body of the Church of Ireland. He is Chairman of the County Armagh Education Committee from 1925 to 1931, and President of the Association of Education Committees of Northern Ireland. In 1932, he is made a Privy Councillor for Northern Ireland, and in 1938 he serves as a Justice for the Government of Northern Ireland in the absence of the Governor.
In his later years, Armstrong provides financial support for Jewish refugees fleeing Nazi-occupied Europe.
In 1883, Armstrong marries Margaret Leader, daughter of William Leader of Rosnalea, County Cork. They have five sons and three daughters, of whom C. W. Armstrong also becomes a politician.
Armstrong dies at his home in Dean’s Hill, Armagh, on December 4, 1943, at the age of 99 years.
Ware is born on November 16, 1594, in Castle Street, Dublin, eldest surviving son among ten children of Sir James Ware, auditor general, and his wife Mary Bryden, sister of Sir Ambrose Briden of Maidstone, Kent, England, whose house provides Ware’s base in England. His father, a Yorkshireman, comes to Ireland in the train of Lord Deputy of Ireland Sir William FitzWilliam in 1588 and builds up a substantial landed estate. He enters Trinity College Dublin (TCD), where his father is the college auditor, as a fellow commoner in 1605 and is presented a silver standing bowl in 1609. His association with the college continues, as he particularly remembers the philosophy lectures of Anthony Martin, who becomes a fellow in 1611. He takes his MA on January 8, 1628, but by then he has already launched on his future course. His father procures him the reversion of his office in 1613, and by 1620 he already owns the Annals of Ulster and is taking notes from the Black Book of Christ Church. In 1621, he marries Elizabeth Newman, daughter of Jacob Newman, one of the six clerks in chancery. Newman becomes clerk of the rolls in 1629, which apparently facilitates Ware’s assiduous research in the Irish public records.
From Ware’s numerous surviving notebooks, it is possible to follow his scholarly tracks over the rest of his life. He is particularly concerned to trace the succession of the Irish bishops. The first fruits appear in print in 1626, Archiepiscoporum Cassiliensium et Tuamensium . . . adjicitur historia coenobiorum Cisterciensium Hiberniae, followed in 1628 by De presulibus Lageniae . . ., the whole to be rounded off in 1665 with De presulibus Hiberniae. . . . However, he has wide interests in Irish history and in 1633 edits Edmund Spenser‘s A View of the Present State of Irelande and the Irish histories of Edmund Campion, Meredith Hanmer, and Henry of Marlborough. The first Irish biographical dictionary follows in 1639, De scriptoribus Hiberniae. Both publications are dedicated to the viceroy, Thomas Wentworth. In public life he is a supporter, first of Wentworth, later of James Butler, 1st Duke of Ormond, rather than a leader, and always a stout royalist. He is knighted in 1630 and following his father’s death in 1632 he succeeds as auditor general. He is elected member of parliament for Dublin University in 1634, 1640, and 1661, but is not admitted to the Privy Council of Ireland until 1640.
Shortly after the outbreak of rebellion in October 1641, Ware is in England, and in London at the time of the passing of the Adventurers’ Act 1640, presumably on the council’s business. During Ormond’s prolonged negotiations with the confederates, he is sent to advise the king at Oxford in November 1645. While there he works in the Bodleian Library and is incorporated into the university as a Doctor of Civil Law. On his way back to Ireland in January 1646, he is captured at sea by a parliament ship and held prisoner in the Tower of London until October 1646.
When Ormond is arranging the surrender of Dublin to the parliament in the summer of 1647, Ware is sent to London as one of the hostages for his performance of the terms. Back in Dublin he has been replaced as auditor general but is able to carry on his work on the public records. In 1648 he publishes the catalogue of his manuscript library. As a leading royalist he is unwelcome to those governing the city for the parliament and is sent into exile in France on April 7, 1649, with his eldest son, also James, who already holds the reversion of the auditor generalship and eventually succeeds his father. He is allowed to live in London from October 1650, and from 1653, when hostilities end in Ireland, he is allowed brief visits there, perhaps taking up residence again in 1658.
Ware’s years in London are spent in the library of Archbishop of ArmaghJames Ussher, then in Lincoln’s Inn, and in the Royal, Cotton, Carew, and Dodsworth libraries. He publishes his De Hibernia et antiquitatibus ejus disquisitiones in 1654, lamenting the inaccessibility of his notes, then in Dublin. The second edition, published in 1658, also includes the annals of Henry VII. His Opuscula Sancto Patricio . . . adscripta . . . appears in 1656. In it he remarks that his knowledge of the Irish language is not expert enough for an edition of the ‘Lorica’. According to Roderick O’Flaherty, Ware can read and understand but not speak Irish. For the older language he employs Irish scholars, Dubhaltach Mac Fhirbhisigh being the last and most learned. The 1660 Stuart Restoration sees him back as auditor general and one of the commissioners for the Irish land settlement. He publishes annals of Henry VIII in 1662, and in 1664 annals for 1485–1558.
Ware dies in his house in Castle Street on December 1, 1666, and is buried in the family vault in St. Werburgh’s Church, Dublin. He has numerous friends among the scholars of the day, including Irish Franciscans, across the sectarian divide. While clergy lists are still partly dependent on his work, his notebooks and manuscripts remain of first importance for the study of medieval Ireland. Of his ten children, two boys and two girls survive him. His wife dies on June 9, 1651. The engraving by George Vertue prefixed to Harris’ edition of Ware’s Works is claimed to be based on a portrait in the possession of the family.
(From: “Ware, Sir James” by William O’Sullivan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
At dawn on the morning of November 20, 1917, the 16th (Irish) Division of the British Army assaults an area of the German lines known as “Tunnel Trench,” named for an elaborate tunnel system that runs along it. The attack is meant as a diversion for the main attack, about eight miles to the southeast at Cambrai, France, where six infantry and two cavalry divisions of the British Expeditionary Force, with additional support from fourteen squadrons of the Royal Flying Corps, join the British Tank Corps in a surprise attack on the German lines.
By autumn 1917, three years into World War I, continuous shelling and lack of drainage has transformed the Ypres Salient, on the Western Front, into a waterlogged quagmire. In Ireland, meanwhile, a month earlier, Eamon de Valera becomes president of Sinn Féin and decides to push for an independent Irish republic. Despite the growing political turmoil at home, in France, on firm ground near the town of Cambrai, the British Army’s 16th (Irish) Division again proves to be formidable adversaries for the Germans.
According to the divisional historian, at Cambrai, the “swift and successful operation by 16th Division was a model of attack with a limited objective.” In addition to securing 3,000 yards of trench, 635 prisoners are captured from the German army’s 470th and 471st Regiments and 330 German bodies are counted in the trenches. More importantly, though, the mayhem caused by the diversionary assault contributes greatly to the initial success of the Cambrai offensive, though the offensive eventually sputters, dragging the war into 1918.
Cambrai becomes the field of operations when the British Commander-in-Chief, Field MarshalDouglas Haig, recognising that it is impossible to launch further military operations in the Ypres sector, seeks a new battlefield where he hopes success can be achieved before year’s end. Lieutenant ColonelJohn Fuller of the Tank Corps and GeneralJulian Byng, commander of the Third Army, recommend that a massed assault by 400 tanks should be mounted across the firm, chalky ground to the southwest of Cambrai. Haig adopts this proposal, confident that the tanks can punch a hole through the mighty Hindenburg Line and allow his underused Cavalry Divisions to break through to the enemy rear.
In order to create maximum confusion among the Germans, Sir Aylmer Haldane, commander of VI Corps, is ordered to stage a diversionary attack. The area selected for the assault is about eight miles to the northwest of Cambrai, where the British line passes through the villages of Bullecourt and Fontaine-lès-Croisilles. The units select to make this subsidiary attack are 3rd Army and 16th (Irish) Division.
The defences of the Hindenburg Line opposite VI Corps positions consists of Tunnel Trench, a heavily defended front-line trench, with a second, or support trench, some 300 yards behind. The whole area is scattered with concrete machine gun forts, or Mebus, similar to those that had decimated the 16th (Irish) Division at the Battle of Langemarck three months earlier.
Tunnel Trench is so called because it has a tunnel 30 or 40 feet below ground along its entire length, with staircase access from the upper level every 25 yards. The entire tunnel has electric lighting, and side chambers provide storage space for bunks, food, and ammunition. Demolition charges are set that can be triggered from the German rear in order to prevent the defences from falling into British hands.
The 16th (Irish) Division, attacking on a three-brigade front, is assigned the task of capturing a 2,000-yard section of the trench network. On the right flank of the Irishmen, 3rd Division’s 9th Brigade is detailed to capture an additional 800 yards. One unusual feature of the attack is that there is to be no preliminary bombardment as surprise is the key to the success of the operation. Once the assault begins, however, 16th (Irish) Division’s artillery, reinforced with guns from the 34th Division, is to open a creeping barrage upon the German positions.
The morning of the advance, November 20, is overcast, with low visibility. At 6:20 a.m., the Divisional 18 pounder-field guns open fire, and the leading assault companies spring from their jump-off positions. At the same time, Stokes mortars begin to lay a smoke barrage upon the German trenches in imitation of a gas attack. This deception proves successful, as many German troops don cumbersome gas masks and retreat to the underground safety of the tunnel, thus leaving the exposed portion of the trench undefended.
On the left flank, the attack of the 49th Brigade is launched by 2nd Royal Irish Regiment and 7/8th Royal Irish Fusiliers. They quickly cross the 200 yards of no-man’s-land and reach the enemy frontline just as the barrage lifts. Resistance above ground is minimal, and storming parties began the task of flushing the Germans from the tunnel with Mills bombs and bayonets.
Once the tunnel is secure, sappers, acting on information obtained by 7th Leinster Regiment’s intelligence officer, cut the leads connecting the demolition charges. Supporting companies then press on to capture Tunnel Support Trench, while Divisional support units rapidly wire and made secure the new defensive front in anticipation of German counterattacks.
Only on the extreme left flank does 49th Brigade encounter any serious opposition. In this sector, Company “B” of the 7/8th Royal Irish Fusiliers suffers heavy losses inflicted by concentrated machine gun fire from Mebus Flora. Nearly one-hour elapses before resistance from this strong point can be overcome.
In the centre, 10th and 2nd Royal Dublin Fusiliers head the attack of the 48th Brigade. The advance here is so rapid that the Irish find many Germans still wearing gas masks and unable to fight. Two more Mebus, Juno and Minerva, are stormed and many more prisoners taken, particularly by 10th Royal Dublin Fusiliers which captures 170 Germans.
After capturing their assigned section of Tunnel Trench, two companies of Rangers press forward to assault the strong points known as Mars and Jove. The Division had learned from the disastrous frontal attack made at Langemarck, and so the Rangers work around to the rear before pressing home with the bayonet.
Unfortunately, 3rd Division fails in its attempt to capture the trench network immediately to the right of 16th (Irish) Division, and the flank of the Connaught Rangers is thus exposed to a savage counterattack. The Rangers ferociously engage the Germans and use captured “potato masher” grenades brought up from the tunnel to great effect. Eventually, overwhelming numbers begin to tell, and “A” Company is forced to yield Jove and fall back upon “B” Company, which is holding Mars.
These two isolated companies doggedly hold their ground for several hours. The situation only improves when the Divisional pioneer battalion, the 11th Hampshire Regiment, digs a communication trench across the fire-swept no-man’s-land, thereby allowing the support companies of the Rangers to come to the aid of their comrades. The front is finally stabilised three days later when 7th Leinster Regiment recaptures and consolidates Jove and successfully assaults the untaken section of Tunnel Trench.
On the first day of the Battle of Cambrai, General Byng’s eight attacking Divisions achieve complete surprise and pierce the Hindenburg Line, driving the Germans back four miles toward Cambrai itself. Having captured 8,000 prisoners and 100 guns for the loss of only 5,000 British casualties, it is small wonder that church bells are sounded in celebration in Britain for the first time during the war.
Unfortunately, Byng lacks sufficient reserves to exploit, or consolidate his success, and German counterattacks, launched by some 20 Divisions, recover most of the lost ground. Although the battle ultimately ends in failure for the British, the willingness to employ new weaponry and tactics at Cambrai and during the diversionary assault upon Tunnel Trench, points the way to the final victory in 1918.
Although the capture of Tunnel Trench contributes greatly to the early success at Cambrai, it proves costly as VI Corps suffers 805 casualties. Most of these occur close to Jove Mebus, where the Connaught Rangers had engaged the enemy in hand-to-hand combat.
Perhaps an idea of the ferocious nature of this form of trench warfare can be gleaned from Father William Doyle, chaplain of the 8th Royal Irish Fusiliers, who once remarks, “We should have had more prisoners, only a hot-blooded Irishman is a dangerous customer when he gets behind a bayonet and wants to let daylight through everybody.”
(From: “Tunnel Trench: 16th (Irish) Division Clears the Way at Cambrai,” by Kieron Punch, posted by The Wild Geese, http://www.thewildgeese.irish, January 18, 2013 | Pictured: Troops from the Royal Irish Regiment about to go into action at Cambrai)
The Battle of the Somme ends on November 18, 1916. This dreadful battle claims more Irish lives in combat than any other battle in history.
On the first day of battle alone, July 1, 1916, twenty thousand soldiers of the British Army are killed and forty thousand are wounded. The 36th (Ulster) Division suffers an estimated 5,500 casualties, almost all of whom are drawn from what is now Northern Ireland. Nearly 2,000 Irish soldiers are killed in the first few hours of fighting following a morning mist that poet Siegfried Sassoon references as “of the kind commonly called heavenly.”
The Battle of the Somme, also known as the Somme Offensive, is a battle in World War I fought by the armies of the British Empire and the French Third Republic against the German Empire. It takes place between July 1 and November 18, 1916, on both sides of the upper reaches of the river Somme in France. The battle is intended to hasten a victory for the Allies and is the largest battle of World War I on the Western Front. More than 3 million men fight in this battle and one million men are wounded or killed, making it one of the bloodiest battles in human history.
The French and British commit themselves to an offensive on the Somme during Allied discussions at Chantilly, Oise, in December 1915. The Allies agree upon a strategy of combined offensives against the Central Powers in 1916, by the French, Russian, British and Italian armies, with the Somme offensive as the Franco-British contribution. Initial plans call for the French army to undertake the main part of the Somme offensive, supported on the northern flank by the Fourth Army of the British Expeditionary Force (BEF). When the Imperial German Army begins the Battle of Verdun on the Meuse on February 21, 1916, French commanders divert many of the divisions intended for the Somme and the “supporting” attack by the British becomes the principal effort.
The first day on the Somme, July 1, sees a serious defeat for the German Second Army, which is forced out of its first position by the French Sixth Army, from Foucaucourt-en-Santerre south of the Somme to Maricourt on the north bank and by the Fourth Army from Maricourt to the vicinity of the Albert–Bapaume Road. The first day on the Somme is, in terms of casualties, also the worst day in the history of the British Army, which suffers 57,470 casualties. These occur mainly on the front between the Albert–Bapaume road and Gommecourt, where the attack is defeated, and few British troops reach the German front line. The British troops on the Somme comprise a mixture of the remains of the pre-war standing army, the Territorial Force, and Kitchener’s Army, a force of volunteer recruits including many Pals Battalions, recruited from the same places and occupations.
The battle is notable for the importance of air power and the first use of the tank. At the end of the battle, British and French forces have penetrated 6 miles into German-occupied territory, taking more ground than in any of their offensives since the First Battle of the Marne in 1914. The Anglo-French armies fail to capture Péronne and halt three miles from Bapaume, where the German armies maintain their positions over the winter. British attacks in the Ancre valley resume in January 1917 and force the Germans into local withdrawals to reserve lines in February, before the scheduled retirement to the Siegfriedstellung (Hindenburg Line) begins in March.
Debate continues over the necessity, significance and effect of the battle. David Frum opines that a century later, “‘the Somme’ remains the most harrowing placename” in the history of the British Commonwealth.
(Pictured: Men of the Royal Irish Rifles rest during the opening hours of the Battle of the Somme. July 1, 1916)
Emmett is born in the Hammond’s Marsh area of Cork, County Cork, on April 24, 1764, the son of Dr. Robert Emmet from County Tipperary (later to become State Physician of Ireland) and Elizabeth Mason of County Kerry, both of whose portraits are today displayed at Cork’s Crawford Art Gallery. He is the elder brother of Robert Emmet, who is executed for leading the Irish Rebellion of 1803, becoming one of Ireland’s most famous republican martyrs. His sister, Mary Anne Holmes, holds similar political beliefs.
Emmet is a man of liberal political sympathies and becomes involved with a campaign to extend the democratic franchise for the Irish Parliament and to end discrimination against Catholics. He is called to the Irish bar in 1790 and quickly obtains a practice, principally as counsel for prisoners charged with political offenses. He also becomes the legal adviser of the Society of the United Irishmen.
When the Dublin Corporation issues a declaration of support of the Protestant Ascendancy in 1792, the response of the United Irishmen is their nonsectarian manifesto which is largely drawn up by Emmet. In 1795 he formally takes the oath of the United Irishmen, becoming secretary in the same year and a member of the executive in 1797. As by this time the United Irishmen had been declared illegal and driven underground, any efforts at peaceful reform of government and Catholic emancipation in Ireland are abandoned as futile, and their goal is now the creation of a non-sectarian Irish republic, independent from Britain and to be achieved by armed rebellion. Although Emmet supports this policy, he believes that the rebellion should not commence until French aid has arrived, differing from more radical members such as Lord Edward FitzGerald.
British intelligence infiltrates the United Irishmen and manages to arrest most of their leaders on the eve of the rebellion. Though not among those taken at the house of Oliver Bond on March 12, 1798, Emmet is arrested about the same time and is one of the leaders imprisoned initially at Kilmainham Gaol and later in Scotland at Fort George until 1802. Upon his release he goes to Brussels where he is visited by his brother Robert in October 1802 and is informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain are briefly at peace, and the Emmets’ pleas for help are turned down by Napoleon.
Emmet receives news of the failure of his brother’s rising in July 1803 in Paris, where he is in communication with Napoleon. He then emigrates to the United States and joins the New York bar where he obtains a lucrative practice.
After the death of Matthias B. Hildreth, Emmet is appointed New York State Attorney General in August 1812 but is removed from office in February 1813 when the opposing Federalist Party obtains a majority in the Council of Appointment.
seamus dubhghaill 