seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Huguenots


by Leave a comment

Birth of Mary Leadbeater, Irish Quaker Author & Diarist

Mary Leadbeater (née Shackleton), Irish Quaker author and diarist, is born in the planned Quaker settlement of Ballitore, County Kildare, on December 1, 1758. She writes and publishes extensively on both secular and religious topics ranging from translation, poetry, letters, children’s literature and biography. Her accounts of the Irish Rebellion of 1798 provide an insight into the effects of the Rebellion on the community in Ballitore.

Shackleton is the daughter of Richard Shackleton (1726–92) by his second wife, Elizabeth Carleton (1726–66), and granddaughter of Abraham Shackleton, schoolmaster of Edmund Burke. Her parents are Quakers. She keeps a personal diary for most of her life, beginning at the age of eleven and writing in it almost daily. There 55 extant volumes of her diaries in the National Library of Ireland.

Shackleton is educated, and her literary studies are aided by Aldborough Wrightson, a man who had been educated at Ballitore school and had returned to die there. In 1784, she travels to London with her father and pays several visits to Burke’s town house, where she meets Sir Joshua Reynolds and George Crabbe. She also goes to Beaconsfield, and on her return writes a poem in praise of the place and its owner, which is acknowledged by Burke on December 13, 1784, in a long letter. On her way home she visits, at Selby, North Yorkshire, some primitive Quakers whom she describes in her journal.

On January 6, 1791, Shackleton marries William Leadbeater, a former pupil of her father and a descendent of the Huguenot Le Batre and Gilliard families. He becomes a prosperous farmer and landowner in Ballitore. She spends many years working in the village post office and also works as a bonnet-maker and a herbal healer for the village. The couple lives in Ballitore and have six children. Their daughter Jane dies at a young age from injuries sustained after an accident with a wax taper. Another daughter, Lydia, is a friend and possible patron of the poet and novelist Gerald Griffin.

On her father’s death in 1792, Leadbeater receives a letter of consolation from Burke. Besides receiving letters from Burke, she corresponds with, among others, Maria Edgeworth, George Crabbe, and Melesina Trench. On May 28, 1797, Burke writes one of his last letters to her.

Leadbeater describes in detail the effects of the Irish Rebellion of 1798 on the lives of her family and neighbours in Ballitore. She is in Carlow on Christmas Day 1796 attending a Quaker meeting when the news arrives that the French fleet has been seen off Bantry. She describes the troops marching out of the town and the ensuing confusion in Carlow and Ballitore.

Leadbeater’s first literary work, Extracts and Original Anecdotes for the Improvement of Youth, is published anonymously in 1794 in Dublin. It contains an account of the history of Quakerism and several poems on secular and religious subjects.

In 1808, Leadbeater publishes Poems with a metrical version of her husband’s prose translation of Maffeo Vegio‘s Thirteenth Book of the Æneid. She next publishes in 1811 Cottage Dialogues among the Irish Peasantry, of which four editions, with some alterations and additions, appear by 1813. In 1813, she tries to instruct the rich on a similar plan in The Landlord’s Friend. Intended as a sequel to Cottage Dialogues, in which persons of quality are made to discourse on such topics as beggars, spinning-wheels, and Sunday in the village, Tales for Cottagers, which she brings out in 1814 in conjunction with Elizabeth Shackleton, is a return to the original design. The tales illustrate perseverance, temper, economy, and are followed by a moral play, Honesty is the Best Policy.

In 1822, Leadbeater concludes this series with Cottage Biography, being a Collection of Lives of the Irish Peasantry. The lives are those of real persons, and contain some interesting passages, especially in the life of James Dunn, a pilgrim to Lough Derg. Many traits of Irish country life appear in these books, and they preserve several of the idioms of the English-speaking inhabitants of the Pale. Memoirs and Letters of Richard and Elizabeth Shackleton … compiled by their Daughter is also issued in 1822. Her Biographical Notices of Members of the Society of Friends who were resident in Ireland appears in 1823, and is a summary of their spiritual lives, with a scanty narrative of events. Her last work is The Pedlars, a Tale, published in 1824.

Leadbeater’s best known work, the Annals of Ballitore, is not printed until 1862, when it is brought out with the general title of The Leadbeater Papers (2 vols.) by Richard Davis Webb, a printer who wants to preserve a description on rural Irish life. It tells of the inhabitants and events of Ballitore from 1766 to 1823, and few books give a better idea of the character and feelings of Irish cottagers, of the premonitory signs of the rebellion of 1798, and the Rebellion itself. The second volume includes unpublished letters of Burke and the correspondence with Mrs. Richard Trench and with Crabbe.

Leadbeater dies at Ballitore on June 27, 1826, and is buried in the Quaker burial-ground there.


by Leave a comment

Birth of William La Touche, Founder of the Bank of Ireland

William George Digges La Touche, diplomat and banker, is born in Dublin on August 28, 1747, the third son of James Digges La Touche and his second wife, Martha (née Thwaites) of St. Stephen’s Green, Dublin. He is admitted to St. Paul’s School, London, on August 30, 1757. In 1764, he accompanies “Mr. Moore,” the British resident at Basra, to the Persian Gulf. La Touche acts as personal secretary to Moore for a number of years before succeeding him as British resident. Basra is then one of the key trading places for the East India Company, and both the British and Dutch governments have official representation there. La Touche obtains the respect of both Arabs and Europeans. At the siege of Basra in 1775, he gives refuge to prominent citizens of the city and their families. When Az Zubayr is captured by the Persians in the same year, La Touche allegedly ransoms all of the inhabitants at his own expense to save them from slavery.

While serving in the east for twenty years, La Touche collects illuminated Persian manuscripts, some of which come from the royal library at Shiraz. A number of these volumes are presented to Trinity College Dublin (TCD) in 1786 and 1787. He returns to London around 1784 and marries Grace, daughter of John Puget, a wealthy London-based banker of Huguenot origins.

By 1786, he settles in Dublin and becomes a partner of the La Touche bank. In the years 1786, 1788, 1790, 1792, 1794, and 1796, he sits on the board of the Bank of Ireland. He is an active opponent of the Acts of Union and chairs a large meeting on the subject in 1798. Like other members of his family, he gives large sums to charity and is a governor of Dr. Steevens’ Hospital and the Lying-in Hospital, Dublin, and a director of the Grand Canal Company. He lives on St. Stephen’s Green, Dublin, and at Sans Souci, a country estate that he purchases at Booterstown, Dublin.

La Touche dies in Dublin on November 6, 1803, leaving four sons. A small pastel portrait of him, and another of his wife Grace, probably by Hugh Douglas Hamilton is in the Bank of Ireland collection. Lye is known to have had his portrait painted in oils by Gilbert Stuart.

(From: “La Touche, William George Digges,” by Daniel Beaumont, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of John Roberts, Anglo-Irish Architect

John Roberts, Anglo-Irish architect working in the Georgian style, dies in Waterford, County Waterford, on May 23, 1796. He is best known for the buildings he designed in that city.

Roberts is born in Waterford in 1712 or 1714, the son of Thomas Roberts, an architect and builder. Little is known of his early life, although he possibly trains in London for a time. At 17, he elopes with Mary Susannah Sautelle, a Huguenot heiress who also lives in Waterford.

In 1746, Roberts is asked by the Church of Ireland (Protestant) Bishop of Waterford and Lismore, Richard Chenevix, to complete the new Bishop’s Palace.

Around 1760 Roberts designs Mount Congreve, near Kilmeadan.

In 1785, Roberts builds a house in Waterford for William Morris, now the Harbour Commissioners’ headquarters and the Chamber of Commerce. In 1786, he designs Newtown House, later Newtown School, a Quaker school. In 1787, he designs The Leper Hospital and Church of St. Stephen. He also builds the Assembly Rooms on Waterford’s Mall in 1788, which is now the Theatre Royal and City Hall.

Roberts had the unusual distinction of designing both the Protestant and Catholic cathedrals of Waterford: Christ Church Cathedral (1770s) and the Cathedral of the Most Holy Trinity (1790s) respectively.

Outside of Waterford, Roberts designs Curraghmore and Mount Congreve (both in County Waterford), St Iberius’ Church (Wexford) and is reputed to have designed Tyrone House (County Galway), Cappoquin House(County Waterford) and Moore Hall, County Mayo.

Roberts has between 21 and 24 children with his wife Susannah, of whom eight live to adulthood, including the painters Thomas Roberts and Thomas Sautelle Roberts. They live for many years in the old bishop’s palace, opposite the cathedral, with a country residence at Roberts Mount. He is nicknamed “Honest John” because he pays his workers so reliably, sometimes giving half their pay directly to their wives so that it would not be wasted on alcohol.

Roberts dies on May 23, 1796, after falling asleep on the floor of the Cathedral of the Most Holy Trinity, Waterford, and contracting pneumonia. The main square in Waterford is named John Roberts Square in his honour.

His son, the Reverend John Roberts became a magistrate and rector. The Rev. John’s son is Abraham Roberts, a general in the East India Company, and Abraham’s son is Frederick Roberts, 1st Earl Roberts, a World War I field marshal. Roberts’ sons Thomas and Sautelle become artists, as does his daughter, who paints scenery for the Waterford Theatre and landscapes.

Another great-grandson is the architect Samuel Ussher Roberts (1821–1900).


by Leave a comment

Death of Basil Maturin, Catholic Priest & Writer

Basil William Maturin, Irish-born Anglican priest, preacher and writer who later converts to Catholicism, dies aboard the RMS Lusitania after it is torpedoed by a German U-boat and sinks on May 7, 1915.

Maturin is born on February 15, 1847, at All Saints’ vicarage, Grangegorman, Dublin, the third of the ten children of the Rev. William Basil Maturin and his wife, Jane Cooke (née Beatty). The Maturins, a prominent Anglo-Irish family of Huguenot ancestry, have produced many influential Church of Ireland clergymen over the generations, the most notable being Maturin’s grandfather, the writer Charles Robert Maturin. His own father, whose tractarian convictions are considered too “high church” for many in Dublin, is a somewhat controversial figure in the church. Religion plays a huge part in the Maturin children’s lives. Two of his brothers enter the church and two sisters become nuns. As a young man, he assists in training the choir and playing the organ at his father’s church. Educated at home and at a Dublin day school, he goes on to attend Trinity College Dublin (TCD), from where he graduates BA in 1870.

Though he initially intends to make a career in the army as an engineer, a severe attack of scarlet fever around 1868, and the death of his brother Arthur, changes his outlook on life, and he decides to become a clergyman. He is ordained a deacon in 1870 and later that year goes as a curate to Peterstow, Herefordshire, England, where his father’s friend Dr. John Jebb is rector. He subsequently joins the Society of St. John the Evangelist, entering the novitiate at Cowley, Oxford, in February 1873. As a Cowley father he is sent in 1876 to establish a mission in Philadelphia, Pennsylvania, where he works as an assistant priest and, from 1881, as rector of Saint Clement’s Church. Though he proves to be an effective clergyman and popular preacher, his growing religious doubts and increasing interest in Catholicism results in his returning to Oxford in 1888. Then follows a six-month visit in 1889–90 to a society house in Cape Town, South Africa. He returns to Britain, where he preaches, and conducts retreats around the country and occasionally on the continent. In 1896 he produces the first in a series of religious publications, Some Principles and Practices of Spiritual Life.

Maturin’s continuing religious anxieties eventually lead to his conversion to Catholicism on March 5, 1897, at the Jesuit Beaumont College outside London. He then studies theology at the Canadian College, Rome, and is ordained there in 1898. Following his return to England he lives initially at Archbishop’s House, Westminster, and undertakes missionary work. He then serves at St. Mary’s, Cadogan Street, in 1901. He becomes parish priest of Pimlico and, in 1905, having joined the newly established Society of Westminster Diocesan Missionaries, organises the opening of St. Margaret’s chapel on St. Leonard’s Street, where huge crowds come to hear his sermons. As a Catholic priest, he returns to Ireland on several occasions, and frequently preaches at the Carmelite church, Clarendon Street, Dublin. His attempt, at the age of sixty-three, to enter into monastic life at the Benedictine monastery at Downside, in 1910, proves unsuccessful. He returns to London and begins working in St. James’s, Spanish Place, while maintaining his preaching commitments. He continues to write, publishing Self-Knowledge and Self-Discipline (1905), Laws of the Spiritual Life (1907) and his autobiographical The Price of Unity (1912), in which he traces his gradual move toward Catholicism. His sermons, like his approach when hearing confessions, are said to have much appeal for their integrity. Despite his influence as a preacher, he seems often feel that his life and vocation lack real purpose and at times he suffers from depression.

After a brief visit to the United States in 1913, Maturin accepts the post of Catholic chaplain at the University of Oxford in 1914. He travels to New York in 1915 and, after preaching there throughout the spring, boards the RMS Lusitania in May to return to England. The liner is torpedoed and sinks on May 7, 1915, off the southern coast of Ireland. He assists his fellow passengers in the last minutes, and it is presumed that he refuses a life jacket, as they are in short supply. His body washes ashore. A service is held for him at Westminster Cathedral.

Maturin’s friend Wilfrid Philip Ward edits a collection of his spiritual writings, Sermons and Sermon Notes, in 1916.

(From: “Maturin, Basil William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of Geraldine Cummins, Spiritualist Medium, Novelist & Playwright

Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, dies in Cork, County Cork, on August 24, 1969. She begins her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.

Cummins is born in Cork, on January 24, 1890, the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.

As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).

Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”

Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).

Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.

During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.

In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.

Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).

The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.

According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”

Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.

Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.

Cummins dies in Cork on August 24, 1969, and is buried in St. Lappan’s churchyard, Little Island.


by Leave a comment

Birth of Edward Maturin, Novelist & Poet

Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.

The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.

All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.

After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).

Maturin dies in New York City on May 25, 1881.

(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)


by Leave a comment

Death of Melesina Chenevix Trench, Writer, Poet & Diarist

Melesina Trench (née Chenevix), Irish writer, poet and diarist, dies in Malvern, Worcestershire, England, on May 27, 1827. During her lifetime she is known more for her beauty than her writing. It is not until her son, Richard Chenevix Trench, publishes her diaries posthumously in 1861 that her work receives notice.

Chenevix is born in Dublin on March 22, 1768, to Philip Chenevix and Mary Elizabeth Gervais. She is orphaned before her fourth birthday and is brought up by her paternal grandfather, Richard Chenevix (1698–1779), the Anglican Bishop of Waterford and Lismore. The family is of Huguenot extraction.

After the death of Richard Chenevix, Chenevix goes to live with her other grandfather, the Archdeacon Gervais. On October 31, 1786, she marries Colonel Richard St. George, who dies only four years later in Portugal, leaving one son, Charles Manners St. George, who becomes a diplomat.

Between 1799 and 1800, Melesina travels around Europe, especially Germany. It is during these travels that she meets Lord Horatio Nelson, Lady Hamilton and the cream of European society, including Antoine de Rivarol, Lucien Bonaparte, and John Quincy Adams while living in Germany. She later recounts anecdotes of these meetings in her memoirs.

On March 3, 1803, in Paris she marries her second husband, Richard Trench, who is the sixth son of Frederick Trench and brother of Frederick Trench, 1st Baron Ashtown.

After the breakdown of the Peace of Amiens, Richard Trench is detained in France by Napoleon‘s armies, and in August 1805 Melesina takes it upon herself to petition Napoleon in person and pleads for her husband’s release. Her husband is released in 1807, and the couple settles at Elm Lodge in Bursledon, Hampshire, England.

Their son, Francis Chenevix Trench, is born in 1805. In 1807, when they are on holiday in Dublin, their son Richard Chenevix Trench is born. He goes on to be the Archbishop of Dublin, renowned poet and contemporary of Alfred, Lord Tennyson. Her only daughter dies a few years later at the age of four.

Trench corresponds with, amongst others, Mary Leadbeater, with whom she works to improve the lot of the peasantry at her estate at Ballybarney. She dies at the age of 59 in Malvern, Worcestershire on May 27, 1827.

Melesina Trench’s diaries and letters are compiled posthumously by Richard Chenevix Trench as The remains of the late Mrs. Richard Trench in 1861 with an engraving of her taken from a painting by George Romney. Another oil painting, The Evening Star by Sir Thomas Lawrence, has her as a subject, and she is reproduced in portrait miniatures – one in Paris by Jean-Baptiste Isabey and another by Hamilton that is copied by the engraver Francis Engleheart.

Copies of a number of her works are held at Chawton House Library.

(Pictured: “Melesina Chenevix, Mrs. George, later Mrs. Trench,” attributed to George Romney (British, 1734–1802), oil on canvas)


by Leave a comment

Birth of Geraldine Cummins, Spiritualist Medium, Novelist & Playwright

Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, is born in Cork, County Cork, on January 24, 1890. She began her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.

Cummins is the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.

As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).

Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”

Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).

Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.

During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.

In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.

Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).

The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.

According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”

Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.

Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.

Cummins dies in Cork on August 25, 1969, and is buried in St. Lappan’s churchyard, Little Island.


by Leave a comment

Birth of Charles Maturin, Clergyman, Playwright & Novelist

Charles Robert Maturin, also known as C. R. Maturin, an Irish Protestant clergyman ordained in the Church of Ireland and a writer of Gothic plays and novels, is born in Dublin on September 25, 1780. His best-known work is the novel Melmoth the Wanderer.

Maturin is descended from Huguenots who found shelter in Ireland, one of whom is Gabriel Jacques Maturin who becomes Dean of St. Patrick’s Cathedral, Dublin, after Jonathan Swift in 1745. He attends Trinity College Dublin. Shortly after being ordained as curate of Loughrea, County Galway, in 1803, he moves back to Dublin as curate of St. Peter’s Church. He lives in York Street with his father William, a Post Office official, and his mother, Fedelia Watson. He marries the acclaimed singer Henrietta Kingsbury on October 7, 1804.

Maturin’s first three works are Gothic novels published under the pseudonym Dennis Jasper Murphy and are critical and commercial failures. They do, however, catch the attention of Sir Walter Scott, who recommends Maturin’s work to Lord Byron. With their help, his play Bertram is staged in 1816 at the Theatre Royal, Drury Lane for 22 nights, with Edmund Kean starring in the lead role as Bertram. Financial success, however, eludes Maturin, as the play’s run coincides with his father’s unemployment and another relative’s bankruptcy, both of them assisted by the fledgling writer. To make matters worse, Samuel Taylor Coleridge publicly denounces the play as dull and loathsome, and “melancholy proof of the depravation of the public mind,” going nearly so far as to decry it as atheistic.

The Church of Ireland takes note of these and earlier criticisms and, having discovered the identity of Bertram‘s author after Maturin had shed his nom de plume to collect the profits from the play, subsequently bar his further clerical advancement. Forced to support his wife and four children by writing on his curate salary of £80-90 per annum, compared to the £1000 he made for Bertram, he switches back from playwright to novelist after a string of his plays meet with failure. He produces several novels in addition to Melmoth the Wanderer, including some on Irish subjects and The Albigenses, a historical novel which features werewolves. Various poems have also been ascribed to Maturin on dubious grounds and appear to be the work of others. The prize-winning “Lines on the Battle of Waterloo” is published in 1816 under the name of the university graduate John Shee. “The Universe” appears with Maturin’s name on the title page in 1821 but is now thought to be almost completely the work of James Wills.

The exaggerated effectiveness of Maturin’s preaching can be gauged from the two series of sermons that he publishes. On the occasion of the death of Princess Charlotte, he declares, “Life is full of death; the steps of the living cannot press the earth without disturbing the ashes of the dead – we walk upon our ancestors – the globe itself is one vast churchyard.” A contemporary account records that there had seldom been seen such crowds at St Peter’s. “Despite the severe weather, people of all persuasions flocked to the church and listened spellbound to this prince of preachers. In his obituary it is said that ‘did he leave no other monument whereon to rest his fame, these sermons alone would be sufficient.'”

Maturin dies in Dublin on October 30, 1824. A writer in the University Magazine later sums up his character as “eccentric almost to insanity and compounded of opposites – an insatiable reader of novels; an elegant preacher; an incessant dancer; a coxcomb in dress and manners.”

A sister of Maturin’s wife marries Charles Elgee, whose daughter, Jane Francesca, becomes the mother of Oscar Wilde. Thus, Charles Maturin is Oscar Wilde’s great-uncle by marriage. Wilde discards his own name and adopts the name of Maturin’s novel, Melmoth, during his exile in France.

Maturin’s eldest son, William Basil Kingsbury Maturin, follows him into the ministry, as do several of his grandsons. One of these, Basil W. Maturin, dies in the sinking of RMS Lusitania on May 7, 1915. The second son is Edward Maturin, who emigrates to the United States and becomes a novelist and poet there.


by Leave a comment

The Battle of Aughrim

The Battle of Aughrim (Irish: Cath Eachroma), the decisive battle of the Williamite War in Ireland, is fought on July 22, 1691, near the village of Aughrim, County Galway. It is fought between the largely Irish Jacobite army loyal to James II and the forces of William III. The battle is possibly the bloodiest ever fought in the British Isles with 5,000–7,000 people being killed. The Jacobite defeat at Aughrim means the effective end of James’s cause in Ireland, although the city of Limerick holds out until the autumn of 1691.

After heavy mist all morning, Dutch officer Godert de Ginkel, who is leading William’s forces, moves his forces into position by about two o’clock in the afternoon, and both sides cannonade each other for the next few hours. Ginkel planns to avoid fully joining battle until the next day. He orders a probing attack on the Jacobites’ weaker right flank led by a captain and sixteen Danish troopers, followed by 200 of Sir Albert Cunningham‘s 6th (Inniskilling) Dragoons. The Jacobite response demonstrates the strength of their defence, but also means that the attackers are no longer able to break off the engagement as Ginkel had planned. A conference is held at about 4:00 p.m. Ginkel still favours withdrawing, but the Williamite infantry general Hugh Mackay argues for an immediate full-scale attack.

The battle is joined in earnest between five and six o’clock. In the centre, the largely English and Scots regiments under Mackay attempt a frontal assault on Major-General William Dorrington‘s infantry on Kilcommadan Hill. The attackers have to contend with waist-deep water and a tenacious Irish defence of the reinforced hedgelines. They withdraw with heavy losses as the Jacobites pursue them downhill, capturing colonels Thomas Erle and Henry Herbert.

On their left centre, the Williamites advance across low ground exposed to Jacobite fire and take a great number of casualties. The Williamite assault in this area, led by St. John’s and Tiffin’s regiments and the Huguenot foot, is driven back into the bog by the Irish foot fighting with clubbed (reversed) muskets. Many of the attackers are killed or drowned. In the rout, the pursuing Jacobites manage to spike a battery of Williamite guns. The Jacobite regiments of the Royal Irish Regiment of Foot Guards and Gordon O’Neill are said to have fought particularly strongly. The musketry is so intense that “the ridges seemed to be ablaze” according to Andreas Claudianus, a Norwegian fighting with the Danish infantry.

The Jacobite right and centre holding firm, Ginkel tries to force a way across the causeway on the Jacobite left, where any attack would have to pass along a narrow lane covered by Walter Burke’s regiment from their positions in Aughrim castle. Four battalions led by Lieutenant General Percy Kirke secure positions near the castle, following which Sir Francis Compton‘s Royal Horse Guards get across the causeway at the third attempt. Dorrington, having earlier withdrawn two battalions of infantry from this area to reinforce the Jacobite centre, are faced only with weak opposition, reaching Aughrim village. While a force of Jacobite cavalry and dragoons under Henry Luttrell have been tasked with covering this flank, their commander orders them to fall back, following a route now known locally as “Luttrell’s Pass.” He is later alleged to have been in the pay of William, though it seems most probable that Luttrell withdrew as he had little or no infantry support. The cavalry regiments of Henri de Massue, Lanier, Langston and Robert Byerley also cross the causeway, attacking Dorrington’s flank.

Most commentators, even those sympathetic to William, judge that the Irish foot fought exceptionally well. Appearing to believe that the battle could be won, General Charles Chalmot de Saint-Ruhe is heard to shout, “they are running, we will chase them back to the gates of Dublin,” before riding across the battlefield to direct the defence against the Williamite cavalry on his left wing. However, as he rides over to rally his cavalry, he pauses briefly to direct the fire of a battery and is decapitated by a cannonball. His death is said to have occurred around sunset, shortly after eight o’clock.

After Saint-Ruhe’s death the Jacobite leave, devoid of a senior commander, collapse very quickly. The regiment of Horse Guards leave the field almost immediately, followed shortly by the cavalry and dragoon regiments of Luttrell, Dominic Sheldon and Piers Butler. Chevalier de Tessé attempts to head a cavalry counterattack but is seriously wounded shortly afterwards. The Jacobite left flank is now exposed. Mackay and Thomas Tollemache also attack again in the centre, pushing the Jacobites towards the hilltop. Burke and his regiment, still holding the castle, are forced to surrender. Most of the infantry remain unaware of Saint-Ruhe’s death, however, and John Hamilton‘s infantry on the Jacobite right continues to counter-attack, fighting the Huguenot foot to a standstill in an area still known locally as the “Bloody Hollow.” At around nine o’clock towards nightfall the Jacobite infantry is finally pushed to the top of Killcommadan hill and broke, fleeing towards a bog in the left rear of their position, while their cavalry retreat towards Loughrea.

Patrick Sarsfield and Butler briefly try to organise a rearguard action but as in many battles of the period most of the Jacobite casualties occur in the pursuit, which is ended only by darkness and the onset of mist and rain. The defeated infantry is cut down by the Williamite cavalry as they try to get away, many of them having thrown away their weapons in order to run faster.

In addition to the rank and file the Jacobite casualties and prisoners include many of its most experienced infantry officers. The dead include brigadiers Barker, O’Neill and O’Connell, and colonels Moore, Talbot, O’Mahony, Nugent, Felix O’Neil and Ulick Burke, Lord Galway. The two major generals commanding the Jacobite centre, Hamilton and Dorrington, are both taken prisoner, Hamilton dying of wounds shortly afterwards. Though the killing of prisoners to prevent rescue is a common practice at the time, Jacobite soldiers are accused of having “cut to pieces” colonel Herbert after his capture. One contemporary Jacobite source, Charles Leslie, alleges that about 2,000 Jacobites are killed “in cold blood” with many, including Lord Galway and colonel Charles Moore, killed after being promised quarter.

An eyewitness with the Williamite army, George Story, writes that “from the top of the Hill where [the Jacobite] Camp had been,” the bodies “looked like a great Flock of Sheep, scattered up and down the Countrey for almost four Miles round.”

Estimates of the two armies’ losses vary, but they are extremely heavy overall. It is generally agreed that 5,000–7,000 men were killed at Aughrim. Aughrim has been described as “quite possibly the bloodiest battle ever fought in the British Isles,” but earlier medieval battles, although poorly recorded, may rival this battle in casualty numbers. At the time, the Williamites claimed to have lost only 600 and to have killed fully 7,000 Jacobites. Some recent studies put the Williamite losses as high as 3,000, but they are more generally given as between 1,000–2,000, with 4,000 Jacobites killed. Another 4,000 Jacobites deserted, while Ginkel recorded 526 prisoners taken of all ranks. While Ginkel had given word to Dorrington that the captives would be treated as prisoners of war, general officers were instead taken to the Tower of London as prisoners of state, while the majority of the rank and file were incarcerated on Lambay Island where many died of disease and starvation.

Aughrim is the decisive battle of the conflict. The Jacobites lost many experienced officers, along with much of the army’s equipment and supplies. The remnants of the Jacobite army retreat to the mountains before regrouping under Sarsfield’s command at Limerick. Many of their infantry regiments are seriously depleted. The city of Galway surrenders without a fight after the battle, on advantageous terms, while Sarsfield and the Jacobites’ main army surrender shortly afterwards at Limerick after a short siege.