Thompson is the youngest child of the social historians and peace activists E. P. Thompson and Dorothy Towers. She has lived in Ireland since 1981 and many of her books are set there. She trains racehorses in the UK and United States and travels extensively in India before settling in 1984 in Inagh, County Clare, in the west of Ireland with her partner Conor Minogue. They have two daughters, Cliodhna and Dearbhla. She is an accomplished fiddler with an interest in Irish traditional music, which is reflected in The New Policeman (2005).
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
The LÉ Deirdre (P20), an offshore patrol vessel in the Irish Naval Service, is commissioned by Lt. Cdr. Liam Brett on June 19, 1972. The building of LÉ Deirdre marks a milestone in the development of the Naval Service, being the first ship purpose-built in Ireland to patrol in Irish waters. She is named after Deirdre, a tragic heroine from Irish mythology who committed suicide after her lover’s murder.
In 1971, a contract is signed with Verlome Cork Dockyard (VCD) to build an offshore patrol vessel for the Naval Service. Built in 1972, LÉ Deirdre is built as a replacement for the Ton-class minesweepers, and one of the first vessels custom-built for the Irish Naval Service. She has a longer range and is a more seaworthy ship for work in the Atlantic. LÉ Deirdre becomes the prototype for the later Emer-type vessels.
LÉ Deirdre undertakes a number of search and rescue operations throughout her career. For example, LÉ Deirdre is one of the vessels involved in the 1979 Fastnet race rescue operations, assisting the crews of two yachts. In 1990, during the rescue of a Spanish trawler crew in Bantry Bay, a member of LÉ Deirdre‘s crew dies and is posthumously awarded the Distinguished Service Medal and Spanish Cross of Naval Merit.
By the time of the vessel’s naval decommissioning in early 2001, LÉ Deirdre has travelled approximately 450,000 nautical miles. She is replaced by a Róisín-class patrol vessel.
LÉ Deirdre is sold at public auction for IR£190,000 to the English yacht chartering company Seastream International for conversion into the luxury charter yacht Tosca IV for the company’s owner, businessman Christopher Matthews. Speaking on the radio, a Seastream spokesman appears pleased with their bargain as they had been prepared to bid up to IR£500,000. The auction starting price had been IR£60,000.
The conversion in a Polish shipyard is not completed as the English owner is killed while piloting a Eurocopter EC130 helicopter which crashes at Sauk Prairie, Wisconsin after hitting power lines over Lake Wisconsin on August 6, 2004. In 2007 LÉ Deirdre is towed to Brazil for further refit and completion. Substantially complete, she arrives at Jacksonville, Florida in September 2012 for final outfitting as Santa Rita I. However, in August 2014, Santa Rita I is towed to Green Cove Springs, Florida, for breaking.
In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford with his wife, Dorothea (née Maher) and his six sons. During this time, he becomes a close friend of the painter Tony O’Malley.
Fallon’s early poetry, short stories and literary criticism are published in The Dublin Magazine and The Bell. He is a regular contributor to Raidió Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of his verse plays for radio, Diarmuid and Gráinne, is broadcast by Raidió Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), The Wooing of Étain (1954), A Man in the Window (1955), Outpost (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960) and Lighting up Time (1961).
Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne and Deirdre’s King, receive particular contemporary critical acclaim. The landscape, mythology and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works. A number of Fallon’s radio plays are later broadcast on BBC Third Programme and, in translation, in Germany, the Netherlands, and Hungary. The play The Seventh Step is staged at The Globe Theatre in Dublin in 1954. A second one, Sweet Love ’till Morn, is staged at the Abbey Theatre in 1971. He also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett. In a number of his plays and radio dramas he cooperates with contemporary composers providing incidental music, an example being The Wooing of Étain (1954) with music by Brian Boydell.
Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death.
While Fallon’s poetry had previously appeared in The Dublin Magazine, The Bell, The Irish Times and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death: Poems and Versions in 1983, Collected Poems in 1990, and A Look in the Mirror and Other Poems in 2003. In 2005, three of his verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough, are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.
Ferguson is born in Belfast on March 10, 1810. He lives at a number of addresses, including Glenwhirry, where he acquires the love of nature that informs his later work. He is educated at the Belfast Academy and the Belfast Academical Institution and then moves to Dublin to study law at Trinity College, obtaining his bachelor’s degree in 1826 and his master’s degree in 1832.
Because his father has exhausted the family property, Ferguson is forced to support himself through his student years. He turns to writing and is a regular contributor to Blackwood’s Magazine by the age of 22. He is called to the bar in 1838, but continues to write and publish, both in Blackwood’s and in the newly established Dublin University Magazine.
In addition to his poetry, Ferguson contributes a number of articles on topics of Irish interest to antiquarian journals. In 1863, he travels in Brittany, Ireland, Wales, England, and Scotland to study megaliths and other archaeological sites. These studies are important to his major antiquarian work, Ogham Inscriptions in Ireland, Wales and Scotland, which is edited after his death by his widow and published in 1887.
His collected poems, Lays of the Western Gael is published in 1865, resulting in the award of a degree LL.D. honoris causa from Trinity College. He writes many of his poems in both Irish and English translations. In 1867, Ferguson retires from the bar to take up the newly created post of Deputy Keeper of the Public Records in Ireland. As reward for his services, he receives a knighthood in 1878.
Ferguson’s major work, the long poem Congal is published in 1872 and a third volume, Poems, in 1880. In 1882, he is elected President of the Royal Irish Academy, an organisation dedicated to the advancement of science, literature, and antiquarian studies. His house in North Great George’s St., Dublin, is open to everyone interested in art, literature or music.
Millmount has been fortified in historical times since the early 12th century when invading Normans built a mote and bailey on what was probably originally a neolithic passage grave similar to Newgrange. In Irish cosmology, it is often assumed to be the burial place of Amergin Glúingel, whose name indicates that in ancient Irish mythology he was regarded as the originator of the arts of song, poetry and music.
Hugh de Lacy, one of the Normans who comes to Ireland after Strongbow, builds the original fort circa 1172, having been granted the Kingdom of Meath by Henry II of England. Later a stone castle is built on the site. This castle forms part of the defences of the town during the Siege of Drogheda during the Cromwellian conquest of Ireland in 1649. The fort’s English defenders attempt to surrender to Parliamentarian troops under Oliver Cromwell but are massacred when they give themselves up on September 11, 1649. The complex is later called Richmond Barracks. Some of the present buildings, in the courtyard, are built circa 1714. After the unrest and rebellions of the 1790s and the Acts of Union 1800 the complex is re-fortified, and the Martello tower is built.
The fort suffers considerable damage during the Irish Civil War. It is occupied by Anti-Treaty forces and on July 4, 1922, it becomes the target of shelling by the army of the Irish Free State. The Free State Forces under Michael Collins have been given extensive support by the British Army at the express wish of Winston Churchill who insists that the Republican Forces be crushed. Using the same British Army 18-pounder artillery piece which had shelled the Republican H.Q. in the Four Courts in Dublin some days earlier the Free State Forces bombard Millmount fort for several hours before the Republican garrison retreats. The famous Martello tower is all but destroyed during the shelling.
Today, after being restored in 2000, the complex houses the Millmount Museum which houses a wide variety of artifacts of local and national importance. The complex is Drogheda’s most dominant feature, clearly visible from all parts of the town. The Martello tower is affectionately known as “The Cup and Saucer” by locals. The whole fort is a national monument and has been designated as Drogheda’s Cultural Quarter.
Augusta is born at Roxborough, County Galway, the youngest daughter of the Anglo-Irish gentry family Persse. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native Irish speaker, who introduces her to the history and legends of the local area.
Augusta marries Sir William Henry Gregory on March 4, 1880, in St Matthias’ Church, Dublin. He is a well-educated man with many literary and artistic interests, and the house at Coole Park houses a large library and extensive art collection. He also owns a house in London, where the couple spends a considerable amount of time, holding weekly salons frequented by many leading literary and artistic figures of the day, including Robert Browning, Lord Tennyson, John Everett Millais and Henry James.
Augusta’s earliest work to appear under her own name is Arabi and His Household (1882), a pamphlet in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt. In 1893 she publishes A Phantom’s Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone‘s proposed second Home Rule Act.
Augusta continues to write prose during the period of her marriage. She also writes a number of short stories in the years 1890 and 1891, although these never appear in print. A number of unpublished poems from this period have also survived. When Sir William Gregory dies in March 1892, Lady Gregory goes into mourning and returns to Coole Park. There she edits her husband’s autobiography, which she publishes in 1894.
A trip to Inisheer in the Aran Islands in 1893 re-awakes for Lady Gregory an interest in the Irish language and in the folklore of the area in which she lives. She organises Irish lessons at the school at Coole and begins collecting tales from the area around her home. This activity leads to the publication of a number of volumes of folk material, including A Book of Saints and Wonders (1906), The Kiltartan History Book (1909) and The Kiltartan Wonder Book (1910).
With William Butler Yeats and Edward Martyn, she co-founds the Irish Literary Theatre and the Abbey Theatre and writes numerous short works for both companies. Lady Gregory produces a number of books of retellings of stories taken from Irish mythology. Born into a class that identifies closely with British rule, she turns against it. Her conversion to cultural nationalism, as evidenced by her writings, is emblematic of many of the political struggles to occur in Ireland during her lifetime.
Lady Gregory, whom George Bernard Shaw once described as “the greatest living Irishwoman” dies at home at the age of 80 from breast cancer on May 22, 1932. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.
Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. During her lifetime her home at Coole Park in County Galway serves as an important meeting place for leading Revival figures. Her early work as a member of the board of the Abbey Theatre is at least as important as her creative writings for that theatre’s development. Lady Gregory’s motto is taken from Aristotle: “To think like a wise man, but to express oneself like the common people.”
seamus dubhghaill 