Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of ArchbishopRichard Chenevix Trench. The marriage produces no children.
Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.
Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).
Jane is the last of the four children of Charles Elgee, the son of Archdeacon John Elgee, a Wexford solicitor, and his wife Sarah (née Kingsbury). Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).
Wilde, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.
Wilde is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragistMillicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act 1882, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”
William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.
Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.
Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proves too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.
Diarmuid O’Hegarty (Ó hÉigeartuigh), civil servant and revolutionary, is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.
O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.
O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.
O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much ‘republican bitterness.’ A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.
O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.
On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.
McMaster is born as Andrew McMaster, the son of Liverpool-born Andrew McMaster (1855–1940), a master stevedore, and Alice Maude née Thompson (1865–1895). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland but, according to the Birth Register and the 1901 United Kingdom Census, he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law Micheál Mac Liammóir, who is born in London as Alfred Willmore but claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.
At the age of nineteen McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre (1920). From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a ‘fit-up‘ company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions he persuades a ‘big name’ to act with his company as a draw for audiences. Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.
In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having ‘a great organ voice,’ Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him ‘perhaps the greatest actor-manager of his time,’ later describes McMaster as ‘evasive, proud, affectionate, shrewd, merry.’ In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”
McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).
In 1924 McMaster marries the actress and designer Marjorie Willmore (1894–1970), the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster (1925–1995) and Mary-Rose McMaster (1926–2018).
McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.
McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.
O’Brien is born near Granard, County Longford, in 1804 or 1805. He goes to a local church school, where one of his teachers recognises his intellectual abilities and arranges for him to be educated at the progressive Lovell Edgeworth School. In 1822 he proceeds to Trinity College, Dublin, where he wins several academic prizes including the Science Gold Medal. After studying law at King’s Inns, he moves to England in 1829 with the intention of becoming a lawyer in London.
O’Brien begins contributing articles to Henry Hetherington’s Poor Man’s Guardian. He signs these articles with the pseudonym ‘Bronterre’ and he eventually adopts it as his middle name. He works very closely with Hetherington and when he is imprisoned for publishing an unstamped newspaper, O’Brien takes over the editorship of Poor Man’s Guardian. He and Hetherington also collaborate on other unstamped newspapers such as The Destructive and the London Dispatch. In 1837 he begins publishing Bronterre’s National Reformer. In an attempt to avoid paying stamp duty, the journal includes essays rather than ‘news items.’ During this period, he and Hetherington lead the struggle against the stamp duty and are consistent in their arguments that working people need cheap newspapers that contain political information.
O’Brien is influenced by the socialist writer François-Noël Babeuf, who had been executed during the French Revolution. In 1836 he begins publishing translations of Babeuf’s work in the Poor Man’s Guardian. He also includes Filippo Buonarroti‘s account of Babeuf and the Conspiracy of Equals. He becomes fascinated with the history of radicalism and begins work on books on Maximilien Robespierre, the French Revolution and the English Commonwealth. However, the authorities raid his house in 1838 and seize his manuscripts and the projects are never completed.
In 1838 O’Brien adds his support for a more militant approach to winning the vote that is being advocated by Feargus O’Connor and George Julian Harney through the London Democratic Association. However, he, unlike O’Connor, refuses to support the use of violence to achieve universal suffrage. He argues that the Chartists should adopt a policy that is midway between the petitioning supported by William Lovett and the Moral Force Chartists, and the violence being threatened by O’Connor’s Physical Force group.
After Bronterre’s National Reformer ceases publication, O’Brien works for O’Connor’s Northern Star. His articles play an important role in increasing the circulation of what had become the most important of the radical newspapers. As well as writing for the Northern Star, he also finds time to publish his own newspaper, The Operative.
O’Brien continues to be active in the Chartist movement and in 1840 he is arrested and charged with making a seditious speech in Manchester. He is convicted of sedition and sentenced to eighteen months in Lancaster Prison. When he is released from prison, he finds it difficult to continue working with Feargus O’Connor. The two men disagree over the issue of physical force. Another source of dispute concerns parliamentary elections. O’Brien favours the idea of putting up Chartist candidates whereas O’Connor prefers the tactic of putting pressure on the Whig government by threatening to vote for Tory candidates. He is involved in standing Chartist candidates against Government Ministers in key seats, particularly in standing against Henry John Temple, 3rd Viscount Palmerston in Tiverton.
O’Brien finally breaks with O’Connor when, along with Henry Vincent and Robert George Gammage, he joins the Complete Suffrage Union. He continues to publish newspapers. He joins with his old friend Henry Hetherington to revive the Poor Man’s Guardian in 1843, and this is followed by the National Reformer in 1844. These newspapers are not a financial success and by May 1847, both papers cease publication.
After the failure of these two newspapers, O’Brien concentrates on writing for other publications such as Reynold’s Weekly Newspaper and the Glasgow Sentinel. He also gives public lectures and in 1851 he opens the Eclectic Institute in Denmark Street, Soho, London, where adult education classes are offered in English, French, science and mathematics.
By the 1850s O’Brien’s poverty begins to damage his health. He suffers from bronchitis and his Chartist friends attempt to raise money in recognition of the great sacrifices that he had made in the struggle to win universal suffrage and the freedom of the press. However, the damage to his health is so bad that he spends his last years bedridden. He dies on December 23, 1864, and is buried in Abney Park Cemetery.
Callan attends school at an academy in Dundalk. His local parish priest, Father Andrew Levins, then takes him in hand as an altar boy and Mass server and sees him start the priesthood at Navan seminary. He enters Maynooth College in 1816. In his third year at Maynooth, he studies natural and experimental philosophy under Dr. Cornelius Denvir. He introduces the experimental method into his teaching and has an interest in electricity and magnetism.
Callan is ordained a priest in 1823 and goes to Rome to study at Sapienza University, obtaining a doctorate in divinity in 1826. While in Rome he becomes acquainted with the work of the pioneers in electricity such as Luigi Galvani (1737–1798), who is a pioneer in bioelectricity, and Alessandro Volta (1745–1827), who is known especially for the development of the electric battery. In 1826, he returns to Maynooth as the new Professor of Natural Philosophy (now called physics), where he also begins working with electricity in his basement laboratory at the college.
Influenced by William Sturgeon and Michael Faraday, Callan begins work on the idea of the induction coil in 1834. He invents the first induction coil in 1836. An induction coil produces an intermittent high voltagealternating current from a low voltage direct current supply. It has a primary coil consisting of a few turns of thick wire wound around an iron core and subjected to a low voltage (usually from a battery). Wound on top of this is a secondary coil made up of many turns of thin wire. An iron armature and make-and-break mechanism repeatedly interrupts the current to the primary coil, producing a high voltage, rapidly alternating current in the secondary circuit.
Callan invents the induction coil because he needs to generate a higher level of electricity than currently available. He takes a bar of soft iron, about 2 feet long, and wraps it around with two lengths of copper wire, each about 200 feet long. He connects the beginning of the first coil to the beginning of the second. Finally, he connects a battery, much smaller than the enormous contrivance just described, to the beginning and end of winding one. He finds that when the battery contact is broken, a shock can be felt between the first terminal of the first coil and the second terminal of the second coil.
Further experimentation shows how the coil device can bring the shock from a small battery up the strength level of a big battery. So Callan tries making a bigger coil. With a battery of only 14 seven-inch plates, the device produces power enough for an electric shock “so strong that a person who took it felt the effects of it for several days.” He thinks of his creation as a kind of electromagnet, but what he actually makes is a primitive induction transformer.
Callan’s induction coil also uses an interrupter that consists of a rocking wire that repeatedly dips into a small cup of mercury (similar to the interrupters used by Charles Grafton Page). Because of the action of the interrupter, which can make and break the current going into the coil, he calls his device the “repeater.” Actually, this device is the world’s first transformer. He induces a high voltage in the second wire, starting with a low voltage in the adjacent first wire. The faster he interrupts the current, the bigger the spark. In 1837 he produces his giant induction machine using a mechanism from a clock to interrupt the current 20 times a second. It generates 15-inch sparks, an estimated 60,000 volts and the largest artificial bolt of electricity then seen.
Callan experiments with designing batteries after he finds the models available to him at the time to be insufficient for research in electromagnetism. Some previous batteries had used rare metals such as platinum or unresponsive materials like carbon and zinc. He finds that he can use inexpensive cast iron instead of platinum or carbon. For his Maynooth battery he uses iron casting for the outer casing and places a zinc plate in a porous pot (a pot that had an inside and outside chamber for holding two different types of acid) in the centre. Using a single fluid cell, he disposes of the porous pot and two different fluids. He is able to build a battery with just a single solution.
While experimenting with batteries, Callan also builds the world’s largest battery at that time. To construct this battery, he joins together 577 individual batteries (“cells“), which use over 30 gallons of acid. Since instruments for measuring current or voltages have not yet been invented, he measures the strength of a battery by measuring how much weight his electromagnet can lift when powered by the battery. Using his giant battery, his electromagnet lifts 2 tons. The Maynooth battery goes into commercial production in London. He also discovers an early form of galvanisation to protect iron from rusting when he is experimenting on battery design, and he patents the idea.
Callan dies at the age of 64 in Maynooth, County Kildare, on January 10, 1864. He is buried in the cemetery in St. Patrick’s College, Maynooth.
The Callan Building on the north campus of NUI Maynooth, a university which is part of St. Patrick’s College until 1997, is named in his honour. In addition, Callan Hall in the south campus, is used through the 1990s for first year science lectures including experimental & mathematical physics, chemistry and biology. The Nicholas Callan Memorial Prize is an annual prize awarded to the best final year student in Experimental Physics.
On the morning of the December 16, 1920 during the Irish War of Independence, an eight man Royal Irish Constabulary (RIC) foot patrol under the command of Sergeant Thomas Bray, leaves the barracks at Kilcommon Cross, County Tipperary, to retrieve mail from the Post Office in Kilcommon village, a mile away.
As they approach the crest of a hill on the narrow road between the Cross and the village, approximately twenty men of the Irish Republican Army (IRA) 1st Tipperary Brigade open fire on them. The object of the attack is apparently quite simple – to kill members of the police, and in particular Sergeant Bray.
The ambush, although triggered early, is successful, with the deaths of four of the constables and the serious wounding of one other. The remaining three policemen are able to take cover and return to the barracks, including the Sergeant. Two RIC rifles are lost and there are no casualties on the IRA side.
The dead constables are Patrick Joseph Halford (27) of Meath, Ernest Frederick Harden (21) of Essex, Albert Holman Palmer (24) of Surrey, and Arthur Smith (22) of London. Constable Alfred Edwin Bundy of Gloucestershire is seriously wounded and requires hospital care. He is pensioned out early, in June 1921, as a result of his injuries.
There is some suggestion that the local IRA units are not at all keen on an ambush in their area, for fear of retribution. The brigade commanders push ahead with it however, and the inevitable ‘unofficial reprisals’ are carried out, with the killing of some livestock and the burning of some dwellings, including the home of one of the IRA volunteers.
The total strength in Kilcommon RIC Barracks at this time was around 16 police. Most of them are British recruits – Black and Tans – and under the control of only one Sergeant. Immediately after the ambush a further six men are drafted in as replacements.
Two of the eight police involved in the incident that day remain to be identified. But present in Kilcommon barracks during the period are two constables who are later to have careers in the Palestine Gendarmerie, Arthur Charles Howard and Arthur Fisher. Fisher becomes an officer in the Arab Section of the Palestine Gendarmerie and later the Transjordan Frontier Force (TJFF).
(From: “The Kilcommon Ambush, 16 December 1920” by Peter Mc, The Royal Irish Constabulary Forum, irishconstabulary.com | Pictured: The vicinity of the ambush site)
O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.
Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.
O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.
In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).
O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.
One of five children born to Archibald McNeill, a Roman Catholic working class “baker, sailor and merchant,” and his wife, Rosetta (née McAuley) McNeill, McNeill is the brother of nationalist leader Eoin MacNeill. He serves as a high-ranking member of the Indian Civil Service in Calcutta.
When the first Governor-General of the Irish Free State, Tim Healy, retires in December 1927, McNeill is proposed as his replacement by the Irish government of W. T. Cosgrave and duly appointed by King George V as Governor-General of the Irish Free State.
In office, McNeill clashes with the King’s Private Secretary when he insists on following the constitutional advice of his Irish ministers, rather than that of the Palace, in procedures relating to the receipt of Letters of Credence accrediting ambassadors to the King in Ireland. He also refuses to attend ceremonies in Trinity College, Dublin, when some elements in the college try to ensure that the old British national anthemGod Save the King is played, rather than the new Irish anthem, Amhrán na bhFiann.
However, McNeill’s tact is not reciprocated by de Valera’s government, and some of its ministers seek to humiliate him as the King’s representative by withdrawing the Irish Army‘s band from playing at functions he attends and demanding he withdraw invitations to visitors to meet him. In one notorious incident in April, two ministers, Seán T. O’Kelly (a future President of Ireland) and Frank Aiken, publicly walk out of a diplomatic function when McNeill, there as the guest of the French ambassador, arrives. In a fury, McNeill writes to de Valera demanding an apology for this treatment. When none is forthcoming, apart from an ambiguous message from de Valera that could be interpreted as partially blaming McNeill for attending functions at which ministers would be present, he publishes his correspondence with de Valera, even though de Valera had formally advised him not to do so. De Valera then demands that George V dismiss him.
The King engineers a compromise, whereby de Valera withdraws his dismissal request and McNeill, who is due to retire at the end of 1932, will push forward his retirement date by a month or so. McNeill, at the King’s request, resigns on November 1, 1932.
Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.
In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.
Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.
(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)
seamus dubhghaill 