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The Battle of Curlew Pass

The Battle of Curlew Pass is fought on August 15, 1599, during the campaign of the Earl of Essex in the Nine Years’ War, between an English force under Sir Conyers Clifford and a rebel Irish force led by Hugh Roe O’Donnell. The English are ambushed and routed while marching through a pass in the Curlew Mountains, near the town of Boyle, in northwestern Ireland. The English forces suffer heavy casualties. Losses by allied Irish forces are not recorded but are probably minimal.

In April 1599, Robert Devereux, 2nd Earl of Essex, lands in Ireland with over 17,000 troops and cavalry to put down the rebellion of Hugh O’Neill and Red Hugh O’Donnell, which has spread from Ulster to all Ireland. To this end, he supports an Irish enemy of O’Donnell’s, Sir Donogh O’Connor (O’Connor Sligo), encouraging him to repossess those territories of his in Sligo that O’Donnell has occupied. Sligo Town is an excellent advance base, with Ballyshannon 20 miles to the northeast commanding an important river-ford at the principal western passage into O’Donnell’s country in Ulster. English military advisers have long urged the government councils in Dublin and London to capture these strategic points. O’Connor’s brother-in-law, Tibbot ne Long Bourke, is appointed joint-commander with an English captain of a force sailing from Galway, and O’Connor is expected to receive them in Sligo. However, O’Donnell quickly besieges O’Connor at Collooney Castle with over 2,000 men in an effort to starve him out, and Essex is put on the back foot. Essex has no option but to support the besieged O’Connor, one of the few Gaelic chieftains the Crown can rely upon for support. He orders the experienced Sir Conyers Clifford, who is based in Athlone, to relieve the castle with 1,500 English infantry and 200 cavalry. It is hoped that the operation would also distract the chief rebel, O’Neill, and afford the crown an opportunity to march into his Ulster territory across its southeastern border.

O’Donnell leaves 300 men at Collooney Castle under his cousin, Niall Garbh O’Donnell, and sends another 600 to Sligo town to prevent the landing of English reinforcements under Tibbot ne Long Bourke. He then marches to Dunavaragh with 1,500 of his men, where he is joined by additional forces under local chieftains Conor MacDermott and Brian Óg na Samhthach Ó Ruairc. The Irish then carefully prepare an ambush site in the Curlew Mountains, along the English line of march. O’Donnell has trees felled and placed along the road to impede their progress. When he gets word of the English passing through Boyle, O’Donnell positions his men. Musketeers, archers and javelin men are placed in the woods alongside the road to harass the English. The main body of Irish infantry, armed with pikes and axes, are placed out of sight behind the ridge of the mountain.

In hot harvest weather, Clifford’s force marches from Athlone through Roscommon, Tulsk and Boyle. At 4:00 PM on August 15, they reach the foot of the Curlew Mountains, which have to be crossed before Sligo can be approached. The expedition is poorly supplied, and Clifford’s men are tired and hungry, and probably in no fit state to continue. But Clifford has received false intelligence that the pass is undefended, and he therefore chooses to seize the opportunity and march across, promising his troops plenty of beef in the evening. This means that his men miss out on the rest that had been planned for them in Boyle, whereas the Irish are well fed and prepared.

The English come under gunfire, arrow and javelin attack as soon as they reach the first of O’Donnell’s barricades, between Boyle and Ballinafad. The barricade is immediately abandoned by the Irish but as the English moved past and proceed up the hill they sustain further casualties. The road consists of “stones of six or seven foot broad, lying above ground, with plashes of bog between them,” and is lined with woodland on one side. The further the English advance, the more intensive the rebels’ fire becomes, and some English soldiers begin to lose their nerve and slip away. Eventually, there is a firefight, lasting about 90 minutes, at the end of which the English vanguard has run out of gunpowder. The commander of the vanguard, Alexander Radcliffe, can no longer control his troops. They wheel about in a panic and collide with the main column, which breaks and flees. The commander leads a charge with his remaining pikemen but is shot dead. With the English ranks in disarray, the main body of Irish infantry, which has concealed itself on the reverse slope of the hill, closes in and fights hand to hand. Clifford tries to regain control over his men, but appears overcome by his circumstances. He manages to rally himself and is killed by a pike-thrust as he rushes the enemy. The English are routed, but the situation is prevented from becoming a complete disaster for them when the commander of the horse, Sir Griffin Markham, charges uphill and temporarily drives the rebels back.

Though the actions of the English cavalry allows many of their foot soldiers to escape, Clifford’s men are pursued as far as the town of Boyle, where they find shelter in Boyle Abbey. About 500 English are killed in the battle. Irish losses are not recorded, but are probably small, having been firing from prepared positions and then routing a disorganised and demoralised enemy.

Clifford’s head is cut off and delivered to O’Donnell, who has remained nearby but without taking part in the fight. While the head is brought to Collooney Castle to intimidate its defenders, the trunk is carried by MacDermott to the monastery of Lough Key, where he hopes to use it to ransom his own prisoners. At last, the trunk is given a decent burial in the monastery.

O’Connor Sligo surrenders the castle shortly afterwards and reluctantly joins with the rebels. After the victory, there is a noticeable increase in the rate of desertion by Irish troops from the ranks of Essex’s army, and the earl orders that the surviving troops be divided up as fit only to hold walls.

The battle is a classic Gaelic Irish ambush, similar to the Battle of Glenmalure in 1580 or the Battle of the Yellow Ford in 1598. According to the Annals of the Four Masters, the victory is put down to the intercession of the Blessed Mary, rather than to arms. But Clifford had been overconfident, a trait in him that Essex once warned against, and it is clear that English military commanders are choosing to learn the hard way about the increased effectiveness of Irish rebel forces. Queen Elizabeth I‘s principal secretary, Sir Robert Cecil, rates this defeat (and the simultaneous defeat of Sir Henry Harrington in the Battle of Deputy’s Pass in County Wicklow) as the two heaviest blows ever suffered by the English in Ireland, and seeks to lay the blame indirectly on Essex. It leaves O’Donnell and O’Neill free from any threat from the Connacht side, and renders a land-based attack through Armagh highly improbable, a factor that weighs with Essex as he marches northward later in the year and enters a truce with O’Neill.

In August 1602, the Curlew Pass is the scene of the last victory won by the rebels during the war, when a panicking English force is again routed and suffers significant losses. This time the rebels are led by Rory O’Donnell who commands 400 musketeers.

Today the battlefield at Curlew Pass is overlooked by an impressionistic sculpture by Maurice Harron called “The Gaelic Chieftain”, unveiled in 1999.


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Death of Victoria Cross Recipient Charles Davis Lucas

Charles Davis Lucas, Irish recipient of the Victoria Cross, dies in Great Culverden, Kent, England on August 7, 1914.

Lucas is born in Druminargal House, Poyntzpass, County Armagh, in what is now Northern Ireland, on February 19, 1834. He enlists in the Royal Navy in 1848 at the age of 13, serves aboard HMS Vengeance, and sees action in the Second Anglo-Burmese War of 1852–53 aboard the frigate HMS Fox at Rangoon, Pegu, and Dalla. By age 20, he has become a mate.

On June 21, 1854, in the Baltic Sea during the Crimean War, HMS Hecla, along with two other ships, is bombarding Bomarsund, a fort in the Åland Islands off Finland. The fire is returned from the fort, and, at the height of the action, a live shell lands on HMS Hecla‘s upper deck with its fuse still hissing. All hands are ordered to fling themselves flat on the deck, but 20-year-old Lucas with great presence of mind runs forward and hurls the shell into the sea where it explodes with a tremendous roar before it hits the water. Thanks to his action no one on board is killed or seriously wounded by the shell and, accordingly, he is immediately promoted to lieutenant by his commanding officer. His act of bravery is the first to be rewarded with the Victoria Cross in 1857.

In 1879 Lucas marries Frances Russell Hall, daughter of Admiral William Hutcheon Hall, who had been captain of HMS Hecla in 1854. The couple has three daughters together. Lucas serves for a time as Justice of the Peace for both Kent and Argyllshire.

Lucas’s later career includes service on HMS Calcutta, HMS Powerful, HMS Cressy, HMS Edinburgh, HMS Liffey and HMS Indus. He is promoted to commander in 1862 and commands the experimental armoured gunboat HMS Vixen in 1867. He is promoted to captain in 1867, before retiring on October 1, 1873. He is later promoted to rear admiral on the retired list in 1885. During his career he receives the India General Service Medal with the bar Pegu 1852, the Baltic Medal 1854–55, and the Royal Humane Society Lifesaving Medal.

Lucas dies in Great Culverden, Kent on August 7, 1914. He is buried at St. Lawrence’s Church, Mereworth, Maidstone, Kent.

Lucas’s campaign medals, including his Victoria Cross, are displayed at the National Maritime Museum in Greenwich, London. They are not the original medals, which were left on a train and never recovered. Replacement copies were made, though the reverse of the Victoria Cross copy is uninscribed.


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Death of Poet Matthew Gerard Sweeney

Matthew Gerard Sweeney, Irish poet, dies at Cork University Hospital in Wilton, Cork on August 5, 2018. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.

Sweeney is born at Lifford, County Donegal, on October 6, 1952. Growing up in Clonmany, he attends Gormanston College (1965–70). He then reads sciences at University College Dublin (1970–72). He goes on to study German and English at the Polytechnic of North London, spending a year at the University of Freiburg, before graduating with a BA Honours degree in 1978.

Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.

Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).

As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.

According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.

Sweeney’s final year sees the publication of two new collections: My Life As A Painter (Bloodaxe Books) and King of a Rainy Country (Arc Publications), inspired by Charles Baudelaire‘s posthumously published Petits poèmes en prose.

Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”

Among those attending a special ceremony on August 8, 2018 at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.


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Death of Irish Poet Francis Edward Ledwidge

Francis Edward Ledwidge, Irish poet from County Meath, sometimes known as the “poet of the blackbirds,” is killed in action He was later also known as a World War I war poet. He was killed in action on July 31, 1917, at the Battle of Pilckem Ridge near Boezinge, Ypres Salient, Belgium.

Born on August 19, 1887, to a poor family in Slane, County Meath, Ledwidge starts writing at an early age, and is first published in a local newspaper at the age of fourteen. Finding work as a labourer and miner, he is also a trade union activist and a keen patriot and nationalist, associated with Sinn Féin. He becomes friendly with a local landowner, the writer Lord Dunsany, who gives him a workspace in the library of Dunsany Castle and introduces him to literary figures including William Butler Yeats and Katherine Tynan, with whom he has a long-term correspondence. He is elected to a local authority post and helps organise the local branch of the Irish Volunteers, while Dunsany edits and helps him secure publication for a first volume of his poetry.

Having sided with the faction of the Irish Volunteers which oppose participation in the war, he enlists in the Royal Inniskilling Fusiliers in October 1914, and continues to write poetry on assignment, sending work to Lord Dunsany and to family and other friends. The poems he writes on active service reveal his pride at being a soldier, as he believes, in the service of Ireland. He often wonders whether he would find a soldier’s death.

On July 31, 1917, a group from Ledwidge’s battalion of the Royal Inniskilling Fusiliers are road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, northwest of Ypres.

According to Irish author and lecturer Alice Curtayne, “Ledwidge and his comrades had been toiling since the early morning at roadmaking. The army’s first need was men; their second, guns; their third roads. These latter consisted mainly of heavy beech planks bolted together, which could be rapidly laid down. No advance could be supported in that sodden land without a sufficiency of these communications tracks, six or seven feet wide. Supplies were conveyed by pack mules over the wooden paths. Survivors concur in placing the road work done by B Company that day one mile northeast of Hellfire Corner, so called because it was very exposed to German shelling. There was a violent rainstorm in the afternoon, shrouding the region in a gray monochrome. Sullenly, the enemy’s long-range guns continued to fling their shells far behind the lines. Roadwork could not be suspended, however, as the tracks were in use as fast as they were laid down. Tea was issued to the men and, drenched to the skin, they stopped to swallow it. A shell exploded beside Ledwidge and he was instantly killed.”

A Roman Catholic military chaplain, Father Devas, is the first on the scene. That night, Father Devas writes in his diary, “Crowds at Holy Communion. Arranged for service but washed out by rain and fatigues. Walk in rain with dogs. Ledwidge killed, blown to bits; at Confession yesterday and Mass and Holy Communion this morning. R.I.P.”

Ledwidge is first buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, at Boezinge, where the Welsh poet Hedd Wyn, who was killed in action on the same day, also lies buried.

Dunsany arranges for the publication of more of Ledwidge’s poems, and a collected edition in 1919. Further poems, from the archives at Dunsany Castle and some material held by family, are later published by Ledwdige’s biographer, Alice Curtayne, and by one of the Ledwidge memorial societies. Ledwidge is selected as one of twelve prominent war poets for the exhibition Anthem for Doomed Youth at the Imperial War Museum in London in 2002, and memorialised at an event in Inchicore, Dublin, in 2017, with his work set to music by Anúna. A museum of his life and work is opened in his birthplace cottage in 1982. Some of his manuscripts are held in the National Library of Ireland and more in the archives of Dunsany Castle.


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Death of Thomas Butler, 6th Earl of Ossory

Vice Admiral Thomas Butler, 6th Earl of Ossory, KG, PC, PC (Ire), Irish soldier and politician, dies in London on July 30, 1680.

Thomas is born on July 8, 1634, at Kilkenny Castle, the eldest son and one of ten siblings of James Butler, 1st Duke of Ormond and his wife Elizabeth Preston. His father is then the 12th Earl of Ormond but would be raised to marquess and duke. His family, the Butler dynasty, is Old English and descends from Theobald Walter, who had been appointed Chief Butler of Ireland by Henry II of England in 1177. His mother is a second cousin once removed of his father as she is a granddaughter of Thomas Butler, 10th Earl of Ormond. Her father, however, is Scottish, Richard Preston, 1st Earl of Desmond, a favourite of James I. Both parents are Protestants.

As the eldest living son, he is the heir apparent and is styled with the corresponding courtesy title, which at first is Viscount Thurles but changed to Earl of Ossory when his father becomes marquess in 1642. His early years are spent in Ireland until 1647 when he accompanies his father to England. In 1648 his father renews his support for the royalist cause and he and his son have to flee to France, arriving in Caen in February 1648. Lady Ormond also moves to Caen, where she arrives on June 23, 1648, with his siblings.

Butler is an accomplished athlete and a good scholar. Having come to London in 1652 he is rightly suspected of sympathising with the exiled royalists, and in 1655 is jailed by Oliver Cromwell. After his release about a year later he goes into exile to the Netherlands where Charles II has his exile court at the time.

On November 17, 1659, while in exile, Butler marries Emilia van Nassau, the second daughter of Louis of Nassau, Lord of De Lek and Beverweerd. They have eleven children.

Butler accompanies Charles II back to England in 1660. In 1661 he becomes a member of both the English and the Irish houses of commons, representing in the former Bristol and Dublin University in the latter.

In 1662 Butler is called to the Irish House of Lords under a writ of acceleration as the Earl of Ossory. His father holds the title “5th Earl of Ossory” as one of his subsidiary titles. The acceleration makes Thomas Butler the 6th Earl of Ossory. This is the only substantive title he ever holds, as he predeceases his father and therefore never succeeds to his father’s titles.

Butler holds several military appointments including lieutenant-general of the army in Ireland, created an English peer as Lord Butler in 1666, and Lord of the Bedchamber to Charles II (appointed in 1660 and held until his death).

In 1665 a fortunate accident allows Butler to take part in the Battle of Lowestoft against the Dutch, and in May 1672, being now in command of a ship, he fights against the same enemies in the Battle of Solebay, serving with great distinction on both occasions. While visiting France in 1672 he rejects the liberal offers made by Louis XIV to induce him to enter the service of France and returning to England he adds to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he serves alongside his father as a Lord of the Admiralty.

Butler is intimate with William II, Prince of Orange, and in 1677 he joins the allied army in the Netherlands, commanding the British contingent and winning great fame at the siege of Mons in 1678. He acts as deputy for his father, who is Lord Lieutenant of Ireland. In 1680 he is appointed governor of English Tangier, but his death prevents him from taking up his new duties.

Butler dies on July 30, 1680, at Arlington House in London. He is buried provisionally in Westminster Abbey on July 31, 1680. The ceremony of burial is performed belatedly on November 13, 1680. Some say his body is later taken to Ireland and reburied in the family vault in St. Canice’s Cathedral, Kilkenny. James, his eldest son, succeeds him as the 7th Earl of Ossory and becomes the 2nd Duke of Ormond in 1688.

(Pictured: “Thomas Butler, Earl of Ossory,” painting by Peter Lely, circa 1678, Source: National Portrait Gallery)


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Birth of David James O’Donoghue, Biographer & Editor

David James O’Donoghue, Irish biographer, editor, and bookseller, is born in Chelsea, London, England on July 22, 1866.

O’Donoghue is born to Irish parents and grows up in the Hans Town area of Chelsea. He is the son of John O’Donoghue, a bricklayer from Kilworth, County Cork, and Bridget Griffin, who is from County Tipperary. He is the third of nine children, and has four brothers, Thomas, John, James, and Edmund, and four sisters, Mary, Ellen, Katherine, and Agnes. He is first an upholsterer‘s apprentice from the age of sixteen before becoming a journalist and author.

O’Donoghue attends a Catholic school and furthers his education at the British Museum. He begins his journalistic work by writing for the Dublin papers upon subjects relating to Irish music, art, and literature. A founder-member of the Irish Literary Society in London, he is also vice president of the National Literary Society, Dublin, and the compiler of a biographical dictionary, The Poets of Ireland (1891–93; revised edition, 1912), with entries on 2,000 authors. His published works also include Irish Poetry of the Nineteenth Century (1894), Humor of Ireland (1894), List of 1300 Irish Artists (1894), The Life and Writings of James Clarence Mangan (1897), Bibliographical Catalogue of Collections of Irish Music (1899), and Geographical Distribution of Irish Ability (1906).

O’Donoghue publishes an edition of James Fintan Lalor‘s writings (1895) and an edition of William Carleton‘s Traits and Stories of the Irish Peasantry (four volumes, 1896–97). He edits the works of Samuel Lover (six volumes, 1898–99) and the prose works (1903) and poems (1904) of James Clarence Mangan. He writes biographies on William Carleton (1896), Richard Pockrich (1899), and Robert Emmet (1902).

In 1896 O’Donoghue moves to Dublin. In 1909 he becomes librarian of University College Dublin. He is co-editor of Catalogue of the Gilbert Library (in Dublin; 1918). William Butler Yeats writes of him in his Autobiographies of William Butler Yeats (1938).

O’Donoghue dies suddenly on June 27, 1917, at his home on Auburn Avenue, Donnybrook, Dublin. He is buried in Dublin’s Glasnevin Cemetery.


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Birth of Composer Roger Doyle

Roger Doyle, composer best known for his electroacoustic work and for his piano music for theatre, is born in Malahide, County Dublin on July 17, 1949. As a teenager he is influenced by Igor Stravinsky, Claude Debussy, Pierre Henry and The Beatles.

Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.

As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”

Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.

In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).

Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”

Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.

President Michael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.


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Birth of Joseph Campbell, Poet & Lyricist

Joseph Campbell, Irish poet and lyricist, is born in Belfast on July 15, 1879. He writes under the Gaelic form of his name Seosamh Mac Cathmhaoil (also Seosamh MacCathmhaoil), as Campbell is a common anglicisation of the old Irish name MacCathmhaoil. He is now remembered best for words he supplied to traditional airs, such as “My Lagan Love” and “Gartan Mother’s Lullaby.” His verse is also set to music by Arnold Bax and Ivor Gurney.

Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.

Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.

Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.

Campbell becomes a Sinn Féin Councillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County Waterford Flying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.

Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.


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Éamon de Valera Meets David Lloyd George in London

On July 14, 1921, just three days after a truce is implemented ending the Irish War of Independence, Éamon de Valera, President of Dáil Éireann, meets with British Prime Minister David Lloyd George in London.

Francis Stevenson, Private Secretary to Lloyd George recalls, “I have never seen David so excited as he was before de Valera arrived at 4:30. He kept walking in and out of my room… As I told him afterwards, he was bringing up all his guns! He had a big map of the British Empire hung up on the wall in the Cabinet room, with its great blotches of red all over it. This was to impress de Valera with the greatness of the British Empire and to get him to recognise it, and the King.” De Valera apparently is not impressed.

When de Valera, Richard Barton and Art O’Brien arrive at Downing Street, “cheers were raised, Sinn Féin flags were displayed, and the crowd sang Irish airs.” As the meeting goes on, a “large crowd of Irish sympathisers knelt in the rain at Whitehall, at the end of Downing Street, recited the Rosary, and sang several hymns. Before the prayers started, they sang “Ireland a Nation.” According to a reporter covering the event, the singing of Irish songs and the praying never ceases.

Six days later, Britain makes its first formal proposal. The main negotiations take place in December culminating with the signing of the Anglo-Irish Treaty on December 6, 1921.

(From: Stair na hÉireann | History of Ireland, http://www.stairnaheireann.net, July 14, 2016 | Photo credit: National Library of Ireland collection, dated Thursday, July 14, 1921 (at approximately 5:30 PM), outside Downing Street as de Valera meets Lloyd George, at the first of four meetings held between the two in July 1921.)


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Death of Landscape Artist Dairine Vanston

Dairine (Doreen) Vanston, Irish landscape artist who works in a Cubist style, dies in Enniskerry, County Wicklow on July 12, 1988.

Vanston is born in Dublin on October 19, 1903. She is the daughter of solicitor John S. B. Vanston, and sculptor Lilla Vanston (née Coffey). She attends Alexandra College, going on to study at Goldsmith’s College, London under Roger Bissière. She then goes to Paris to the Académie Ranson, being sent there following the advice of Paul Henry. While in Paris she meets Guillermo Padilla, a Costa Rican law student at the University of Paris. They marry in 1926 and she takes the name Vanston de Padilla. The couple lives for a time in Italy, before moving to San José, Costa Rica. The marriage breaks down in the early 1930s, at which point she returns to Paris with her son and studies with André Lhote. She is living in France at the outbreak of World War II with Jankel Adler, but is able to escape to London in 1940, and later to Dublin.

Vanston’s time in Paris leaves a lasting impression on her work, including use of primary colours and a strong Cubist influence. She belongs to what critic Brian Fallon calls the “Franco-Irish generation of painters who looked to Paris,” along with Mainie Jellett, Evie Hone, and Norah McGuinness. Her time spent living in Costa Rica in the late 1920s and early 1930s imbues her work with tropical and highly toned colours. In Dublin in 1935, she exhibits 17 paintings, largely Costa Rican landscapes, at Daniel Egan’s gallery on St. Stephen’s Green. This is the closest thing to a solo show she would mount, with this show also featuring Grace Henry, Cecil Ffrench Salkeld, and Edward Gribbon.

Meeting the English artist Basil Rakoczi, who is also living in Dublin during World War II, leads Vanston to become associated with The White Stag group. In November 1941, she exhibits for the first time at a group show with 24 other artists, including Patrick Scott. One work that is shown at this exhibition is the painting Keel dance hall, which demonstrates that she spends time in the west of Ireland. The most important event staged by the group is the Exhibition of subjective art, which takes place at 6 Lower Baggot St. in January 1944. The Dublin Magazine notes her work at this show as the most effective of the experimental vanguard. This work, Dying animal, is a Cubist work with semi-representation forms rendered in bold colours. In 1945, her work is featured in a White Stag exhibition in London of young Irish painters at the Arcade gallery, Old Bond St.

In 1947, Vanston spends almost a year in Costa Rica where she paints primarily in watercolours. Apart from this period, she lives and works in Dublin, living at 3 Mount Street Crescent near St. Stephen’s Church. At the inaugural Irish Exhibition of Living Art in 1943, she exhibits five works. At the first Exhibition of Independent Artists in 1960, of which she is a founder, she exhibits three landscapes and a work entitled War. She largely exhibits with the Independent Artists, the Irish Exhibition of Living Art, and the Oireachtas na Gaeilge, and does not exhibit with the Royal Hibernian Academy. Later in life, she exhibits with the Figurative Image exhibitions in Dublin, and is amongst the first painters chosen for Aosdána. A number of her works are featured in the 1987 exhibition, Irish women artists, from the eighteenth century to the present arranged by the National Gallery of Ireland and The Douglas Hyde Gallery.

Vanston dies on July 12, 1988, in a nursing home in Enniskerry, County Wicklow. Her work is greatly admired, but has received little by way of critical attention, which may have been to do with her slow rate of output. A number of her works have proved difficult to trace. She was a private person, even refusing to cooperate with the Taylor Galleries in the 1980s when they wanted to mount a retrospective of her work. The National Self-Portrait Collection in Limerick holds a work by Vanston.

(Pictured: “Landscape with Lake and Hills” (1964), oil on paper (monotype) by Dairine Vanston)