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Birth of Cavan O’Connor, “The Singing Vagabond”

Clarence Patrick O’Connor, British singer of Irish heritage known professionally as Cavan O’Connor, is born on July 1, 1899 in Carlton, Nottinghamshire, England. He is most popular in the 1930s and 1940s, when he is billed as “The Singing Vagabond” or “The Vagabond Lover.”

O’Connor is born to parents of Irish origin. His father dies when he is young, and he leaves school at an early age to work in the printing trade. He serves in World War I as a gunner and signaler in the Royal Artillery, after first being rejected by the Royal Navy when it is discovered that he had pretended to be three years older than his real age. He is wounded in the war, aged 16, while serving with the Royal Artillery. After the war he returns to Nottingham where he works in a music shop. He starts singing in clubs and at concerts, before deciding to turn professional in the early 1920s.

O’Connor wins a scholarship to the Royal College of Music in London, where he meets his wife, Rita Tate (real name Margherita Odoli), a niece of the opera singer Maggie Teyte. He makes his first recordings, as Cavan O’Connor, for the Vocalion label in 1925, including “I’m Only a Strolling Vagabond” from the operetta The Cousin from Nowhere, which becomes his signature song. Noted for his fine tenor voice, well suited for recording, he appears on many British dance band recordings in the 1920s and 1930s, and uses a wide variety of pseudonyms, including Harry Carlton, Terence O’Brien, and Allan O’Sullivan. He also joins Nigel Playfair‘s revue company at the Lyric Theatre in Hammersmith, before moving on to playing lead roles in opera productions at The Old Vic, often performing in French, Italian and Spanish.

O’Connor turns increasingly toward light entertainment, largely for financial reasons. He starts appearing in variety shows around the country, often performing Irish folk songs. Having made his first radio broadcasts for BBC Radio in 1926, he continues to feature occasionally, but makes his breakthrough when he is billed, initially anonymously, as “The Strolling Vagabond” and “The Vagabond Lover” on a series of radio programmes produced by Eric Maschwitz in 1935. This is the first British radio series based around a solo singer, and when it becomes known that he is the performer, makes him a star, “one of Britain’s highest paid radio personalities.” The series continues for over ten years. From 1946, his Sunday lunchtime radio series, The Strolling Vagabond, is heard by up to 14 million listeners.

O’Connor consistently tours and continues to broadcast regularly. During World War II he settles in Bangor, Gwynedd, north Wales, and regularly appears on the Irish Half Hour radio programmes. His most popular songs include “The World Is Mine Tonight,” written for O’Connor by Maschwitz and George Posford, “Danny Boy” and “I’ll Take You Home Again, Kathleen,” an American song widely assumed to be Irish. He records frequently for at least 15 record labels over his career, including Decca Records, at one point recording 40 songs in five days. He makes over 800 recordings in total, both under his own name and pseudonyms, and also appears in two films, Ourselves Alone (1936) and Under New Management (known in the U.S. as Honeymoon Hotel, 1946).

After the war, O’Connor returns to live in London, and tours in Australia and South Africa as well as in Don Ross‘s Thanks for the Memory tours. He retires at one point to set up an electrical goods business, but then resumes his music career in the Avonmore Trio with his wife and son, to give occasional performances and make recordings, the last in 1984.

O’Connor dies at the age of 97 in London on January 11, 1997.


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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Birth of Joss Lynam, Civil Engineer & Mountaineer

Joss Lynam, Irish civil engineer who is well known as a mountaineer, hillwalker, orienteer, writer and sports administrator, is born James Perry O’Flaherty Lynam in London on June 29, 1924. He is one of Ireland’s most influential figures in outdoor activities.

Lynam is born to Irish parents Edward and Martha (née Perry), both Galway natives. He and his older sister, Biddy, are both raised in London where his father works as curator of maps in the British Museum. This is where he is first introduced to orienteering and cartography. The family frequently returns to the west coast of Ireland to holiday. Here he finds his love for mountaineering and climbs his first mountain, Knocknarea in County Sligo, with his aunt.

At 18, Lynam joins the British Army and trains as an officer. He is deployed to India in 1944 under the Corps of Royal Engineers where he spends the remainder of World War II. While there, he participates in his first of many Himalayan expeditions, climbing Kolahoi Peak. When he returns in 1947, he immediately moves to Dublin and enrolls in Trinity College Dublin, after encouragement from his parents, where he begins to study engineering. He graduates and receives his degree with Upper Second Class (2.1) Honours.

Lynam is a civil engineer by profession but devotes most of his life developing the sport of mountaineering in Ireland. He climbs extensively in Ireland, Great Britain, the Alps and in India. He is leader, or deputy leader, of expeditions to Greenland, the Andes, Kashmir, Tian Shan, Garhwal, Tibet and India, including the 1987 expedition to Changtse, that is the forerunner to the successful first Irish ascent of Mount Everest in 1993.

With his involvement in developing adventure sport in Ireland Lynam is active in promoting access and developing waymarked trails. He is involved in the creation and administration of the Federation of Mountaineering Clubs in Ireland (now Mountaineering Ireland), the Association for Adventure Sports, Bord Oiliúint Sléibhte (Irish Mountain Training Board), Tiglin (National Outdoor Training Centre), Outdoor Education Ireland, and Cospóir (now Sport Ireland) and the National Waymarked Ways Advisory Committee (part of Sport Ireland).

Lynam is a founder member of the Irish Mountaineering Club (IMC) serving as president from 1982-1984. He is also a founder member of both the Irish Orienteers and Three Rock Orienteering club. He is president of the Union Internationale des Associations d’Alpinisme‘s expeditions commission in the 1990s.

Lynam writes and edits many guide books on walking and climbing in Ireland and helps create and is editor of The Mountain Log (the journal of Mountaineering Ireland).

In 2001, Lynam is awarded an honorary degree from Trinity College Dublin in acknowledgment of his volunteer work and remarkable achievements. He celebrates his 80th birthday by climbing the Paradise Lost Route and then goes on to abseil down Winder’s Slab for his 82nd birthday, both routes in Dalkey Quarry. Both climbs are to raise funds for cancer research, as he had been undergoing chemotherapy for Hodgkin’s Disease.

As a result of a short illness, which is being treated at St. Vincent’s University Hospital Dublin, Lynam dies on the January 9, 2011, aged 86. His funeral is held in the Church of St. Therésè, Mount Merrion, Dublin and then continues to Mount Jerome Cemetery and Crematorium.

After Lynam’s death, his two daughters, Clodagh and Ruth, donate his papers to his alma mater, Trinity College Dublin. These papers cover a vast range of topics such as his life and career, family, childhood, experience of war, his involvement with different mountaineering clubs, and his many writings. The collection also contains photos and slides that he captures himself of landscapes and mountaineering, and consists of maps that are collected by him and his father. There is so much material in the collection that it takes a year for the collection to be catalogued by an archivist.

Lynam’s ashes are scattered by his daughters over the Knocknarea Mountain on the February 12, 2011, being the first mountain he climbed. The Lynam Lecture is introduced in 2011 by Mountaineering Ireland in his memory and his achievements in climbing, hillwalking and mountaineering in Ireland and around the world. Every December the Lynam Lecture is held by leading national and international mountaineers and discusses the development and future of mountaineering in Ireland. Past speakers include Ines Papert, Frank Nugent and Paddy O’Leary.


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The First Non-Stop Transatlantic Flight

British aviators John Alcock and Arthur Brown take off from Newfoundland on June 14, 1919, on the first ever non-stop transatlantic flight. They fly a modified World War I Vickers Vimy bomber from St. John’s, Newfoundland, to Clifden, Connemara, County Galway. A small amount of mail is carried on the flight, also making it the first transatlantic airmail flight.

In April 1913 London‘s Daily Mail offers a prize of £10,000 to the aviator who first crosses the Atlantic Ocean in an airplane from any point in the United States, Canada or Newfoundland to any point in Great Britain or Ireland in 72 continuous hours. The competition is suspended with the outbreak of war in 1914 but reopens after Armistice is declared in 1918.

Several teams enter the competition and, when Alcock and Brown arrive in St. John’s, the Handley Page team are in the final stages of testing their aircraft for the flight, but their leader, Admiral Mark Kerr, is determined not to take off until the plane is in perfect condition. The Vickers team quickly assembles their plane and while the Handley Page team are conducting yet another test, the Vickers plane takes off from Lester’s Field.

It is not an easy flight. The overloaded aircraft has difficulty taking off the rough field and barely misses the tops of the trees. At 5:20 PM the wind-driven electrical generator fails, depriving them of radio contact, their intercom and heating. An exhaust pipe bursts shortly afterwards, causing a frightening noise which makes conversation impossible without the failed intercom.

Alcock and Brown also have to contend with thick fog, which prevents Brown from being able to navigate using his sextant. Alcock twice loses control of the aircraft in the fog and nearly crashes into the sea. He also has to deal with a broken trim control that makes the plane become very nose heavy as fuel is consumed. Their electric heating suits fail, making them very cold in the open cockpit.

At 3:00 AM they fly into a large snowstorm. They are drenched by rain, their instruments ice up, and the plane is in danger of icing and becoming unflyable. The carburetors also ice up.

They make landfall in County Galway at 8:40 AM on June 15, 1919, not far from their intended landing place, after less than sixteen hours of flying time. The aircraft is damaged upon arrival because they land on what appears from the air to be a suitable green field, but which turns out to be Derrygilmlagh Bog, near Clifden. This causes the aircraft to nose-over, although neither of the airmen is hurt. Brown says that had the weather been favorable they could have pressed on to London. Their first interview is given to Tom ‘Cork’ Kenny of the Connacht Tribune.

Alcock and Brown are treated as heroes on the completion of their flight. The Secretary of State for Air, Winston Churchill, presents them with the Daily Mail prize. In addition to a share of the Daily Mail award, Alcock receives 2,000 guineas (£2,100) from the State Express Cigarette Company and £1,000 from Laurence R. Philipps for being the first Briton to fly the Atlantic Ocean. Both men are knighted a week later by King George V at Windsor Castle.

Alcock and Brown fly to Manchester in July 1919, where they are given a civic reception by the Lord Mayor of Manchester and Manchester City Council, and awards to mark their achievement.

(Pictured: Statue of Alcock and Brown formerly located at London Heathrow Airport. Relocated to Clifden, Connemara, County Galway, Ireland to celebrate centenary in 2019.)


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Birth of Garry Hynes, Theatre Director & Tony Award Winner

Garry Hynes, Irish theatre director, is born in Ballaghaderreen, County Roscommon, on June 10, 1953. She is the first woman to win the prestigious Tony Award for direction of a play.

Hynes is educated at St. Louis Convent at Monaghan, the Dominican Convent at Galway, and University College Galway (UCG).

Hynes is a co-founder of the Druid Theatre Company with Mick Lally and Marie Mullen in 1975 after meeting through the drama society of UCG. She is Druid’s artistic director from 1975 to 1991, and again from 1995 to date. She directs for the Abbey Theatre from 1984 and is its artistic director from 1991 to 1994, and also the Royal Shakespeare Company, the Royal Exchange, Manchester, the John F. Kennedy Center for the Performing Arts and the Royal Court Theatre, London.

Hynes directs DruidSynge, the company’s critically acclaimed production of all six of John Millington Synge‘s plays that première at the Galway Arts Festival in 2005 and has since toured to Dublin, Edinburgh, Inis Meáin, Minneapolis and New York City. DruidSynge has been described by Charles Isherwood of The New York Times as “the highlight not just of my theatre going year but of my theatre going life” and by The Irish Times as “one of the greatest achievements in the history of Irish theatre.”

In 2017, award-winning artist Vera Klute is commissioned by the National Gallery of Ireland to create a portrait of Hynes as part of the 2015 Hennessey Portrait Prize. The bust, made of porcelain, concrete and timber (with a dimension of 164cm x 54cm x 45cm), is unveiled to the public in April 2017 and is currently on display as part of the Gallery’s National Portrait Collection.

In 1998 Hynes wins the Tony Award for Direction for The Beauty Queen of Leenane, the first woman to receive the award. She is a recipient of many other Theatre Awards, including The Irish Times/ESB Irish Theatre Award for Best Director (2002) and a The Irish Times Special Tribute Award for her contribution to Irish Theatre in February 2005.

Hynes has received honorary Doctorates from the University of Dublin (2004), The National University of Ireland, Galway (1998) and the National Council for Educational Awards (1988). On June 15, 2006, she is awarded the Freedom of the City of Galway, its highest bestowed honour.

Hynes is the civil partner of film producer Martha O’Neill.


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Birth of John Scott, 1st Earl of Clonmell

John Scott, 1st Earl of Clonmell, Irish barrister and judge known as The Lord Earlsfort between 1784 and 1789 and as The Viscount Clonmell between 1789 and 1793, is born in County Tipperary on June 8, 1739. Sometimes known as “Copperfaced Jack”, he is Lord Chief Justice of the King’s Bench for Ireland from 1784 to 1789.

Scott is the third son of Thomas Scott of Scottsborough, County Tipperary, and his wife Rachel, daughter of Mark Prim of Johnswell, County Kilkenny. His parents are cousins, being two of the grandchildren of Nicholas Purcell, 13th Baron of Loughmoe. His elder brother is the uncle of Bernard Phelan, who establishes Château Phélan Ségur, and Dean John Scott, who first plants the gardens open to the public at Ballyin, County Waterford and marries a niece of Scott’s political ally, Henry Grattan.

While at Kilkenny College, Scott stands up to the tormentor of a boy named Hugh Carleton, who grows up to be Viscount Carleton of Clare. They become firm friends, and Carleton’s father, then known as the “King of Cork,” due to his wealth and influence, invites him to their home and becomes his patron. In 1756, Carleton sends both the young men off, with equal allowances, to study at Trinity College, Dublin and then the Middle Temple in London. On being called to the Irish bar in 1765, Scott’s eloquence secures him a position that enables him to pay £300 a year to his patron, Francis Carleton, who through a series of disappointments has been declared bankrupt. He continues to gratefully support his patron until Hugh Carleton is financially able to insist that he take up the payments to his father. Scott in later life turns against Carleton, describing him in his diary as a “worthless wretch.”

Admitted to King’s Inns in 1765, Scott is entitled to practice as a barrister. In 1769 he is elected as the Member of Parliament for Mullingar, a seat he holds until 1783. The following year he is made a King’s Counsel (KC). In 1772 he is Counsel to the Board of Revenue and in 1774 is appointed Solicitor-General for Ireland (1774–1777). Three years later, he is elected a Privy Councillor and Attorney-General for Ireland (1774–1783). He is dismissed from the latter position in 1782 for refusing to acknowledge the right of England to legislate for Ireland. In 1775, he is awarded an honorary degree of Doctor of Law (LL.D.) by Trinity College, Dublin. He holds the office of Prime Serjeant-at-Law of Ireland between 1777 and 1782. He is Clerk of the Pleas of the Court of the Exchequer in 1783 and is elected Member of Parliament for Portarlington between 1783 and 1784.

In 1784, Scott is created 1st Baron Earlsfort of Lisson-Earl, County Tipperary, following his appointment to Lord Chief Justice of the King’s Bench. In 1789 he is created 1st Viscount Clonmel, of Clonmel, County Tipperary and in 1793 is created 1st Earl of Clonmel. By the 1790s he has an annual income of £20,000. Due to heavy drinking and overeating he becomes seriously overweight, and this no doubt contributes to his early death, although his diary shows that he makes frequent efforts to live a more temperate life. Drinking also produces the red face which earns him the nickname “Copper-faced Jack.”

In 1768, Scott marries the widowed Catherine Anna Maria Roe, daughter of Thomas Mathew, of Earl Landaff and sister of Francis Mathew, 1st Earl Landaff. She dies in 1771. In 1779, he marries Margaret Lawless, daughter and eventual heiress of banker Patrick Lawless of Dublin. He leaves a son and heir and a daughter by his second marriage.

Scott lives at Clonmell House, 17 Harcourt Street, Dublin. He also keeps a country residence, Temple Hill House, in County Dublin. Clonmell Street in Dublin is named in his honour, as is Earlsfort Terrace, also in Dublin. He also gains a reputation of being an experienced duelist.

In 1797, in the last conversation he would have with his wife’s cousin, Valentine Lawless, 2nd Baron Cloncurry, he exclaims, “My dear Val, I have been a fortunate man in life. I am a Chief Justice and an Earl; but, believe me, I would rather be beginning the world as a young (chimney) sweep.” He dies at the age of 58 the following year on May 23, 1798.

(Pictured: John Scott, 1st Earl of Clonmell, oil on canvas by Gilbert Charles Stuart)


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Birth of Elizabeth Bowen, Novelist & Short Story Writer

Elizabeth Dorothea Cole Bowen CBE, Anglo-Irish novelist and short story writer notable for her fiction about life in wartime London, is born at 15 Herbert Place in Dublin on June 7, 1899.

Bowen is baptised in St. Stephen’s Church on Upper Mount Street. Her parents, Henry Charles Cole Bowen and Florence (née Colley) Bowen, later bring her to Bowen’s Court at Farahy, near Kildorrery, County Cork, where she spends her summers. When her father becomes mentally ill in 1907, she and her mother move to England, eventually settling in Hythe. After her mother dies in 1912, she is raised by her aunts. She is educated at Downe House School under the headship of Olive Willis. After some time at art school in London she decides that her talent lay in writing. She mixes with the Bloomsbury Group, becoming good friends with Rose Macaulay who helps her seek out a publisher for her first book, a collection of short stories entitled Encounters (1923).

In 1923 Bowen marries Alan Cameron, an educational administrator who subsequently works for the BBC. The marriage has been described as “a sexless but contented union.” She has various extra-marital relationships, including one with Charles Ritchie, a Canadian diplomat seven years her junior, which lasts over thirty years. She also has an affair with the Irish writer Seán Ó Faoláin and a relationship with the American poet May Sarton. She and her husband first live near Oxford, where they socialize with Maurice Bowra, John Buchan and Susan Buchan, and where she writes her early novels, including The Last September (1929). Following the publication of To the North (1932) they move to 2 Clarence Terrace, Regent’s Park, London, where she writes The House in Paris (1935) and The Death of the Heart (1938). In 1937, she becomes a member of the Irish Academy of Letters.[3]

In 1930 Bowen becomes the first (and only) woman to inherit Bowen’s Court, but remains based in England, making frequent visits to Ireland. During World War II she works for the British Ministry of Information, reporting on Irish opinion, particularly on the issue of neutrality. Her political views tend towards Burkean conservatism. During and after the war she writes among the greatest expressions of life in wartime London, The Demon Lover and Other Stories (1945) and The Heat of the Day (1948). She is awarded the CBE the same year.

Bowen’s husband retires in 1952 and they settle in Bowen’s Court, where he dies a few months later. Many writers visit her at Bowen’s Court from 1930 onwards, including Virginia Woolf, Eudora Welty, Carson McCullers, Iris Murdoch, and the historian Veronica Wedgwood. For years Bowen struggles to keep the house going, lecturing in the United States to earn money. In 1957 her portrait is painted at Bowen’s Court by her friend, painter Patrick Hennessy. She travels to Italy in 1958 to research and prepare A Time in Rome (1960), but by the following year she is forced to sell her beloved Bowen’s Court, which is demolished in 1960. In the following months, she writes for CBS the narrative of the documentary titled Ireland the Tear and the Smile which is realized in collaboration with Robert Monks as cameraman and associate producer. After spending some years without a permanent home, she finally settles at “Carbery”, Church Hill, Hythe, in 1965.

Bowen’s final novel, Eva Trout, or Changing Scenes (1968), wins the James Tait Black Memorial Prize in 1969 and is shortlisted for the Man Booker Prize in 1970. Subsequently, she is a judge that awards the 1972 Man Booker Prize to John Berger for G. She spends Christmas 1972 at Kinsale, County Cork with her friends, Major Stephen Vernon and his wife, Lady Ursula, daughter of Hugh Grosvenor, 2nd Duke of Westminster, but is hospitalised upon her return. Here she is visited by Cyril Connolly, Lady Ursula Vernon, Isaiah Berlin, Rosamund Lehmann, and her literary agent, Spencer Curtis Brown, among others.

In 1972 Bowen develops lung cancer. She dies at the age of 73 in University College Hospital in London on February 22, 1973. She is buried with her husband in St. Colman’s churchyard in Farahy, close to the gates of Bowen’s Court, where there is a memorial plaque to the author at the entrance to St. Colman’s Church, where a commemoration of her life is held annually.


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Birth of Tony Award Nominated Actor Milo O’Shea

Milo Donal O’Shea, Irish actor twice nominated for the Tony Award for Best Actor in a Play for his performances in Staircase (1968) and Mass Appeal (1982), is born in Dublin on June 2, 1926.

O’Shea is raised in Dublin and educated by the Christian Brothers at Synge Street CBS, along with his friend Donal Donnelly. His father is a singer and his mother a ballet teacher. Because he is bilingual, he performs in English-speaking theatres and in Irish in the Abbey Theatre Company. At age 12, he appears in George Bernard Shaw‘s Caesar and Cleopatra at the Gate Theatre. He later studies music and drama at the Guildhall School of Music and Drama in London and is a skilled pianist.

O’Shea is discovered in the 1950s by Harry Dillon, who runs the 37 Theatre Club on the top floor of his shop, the Swiss Gem Company, 51 Lower O’Connell Street, Dublin. Early in his career he tours with the theatrical company of Anew McMaster.

O’Shea begins acting on the stage, then moves into film in the 1960s. He becomes popular in the United Kingdom, as a result of starring in the BBC sitcom Me Mammy alongside Yootha Joyce. In 1967–68 he appears in the drama Staircase, co-starring Eli Wallach and directed by Barry Morse, which stands as Broadway‘s first depiction of homosexual men in a serious light. For his role in that drama, he is nominated for the Tony Award for Best Actor in a Play in 1968.

O’Shea stars as Leopold Bloom in Joseph Strick‘s 1967 film version of Ulysses. Among his other memorable film roles in the 1960s are the well-intentioned Friar Laurence in Franco Zeffirelli‘s Romeo and Juliet (1968) and the villainous Dr. Durand Durand in Roger Vadim‘s counterculture classic Barbarella (1968). In 1984, he reprises his role as Dr. Durand Durand, credited as Dr. Duran Duran, for the 1985 Duran Duran concert film Arena (An Absurd Notion), since his character inspired the band’s name. He plays Inspector Boot in the 1973 Vincent Price horror/comedy film Theatre of Blood.

O’Shea is active in American films and television, such as his memorable supporting role as the trial judge in the Sidney Lumet-directed movie The Verdict (1982) with Paul Newman, an episode of The Golden Girls in 1987, and portraying Chief Justice of the United States Roy Ashland in the television series The West Wing. In 1992, he guest stars in the season 10 finale of the sitcom Cheers, and, in 1995, in an episode of the show’s spin-off Frasier. He appears in the pilot episode of Early Edition as Sherman.

Other stage appearances include Mass Appeal (1981) in which he originates the role of Father Tim Farley, for which he is nominated for the Tony Award for Best Actor in a Play in 1982, the musical Dear World in which he plays the Sewer Man opposite Angela Lansbury as Countess Aurelia, Corpse! (1986) and a 1994 Broadway revival of Philadelphia, Here I Come!.

O’Shea receives an honorary degree from Quinnipiac University in 2010.

O’Shea’s first wife is Maureen Toal, an Irish actress, with whom he has two sons, Colm and Steven. They divorce in 1974. His second wife is Irish actress Kitty Sullivan, whom he meets in Italy, where he is filming Barbarella and she is auditioning for Man of La Mancha. The couple occasionally act together, such as in a 1981 Broadway revival of My Fair Lady. O’Shea and Sullivan have no children together. They both adopt United States citizenship and reside in New York City, where they both live from 1976.

O’Shea dies on April 2, 2013, in New York City following a short illness at the age of 86. He is buried at Deans Grange Cemetery.


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Death of Michael Davitt, Founder of the Irish National Land League

Michael Davitt, Irish republican and agrarian agitator, dies in Elphis Hospital in Dublin from blood poisoning on May 30, 1906. He is the founder of the Irish National Land League, which organizes resistance to absentee landlordism and seeks to relieve the poverty of the tenant farmers by securing fixity of tenure, fair rent, and free sale of the tenant’s interest.

Davitt is born in Strade, County Mayo, on March 25, 1846, the son of an evicted tenant farmer. Following their eviction, the family emigrates to England. In 1856, at the age of 10, he starts work in a cotton mill, where he loses an arm in a machinery accident a year later. As is typical for the era, he does not receive any compensation.

In 1865, Davitt joins the revolutionary Fenian Brotherhood, an international secret society that seeks to secure political freedom for Ireland. He becomes secretary of its Irish analogue, the Irish Republican Brotherhood (IRB), in 1868. Arrested in Paddington Station in London for sending firearms to Ireland on May 14, 1870, he is sentenced to 15 years in Dartmoor Prison and there lays plans to link Charles Stewart Parnell’s constitutional reform with Fenian activism to achieve political-agrarian agitation.

Paroled from prison in 1877, Davitt rejoins the IRB and goes to the United States, where the Fenian movement originated. There he is deeply influenced by Henry George’s ideas about the relationship between land monopoly and poverty.

Back in Ireland, using funds raised by John Devoy and Clan na Gael in the United States, Davitt wins Parnell’s cooperation in organizing the Irish National Land League in 1879, which leads, however, to his expulsion from the supreme council of the IRB in 1880. He is also imprisoned for seditious speeches in 1881 and 1883. He is elected to Parliament representing North Meath in the 1892 United Kingdom general election, but his election is overturned on petition because he had been supported by the Roman Catholic hierarchy. He stands unopposed for North East Cork at a by-election in February 1893, making his maiden speech in favour of the Home Rule Bill in April, which passes the House of Commons but is defeated in the House of Lords in September.

Because of his public championing of Henry George’s theories of land reform, Parnell repudiates him. Davitt actively defends the Nationalists before the Parnell Commission, which meets between 1887 and 1889. When the Irish party splits in 1890 over Parnell’s involvement in Capt. William Henry O’Shea’s divorce case, Davitt is among the first to oppose Parnell’s continuance as leader. He is elected again, for South Mayo in 1895, but resigns in 1899 in protest against the Second Boer War.

Davitt dies in Elphis Hospital, Dublin on May 30, 1906, at the age of 60, from blood poisoning. The fact that the Lord Lieutenant of Ireland attends his funeral is a public indication of the dramatic political journey this former Fenian prisoner has taken. There is no plan for public funeral, and hence Davitt’s body is brought quietly to the Carmelite Friary, Clarendon Street, Dublin. However, the next day over 20,000 people file past his coffin. His remains are taken by train to Foxford, County Mayo, and buried in the grounds of Strade Abbey at Strade, near his place of birth.

Davitt’s book, The Fall of Feudalism in Ireland (1904), is a valuable record of his time.


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Birth of Architect George Coppinger Ashlin

George Coppinger Ashlin, Irish architect particularly noted for his work on churches and cathedrals, is born in County Cork on May 28, 1837. He becomes President of the Royal Institute of the Architects of Ireland.

Ashlin is the son of J. M. Ashlin, J.P. He receives his early education at the Collège de St. Servais in Liège, Belgium. He later enrolls at St. Mary’s College, Oscott (1851-55) where he is subsequently a pupil of Edward Welby Pugin. It is during this time that he develops an interest in architecture. By 1858, he enters the Royal Academy Schools, London.

When Pugin receives the commission for SS Peter and Paul’s, Carey’s Lane, Cork, in 1859, he makes Ashlin a partner with responsibility for their Irish work. This partnership lasts until late 1868. In 1861 they open their office at St. Stephen’s Green, Dublin. The practice is primarily ecclesiastical, designing some 25 religious buildings. Their churches and Cathedrals are mainly located in the counties of Wexford, Cork and Kerry, and are all of similar design. By far the most important commission undertaken by this partnership is the building of St. Colman’s Cathedral, Cobh for Bishop William Keane.

In 1867 Ashlin marries Mary Pugin (1844-1933), sister of Edward Welby Pugin and daughter of Augustus Welby Pugin, the Gothic revivalist. Their only daughter, Miriam, is born ten years later.

The partnership with Pugin is dissolved in 1870. Thereafter Ashlin practises in his own right, branching out to cover the entire island nation. His works of this period include Ballycotten (1901), Ballybunion (1892), Church of the Most Holy Rosary, Midleton (1893) and the Munster & Leinster Bank, both of Midleton, and finally Kildare (1898).

Ashlin is a member of the Royal Hibernian Academy and Fellow of the Royal Institute of British Architects.

George Coppinger Ashlin dies at the age of 84 on December 10, 1921. He is buried at Glasnevin Cemetery in Dublin.